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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705C33 it is the complementary color #8FA3CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705C33 shade: #755C2E, #866E41, #978054, #A89267 and #B9A47A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705C33 shade: #705C33, #5F4A20, #4E380D, #3D2600 and #2C1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705C33 shade: #6F5B33, #6F4B33, #6F3B33 and #6F3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705C33 shade: #6F5B33, #6F6C33, #636F33, #526F33 and #426F33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705C33 shade matches the following richer shades: #6F5B33, #7C6026, #8A6519 and #97690B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705C33 shade: #6F5B33, #625740, #55524D, #484E5B and #3A4968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705C33 shade: #6F3B33, #6F4B33, #6F5B33, #6F6B33 and #636F33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705C33 shade: #372D19, #534426, #6F5B33, #8C7340 and #A88A4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705C33 shade: #705C33, #3B6F33 and #43336F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705C33 shade: #705C33, #336F5B and #5B336F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705C33 shade: #705C33, #3B6F33, #33476F and #67336F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705C33 shade: #705C33, #336F3D, #33476F and #6F3365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 54 / 56

HEX #705C33

RGB 112 92 51

HSL 40.33, 0.37%, 0.32%

LAB 40.14, 2.45, 26.47

 

Complementary color

CMYK 30 / 20 / 0 / 20

HEX #8FA3CC

RGB 143 163 204

HSL 220.33, 0.37%, 0.68%

LAB 66.82, 2.5, -23.24

 

CMYK 0 / 21 / 61 / 54

HEX #755C2E

RGB 117 92 46

HSL 38.87, 0.44%, 0.32%

LAB 40.63, 4.33, 29.97

 

CMYK 0 / 18 / 51 / 47

HEX #866E41

RGB 134 110 65

HSL 39.13, 0.35%, 0.39%

LAB 47.75, 3.34, 28.51

 

CMYK 0 / 15 / 44 / 41

HEX #978054

RGB 151 128 84

HSL 39.4, 0.29%, 0.46%

LAB 54.72, 2.56, 27.12

 

CMYK 0 / 13 / 39 / 34

HEX #A89267

RGB 168 146 103

HSL 39.69, 0.27%, 0.53%

LAB 61.53, 1.92, 25.83

 

CMYK 0 / 11 / 34 / 27

HEX #B9A47A

RGB 185 164 122

HSL 40, 0.31%, 0.6%

LAB 68.22, 1.4, 24.63

 

CMYK 0 / 18 / 54 / 56

HEX #705C33

RGB 112 92 51

HSL 40.33, 0.37%, 0.32%

LAB 40.14, 2.45, 26.47

 

CMYK 0 / 22 / 66 / 63

HEX #5F4A20

RGB 95 74 32

HSL 40, 0.5%, 0.25%

LAB 32.78, 3.53, 27.94

 

CMYK 0 / 28 / 83 / 69

HEX #4E380D

RGB 78 56 13

HSL 39.69, 0.71%, 0.18%

LAB 25.19, 5.05, 29.12

 

CMYK 0 / 38 / 100 / 76

HEX #3D2600

RGB 61 38 0

HSL 37.38, 1%, 0.12%

LAB 17.36, 7.2, 25.34

 

CMYK 0 / 55 / 100 / 83

HEX #2C1400

RGB 44 20 0

HSL 27.27, 1%, 0.09%

LAB 9.29, 10.24, 14.12

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 32 / 54 / 56

HEX #6F4B33

RGB 111 75 51

HSL 24, 0.37%, 0.32%

LAB 35.3, 12.28, 20.39

 

CMYK 0 / 47 / 54 / 56

HEX #6F3B33

RGB 111 59 51

HSL 8, 0.37%, 0.32%

LAB 31.22, 21.94, 15.07

 

CMYK 0 / 54 / 54 / 56

HEX #6F3333

RGB 111 51 51

HSL 0, 0.37%, 0.32%

LAB 29.38, 26.56, 12.6

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 3 / 54 / 56

HEX #6F6C33

RGB 111 108 51

HSL 57, 0.37%, 0.32%

LAB 44.72, -7.36, 31.94

 

CMYK 11 / 0 / 54 / 56

HEX #636F33

RGB 99 111 51

HSL 72, 0.37%, 0.32%

LAB 44.6, -14.45, 31.55

 

CMYK 26 / 0 / 54 / 56

HEX #526F33

RGB 82 111 51

HSL 89, 0.37%, 0.32%

LAB 43.36, -21.72, 29.77

 

CMYK 41 / 0 / 54 / 56

HEX #426F33

RGB 66 111 51

HSL 105, 0.37%, 0.32%

LAB 42.41, -27.91, 28.39

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 23 / 69 / 51

HEX #7C6026

RGB 124 96 38

HSL 40.47, 0.53%, 0.32%

LAB 42.45, 4.66, 36.43

 

CMYK 0 / 27 / 82 / 46

HEX #8A6519

RGB 138 101 25

HSL 40.35, 0.69%, 0.32%

LAB 45.33, 7.69, 45.57

 

