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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #705BA7 it is the complementary color #8FA458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #705BA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #705BA7 shade: #755BA2, #866DB5, #977FC8, #A891DB and #B9A3EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #705BA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #705BA7 shade: #705BA7, #5F4994, #4E3781, #3D256E and #2C135B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #705BA7 shade: #715CA7, #855CA7, #995CA7, #A75CA1 and #A75C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #705BA7 shade: #715CA7, #5D5CA7 and #5C5CA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #705BA7 shade matches the following richer shades: #715CA7, #6848BB, #5F34CF, #561FE4 and #4D0BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #705BA7 shade: #715CA7, #7A7093, #83847F, #8C996A and #95AD56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #705BA7 shade: #5C70A7, #5C5CA7, #705CA7, #845CA7 and #985CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #705BA7 shade: #4C3E73, #5E4C8E, #715CA7, #8877B5 and #A092C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #705BA7 shade: #705BA7, #A75C84 and #66A75C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #705BA7 shade: #705BA7, #A7705C and #5CA770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #705BA7 shade: #705BA7, #A75C84, #93A75C and #5CA77F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #705BA7 shade: #705BA7, #A75C6E, #93A75C and #5CA796

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 46 / 0 / 35

HEX #705BA7

RGB 112 91 167

HSL 256.58, 0.3%, 0.51%

LAB 43.82, 26.03, -38.02

 

Complementary color

CMYK 13 / 0 / 46 / 36

HEX #8FA458

RGB 143 164 88

HSL 76.58, 0.3%, 0.49%

LAB 64.24, -19.77, 36.84

 

CMYK 28 / 44 / 0 / 36

HEX #755BA2

RGB 117 91 162

HSL 261.97, 0.28%, 0.5%

LAB 44.05, 26.15, -34.68

 

CMYK 26 / 40 / 0 / 29

HEX #866DB5

RGB 134 109 181

HSL 260.83, 0.33%, 0.57%

LAB 51.08, 25.29, -34.63

 

CMYK 25 / 37 / 0 / 22

HEX #977FC8

RGB 151 127 200

HSL 259.73, 0.4%, 0.64%

LAB 57.97, 24.52, -34.62

 

CMYK 23 / 34 / 0 / 14

HEX #A891DB

RGB 168 145 219

HSL 258.65, 0.51%, 0.71%

LAB 64.72, 23.82, -34.64

 

CMYK 22 / 32 / 0 / 7

HEX #B9A3EE

RGB 185 163 238

HSL 257.6, 0.69%, 0.79%

LAB 71.34, 23.19, -34.7

 

CMYK 33 / 46 / 0 / 35

HEX #705BA7

RGB 112 91 167

HSL 256.58, 0.3%, 0.51%

LAB 43.82, 26.03, -38.02

 

CMYK 36 / 51 / 0 / 42

HEX #5F4994

RGB 95 73 148

HSL 257.6, 0.34%, 0.43%

LAB 36.62, 27.08, -38.19

 

CMYK 40 / 57 / 0 / 49

HEX #4E3781

RGB 78 55 129

HSL 258.65, 0.4%, 0.36%

LAB 29.25, 28.28, -38.38

 

CMYK 45 / 66 / 0 / 57

HEX #3D256E

RGB 61 37 110

HSL 259.73, 0.5%, 0.29%

LAB 21.73, 29.59, -38.54

 

CMYK 52 / 79 / 0 / 64

HEX #2C135B

RGB 44 19 91

HSL 260.83, 0.65%, 0.22%

LAB 14.15, 30.8, -38.46

 

CMYK 32 / 45 / 0 / 35

HEX #715CA7

RGB 113 92 167

HSL 256.8, 0.3%, 0.51%

LAB 44.17, 25.71, -37.47

 

CMYK 20 / 45 / 0 / 35

HEX #855CA7

RGB 133 92 167

HSL 272.8, 0.3%, 0.51%

LAB 46.22, 31.55, -34.1

 

