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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #707129 it is the complementary color #8F8ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #707129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #707129 shade: #757124, #868337, #97954A, #A8A75D and #B9B970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #707129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #707129 shade: #707129, #5F5F16, #4E4D03, #3D3B00 and #2C2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #707129 shade: #6F7028, #705E28, #704A28, #703728 and #702828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #707129 shade: #6F7028, #5C7028, #487028, #357028 and #28702F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #707129 shade matches the following richer shades: #6F7028, #7B7C1C, #87890F and #939503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #707129 shade: #6F7028, #636434, #575741, #4B4B4D and #3F3E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #707129 shade: #704A28, #705D28, #707028, #5D7028 and #4A7028

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #707129 shade: #333312, #51521D, #6F7028, #8D8E33 and #ABAD3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #707129 shade: #707129, #287036 and #532870

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #707129 shade: #707129, #287070 and #702870

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #707129 shade: #707129, #287036, #282870 and #702862

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #707129 shade: #707129, #28704C, #282870 and #70284C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 64 / 56

HEX #707129

RGB 112 113 41

HSL 60.83, 0.47%, 0.3%

LAB 46.2, -10.56, 38.66

 

Complementary color

CMYK 33 / 34 / 0 / 16

HEX #8F8ED6

RGB 143 142 214

HSL 240.83, 0.47%, 0.7%

LAB 61.69, 17.04, -36.73

 

CMYK 0 / 3 / 69 / 54

HEX #757124

RGB 117 113 36

HSL 57.04, 0.53%, 0.3%

LAB 46.6, -8.59, 41.52

 

CMYK 0 / 2 / 59 / 47

HEX #868337

RGB 134 131 55

HSL 57.72, 0.42%, 0.37%

LAB 53.58, -9.41, 40.62

 

CMYK 0 / 1 / 51 / 41

HEX #97954A

RGB 151 149 74

HSL 58.44, 0.34%, 0.44%

LAB 60.4, -10.04, 39.46

 

CMYK 0 / 1 / 45 / 34

HEX #A8A75D

RGB 168 167 93

HSL 59.2, 0.3%, 0.51%

LAB 67.09, -10.52, 38.24

 

CMYK 0 / 0 / 39 / 27

HEX #B9B970

RGB 185 185 112

HSL 60, 0.34%, 0.58%

LAB 73.66, -10.91, 37.02

 

CMYK 1 / 0 / 64 / 56

HEX #707129

RGB 112 113 41

HSL 60.83, 0.47%, 0.3%

LAB 46.2, -10.56, 38.66

 

CMYK 0 / 0 / 77 / 63

HEX #5F5F16

RGB 95 95 22

HSL 60, 0.62%, 0.23%

LAB 39.03, -9.66, 39.21

 

CMYK 0 / 1 / 96 / 69

HEX #4E4D03

RGB 78 77 3

HSL 59.2, 0.93%, 0.16%

LAB 31.66, -8.43, 38.69

 

CMYK 0 / 3 / 100 / 76

HEX #3D3B00

RGB 61 59 0

HSL 58.03, 1%, 0.12%

LAB 24.06, -6.53, 32.75

 

CMYK 0 / 7 / 100 / 83

HEX #2C2900

RGB 44 41 0

HSL 55.91, 1%, 0.09%

LAB 16.11, -4.36, 23.3

 

CMYK 1 / 0 / 64 / 56

HEX #6F7028

RGB 111 112 40

HSL 60.83, 0.47%, 0.3%

LAB 45.8, -10.54, 38.68

 

CMYK 0 / 16 / 64 / 56

HEX #705E28

RGB 112 94 40

HSL 45, 0.47%, 0.3%

LAB 40.58, 0.29, 32.98

 

CMYK 0 / 34 / 64 / 56

HEX #704A28

RGB 112 74 40

HSL 28.33, 0.47%, 0.3%

LAB 34.99, 12.35, 26.55

 

