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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7089DC it is the complementary color #8F7623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7089DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7089DC shade: #7589D7, #869BEA, #97ADFD, #A8BFFF and #B9D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7089DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7089DC shade: #7089DC, #5F77C9, #4E65B6, #3D53A3 and #2C4190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7089DC shade: #6F88DC, #736FDC, #906FDC, #AE6FDC and #CB6FDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7089DC shade: #6F88DC and #6F6FDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7089DC shade matches the following richer shades: #6F88DC, #6080EA and #5279F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7089DC shade: #6F88DC, #7D90CD, #8C98BF, #9A9FB0 and #A9A7A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7089DC shade: #6FC2DC, #6FA5DC, #6F88DC, #726FDC and #8F6FDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7089DC shade: #3053C8, #4E6DD4, #6F88DC, #90A3E4 and #B1BFEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7089DC shade: #7089DC, #D86FDC and #B4DC6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7089DC shade: #7089DC, #DC6F88 and #88DC6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7089DC shade: #7089DC, #D86FDC, #DCC26F and #72DC6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7089DC shade: #7089DC, #DC6FBF, #DCC26F and #6FDC8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 38 / 0 / 14

HEX #7089DC

RGB 112 137 220

HSL 226.11, 0.61%, 0.65%

LAB 58.51, 13.67, -45.22

 

Complementary color

CMYK 0 / 17 / 76 / 44

HEX #8F7623

RGB 143 118 35

HSL 46.11, 0.61%, 0.35%

LAB 50.59, 0.68, 46.77

 

CMYK 46 / 36 / 0 / 16

HEX #7589D7

RGB 117 137 215

HSL 227.76, 0.55%, 0.65%

LAB 58.58, 13.37, -42.29

 

CMYK 43 / 34 / 0 / 8

HEX #869BEA

RGB 134 155 234

HSL 227.4, 0.7%, 0.72%

LAB 65.32, 12.6, -42.18

 

CMYK 40 / 32 / 0 / 1

HEX #97ADFD

RGB 151 173 253

HSL 227.06, 0.96%, 0.79%

LAB 71.93, 11.93, -42.11

 

CMYK 34 / 25 / 0 / 0

HEX #A8BFFF

RGB 168 191 255

HSL 224.14, 1%, 0.83%

LAB 77.76, 6.96, -34.05

 

CMYK 27 / 18 / 0 / 0

HEX #B9D1FF

RGB 185 209 255

HSL 219.43, 1%, 0.86%

LAB 83.51, 2.02, -25.13

 

CMYK 49 / 38 / 0 / 14

HEX #7089DC

RGB 112 137 220

HSL 226.11, 0.61%, 0.65%

LAB 58.51, 13.67, -45.22

 

CMYK 53 / 41 / 0 / 21

HEX #5F77C9

RGB 95 119 201

HSL 226.42, 0.5%, 0.58%

LAB 51.66, 14.7, -45.41

 

CMYK 57 / 45 / 0 / 29

HEX #4E65B6

RGB 78 101 182

HSL 226.73, 0.42%, 0.51%

LAB 44.67, 15.95, -45.65

 

CMYK 63 / 49 / 0 / 36

HEX #3D53A3

RGB 61 83 163

HSL 227.06, 0.46%, 0.44%

LAB 37.52, 17.52, -45.93

 

CMYK 69 / 55 / 0 / 44

HEX #2C4190

RGB 44 65 144

HSL 227.4, 0.53%, 0.37%

LAB 30.23, 19.52, -46.24

 

CMYK 50 / 38 / 0 / 14

HEX #6F88DC

RGB 111 136 220

HSL 226.24, 0.61%, 0.65%

LAB 58.18, 14.03, -45.75

 

CMYK 48 / 50 / 0 / 14

HEX #736FDC

RGB 115 111 220

HSL 242.2, 0.61%, 0.65%

LAB 52.04, 29.93, -55.51

 

CMYK 35 / 50 / 0 / 14

HEX #906FDC

RGB 144 111 220

HSL 258.17, 0.61%, 0.65%

LAB 54.52, 36.87, -51.41

 

CMYK 21 / 50 / 0 / 14

HEX #AE6FDC

RGB 174 111 220

HSL 274.68, 0.61%, 0.65%

LAB 57.59, 44.75, -46.33

 

CMYK 8 / 50 / 0 / 14

HEX #CB6FDC

RGB 203 111 220

HSL 290.64, 0.61%, 0.65%

LAB 60.99, 52.69, -40.76

 

CMYK 50 / 38 / 0 / 14

HEX #6F88DC

RGB 111 136 220

HSL 226.24, 0.61%, 0.65%

LAB 58.18, 14.03, -45.75

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 50 / 38 / 0 / 14

HEX #6F88DC

RGB 111 136 220

HSL 226.24, 0.61%, 0.65%

LAB 58.18, 14.03, -45.75

 

CMYK 59 / 45 / 0 / 8

HEX #6080EA

RGB 96 128 234

HSL 226.09, 0.77%, 0.65%

LAB 55.95, 20.13, -57.17

 

CMYK 67 / 51 / 0 / 2

HEX #5279F9

RGB 82 121 249

HSL 225.99, 0.93%, 0.65%

LAB 54.35, 27.12, -68.11

 

CMYK 50 / 38 / 0 / 14

HEX #6F88DC

RGB 111 136 220

HSL 226.24, 0.61%, 0.65%

LAB 58.18, 14.03, -45.75

 

CMYK 39 / 30 / 0 / 20

HEX #7D90CD

RGB 125 144 205

HSL 225.75, 0.44%, 0.65%

LAB 60.53, 8.47, -33.6

 

