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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70980B it is the complementary color #8F67F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70980B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70980B shade: #759806, #86AA19, #97BC2C, #A8CE3F and #B9E052

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70980B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70980B shade: #70980B, #5F8600, #4E7400, #3D6200 and #2C5000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70980B shade: #70980A, #96980A, #98740A, #984E0A and #98270A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70980B shade: #70980A, #4A980A, #23980A, #0A9817 and #0A983E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70980B shade matches the following richer shades: #70980A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70980B shade: #70980A, #6A8B17, #647E25, #5F7032 and #59633F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70980B shade: #98750A, #96980A, #70980A, #4A980A and #24980A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70980B shade: #374B05, #537207, #70980A, #8CBF0D and #A9E50F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70980B shade: #70980B, #0A984F and #880A98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70980B shade: #70980B, #0A7098 and #980A70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70980B shade: #70980B, #0A984F, #320A98 and #980A53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70980B shade: #70980B, #0A9879, #320A98 and #980A29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 93 / 40

HEX #70980B

RGB 112 152 11

HSL 77.02, 0.87%, 0.32%

LAB 57.97, -31.84, 59.03

 

Complementary color

CMYK 41 / 58 / 0 / 4

HEX #8F67F4

RGB 143 103 244

HSL 257.02, 0.87%, 0.68%

LAB 54.1, 47.49, -65.52

 

CMYK 23 / 0 / 96 / 40

HEX #759806

RGB 117 152 6

HSL 74.38, 0.92%, 0.31%

LAB 58.28, -29.88, 60.17

 

CMYK 21 / 0 / 85 / 33

HEX #86AA19

RGB 134 170 25

HSL 74.9, 0.74%, 0.38%

LAB 64.87, -30.9, 62.59

 

CMYK 20 / 0 / 77 / 26

HEX #97BC2C

RGB 151 188 44

HSL 75.42, 0.62%, 0.45%

LAB 71.37, -31.68, 63.56

 

CMYK 18 / 0 / 69 / 19

HEX #A8CE3F

RGB 168 206 63

HSL 75.94, 0.59%, 0.53%

LAB 77.77, -32.27, 63.61

 

CMYK 17 / 0 / 63 / 12

HEX #B9E052

RGB 185 224 82

HSL 76.48, 0.7%, 0.6%

LAB 84.09, -32.73, 63.12

 

CMYK 26 / 0 / 93 / 40

HEX #70980B

RGB 112 152 11

HSL 77.02, 0.87%, 0.32%

LAB 57.97, -31.84, 59.03

 

CMYK 29 / 0 / 100 / 47

HEX #5F8600

RGB 95 134 0

HSL 77.46, 1%, 0.26%

LAB 51.25, -30.64, 55.12

 

CMYK 33 / 0 / 100 / 55

HEX #4E7400

RGB 78 116 0

HSL 79.66, 1%, 0.23%

LAB 44.39, -29.19, 49.41

 

CMYK 38 / 0 / 100 / 62

HEX #3D6200

RGB 61 98 0

HSL 82.65, 1%, 0.19%

LAB 37.35, -27.69, 43.55

 

CMYK 45 / 0 / 100 / 69

HEX #2C5000

RGB 44 80 0

HSL 87, 1%, 0.16%

LAB 30.09, -26.1, 37.52

 

CMYK 26 / 0 / 93 / 40

HEX #70980A

RGB 112 152 10

HSL 76.9, 0.88%, 0.32%

LAB 57.96, -31.86, 59.18

 

CMYK 1 / 0 / 93 / 40

HEX #96980A

RGB 150 152 10

HSL 60.85, 0.88%, 0.32%

LAB 60.75, -15.4, 62.57

 

CMYK 0 / 24 / 93 / 40

HEX #98740A

RGB 152 116 10

HSL 44.79, 0.88%, 0.32%

LAB 50.91, 5.24, 55.11

 

CMYK 0 / 49 / 93 / 40

HEX #984E0A

RGB 152 78 10

HSL 28.73, 0.88%, 0.32%

LAB 41.45, 26.89, 48.07

 

CMYK 0 / 74 / 93 / 40

HEX #98270A

RGB 152 39 10

HSL 12.25, 0.88%, 0.32%

LAB 34.29, 45.58, 43

 

CMYK 26 / 0 / 93 / 40

HEX #70980A

RGB 112 152 10

HSL 76.9, 0.88%, 0.32%

LAB 57.96, -31.86, 59.18

 

CMYK 51 / 0 / 93 / 40

HEX #4A980A

RGB 74 152 10

HSL 92.96, 0.88%, 0.32%

LAB 56.02, -45.71, 56.8

 

CMYK 77 / 0 / 93 / 40

HEX #23980A

RGB 35 152 10

HSL 109.44, 0.88%, 0.32%

LAB 54.9, -54.95, 55.41

 

CMYK 93 / 0 / 85 / 40

HEX #0A9817

RGB 10 152 23

HSL 125.49, 0.88%, 0.32%

LAB 54.64, -57.13, 52.32

 

CMYK 93 / 0 / 59 / 40

HEX #0A983E

RGB 10 152 62

HSL 141.97, 0.88%, 0.32%

LAB 54.94, -53.39, 37.41

 

CMYK 26 / 0 / 93 / 40

HEX #70980A

RGB 112 152 10

HSL 76.9, 0.88%, 0.32%

LAB 57.96, -31.86, 59.18

 

CMYK 26 / 0 / 93 / 40

HEX #70980A

RGB 112 152 10

HSL 76.9, 0.88%, 0.32%

LAB 57.96, -31.86, 59.18

 