CMYK 0 / 30 / 93 / 41

HEX #97690B

RGB 151 105 11

HSL 40.29, 0.86%, 0.32%

LAB 47.89, 11.08, 52.57

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 11 / 35 / 62

HEX #625740

RGB 98 87 64

HSL 40.59, 0.21%, 0.32%

LAB 37.45, 0.59, 15.03

 

CMYK 0 / 4 / 9 / 67

HEX #55524D

RGB 85 82 77

HSL 37.5, 0.05%, 0.32%

LAB 35.01, 0.2, 3.36

 

CMYK 21 / 14 / 0 / 64

HEX #484E5B

RGB 72 78 91

HSL 221.05, 0.12%, 0.32%

LAB 33.1, 0.77, -8.43

 

CMYK 44 / 30 / 0 / 59

HEX #3A4968

RGB 58 73 104

HSL 220.43, 0.28%, 0.32%

LAB 31.03, 3.07, -19.94

 

CMYK 0 / 47 / 54 / 56

HEX #6F3B33

RGB 111 59 51

HSL 8, 0.37%, 0.32%

LAB 31.22, 21.94, 15.07

 

CMYK 0 / 32 / 54 / 56

HEX #6F4B33

RGB 111 75 51

HSL 24, 0.37%, 0.32%

LAB 35.3, 12.28, 20.39

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 4 / 54 / 56

HEX #6F6B33

RGB 111 107 51

HSL 56, 0.37%, 0.32%

LAB 44.42, -6.79, 31.59

 

CMYK 11 / 0 / 54 / 56

HEX #636F33

RGB 99 111 51

HSL 72, 0.37%, 0.32%

LAB 44.6, -14.45, 31.55

 

CMYK 0 / 18 / 55 / 78

HEX #372D19

RGB 55 45 25

HSL 40, 0.38%, 0.16%

LAB 19.05, 1.27, 14.6

 

CMYK 0 / 18 / 54 / 67

HEX #534426

RGB 83 68 38

HSL 40, 0.37%, 0.24%

LAB 29.7, 1.95, 20.48

 

CMYK 0 / 18 / 54 / 56

HEX #6F5B33

RGB 111 91 51

HSL 40, 0.37%, 0.32%

LAB 39.75, 2.58, 25.96

 

CMYK 0 / 18 / 54 / 45

HEX #8C7340

RGB 140 115 64

HSL 40.26, 0.37%, 0.4%

LAB 49.75, 3.06, 31.65

 

CMYK 0 / 18 / 54 / 34

HEX #A88A4D

RGB 168 138 77

HSL 40.22, 0.37%, 0.48%

LAB 59.01, 3.64, 36.63

 

CMYK 0 / 18 / 54 / 56

HEX #705C33

RGB 112 92 51

HSL 40.33, 0.37%, 0.32%

LAB 40.14, 2.45, 26.47

 

CMYK 47 / 0 / 54 / 56

HEX #3B6F33

RGB 59 111 51

HSL 112, 0.37%, 0.32%

LAB 42.06, -30.35, 27.88

 

CMYK 40 / 54 / 0 / 56

HEX #43336F

RGB 67 51 111

HSL 256, 0.37%, 0.32%

LAB 25.89, 22.52, -32.46

 

CMYK 0 / 18 / 54 / 56

HEX #705C33

RGB 112 92 51

HSL 40.33, 0.37%, 0.32%

LAB 40.14, 2.45, 26.47

 

CMYK 54 / 0 / 18 / 56

HEX #336F5B

RGB 51 111 91

HSL 160, 0.37%, 0.32%

LAB 42.5, -24.8, 5.24

 

CMYK 18 / 54 / 0 / 56

HEX #5B336F

RGB 91 51 111

HSL 280, 0.37%, 0.32%

LAB 28.75, 29.56, -27.74

 

CMYK 0 / 18 / 54 / 56

HEX #705C33

RGB 112 92 51

HSL 40.33, 0.37%, 0.32%

LAB 40.14, 2.45, 26.47

 

CMYK 47 / 0 / 54 / 56

HEX #3B6F33

RGB 59 111 51

HSL 112, 0.37%, 0.32%

LAB 42.06, -30.35, 27.88

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 7 / 54 / 0 / 56

HEX #67336F

RGB 103 51 111

HSL 292, 0.37%, 0.32%

LAB 30.4, 33.24, -25.03

 

CMYK 0 / 18 / 54 / 56

HEX #705C33

RGB 112 92 51

HSL 40.33, 0.37%, 0.32%

LAB 40.14, 2.45, 26.47

 

CMYK 54 / 0 / 45 / 56

HEX #336F3D

RGB 51 111 61

HSL 130, 0.37%, 0.32%

LAB 41.86, -31.26, 22.02

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 0 / 54 / 9 / 56

HEX #6F3365

RGB 111 51 101

HSL 310, 0.37%, 0.32%

LAB 31.08, 33.79, -17.48

 

Description

Color code: HEX #705C33 | qconv.com Color code: HEX #705C33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 92 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 92 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 54 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 54% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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