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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #706E9D it is the complementary color #8F9162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #706E9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #706E9D shade: #756E98, #8680AB, #9792BE, #A8A4D1 and #B9B6E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #706E9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #706E9D shade: #706E9D, #5F5C8A, #4E4A77, #3D3864 and #2C2651

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #706E9D shade: #6F6D9B, #7B6D9B, #886D9B, #946D9B and #9B6D96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #706E9D shade: #6F6D9B and #6D6D9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #706E9D shade matches the following richer shades: #6F6D9B, #5D59AF, #4B45C3, #3831D7 and #261EEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #706E9D shade: #6F6D9B, #818188, #939474, #A5A860 and #B7BC4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #706E9D shade: #6D849B, #6D789B, #6E6D9B, #7B6D9B and #876D9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #706E9D shade: #4B496C, #5C5A85, #6F6D9B, #8785AC and #9F9EBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #706E9D shade: #706E9D, #9B6D91 and #7E9B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #706E9D shade: #706E9D, #9B6E6D and #6D9B6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #706E9D shade: #706E9D, #9B6D91, #9A9B6D and #6D9B78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #706E9D shade: #706E9D, #9B6D83, #9A9B6D and #6D9B86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 30 / 0 / 38

HEX #706E9D

RGB 112 110 157

HSL 242.55, 0.19%, 0.52%

LAB 48.3, 11.8, -25.12

 

Complementary color

CMYK 1 / 0 / 32 / 43

HEX #8F9162

RGB 143 145 98

HSL 62.55, 0.19%, 0.48%

LAB 58.95, -8.53, 24.76

 

CMYK 23 / 28 / 0 / 40

HEX #756E98

RGB 117 110 152

HSL 250, 0.17%, 0.51%

LAB 48.51, 12.11, -21.81

 

CMYK 22 / 25 / 0 / 33

HEX #8680AB

RGB 134 128 171

HSL 248.37, 0.2%, 0.59%

LAB 55.53, 11.62, -21.96

 

CMYK 21 / 23 / 0 / 25

HEX #9792BE

RGB 151 146 190

HSL 246.82, 0.25%, 0.66%

LAB 62.38, 11.18, -22.15

 

CMYK 20 / 22 / 0 / 18

HEX #A8A4D1

RGB 168 164 209

HSL 245.33, 0.33%, 0.73%

LAB 69.1, 10.79, -22.36

 

CMYK 19 / 20 / 0 / 11

HEX #B9B6E4

RGB 185 182 228

HSL 243.91, 0.46%, 0.8%

LAB 75.68, 10.43, -22.59

 

CMYK 29 / 30 / 0 / 38

HEX #706E9D

RGB 112 110 157

HSL 242.55, 0.19%, 0.52%

LAB 48.3, 11.8, -25.12

 

CMYK 31 / 33 / 0 / 46

HEX #5F5C8A

RGB 95 92 138

HSL 243.91, 0.2%, 0.45%

LAB 41.09, 12.41, -25.09

 

CMYK 34 / 38 / 0 / 53

HEX #4E4A77

RGB 78 74 119

HSL 245.33, 0.23%, 0.38%

LAB 33.67, 13.14, -25.14

 

CMYK 39 / 44 / 0 / 61

HEX #3D3864

RGB 61 56 100

HSL 246.82, 0.28%, 0.31%

LAB 25.98, 14.05, -25.27

 

CMYK 46 / 53 / 0 / 68

HEX #2C2651

RGB 44 38 81

HSL 248.37, 0.36%, 0.23%

LAB 17.99, 15.23, -25.51

 

CMYK 28 / 30 / 0 / 39

HEX #6F6D9B

RGB 111 109 155

HSL 242.61, 0.19%, 0.52%

LAB 47.86, 11.56, -24.63

 

CMYK 21 / 30 / 0 / 39

HEX #7B6D9B

RGB 123 109 155

HSL 258.26, 0.19%, 0.52%

LAB 48.9, 15.41, -22.93

 

