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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70BEE6 it is the complementary color #8F4119. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70BEE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70BEE6 shade: #75BEE1, #86D0F4, #97E2FF, #A8F4FF and #B9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70BEE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70BEE6 shade: #70BEE6, #5FACD3, #4E9AC0, #3D88AD and #2C769A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70BEE6 shade: #6FBDE5, #6F9EE5, #6F7EE5, #816FE5 and #A16FE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70BEE6 shade: #6FBDE5, #6F9EE5, #6F7EE5 and #6F6FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70BEE6 shade matches the following richer shades: #6FBDE5 and #62C2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70BEE6 shade: #6FBDE5, #7DB9D8, #8BB5CA, #98B0BC and #A6ACAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70BEE6 shade: #6FE5CE, #6FDDE5, #6FBEE5, #6F9FE5 and #6F7FE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70BEE6 shade: #299DD9, #4CADDF, #6FBDE5, #93CDEB and #B6DDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70BEE6 shade: #70BEE6, #AE6FE5 and #E5DD6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70BEE6 shade: #70BEE6, #E56FBE and #BEE56F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70BEE6 shade: #70BEE6, #AE6FE5, #E5976F and #A6E56F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70BEE6 shade: #70BEE6, #D26FE5, #E5976F and #83E56F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 17 / 0 / 10

HEX #70BEE6

RGB 112 190 230

HSL 200.34, 0.7%, 0.67%

LAB 73.54, -13.19, -27.34

 

Complementary color

CMYK 0 / 55 / 83 / 44

HEX #8F4119

RGB 143 65 25

HSL 20.34, 0.7%, 0.33%

LAB 37.28, 30.53, 38.36

 

CMYK 48 / 16 / 0 / 12

HEX #75BEE1

RGB 117 190 225

HSL 199.44, 0.64%, 0.67%

LAB 73.57, -13.48, -24.55

 

CMYK 45 / 15 / 0 / 4

HEX #86D0F4

RGB 134 208 244

HSL 199.64, 0.83%, 0.74%

LAB 80.02, -13.72, -24.87

 

CMYK 41 / 11 / 0 / 0

HEX #97E2FF

RGB 151 226 255

HSL 196.73, 1%, 0.8%

LAB 86.1, -15.98, -21.37

 

CMYK 34 / 4 / 0 / 0

HEX #A8F4FF

RGB 168 244 255

HSL 187.59, 1%, 0.83%

LAB 91.8, -20.65, -12.73

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 51 / 17 / 0 / 10

HEX #70BEE6

RGB 112 190 230

HSL 200.34, 0.7%, 0.67%

LAB 73.54, -13.19, -27.34

 

CMYK 55 / 18 / 0 / 17

HEX #5FACD3

RGB 95 172 211

HSL 200.17, 0.57%, 0.6%

LAB 67.01, -12.77, -27.04

 

CMYK 59 / 20 / 0 / 25

HEX #4E9AC0

RGB 78 154 192

HSL 200, 0.48%, 0.53%

LAB 60.37, -12.23, -26.74

 

CMYK 65 / 21 / 0 / 32

HEX #3D88AD

RGB 61 136 173

HSL 199.82, 0.48%, 0.46%

LAB 53.62, -11.51, -26.41

 

CMYK 71 / 23 / 0 / 40

HEX #2C769A

RGB 44 118 154

HSL 199.64, 0.56%, 0.39%

LAB 46.74, -10.54, -26.06

 

CMYK 52 / 17 / 0 / 10

HEX #6FBDE5

RGB 111 189 229

HSL 200.34, 0.69%, 0.67%

LAB 73.18, -13.16, -27.36

 

CMYK 52 / 31 / 0 / 10

HEX #6F9EE5

RGB 111 158 229

HSL 216.1, 0.69%, 0.67%

LAB 64.56, 3.93, -40.72

 

CMYK 52 / 45 / 0 / 10

HEX #6F7EE5

RGB 111 126 229

HSL 232.37, 0.69%, 0.67%

LAB 56.05, 22.78, -54.18

 

CMYK 44 / 52 / 0 / 10

HEX #816FE5

RGB 129 111 229

HSL 249.15, 0.69%, 0.67%

LAB 53.7, 35.71, -57.85

 

CMYK 30 / 52 / 0 / 10

HEX #A16FE5

RGB 161 111 229

HSL 265.42, 0.69%, 0.67%

LAB 56.69, 43.45, -52.91

 

CMYK 52 / 17 / 0 / 10

HEX #6FBDE5

RGB 111 189 229

HSL 200.34, 0.69%, 0.67%

LAB 73.18, -13.16, -27.36

 

CMYK 52 / 31 / 0 / 10

HEX #6F9EE5

RGB 111 158 229

HSL 216.1, 0.69%, 0.67%

LAB 64.56, 3.93, -40.72

 

CMYK 52 / 45 / 0 / 10

HEX #6F7EE5

RGB 111 126 229

HSL 232.37, 0.69%, 0.67%

LAB 56.05, 22.78, -54.18

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE5

RGB 111 111 229

HSL 240, 0.69%, 0.67%

LAB 52.29, 31.8, -60.19

 

CMYK 52 / 17 / 0 / 10

HEX #6FBDE5

RGB 111 189 229

HSL 200.34, 0.69%, 0.67%

LAB 73.18, -13.16, -27.36

 

CMYK 60 / 20 / 0 / 5

HEX #62C2F3

RGB 98 194 243

HSL 200.28, 0.86%, 0.67%

LAB 74.6, -14.27, -32.76

 

CMYK 52 / 17 / 0 / 10

HEX #6FBDE5

RGB 111 189 229

HSL 200.34, 0.69%, 0.67%

LAB 73.18, -13.16, -27.36

 

