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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70AB25 it is the complementary color #8F54DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70AB25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70AB25 shade: #75AB20, #86BD33, #97CF46, #A8E159 and #B9F36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70AB25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70AB25 shade: #70AB25, #5F9912, #4E8700, #3D7500 and #2C6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70AB25 shade: #70AB25, #94AB25, #AB9E25, #AB7A25 and #AB5625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70AB25 shade: #70AB25, #4CAB25, #28AB25, #25AB47 and #25AB6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70AB25 shade matches the following richer shades: #70AB25, #72BC14 and #74CD03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70AB25 shade: #70AB25, #6E9A36, #6C8947, #6A7858 and #686769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70AB25 shade: #AB9E25, #95AB25, #71AB25, #4DAB25 and #2AAB25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70AB25 shade: #446716, #5A891E, #70AB25, #86CD2D and #9AD74B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70AB25 shade: #70AB25, #25AB7A and #AB25A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70AB25 shade: #70AB25, #2571AB and #AB2571

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70AB25 shade: #70AB25, #25AB7A, #5F25AB and #AB2556

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70AB25 shade: #70AB25, #25ABA2, #5F25AB and #AB252E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

Complementary color

CMYK 34 / 61 / 0 / 15

HEX #8F54DA

RGB 143 84 218

HSL 266.42, 0.64%, 0.59%

LAB 48.56, 51.01, -59.83

 

CMYK 32 / 0 / 81 / 33

HEX #75AB20

RGB 117 171 32

HSL 83.31, 0.68%, 0.4%

LAB 64.17, -37.83, 59.78

 

CMYK 29 / 0 / 73 / 26

HEX #86BD33

RGB 134 189 51

HSL 83.91, 0.58%, 0.47%

LAB 70.67, -38.4, 60.18

 

CMYK 27 / 0 / 66 / 19

HEX #97CF46

RGB 151 207 70

HSL 84.53, 0.59%, 0.54%

LAB 77.07, -38.79, 59.87

 

CMYK 25 / 0 / 60 / 12

HEX #A8E159

RGB 168 225 89

HSL 85.15, 0.69%, 0.62%

LAB 83.39, -39.05, 59.15

 

CMYK 24 / 0 / 56 / 5

HEX #B9F36C

RGB 185 243 108

HSL 85.78, 0.85%, 0.69%

LAB 89.63, -39.22, 58.24

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 38 / 0 / 88 / 40

HEX #5F9912

RGB 95 153 18

HSL 85.78, 0.79%, 0.34%

LAB 57.33, -38.73, 56.81

 

CMYK 42 / 0 / 100 / 47

HEX #4E8700

RGB 78 135 0

HSL 85.33, 1%, 0.26%

LAB 50.63, -37.71, 54.23

 

CMYK 48 / 0 / 100 / 54

HEX #3D7500

RGB 61 117 0

HSL 88.72, 1%, 0.23%

LAB 43.82, -36.15, 48.58

 

CMYK 56 / 0 / 100 / 61

HEX #2C6300

RGB 44 99 0

HSL 93.33, 1%, 0.19%

LAB 36.85, -34.42, 42.8

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 13 / 0 / 78 / 33

HEX #94AB25

RGB 148 171 37

HSL 70.3, 0.64%, 0.41%

LAB 66.18, -25.09, 60.87

 

CMYK 0 / 8 / 78 / 33

HEX #AB9E25

RGB 171 158 37

HSL 54.18, 0.64%, 0.41%

LAB 64.36, -8.4, 59.91

 

CMYK 0 / 29 / 78 / 33

HEX #AB7A25

RGB 171 122 37

HSL 38.06, 0.64%, 0.41%

LAB 54.77, 11.36, 51.06

 

CMYK 0 / 50 / 78 / 33

HEX #AB5625

RGB 171 86 37

HSL 21.94, 0.64%, 0.41%

LAB 46.24, 31.36, 42.8

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 56 / 0 / 78 / 33

HEX #4CAB25

RGB 76 171 37

HSL 102.54, 0.64%, 0.41%

LAB 62.33, -51.17, 55.9

 

CMYK 77 / 0 / 78 / 33

HEX #28AB25

RGB 40 171 37

HSL 118.66, 0.64%, 0.41%

LAB 61.4, -58.88, 54.68

 

CMYK 78 / 0 / 58 / 33

HEX #25AB47

RGB 37 171 71

HSL 135.22, 0.64%, 0.41%

LAB 61.63, -55.9, 41.04

 

CMYK 78 / 0 / 37 / 33

HEX #25AB6B

RGB 37 171 107

HSL 151.34, 0.64%, 0.41%

LAB 62.15, -49.84, 23.25

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 39 / 0 / 89 / 26

HEX #72BC14

RGB 114 188 20

HSL 86.43, 0.81%, 0.41%

LAB 69.18, -46.59, 66.8

 