CMYK 12 / 30 / 0 / 39

HEX #886D9B

RGB 136 109 155

HSL 275.22, 0.19%, 0.52%

LAB 50.14, 19.74, -20.92

 

CMYK 5 / 30 / 0 / 39

HEX #946D9B

RGB 148 109 155

HSL 290.87, 0.19%, 0.52%

LAB 51.38, 23.82, -18.91

 

CMYK 0 / 30 / 3 / 39

HEX #9B6D96

RGB 155 109 150

HSL 306.52, 0.19%, 0.52%

LAB 51.96, 25.24, -15.03

 

CMYK 28 / 30 / 0 / 39

HEX #6F6D9B

RGB 111 109 155

HSL 242.61, 0.19%, 0.52%

LAB 47.86, 11.56, -24.63

 

CMYK 30 / 30 / 0 / 39

HEX #6D6D9B

RGB 109 109 155

HSL 240, 0.19%, 0.52%

LAB 47.69, 10.94, -24.89

 

CMYK 28 / 30 / 0 / 39

HEX #6F6D9B

RGB 111 109 155

HSL 242.61, 0.19%, 0.52%

LAB 47.86, 11.56, -24.63

 

CMYK 47 / 49 / 0 / 31

HEX #5D59AF

RGB 93 89 175

HSL 242.79, 0.35%, 0.52%

LAB 42.1, 24.62, -45.58

 

CMYK 62 / 65 / 0 / 24

HEX #4B45C3

RGB 75 69 195

HSL 242.86, 0.51%, 0.52%

LAB 37.28, 39.81, -65.18

 

CMYK 74 / 77 / 0 / 16

HEX #3831D7

RGB 56 49 215

HSL 242.53, 0.67%, 0.52%

LAB 33.87, 55.23, -82.46

 

CMYK 84 / 87 / 0 / 8

HEX #261EEB

RGB 38 30 235

HSL 242.34, 0.84%, 0.52%

LAB 32.57, 68.22, -96.1

 

CMYK 28 / 30 / 0 / 39

HEX #6F6D9B

RGB 111 109 155

HSL 242.61, 0.19%, 0.52%

LAB 47.86, 11.56, -24.63

 

CMYK 5 / 5 / 0 / 47

HEX #818188

RGB 129 129 136

HSL 240, 0.03%, 0.52%

LAB 54.18, 1.43, -3.78

 

CMYK 1 / 0 / 22 / 42

HEX #939474

RGB 147 148 116

HSL 61.88, 0.13%, 0.52%

LAB 60.47, -5.96, 16.85

 

CMYK 2 / 0 / 43 / 34

HEX #A5A860

RGB 165 168 96

HSL 62.5, 0.29%, 0.52%

LAB 67.16, -11.97, 36.73

 

CMYK 3 / 0 / 60 / 26

HEX #B7BC4C

RGB 183 188 76

HSL 62.68, 0.46%, 0.52%

LAB 73.9, -16.56, 54.6

 

CMYK 30 / 15 / 0 / 39

HEX #6D849B

RGB 109 132 155

HSL 210, 0.19%, 0.52%

LAB 54.15, -2.66, -15

 

CMYK 30 / 23 / 0 / 39

HEX #6D789B

RGB 109 120 155

HSL 225.65, 0.19%, 0.52%

LAB 50.75, 4.34, -20.19

 

CMYK 29 / 30 / 0 / 39

HEX #6E6D9B

RGB 110 109 155

HSL 241.3, 0.19%, 0.52%

LAB 47.78, 11.25, -24.76

 

CMYK 21 / 30 / 0 / 39

HEX #7B6D9B

RGB 123 109 155

HSL 258.26, 0.19%, 0.52%

LAB 48.9, 15.41, -22.93

 

CMYK 13 / 30 / 0 / 39

HEX #876D9B

RGB 135 109 155

HSL 273.91, 0.19%, 0.52%

LAB 50.04, 19.4, -21.08

 

