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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7027E3 it is the complementary color #8FD81C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7027E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7027E3 shade: #7527DE, #8639F1, #974BFF, #A85DFF and #B96FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7027E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7027E3 shade: #7027E3, #5F15D0, #4E03BD, #3D00AA and #2C0097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7027E3 shade: #6F26E2, #A226E2, #D526E2, #E226BD and #E2268A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7027E3 shade: #6F26E2, #3C26E2 and #2626E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7027E3 shade matches the following richer shades: #6F26E2 and #6B12F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7027E3 shade: #6F26E2, #733ACF, #784DBB, #7C61A7 and #817593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7027E3 shade: #2642E2, #3C26E2, #6E26E2, #A026E2 and #D326E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7027E3 shade: #4B15A1, #5C19C6, #6F26E2, #874AE7 and #9F6FEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7027E3 shade: #7027E3, #E22674 and #29E226

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7027E3 shade: #7027E3, #E26E26 and #26E26E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7027E3 shade: #7027E3, #E22674, #9AE226 and #26E294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7027E3 shade: #7027E3, #E2263C, #9AE226 and #26E2CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 83 / 0 / 11

HEX #7027E3

RGB 112 39 227

HSL 263.3, 0.77%, 0.52%

LAB 38.62, 68.13, -81.32

 

Complementary color

CMYK 34 / 0 / 87 / 15

HEX #8FD81C

RGB 143 216 28

HSL 83.3, 0.77%, 0.48%

LAB 79.06, -47.67, 74.21

 

CMYK 47 / 82 / 0 / 13

HEX #7527DE

RGB 117 39 222

HSL 265.57, 0.73%, 0.51%

LAB 38.74, 67.51, -78.25

 

CMYK 44 / 76 / 0 / 5

HEX #8639F1

RGB 134 57 241

HSL 265.11, 0.87%, 0.58%

LAB 44.72, 67.64, -79.14

 

CMYK 41 / 71 / 0 / 0

HEX #974BFF

RGB 151 75 255

HSL 265.33, 1%, 0.65%

LAB 50.49, 65.99, -77.46

 

CMYK 34 / 64 / 0 / 0

HEX #A85DFF

RGB 168 93 255

HSL 267.78, 1%, 0.68%

LAB 55.46, 60.71, -69.32

 

CMYK 27 / 56 / 0 / 0

HEX #B96FFF

RGB 185 111 255

HSL 270.83, 1%, 0.72%

LAB 60.7, 55.45, -60.79

 

CMYK 51 / 83 / 0 / 11

HEX #7027E3

RGB 112 39 227

HSL 263.3, 0.77%, 0.52%

LAB 38.62, 68.13, -81.32

 

CMYK 54 / 90 / 0 / 18

HEX #5F15D0

RGB 95 21 208

HSL 263.74, 0.82%, 0.45%

LAB 32.97, 67.13, -79.78

 

CMYK 59 / 98 / 0 / 26

HEX #4E03BD

RGB 78 3 189

HSL 264.19, 0.97%, 0.38%

LAB 27.73, 64.81, -77.37

 

CMYK 64 / 100 / 0 / 33

HEX #3D00AA

RGB 61 0 170

HSL 261.53, 1%, 0.33%

LAB 23.32, 59.93, -73.39

 

CMYK 71 / 100 / 0 / 41

HEX #2C0097

RGB 44 0 151

HSL 257.48, 1%, 0.3%

LAB 19.1, 54.49, -68.85

 

CMYK 51 / 83 / 0 / 11

HEX #6F26E2

RGB 111 38 226

HSL 263.3, 0.76%, 0.52%

LAB 38.3, 68.11, -81.29

 

CMYK 28 / 83 / 0 / 11

HEX #A226E2

RGB 162 38 226

HSL 279.57, 0.76%, 0.52%

LAB 45.02, 74.81, -70.01

 

CMYK 6 / 83 / 0 / 11

HEX #D526E2

RGB 213 38 226

HSL 295.85, 0.76%, 0.52%

LAB 52.98, 83.11, -56.76

 

CMYK 0 / 83 / 16 / 11

HEX #E226BD

RGB 226 38 189

HSL 311.81, 0.76%, 0.52%

LAB 53.2, 80.26, -35.06

 

CMYK 0 / 83 / 39 / 11

HEX #E2268A

RGB 226 38 138

HSL 328.09, 0.76%, 0.52%

LAB 51.14, 74.51, -8.09

 

CMYK 51 / 83 / 0 / 11

HEX #6F26E2

RGB 111 38 226

HSL 263.3, 0.76%, 0.52%

LAB 38.3, 68.11, -81.29

 

CMYK 73 / 83 / 0 / 11

HEX #3C26E2

RGB 60 38 226

HSL 247.02, 0.76%, 0.52%

LAB 33.64, 63.72, -89.14

 

CMYK 83 / 83 / 0 / 11

HEX #2626E2

RGB 38 38 226

HSL 240, 0.76%, 0.52%

LAB 32.46, 62.65, -91.14

 

CMYK 51 / 83 / 0 / 11

HEX #6F26E2

RGB 111 38 226

HSL 263.3, 0.76%, 0.52%

LAB 38.3, 68.11, -81.29

 

CMYK 57 / 93 / 0 / 4

HEX #6B12F6

RGB 107 18 246

HSL 263.42, 0.93%, 0.52%

LAB 38.22, 77.48, -92.78

 

CMYK 51 / 83 / 0 / 11

HEX #6F26E2

RGB 111 38 226

HSL 263.3, 0.76%, 0.52%

LAB 38.3, 68.11, -81.29

 