CMYK 27 / 20 / 0 / 25

HEX #8C98BF

RGB 140 152 191

HSL 225.88, 0.28%, 0.65%

LAB 63.17, 4.56, -21.58

 

CMYK 13 / 10 / 0 / 31

HEX #9A9FB0

RGB 154 159 176

HSL 226.36, 0.12%, 0.65%

LAB 65.59, 1.71, -9.42

 

CMYK 0 / 1 / 4 / 34

HEX #A9A7A2

RGB 169 167 162

HSL 42.86, 0.04%, 0.65%

LAB 68.52, -0.21, 2.83

 

CMYK 50 / 12 / 0 / 14

HEX #6FC2DC

RGB 111 194 220

HSL 194.31, 0.61%, 0.65%

LAB 74.27, -18.31, -20.8

 

CMYK 50 / 25 / 0 / 14

HEX #6FA5DC

RGB 111 165 220

HSL 210.28, 0.61%, 0.65%

LAB 66.1, -2.72, -33.34

 

CMYK 50 / 38 / 0 / 14

HEX #6F88DC

RGB 111 136 220

HSL 226.24, 0.61%, 0.65%

LAB 58.18, 14.03, -45.75

 

CMYK 48 / 50 / 0 / 14

HEX #726FDC

RGB 114 111 220

HSL 241.65, 0.61%, 0.65%

LAB 51.97, 29.7, -55.63

 

CMYK 35 / 50 / 0 / 14

HEX #8F6FDC

RGB 143 111 220

HSL 257.61, 0.61%, 0.65%

LAB 54.42, 36.62, -51.56

 

CMYK 76 / 59 / 0 / 22

HEX #3053C8

RGB 48 83 200

HSL 226.18, 0.61%, 0.49%

LAB 39.56, 29.15, -64.44

 

CMYK 63 / 49 / 0 / 17

HEX #4E6DD4

RGB 78 109 212

HSL 226.12, 0.61%, 0.57%

LAB 48.65, 21.17, -56.55

 

CMYK 50 / 38 / 0 / 14

HEX #6F88DC

RGB 111 136 220

HSL 226.24, 0.61%, 0.65%

LAB 58.18, 14.03, -45.75

 

CMYK 37 / 29 / 0 / 11

HEX #90A3E4

RGB 144 163 228

HSL 226.43, 0.61%, 0.73%

LAB 67.82, 9, -34.93

 

CMYK 25 / 19 / 0 / 7

HEX #B1BFEC

RGB 177 191 236

HSL 225.76, 0.61%, 0.81%

LAB 77.68, 4.9, -23.92

 

CMYK 49 / 38 / 0 / 14

HEX #7089DC

RGB 112 137 220

HSL 226.11, 0.61%, 0.65%

LAB 58.51, 13.67, -45.22

 

CMYK 2 / 50 / 0 / 14

HEX #D86FDC

RGB 216 111 220

HSL 297.8, 0.61%, 0.65%

LAB 62.62, 56.28, -38.08

 

CMYK 18 / 0 / 50 / 14

HEX #B4DC6F

RGB 180 220 111

HSL 82.02, 0.61%, 0.65%

LAB 82.93, -30.25, 48.89

 

CMYK 49 / 38 / 0 / 14

HEX #7089DC

RGB 112 137 220

HSL 226.11, 0.61%, 0.65%

LAB 58.51, 13.67, -45.22

 

CMYK 0 / 50 / 38 / 14

HEX #DC6F88

RGB 220 111 136

HSL 346.24, 0.61%, 0.65%

LAB 60.21, 45.07, 6.26

 

CMYK 38 / 0 / 50 / 14

HEX #88DC6F

RGB 136 220 111

HSL 106.24, 0.61%, 0.65%

LAB 80.5, -45.62, 45.37

 

CMYK 49 / 38 / 0 / 14

HEX #7089DC

RGB 112 137 220

HSL 226.11, 0.61%, 0.65%

LAB 58.51, 13.67, -45.22

 

CMYK 2 / 50 / 0 / 14

HEX #D86FDC

RGB 216 111 220

HSL 297.8, 0.61%, 0.65%

LAB 62.62, 56.28, -38.08

 

CMYK 0 / 12 / 50 / 14

HEX #DCC26F

RGB 220 194 111

HSL 45.69, 0.61%, 0.65%

LAB 79.01, -1.44, 44.84

 

CMYK 48 / 0 / 50 / 14

HEX #72DC6F

RGB 114 220 111

HSL 118.35, 0.61%, 0.65%

LAB 79.56, -52.16, 44.01

 

CMYK 49 / 38 / 0 / 14

HEX #7089DC

RGB 112 137 220

HSL 226.11, 0.61%, 0.65%

LAB 58.51, 13.67, -45.22

 

CMYK 0 / 50 / 13 / 14

HEX #DC6FBF

RGB 220 111 191

HSL 315.96, 0.61%, 0.65%

LAB 61.95, 52.55, -22.73

 

CMYK 0 / 12 / 50 / 14

HEX #DCC26F

RGB 220 194 111

HSL 45.69, 0.61%, 0.65%

LAB 79.01, -1.44, 44.84

 

CMYK 50 / 0 / 36 / 14

HEX #6FDC8C

RGB 111 220 140

HSL 135.96, 0.61%, 0.65%

LAB 79.87, -48.56, 29.93

 

Description

Color code: HEX #7089DC | qconv.com Color code: HEX #7089DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 137 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 137 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 38 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 38% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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