CMYK 24 / 0 / 83 / 45

HEX #6A8B17

RGB 106 139 23

HSL 77.07, 0.72%, 0.32%

LAB 53.59, -27.78, 52.57

 

CMYK 21 / 0 / 71 / 51

HEX #647E25

RGB 100 126 37

HSL 77.53, 0.55%, 0.32%

LAB 49.21, -23.13, 43.33

 

CMYK 15 / 0 / 55 / 56

HEX #5F7032

RGB 95 112 50

HSL 76.45, 0.38%, 0.32%

LAB 44.59, -16.85, 31.98

 

CMYK 10 / 0 / 36 / 61

HEX #59633F

RGB 89 99 63

HSL 76.67, 0.22%, 0.32%

LAB 40.26, -10.62, 19.21

 

CMYK 0 / 23 / 93 / 40

HEX #98750A

RGB 152 117 10

HSL 45.21, 0.88%, 0.32%

LAB 51.17, 4.67, 55.31

 

CMYK 1 / 0 / 93 / 40

HEX #96980A

RGB 150 152 10

HSL 60.85, 0.88%, 0.32%

LAB 60.75, -15.4, 62.57

 

CMYK 26 / 0 / 93 / 40

HEX #70980A

RGB 112 152 10

HSL 76.9, 0.88%, 0.32%

LAB 57.96, -31.86, 59.18

 

CMYK 51 / 0 / 93 / 40

HEX #4A980A

RGB 74 152 10

HSL 92.96, 0.88%, 0.32%

LAB 56.02, -45.71, 56.8

 

CMYK 76 / 0 / 93 / 40

HEX #24980A

RGB 36 152 10

HSL 109.01, 0.88%, 0.32%

LAB 54.92, -54.79, 55.43

 

CMYK 27 / 0 / 93 / 71

HEX #374B05

RGB 55 75 5

HSL 77.14, 0.88%, 0.16%

LAB 29.04, -18.53, 35

 

CMYK 27 / 0 / 94 / 55

HEX #537207

RGB 83 114 7

HSL 77.38, 0.88%, 0.24%

LAB 44.07, -25.9, 47.7

 

CMYK 26 / 0 / 93 / 40

HEX #70980A

RGB 112 152 10

HSL 76.9, 0.88%, 0.32%

LAB 57.96, -31.86, 59.18

 

CMYK 27 / 0 / 93 / 25

HEX #8CBF0D

RGB 140 191 13

HSL 77.19, 0.87%, 0.4%

LAB 71.46, -38.4, 70.3

 

CMYK 26 / 0 / 93 / 10

HEX #A9E50F

RGB 169 229 15

HSL 76.82, 0.88%, 0.48%

LAB 84.23, -43.87, 80.92

 

CMYK 26 / 0 / 93 / 40

HEX #70980B

RGB 112 152 11

HSL 77.02, 0.87%, 0.32%

LAB 57.97, -31.84, 59.03

 

CMYK 93 / 0 / 48 / 40

HEX #0A984F

RGB 10 152 79

HSL 149.15, 0.88%, 0.32%

LAB 55.16, -50.67, 29.04

 

CMYK 11 / 93 / 0 / 40

HEX #880A98

RGB 136 10 152

HSL 293.24, 0.88%, 0.32%

LAB 33.39, 62.79, -45.5

 

CMYK 26 / 0 / 93 / 40

HEX #70980B

RGB 112 152 11

HSL 77.02, 0.87%, 0.32%

LAB 57.97, -31.84, 59.03

 

CMYK 93 / 26 / 0 / 40

HEX #0A7098

RGB 10 112 152

HSL 196.9, 0.88%, 0.32%

LAB 44.12, -11.21, -29.02

 

CMYK 0 / 93 / 26 / 40

HEX #980A70

RGB 152 10 112

HSL 316.9, 0.88%, 0.32%

LAB 34.11, 59.97, -19.23

 

CMYK 26 / 0 / 93 / 40

HEX #70980B

RGB 112 152 11

HSL 77.02, 0.87%, 0.32%

LAB 57.97, -31.84, 59.03

 

CMYK 93 / 0 / 48 / 40

HEX #0A984F

RGB 10 152 79

HSL 149.15, 0.88%, 0.32%

LAB 55.16, -50.67, 29.04

 

CMYK 67 / 93 / 0 / 40

HEX #320A98

RGB 50 10 152

HSL 256.9, 0.88%, 0.32%

LAB 20.68, 52.38, -66.81

 

CMYK 0 / 93 / 45 / 40

HEX #980A53

RGB 152 10 83

HSL 329.15, 0.88%, 0.32%

LAB 32.96, 56.88, -2.27

 

CMYK 26 / 0 / 93 / 40

HEX #70980B

RGB 112 152 11

HSL 77.02, 0.87%, 0.32%

LAB 57.97, -31.84, 59.03

 

CMYK 93 / 0 / 20 / 40

HEX #0A9879

RGB 10 152 121

HSL 166.9, 0.88%, 0.32%

LAB 55.99, -41.27, 6.9

 

CMYK 67 / 93 / 0 / 40

HEX #320A98

RGB 50 10 152

HSL 256.9, 0.88%, 0.32%

LAB 20.68, 52.38, -66.81

 

CMYK 0 / 93 / 73 / 40

HEX #980A29

RGB 152 10 41

HSL 346.9, 0.88%, 0.32%

LAB 31.93, 54.02, 23.95

 

Description

Color code: HEX #70980B | qconv.com Color code: HEX #70980B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 152 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 152 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 93 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 93% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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