CMYK 8 / 45 / 0 / 35

HEX #995CA7

RGB 153 92 167

HSL 288.8, 0.3%, 0.51%

LAB 48.53, 37.61, -30.31

 

CMYK 0 / 45 / 4 / 35

HEX #A75CA1

RGB 167 92 161

HSL 304.8, 0.3%, 0.51%

LAB 50.03, 40.78, -24.32

 

CMYK 0 / 45 / 16 / 35

HEX #A75C8C

RGB 167 92 140

HSL 321.6, 0.3%, 0.51%

LAB 49.21, 37.13, -13.14

 

CMYK 32 / 45 / 0 / 35

HEX #715CA7

RGB 113 92 167

HSL 256.8, 0.3%, 0.51%

LAB 44.17, 25.71, -37.47

 

CMYK 44 / 45 / 0 / 35

HEX #5D5CA7

RGB 93 92 167

HSL 240.8, 0.3%, 0.51%

LAB 42.42, 20.29, -40.36

 

CMYK 45 / 45 / 0 / 35

HEX #5C5CA7

RGB 92 92 167

HSL 240, 0.3%, 0.51%

LAB 42.34, 20.04, -40.49

 

CMYK 32 / 45 / 0 / 35

HEX #715CA7

RGB 113 92 167

HSL 256.8, 0.3%, 0.51%

LAB 44.17, 25.71, -37.47

 

CMYK 44 / 61 / 0 / 27

HEX #6848BB

RGB 104 72 187

HSL 256.7, 0.46%, 0.51%

LAB 39.86, 40.92, -56.2

 

CMYK 54 / 75 / 0 / 19

HEX #5F34CF

RGB 95 52 207

HSL 256.65, 0.62%, 0.51%

LAB 36.73, 55.57, -72.99

 

CMYK 62 / 86 / 0 / 11

HEX #561FE4

RGB 86 31 228

HSL 256.75, 0.78%, 0.51%

LAB 35.12, 68.53, -87.77

 

CMYK 69 / 96 / 0 / 3

HEX #4D0BF8

RGB 77 11 248

HSL 256.71, 0.94%, 0.51%

LAB 35.19, 77.35, -99.02

 

CMYK 32 / 45 / 0 / 35

HEX #715CA7

RGB 113 92 167

HSL 256.8, 0.3%, 0.51%

LAB 44.17, 25.71, -37.47

 

CMYK 17 / 24 / 0 / 42

HEX #7A7093

RGB 122 112 147

HSL 257.14, 0.14%, 0.51%

LAB 49.29, 11.37, -17.63

 

CMYK 1 / 0 / 4 / 48

HEX #83847F

RGB 131 132 127

HSL 72, 0.02%, 0.51%

LAB 54.93, -1.35, 2.56

 

CMYK 8 / 0 / 31 / 40

HEX #8C996A

RGB 140 153 106

HSL 76.6, 0.19%, 0.51%

LAB 61.13, -12.93, 23.21

 

CMYK 14 / 0 / 50 / 32

HEX #95AD56

RGB 149 173 86

HSL 76.55, 0.35%, 0.51%

LAB 67.24, -22.11, 41.6

 

CMYK 45 / 33 / 0 / 35

HEX #5C70A7

RGB 92 112 167

HSL 224, 0.3%, 0.51%

LAB 47.82, 7.63, -31.84

 

CMYK 45 / 45 / 0 / 35

HEX #5C5CA7

RGB 92 92 167

HSL 240, 0.3%, 0.51%

LAB 42.34, 20.04, -40.49

 

CMYK 33 / 45 / 0 / 35

HEX #705CA7

RGB 112 92 167

HSL 256, 0.3%, 0.51%

LAB 44.07, 25.43, -37.63

 

CMYK 21 / 45 / 0 / 35

HEX #845CA7

RGB 132 92 167

HSL 272, 0.3%, 0.51%

LAB 46.11, 31.25, -34.28

 