CMYK 31 / 32 / 0 / 58

HEX #4B496C

RGB 75 73 108

HSL 243.43, 0.19%, 0.35%

LAB 32.58, 9.66, -19.96

 

CMYK 31 / 32 / 0 / 48

HEX #5C5A85

RGB 92 90 133

HSL 242.79, 0.19%, 0.44%

LAB 40.05, 11.33, -23.7

 

CMYK 28 / 30 / 0 / 39

HEX #6F6D9B

RGB 111 109 155

HSL 242.61, 0.19%, 0.52%

LAB 47.86, 11.56, -24.63

 

CMYK 22 / 23 / 0 / 33

HEX #8785AC

RGB 135 133 172

HSL 243.08, 0.19%, 0.6%

LAB 56.98, 9.27, -20.3

 

CMYK 16 / 16 / 0 / 26

HEX #9F9EBD

RGB 159 158 189

HSL 241.94, 0.19%, 0.68%

LAB 66.14, 6.76, -15.83

 

CMYK 29 / 30 / 0 / 38

HEX #706E9D

RGB 112 110 157

HSL 242.55, 0.19%, 0.52%

LAB 48.3, 11.8, -25.12

 

CMYK 0 / 30 / 6 / 39

HEX #9B6D91

RGB 155 109 145

HSL 313.04, 0.19%, 0.52%

LAB 51.78, 24.3, -12.36

 

CMYK 19 / 0 / 30 / 39

HEX #7E9B6D

RGB 126 155 109

HSL 97.83, 0.19%, 0.52%

LAB 60.77, -18.92, 20.9

 

CMYK 29 / 30 / 0 / 38

HEX #706E9D

RGB 112 110 157

HSL 242.55, 0.19%, 0.52%

LAB 48.3, 11.8, -25.12

 

CMYK 0 / 29 / 30 / 39

HEX #9B6E6D

RGB 155 110 109

HSL 1.3, 0.19%, 0.52%

LAB 50.95, 17.74, 7.68

 

CMYK 30 / 0 / 29 / 39

HEX #6D9B6E

RGB 109 155 110

HSL 121.3, 0.19%, 0.52%

LAB 59.73, -24.89, 18.75

 

CMYK 29 / 30 / 0 / 38

HEX #706E9D

RGB 112 110 157

HSL 242.55, 0.19%, 0.52%

LAB 48.3, 11.8, -25.12

 

CMYK 0 / 30 / 6 / 39

HEX #9B6D91

RGB 155 109 145

HSL 313.04, 0.19%, 0.52%

LAB 51.78, 24.3, -12.36

 

CMYK 1 / 0 / 30 / 39

HEX #9A9B6D

RGB 154 155 109

HSL 61.3, 0.19%, 0.52%

LAB 62.86, -7.97, 24.07

 

CMYK 30 / 0 / 23 / 39

HEX #6D9B78

RGB 109 155 120

HSL 134.35, 0.19%, 0.52%

LAB 59.93, -23.04, 13.46

 

CMYK 29 / 30 / 0 / 38

HEX #706E9D

RGB 112 110 157

HSL 242.55, 0.19%, 0.52%

LAB 48.3, 11.8, -25.12

 

CMYK 0 / 30 / 15 / 39

HEX #9B6D83

RGB 155 109 131

HSL 331.3, 0.19%, 0.52%

LAB 51.32, 21.79, -4.79

 

CMYK 1 / 0 / 30 / 39

HEX #9A9B6D

RGB 154 155 109

HSL 61.3, 0.19%, 0.52%

LAB 62.86, -7.97, 24.07

 

CMYK 30 / 0 / 14 / 39

HEX #6D9B86

RGB 109 155 134

HSL 152.61, 0.19%, 0.52%

LAB 60.26, -20.19, 6.05

 

Description

Color code: HEX #706E9D | qconv.com Color code: HEX #706E9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 110 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 110 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 30 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 30% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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