CMYK 0 / 51 / 64 / 56

HEX #703728

RGB 112 55 40

HSL 12.5, 0.47%, 0.3%

LAB 30.23, 23.72, 20.78

 

CMYK 0 / 64 / 64 / 56

HEX #702828

RGB 112 40 40

HSL 0, 0.47%, 0.3%

LAB 27.06, 31.89, 16.78

 

CMYK 1 / 0 / 64 / 56

HEX #6F7028

RGB 111 112 40

HSL 60.83, 0.47%, 0.3%

LAB 45.8, -10.54, 38.68

 

CMYK 18 / 0 / 64 / 56

HEX #5C7028

RGB 92 112 40

HSL 76.67, 0.47%, 0.3%

LAB 44.26, -19.13, 36.56

 

CMYK 36 / 0 / 64 / 56

HEX #487028

RGB 72 112 40

HSL 93.33, 0.47%, 0.3%

LAB 42.94, -27.44, 34.74

 

CMYK 53 / 0 / 64 / 56

HEX #357028

RGB 53 112 40

HSL 109.17, 0.47%, 0.3%

LAB 42, -34.15, 33.42

 

CMYK 64 / 0 / 58 / 56

HEX #28702F

RGB 40 112 47

HSL 125.83, 0.47%, 0.3%

LAB 41.6, -36.9, 29.29

 

CMYK 1 / 0 / 64 / 56

HEX #6F7028

RGB 111 112 40

HSL 60.83, 0.47%, 0.3%

LAB 45.8, -10.54, 38.68

 

CMYK 1 / 0 / 77 / 51

HEX #7B7C1C

RGB 123 124 28

HSL 60.63, 0.63%, 0.3%

LAB 50.35, -12.3, 48.53

 

CMYK 1 / 0 / 89 / 46

HEX #87890F

RGB 135 137 15

HSL 60.98, 0.8%, 0.3%

LAB 55.15, -14.21, 56.73

 

CMYK 1 / 0 / 98 / 42

HEX #939503

RGB 147 149 3

HSL 60.82, 0.96%, 0.3%

LAB 59.62, -15.3, 62.63

 

CMYK 1 / 0 / 64 / 56

HEX #6F7028

RGB 111 112 40

HSL 60.83, 0.47%, 0.3%

LAB 45.8, -10.54, 38.68

 

CMYK 1 / 0 / 48 / 61

HEX #636434

RGB 99 100 52

HSL 61.25, 0.32%, 0.3%

LAB 41.24, -8.17, 26.96

 

CMYK 0 / 0 / 25 / 66

HEX #575741

RGB 87 87 65

HSL 60, 0.14%, 0.3%

LAB 36.41, -4.15, 12.83

 

CMYK 3 / 3 / 0 / 70

HEX #4B4B4D

RGB 75 75 77

HSL 240, 0.01%, 0.3%

LAB 31.95, 0.44, -1.19

 

CMYK 30 / 31 / 0 / 65

HEX #3F3E5A

RGB 63 62 90

HSL 242.14, 0.18%, 0.3%

LAB 27.41, 7.66, -16.55

 

CMYK 0 / 34 / 64 / 56

HEX #704A28

RGB 112 74 40

HSL 28.33, 0.47%, 0.3%

LAB 34.99, 12.35, 26.55

 

CMYK 0 / 17 / 64 / 56

HEX #705D28

RGB 112 93 40

HSL 44.17, 0.47%, 0.3%

LAB 40.29, 0.88, 32.66

 

CMYK 0 / 0 / 64 / 56

HEX #707028

RGB 112 112 40

HSL 60, 0.47%, 0.3%

LAB 45.89, -10.08, 38.8

 

CMYK 17 / 0 / 64 / 56

HEX #5D7028

RGB 93 112 40

HSL 75.83, 0.47%, 0.3%

LAB 44.33, -18.69, 36.66

 

