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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70B5FF it is the complementary color #8F4A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70B5FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70B5FF shade: #75B5FA, #86C7FF, #97D9FF, #A8EBFF and #B9FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70B5FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70B5FF shade: #70B5FF, #5FA3EC, #4E91D9, #3D7FC6 and #2C6DB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70B5FF shade: #70B5FF, #708EFF, #7870FF, #9E70FF and #C570FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70B5FF shade: #70B5FF, #708EFF and #7070FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70B5FF shade matches the following richer shades: #70B5FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70B5FF shade: #70B5FF, #7BB5F3, #87B5E7, #92B6DC and #9EB6D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70B5FF shade: #70FFFC, #70DBFF, #70B5FF, #708FFF and #7770FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70B5FF shade: #1D8AFF, #469FFF, #70B5FF, #99CAFF and #C2DFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70B5FF shade: #70B5FF, #D670FF and #EEFF70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70B5FF shade: #70B5FF, #FF70B5 and #B5FF70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70B5FF shade: #70B5FF, #D670FF, #FFB970 and #98FF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70B5FF shade: #70B5FF, #FF70FC, #FFB970 and #70FF72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

Complementary color

CMYK 0 / 48 / 100 / 44

HEX #8F4A00

RGB 143 74 0

HSL 31.05, 1%, 0.28%

LAB 39.13, 25, 48.81

 

CMYK 53 / 28 / 0 / 2

HEX #75B5FA

RGB 117 181 250

HSL 211.13, 0.93%, 0.72%

LAB 72.05, -1.38, -40.45

 

CMYK 47 / 22 / 0 / 0

HEX #86C7FF

RGB 134 199 255

HSL 207.77, 1%, 0.76%

LAB 77.95, -5.96, -33.91

 

CMYK 41 / 15 / 0 / 0

HEX #97D9FF

RGB 151 217 255

HSL 201.92, 1%, 0.8%

LAB 83.67, -11.36, -25.08

 

CMYK 34 / 8 / 0 / 0

HEX #A8EBFF

RGB 168 235 255

HSL 193.79, 1%, 0.83%

LAB 89.37, -16.17, -16.36

 

CMYK 27 / 1 / 0 / 0

HEX #B9FDFF

RGB 185 253 255

HSL 181.71, 1%, 0.86%

LAB 95.07, -20.48, -7.77

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 64 / 33 / 0 / 15

HEX #4E91D9

RGB 78 145 217

HSL 211.08, 0.65%, 0.58%

LAB 58.86, 1.02, -43.11

 

CMYK 69 / 36 / 0 / 22

HEX #3D7FC6

RGB 61 127 198

HSL 211.09, 0.55%, 0.51%

LAB 52.12, 2.33, -43.08

 

CMYK 75 / 39 / 0 / 30

HEX #2C6DB3

RGB 44 109 179

HSL 211.11, 0.61%, 0.44%

LAB 45.26, 4, -43.05

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 56 / 44 / 0 / 0

HEX #708EFF

RGB 112 142 255

HSL 227.41, 1%, 0.72%

LAB 61.66, 21.58, -59.58

 

CMYK 53 / 56 / 0 / 0

HEX #7870FF

RGB 120 112 255

HSL 243.36, 1%, 0.72%

LAB 54.87, 40.88, -70.48

 

CMYK 38 / 56 / 0 / 0

HEX #9E70FF

RGB 158 112 255

HSL 259.3, 1%, 0.72%

LAB 58.11, 48.72, -65.09

 

CMYK 23 / 56 / 0 / 0

HEX #C570FF

RGB 197 112 255

HSL 275.66, 1%, 0.72%

LAB 62.24, 57.8, -58.25

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 56 / 44 / 0 / 0

HEX #708EFF

RGB 112 142 255

HSL 227.41, 1%, 0.72%

LAB 61.66, 21.58, -59.58

 

CMYK 56 / 56 / 0 / 0

HEX #7070FF

RGB 112 112 255

HSL 240, 1%, 0.72%

LAB 54.29, 39.42, -71.44

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 49 / 26 / 0 / 5

HEX #7BB5F3

RGB 123 181 243

HSL 211, 0.83%, 0.72%

LAB 72.05, -2.12, -36.64

 