CMYK 44 / 72 / 0 / 19

HEX #733ACF

RGB 115 58 207

HSL 262.95, 0.61%, 0.52%

LAB 39.88, 55.79, -67.76

 

CMYK 36 / 59 / 0 / 27

HEX #784DBB

RGB 120 77 187

HSL 263.45, 0.45%, 0.52%

LAB 42.6, 41.67, -51.7

 

CMYK 26 / 42 / 0 / 35

HEX #7C61A7

RGB 124 97 167

HSL 263.14, 0.28%, 0.52%

LAB 46.48, 25.91, -33.76

 

CMYK 12 / 20 / 0 / 42

HEX #817593

RGB 129 117 147

HSL 264, 0.12%, 0.52%

LAB 51.26, 10.81, -14.57

 

CMYK 83 / 71 / 0 / 11

HEX #2642E2

RGB 38 66 226

HSL 231.06, 0.76%, 0.52%

LAB 37.48, 48.26, -82.82

 

CMYK 73 / 83 / 0 / 11

HEX #3C26E2

RGB 60 38 226

HSL 247.02, 0.76%, 0.52%

LAB 33.64, 63.72, -89.14

 

CMYK 51 / 83 / 0 / 11

HEX #6E26E2

RGB 110 38 226

HSL 262.98, 0.76%, 0.52%

LAB 38.19, 68, -81.48

 

CMYK 29 / 83 / 0 / 11

HEX #A026E2

RGB 160 38 226

HSL 278.94, 0.76%, 0.52%

LAB 44.73, 74.51, -70.49

 

CMYK 7 / 83 / 0 / 11

HEX #D326E2

RGB 211 38 226

HSL 295.21, 0.76%, 0.52%

LAB 52.65, 82.76, -57.3

 

CMYK 53 / 87 / 0 / 37

HEX #4B15A1

RGB 75 21 161

HSL 263.14, 0.77%, 0.36%

LAB 25.58, 53.65, -64.13

 

CMYK 54 / 87 / 0 / 22

HEX #5C19C6

RGB 92 25 198

HSL 263.24, 0.78%, 0.44%

LAB 31.92, 63.39, -75.7

 

CMYK 51 / 83 / 0 / 11

HEX #6F26E2

RGB 111 38 226

HSL 263.3, 0.76%, 0.52%

LAB 38.3, 68.11, -81.29

 

CMYK 42 / 68 / 0 / 9

HEX #874AE7

RGB 135 74 231

HSL 263.31, 0.77%, 0.6%

LAB 46.73, 57.72, -70.21

 

CMYK 33 / 53 / 0 / 7

HEX #9F6FEC

RGB 159 111 236

HSL 263.04, 0.77%, 0.68%

LAB 56.88, 44.68, -56.53

 

CMYK 51 / 83 / 0 / 11

HEX #7027E3

RGB 112 39 227

HSL 263.3, 0.77%, 0.52%

LAB 38.62, 68.13, -81.32

 

CMYK 0 / 83 / 49 / 11

HEX #E22674

RGB 226 38 116

HSL 335.11, 0.76%, 0.52%

LAB 50.47, 72.58, 4.23

 

CMYK 82 / 0 / 83 / 11

HEX #29E226

RGB 41 226 38

HSL 119.04, 0.76%, 0.52%

LAB 79.04, -75.16, 70.86

 

CMYK 51 / 83 / 0 / 11

HEX #7027E3

RGB 112 39 227

HSL 263.3, 0.77%, 0.52%

LAB 38.62, 68.13, -81.32

 

CMYK 0 / 51 / 83 / 11

HEX #E26E26

RGB 226 110 38

HSL 22.98, 0.76%, 0.52%

LAB 59.4, 41.04, 57.58

 

CMYK 83 / 0 / 51 / 11

HEX #26E26E

RGB 38 226 110

HSL 142.98, 0.76%, 0.52%

LAB 79.57, -68.49, 44.1

 

CMYK 51 / 83 / 0 / 11

HEX #7027E3

RGB 112 39 227

HSL 263.3, 0.77%, 0.52%

LAB 38.62, 68.13, -81.32

 

CMYK 0 / 83 / 49 / 11

HEX #E22674

RGB 226 38 116

HSL 335.11, 0.76%, 0.52%

LAB 50.47, 72.58, 4.23

 

CMYK 32 / 0 / 83 / 11

HEX #9AE226

RGB 154 226 38

HSL 82.98, 0.76%, 0.52%

LAB 82.59, -47.58, 75.37

 

CMYK 83 / 0 / 35 / 11

HEX #26E294

RGB 38 226 148

HSL 155.11, 0.76%, 0.52%

LAB 80.15, -61.8, 25.89

 

CMYK 51 / 83 / 0 / 11

HEX #7027E3

RGB 112 39 227

HSL 263.3, 0.77%, 0.52%

LAB 38.62, 68.13, -81.32

 

CMYK 0 / 83 / 73 / 11

HEX #E2263C

RGB 226 38 60

HSL 352.98, 0.76%, 0.52%

LAB 49.35, 69.28, 36.59

 

CMYK 32 / 0 / 83 / 11

HEX #9AE226

RGB 154 226 38

HSL 82.98, 0.76%, 0.52%

LAB 82.59, -47.58, 75.37

 

CMYK 83 / 0 / 10 / 11

HEX #26E2CC

RGB 38 226 204

HSL 172.98, 0.76%, 0.52%

LAB 81.38, -48.54, -1.79

 

Description

Color code: HEX #7027E3 | qconv.com Color code: HEX #7027E3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 39 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 39 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 83 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 83% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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