CMYK 43 / 0 / 99 / 20

HEX #74CD03

RGB 116 205 3

HSL 86.44, 0.97%, 0.41%

LAB 74.43, -53, 73.21

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 29 / 0 / 65 / 40

HEX #6E9A36

RGB 110 154 54

HSL 86.4, 0.48%, 0.41%

LAB 58.69, -31.38, 46.21

 

CMYK 21 / 0 / 48 / 46

HEX #6C8947

RGB 108 137 71

HSL 86.36, 0.32%, 0.41%

LAB 53.53, -22.09, 31.92

 

CMYK 12 / 0 / 27 / 53

HEX #6A7858

RGB 106 120 88

HSL 86.25, 0.15%, 0.41%

LAB 48.51, -11.39, 15.9

 

CMYK 1 / 2 / 0 / 59

HEX #686769

RGB 104 103 105

HSL 270, 0.01%, 0.41%

LAB 43.75, 0.81, -0.99

 

CMYK 0 / 8 / 78 / 33

HEX #AB9E25

RGB 171 158 37

HSL 54.18, 0.64%, 0.41%

LAB 64.36, -8.4, 59.91

 

CMYK 13 / 0 / 78 / 33

HEX #95AB25

RGB 149 171 37

HSL 69.85, 0.64%, 0.41%

LAB 66.25, -24.67, 60.96

 

CMYK 34 / 0 / 78 / 33

HEX #71AB25

RGB 113 171 37

HSL 85.97, 0.64%, 0.41%

LAB 63.97, -39.09, 58.03

 

CMYK 55 / 0 / 78 / 33

HEX #4DAB25

RGB 77 171 37

HSL 102.09, 0.64%, 0.41%

LAB 62.37, -50.9, 55.94

 

CMYK 75 / 0 / 78 / 33

HEX #2AAB25

RGB 42 171 37

HSL 117.76, 0.64%, 0.41%

LAB 61.44, -58.57, 54.72

 

CMYK 34 / 0 / 79 / 60

HEX #446716

RGB 68 103 22

HSL 85.93, 0.65%, 0.25%

LAB 39.56, -26.18, 39.02

 

CMYK 34 / 0 / 78 / 46

HEX #5A891E

RGB 90 137 30

HSL 86.36, 0.64%, 0.33%

LAB 52.02, -32.97, 48.57

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 35 / 0 / 78 / 20

HEX #86CD2D

RGB 134 205 45

HSL 86.63, 0.64%, 0.49%

LAB 75.4, -45.64, 66.66

 

CMYK 28 / 0 / 65 / 16

HEX #9AD74B

RGB 154 215 75

HSL 86.14, 0.64%, 0.57%

LAB 79.6, -40.86, 60.6

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 78 / 0 / 29 / 33

HEX #25AB7A

RGB 37 171 122

HSL 158.06, 0.64%, 0.41%

LAB 62.44, -46.6, 15.47

 

CMYK 0 / 78 / 2 / 33

HEX #AB25A7

RGB 171 37 167

HSL 301.79, 0.64%, 0.41%

LAB 42.42, 66.12, -39.77

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 78 / 34 / 0 / 33

HEX #2571AB

RGB 37 113 171

HSL 205.97, 0.64%, 0.41%

LAB 45.83, -2.33, -37.48

 

CMYK 0 / 78 / 34 / 33

HEX #AB2571

RGB 171 37 113

HSL 325.97, 0.64%, 0.41%

LAB 39.87, 58.72, -10.73

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 78 / 0 / 29 / 33

HEX #25AB7A

RGB 37 171 122

HSL 158.06, 0.64%, 0.41%

LAB 62.44, -46.6, 15.47

 

CMYK 44 / 78 / 0 / 33

HEX #5F25AB

RGB 95 37 171

HSL 265.97, 0.64%, 0.41%

LAB 31.11, 52.79, -61

 

CMYK 0 / 78 / 50 / 33

HEX #AB2556

RGB 171 37 86

HSL 338.06, 0.64%, 0.41%

LAB 38.99, 56.02, 5.02

 

CMYK 35 / 0 / 78 / 33

HEX #70AB25

RGB 112 171 37

HSL 86.42, 0.64%, 0.41%

LAB 63.92, -39.46, 57.96

 

CMYK 78 / 0 / 5 / 33

HEX #25ABA2

RGB 37 171 162

HSL 175.97, 0.64%, 0.41%

LAB 63.45, -36.17, -5.34

 

CMYK 44 / 78 / 0 / 33

HEX #5F25AB

RGB 95 37 171

HSL 265.97, 0.64%, 0.41%

LAB 31.11, 52.79, -61

 

CMYK 0 / 78 / 73 / 33

HEX #AB252E

RGB 171 37 46

HSL 355.97, 0.64%, 0.41%

LAB 38.16, 53.41, 29.17

 

Description

Color code: HEX #70AB25 | qconv.com Color code: HEX #70AB25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 171 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 171 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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