CMYK 42 / 22 / 0 / 9

HEX #87B5E7

RGB 135 181 231

HSL 211.25, 0.67%, 0.72%

LAB 72.21, -2.6, -29.83

 

CMYK 34 / 17 / 0 / 14

HEX #92B6DC

RGB 146 182 220

HSL 210.81, 0.51%, 0.72%

LAB 72.72, -3.08, -23.01

 

CMYK 24 / 13 / 0 / 18

HEX #9EB6D0

RGB 158 182 208

HSL 211.2, 0.35%, 0.72%

LAB 73.08, -2.46, -15.85

 

CMYK 56 / 0 / 1 / 0

HEX #70FFFC

RGB 112 255 252

HSL 178.74, 1%, 0.72%

LAB 92.57, -39.03, -10.25

 

CMYK 56 / 14 / 0 / 0

HEX #70DBFF

RGB 112 219 255

HSL 195.1, 1%, 0.72%

LAB 82.55, -21.01, -26.92

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 56 / 44 / 0 / 0

HEX #708FFF

RGB 112 143 255

HSL 226.99, 1%, 0.72%

LAB 61.92, 20.99, -59.17

 

CMYK 53 / 56 / 0 / 0

HEX #7770FF

RGB 119 112 255

HSL 242.94, 1%, 0.72%

LAB 54.79, 40.69, -70.61

 

CMYK 89 / 46 / 0 / 0

HEX #1D8AFF

RGB 29 138 255

HSL 211.06, 1%, 0.56%

LAB 57.71, 13.56, -66.08

 

CMYK 73 / 38 / 0 / 0

HEX #469FFF

RGB 70 159 255

HSL 211.14, 1%, 0.64%

LAB 64.42, 4.7, -55.3

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 40 / 21 / 0 / 0

HEX #99CAFF

RGB 153 202 255

HSL 211.18, 1%, 0.8%

LAB 79.75, -2.96, -31.06

 

CMYK 24 / 13 / 0 / 0

HEX #C2DFFF

RGB 194 223 255

HSL 211.48, 1%, 0.88%

LAB 87.71, -2.74, -18.71

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 16 / 56 / 0 / 0

HEX #D670FF

RGB 214 112 255

HSL 282.8, 1%, 0.72%

LAB 64.25, 61.94, -54.93

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF70

RGB 238 255 112

HSL 67.13, 1%, 0.72%

LAB 96.36, -24.43, 65.08

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 0 / 56 / 29 / 0

HEX #FF70B5

RGB 255 112 181

HSL 331.05, 1%, 0.72%

LAB 66.66, 61.3, -9.47

 

CMYK 29 / 0 / 56 / 0

HEX #B5FF70

RGB 181 255 112

HSL 91.05, 1%, 0.72%

LAB 92.8, -45.5, 60.08

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 16 / 56 / 0 / 0

HEX #D670FF

RGB 214 112 255

HSL 282.8, 1%, 0.72%

LAB 64.25, 61.94, -54.93

 

CMYK 0 / 27 / 56 / 0

HEX #FFB970

RGB 255 185 112

HSL 30.63, 1%, 0.72%

LAB 80.25, 17.62, 46.64

 

CMYK 40 / 0 / 56 / 0

HEX #98FF70

RGB 152 255 112

HSL 103.22, 1%, 0.72%

LAB 91.4, -54.95, 58.1

 

CMYK 56 / 29 / 0 / 0

HEX #70B5FF

RGB 112 181 255

HSL 211.05, 1%, 0.72%

LAB 72.04, -0.89, -43.18

 

CMYK 0 / 56 / 1 / 0

HEX #FF70FC

RGB 255 112 252

HSL 301.26, 1%, 0.72%

LAB 69.38, 71.6, -44.83

 

CMYK 0 / 27 / 56 / 0

HEX #FFB970

RGB 255 185 112

HSL 30.63, 1%, 0.72%

LAB 80.25, 17.62, 46.64

 

CMYK 56 / 0 / 55 / 0

HEX #70FF72

RGB 112 255 114

HSL 120.84, 1%, 0.72%

LAB 89.94, -65.57, 55.13

 

Description

Color code: HEX #70B5FF | qconv.com Color code: HEX #70B5FF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 181 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 181 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 29 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 29% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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