CMYK 42 / 14 / 0 / 15

HEX #7DB9D8

RGB 125 185 216

HSL 200.44, 0.54%, 0.67%

LAB 72.24, -11.35, -21.66

 

CMYK 31 / 10 / 0 / 21

HEX #8BB5CA

RGB 139 181 202

HSL 200, 0.37%, 0.67%

LAB 71.42, -9.01, -15.18

 

CMYK 19 / 6 / 0 / 26

HEX #98B0BC

RGB 152 176 188

HSL 200, 0.21%, 0.67%

LAB 70.43, -5.64, -8.89

 

CMYK 5 / 2 / 0 / 31

HEX #A6ACAF

RGB 166 172 175

HSL 200, 0.05%, 0.67%

LAB 69.97, -1.52, -2.28

 

CMYK 52 / 0 / 10 / 10

HEX #6FE5CE

RGB 111 229 206

HSL 168.31, 0.69%, 0.67%

LAB 83.9, -38.85, 1.03

 

CMYK 52 / 3 / 0 / 10

HEX #6FDDE5

RGB 111 221 229

HSL 184.07, 0.69%, 0.67%

LAB 82.24, -29.33, -13.61

 

CMYK 52 / 17 / 0 / 10

HEX #6FBEE5

RGB 111 190 229

HSL 199.83, 0.69%, 0.67%

LAB 73.46, -13.69, -26.92

 

CMYK 52 / 31 / 0 / 10

HEX #6F9FE5

RGB 111 159 229

HSL 215.59, 0.69%, 0.67%

LAB 64.83, 3.36, -40.29

 

CMYK 52 / 45 / 0 / 10

HEX #6F7FE5

RGB 111 127 229

HSL 231.86, 0.69%, 0.67%

LAB 56.3, 22.18, -53.77

 

CMYK 81 / 28 / 0 / 15

HEX #299DD9

RGB 41 157 217

HSL 200.45, 0.7%, 0.51%

LAB 61.3, -10.74, -39.34

 

CMYK 66 / 22 / 0 / 13

HEX #4CADDF

RGB 76 173 223

HSL 200.41, 0.7%, 0.59%

LAB 67.09, -13.07, -33.57

 

CMYK 52 / 17 / 0 / 10

HEX #6FBDE5

RGB 111 189 229

HSL 200.34, 0.69%, 0.67%

LAB 73.18, -13.16, -27.36

 

CMYK 37 / 13 / 0 / 8

HEX #93CDEB

RGB 147 205 235

HSL 200.45, 0.69%, 0.75%

LAB 79.54, -11.26, -20.73

 

CMYK 25 / 9 / 0 / 5

HEX #B6DDF2

RGB 182 221 242

HSL 201, 0.7%, 0.83%

LAB 86.04, -8.13, -14.45

 

CMYK 51 / 17 / 0 / 10

HEX #70BEE6

RGB 112 190 230

HSL 200.34, 0.7%, 0.67%

LAB 73.54, -13.19, -27.34

 

CMYK 24 / 52 / 0 / 10

HEX #AE6FE5

RGB 174 111 229

HSL 272.03, 0.69%, 0.67%

LAB 58.06, 46.78, -50.64

 

CMYK 0 / 3 / 52 / 10

HEX #E5DD6F

RGB 229 221 111

HSL 55.93, 0.69%, 0.67%

LAB 86.76, -11.55, 54.31

 

CMYK 51 / 17 / 0 / 10

HEX #70BEE6

RGB 112 190 230

HSL 200.34, 0.7%, 0.67%

LAB 73.54, -13.19, -27.34

 

CMYK 0 / 52 / 17 / 10

HEX #E56FBE

RGB 229 111 190

HSL 319.83, 0.69%, 0.67%

LAB 63.13, 55.12, -20.25

 

CMYK 17 / 0 / 52 / 10

HEX #BEE56F

RGB 190 229 111

HSL 79.83, 0.69%, 0.67%

LAB 86.07, -30.71, 52.8

 

CMYK 51 / 17 / 0 / 10

HEX #70BEE6

RGB 112 190 230

HSL 200.34, 0.7%, 0.67%

LAB 73.54, -13.19, -27.34

 

CMYK 24 / 52 / 0 / 10

HEX #AE6FE5

RGB 174 111 229

HSL 272.03, 0.69%, 0.67%

LAB 58.06, 46.78, -50.64

 

CMYK 0 / 34 / 52 / 10

HEX #E5976F

RGB 229 151 111

HSL 20.34, 0.69%, 0.67%

LAB 69.43, 25.05, 33.01

 

CMYK 28 / 0 / 52 / 10

HEX #A6E56F

RGB 166 229 111

HSL 92.03, 0.69%, 0.67%

LAB 84.63, -39.47, 50.74

 

CMYK 51 / 17 / 0 / 10

HEX #70BEE6

RGB 112 190 230

HSL 200.34, 0.7%, 0.67%

LAB 73.54, -13.19, -27.34

 

CMYK 8 / 52 / 0 / 10

HEX #D26FE5

RGB 210 111 229

HSL 290.34, 0.69%, 0.67%

LAB 62.28, 56.31, -43.7

 

CMYK 0 / 34 / 52 / 10

HEX #E5976F

RGB 229 151 111

HSL 20.34, 0.69%, 0.67%

LAB 69.43, 25.05, 33.01

 

CMYK 43 / 0 / 52 / 10

HEX #83E56F

RGB 131 229 111

HSL 109.83, 0.69%, 0.67%

LAB 82.92, -50.91, 48.27

 

Description

Color code: HEX #70BEE6 | qconv.com Color code: HEX #70BEE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 190 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 190 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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