CMYK 34 / 0 / 64 / 56

HEX #4A7028

RGB 74 112 40

HSL 91.67, 0.47%, 0.3%

LAB 43.06, -26.66, 34.9

 

CMYK 0 / 0 / 65 / 80

HEX #333312

RGB 51 51 18

HSL 60, 0.48%, 0.14%

LAB 20.5, -5.55, 20.58

 

CMYK 1 / 0 / 65 / 68

HEX #51521D

RGB 81 82 29

HSL 61.13, 0.48%, 0.22%

LAB 33.72, -8.45, 30.17

 

CMYK 1 / 0 / 64 / 56

HEX #6F7028

RGB 111 112 40

HSL 60.83, 0.47%, 0.3%

LAB 45.8, -10.54, 38.68

 

CMYK 1 / 0 / 64 / 44

HEX #8D8E33

RGB 141 142 51

HSL 60.66, 0.47%, 0.38%

LAB 57.32, -12.53, 46.73

 

CMYK 1 / 0 / 64 / 32

HEX #ABAD3E

RGB 171 173 62

HSL 61.08, 0.47%, 0.46%

LAB 68.67, -14.95, 54.72

 

CMYK 1 / 0 / 64 / 56

HEX #707129

RGB 112 113 41

HSL 60.83, 0.47%, 0.3%

LAB 46.2, -10.56, 38.66

 

CMYK 64 / 0 / 52 / 56

HEX #287036

RGB 40 112 54

HSL 131.67, 0.47%, 0.3%

LAB 41.7, -35.82, 25.64

 

CMYK 26 / 64 / 0 / 56

HEX #532870

RGB 83 40 112

HSL 275.83, 0.47%, 0.3%

LAB 25.34, 33.86, -33.87

 

CMYK 1 / 0 / 64 / 56

HEX #707129

RGB 112 113 41

HSL 60.83, 0.47%, 0.3%

LAB 46.2, -10.56, 38.66

 

CMYK 64 / 0 / 0 / 56

HEX #287070

RGB 40 112 112

HSL 180, 0.47%, 0.3%

LAB 43.08, -21.84, -6.62

 

CMYK 0 / 64 / 0 / 56

HEX #702870

RGB 112 40 112

HSL 300, 0.47%, 0.3%

LAB 29.74, 41.71, -26.6

 

CMYK 1 / 0 / 64 / 56

HEX #707129

RGB 112 113 41

HSL 60.83, 0.47%, 0.3%

LAB 46.2, -10.56, 38.66

 

CMYK 64 / 0 / 52 / 56

HEX #287036

RGB 40 112 54

HSL 131.67, 0.47%, 0.3%

LAB 41.7, -35.82, 25.64

 

CMYK 64 / 64 / 0 / 56

HEX #282870

RGB 40 40 112

HSL 240, 0.47%, 0.3%

LAB 20.59, 23.94, -41.78

 

CMYK 0 / 64 / 13 / 56

HEX #702862

RGB 112 40 98

HSL 311.67, 0.47%, 0.3%

LAB 29.02, 39.19, -18.74

 

CMYK 1 / 0 / 64 / 56

HEX #707129

RGB 112 113 41

HSL 60.83, 0.47%, 0.3%

LAB 46.2, -10.56, 38.66

 

CMYK 64 / 0 / 32 / 56

HEX #28704C

RGB 40 112 76

HSL 150, 0.47%, 0.3%

LAB 42.09, -31.53, 13.56

 

CMYK 64 / 64 / 0 / 56

HEX #282870

RGB 40 40 112

HSL 240, 0.47%, 0.3%

LAB 20.59, 23.94, -41.78

 

CMYK 0 / 64 / 32 / 56

HEX #70284C

RGB 112 40 76

HSL 330, 0.47%, 0.3%

LAB 28.07, 35.76, -5.76

 

Description

Color code: HEX #707129 | qconv.com Color code: HEX #707129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 113 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 113 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 64 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 64% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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