CMYK 9 / 45 / 0 / 35

HEX #985CA7

RGB 152 92 167

HSL 288, 0.3%, 0.51%

LAB 48.41, 37.3, -30.51

 

CMYK 34 / 46 / 0 / 55

HEX #4C3E73

RGB 76 62 115

HSL 255.85, 0.3%, 0.35%

LAB 29.96, 19.16, -28.47

 

CMYK 34 / 46 / 0 / 44

HEX #5E4C8E

RGB 94 76 142

HSL 256.36, 0.3%, 0.43%

LAB 36.93, 23.25, -34.06

 

CMYK 32 / 45 / 0 / 35

HEX #715CA7

RGB 113 92 167

HSL 256.8, 0.3%, 0.51%

LAB 44.17, 25.71, -37.47

 

CMYK 25 / 34 / 0 / 29

HEX #8877B5

RGB 136 119 181

HSL 256.45, 0.3%, 0.59%

LAB 53.78, 19.99, -30.41

 

CMYK 18 / 26 / 0 / 23

HEX #A092C4

RGB 160 146 196

HSL 256.8, 0.3%, 0.67%

LAB 63.36, 15.44, -23.96

 

CMYK 33 / 46 / 0 / 35

HEX #705BA7

RGB 112 91 167

HSL 256.58, 0.3%, 0.51%

LAB 43.82, 26.03, -38.02

 

CMYK 0 / 45 / 21 / 35

HEX #A75C84

RGB 167 92 132

HSL 328, 0.3%, 0.51%

LAB 48.93, 35.85, -8.79

 

CMYK 39 / 0 / 45 / 35

HEX #66A75C

RGB 102 167 92

HSL 112, 0.3%, 0.51%

LAB 62.71, -35.88, 32.32

 

CMYK 33 / 46 / 0 / 35

HEX #705BA7

RGB 112 91 167

HSL 256.58, 0.3%, 0.51%

LAB 43.82, 26.03, -38.02

 

CMYK 0 / 33 / 45 / 35

HEX #A7705C

RGB 167 112 92

HSL 16, 0.3%, 0.51%

LAB 52.48, 19.36, 19.97

 

CMYK 45 / 0 / 33 / 35

HEX #5CA770

RGB 92 167 112

HSL 136, 0.3%, 0.51%

LAB 62.58, -35.67, 21.39

 

CMYK 33 / 46 / 0 / 35

HEX #705BA7

RGB 112 91 167

HSL 256.58, 0.3%, 0.51%

LAB 43.82, 26.03, -38.02

 

CMYK 0 / 45 / 21 / 35

HEX #A75C84

RGB 167 92 132

HSL 328, 0.3%, 0.51%

LAB 48.93, 35.85, -8.79

 

CMYK 12 / 0 / 45 / 35

HEX #93A75C

RGB 147 167 92

HSL 76, 0.3%, 0.51%

LAB 65.45, -19.23, 36.35

 

CMYK 45 / 0 / 24 / 35

HEX #5CA77F

RGB 92 167 127

HSL 148, 0.3%, 0.51%

LAB 62.88, -32.72, 13.56

 

CMYK 33 / 46 / 0 / 35

HEX #705BA7

RGB 112 91 167

HSL 256.58, 0.3%, 0.51%

LAB 43.82, 26.03, -38.02

 

CMYK 0 / 45 / 34 / 35

HEX #A75C6E

RGB 167 92 110

HSL 345.6, 0.3%, 0.51%

LAB 48.25, 32.7, 3.42

 

CMYK 12 / 0 / 45 / 35

HEX #93A75C

RGB 147 167 92

HSL 76, 0.3%, 0.51%

LAB 65.45, -19.23, 36.35

 

CMYK 45 / 0 / 10 / 35

HEX #5CA796

RGB 92 167 150

HSL 166.4, 0.3%, 0.51%

LAB 63.44, -27.53, 1.54

 

Description

Color code: HEX #705BA7 | qconv.com Color code: HEX #705BA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 91 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 91 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 46 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 46% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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