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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7019A3 it is the complementary color #8FE65C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7019A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7019A3 shade: #75199E, #862BB1, #973DC4, #A84FD7 and #B961EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7019A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7019A3 shade: #7019A3, #5F0790, #4E007D, #3D006A and #2C0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7019A3 shade: #7019A3, #9519A3, #A3198B, #A31966 and #A31941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7019A3 shade: #7019A3, #4B19A3, #2619A3 and #1919A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7019A3 shade matches the following richer shades: #7019A3 and #740AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7019A3 shade: #7019A3, #6C2893, #683884, #644775 and #605666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7019A3 shade: #2419A3, #4919A3, #6E19A3, #9319A3 and #A3198E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7019A3 shade: #3F0E5B, #57137F, #7019A3, #881FC6 and #9E30DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7019A3 shade: #7019A3, #A31932 and #19A337

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7019A3 shade: #7019A3, #A36E19 and #19A36E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7019A3 shade: #7019A3, #A31932, #4EA319 and #19A389

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7019A3 shade: #7019A3, #A32919, #4EA319 and #1993A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

Complementary color

CMYK 38 / 0 / 60 / 10

HEX #8FE65C

RGB 143 230 92

HSL 97.83, 0.73%, 0.63%

LAB 83.55, -49.61, 57.69

 

CMYK 26 / 84 / 0 / 38

HEX #75199E

RGB 117 25 158

HSL 281.5, 0.73%, 0.36%

LAB 31.68, 57.61, -52.07

 

CMYK 24 / 76 / 0 / 31

HEX #862BB1

RGB 134 43 177

HSL 280.75, 0.61%, 0.43%

LAB 37.79, 58.6, -53.47

 

CMYK 23 / 69 / 0 / 23

HEX #973DC4

RGB 151 61 196

HSL 280, 0.53%, 0.5%

LAB 44.09, 58.73, -54.33

 

CMYK 22 / 63 / 0 / 16

HEX #A84FD7

RGB 168 79 215

HSL 279.26, 0.63%, 0.58%

LAB 50.48, 58.4, -54.88

 

CMYK 21 / 59 / 0 / 8

HEX #B961EA

RGB 185 97 234

HSL 278.54, 0.77%, 0.65%

LAB 56.88, 57.81, -55.23

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 34 / 95 / 0 / 44

HEX #5F0790

RGB 95 7 144

HSL 278.54, 0.91%, 0.3%

LAB 25.56, 55.56, -53.62

 

CMYK 38 / 100 / 0 / 51

HEX #4E007D

RGB 78 0 125

HSL 277.44, 1%, 0.25%

LAB 20.44, 50.93, -50.17

 

CMYK 42 / 100 / 0 / 58

HEX #3D006A

RGB 61 0 106

HSL 274.53, 1%, 0.21%

LAB 15.66, 44.77, -45.85

 

CMYK 49 / 100 / 0 / 66

HEX #2C0057

RGB 44 0 87

HSL 270.34, 1%, 0.17%

LAB 10.73, 38.45, -41.38

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 9 / 85 / 0 / 36

HEX #9519A3

RGB 149 25 163

HSL 293.91, 0.73%, 0.37%

LAB 37.35, 64.19, -45.68

 

CMYK 0 / 85 / 15 / 36

HEX #A3198B

RGB 163 25 139

HSL 310.43, 0.73%, 0.37%

LAB 38.46, 63.22, -29.17

 

CMYK 0 / 85 / 37 / 36

HEX #A31966

RGB 163 25 102

HSL 326.52, 0.73%, 0.37%

LAB 36.82, 58.66, -8.54

 

CMYK 0 / 85 / 60 / 36

HEX #A31941

RGB 163 25 65

HSL 342.61, 0.73%, 0.37%

LAB 35.72, 55.46, 13.72

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 54 / 85 / 0 / 36

HEX #4B19A3

RGB 75 25 163

HSL 261.74, 0.73%, 0.37%

LAB 26.26, 52.78, -64.22

 

CMYK 77 / 85 / 0 / 36

HEX #2619A3

RGB 38 25 163

HSL 245.65, 0.73%, 0.37%

LAB 22.83, 49.51, -70.01

 

CMYK 85 / 85 / 0 / 36

HEX #1919A3

RGB 25 25 163

HSL 240, 0.73%, 0.37%

LAB 22.11, 48.84, -71.23

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 35 / 94 / 0 / 30

HEX #740AB2

RGB 116 10 178

HSL 277.86, 0.89%, 0.37%

LAB 32.13, 64.8, -63.39

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 27 / 73 / 0 / 42

HEX #6C2893

RGB 108 40 147

HSL 278.13, 0.57%, 0.37%

LAB 31.38, 48.08, -45.92

 

CMYK 21 / 58 / 0 / 48

HEX #683884

RGB 104 56 132

HSL 277.89, 0.4%, 0.37%

LAB 32.78, 35.5, -34.43

 

CMYK 15 / 39 / 0 / 54

HEX #644775

RGB 100 71 117

HSL 277.83, 0.24%, 0.37%

LAB 35, 21.73, -21.64

 

CMYK 6 / 16 / 0 / 60

HEX #605666

RGB 96 86 102

HSL 277.5, 0.09%, 0.37%

LAB 38.02, 7.43, -7.71

 

CMYK 78 / 85 / 0 / 36

HEX #2419A3

RGB 36 25 163

HSL 244.78, 0.73%, 0.37%

LAB 22.7, 49.39, -70.22

 

CMYK 55 / 85 / 0 / 36

HEX #4919A3

RGB 73 25 163

HSL 260.87, 0.73%, 0.37%

LAB 26.03, 52.55, -64.62

 

CMYK 33 / 85 / 0 / 36

HEX #6E19A3

RGB 110 25 163

HSL 276.96, 0.73%, 0.37%

LAB 31.01, 57.54, -56.26

 

CMYK 10 / 85 / 0 / 36

HEX #9319A3

RGB 147 25 163

HSL 293.04, 0.73%, 0.37%

LAB 37.01, 63.82, -46.25

 

CMYK 0 / 85 / 13 / 36

HEX #A3198E

RGB 163 25 142

HSL 309.13, 0.73%, 0.37%

LAB 38.61, 63.65, -30.76

 

CMYK 31 / 85 / 0 / 64

HEX #3F0E5B

RGB 63 14 91

HSL 278.18, 0.73%, 0.21%

LAB 16.14, 36.77, -35.1

 

CMYK 31 / 85 / 0 / 50

HEX #57137F

RGB 87 19 127

HSL 277.78, 0.74%, 0.29%

LAB 23.75, 47.73, -45.97

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 31 / 84 / 0 / 22

HEX #881FC6

RGB 136 31 198

HSL 277.72, 0.73%, 0.45%

LAB 38.36, 67.17, -64.89

 

CMYK 29 / 78 / 0 / 13

HEX #9E30DE

RGB 158 48 222

HSL 277.93, 0.73%, 0.53%

LAB 45.16, 70.42, -67.53

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 0 / 85 / 69 / 36

HEX #A31932

RGB 163 25 50

HSL 349.13, 0.73%, 0.37%

LAB 35.42, 54.58, 22.99

 

CMYK 85 / 0 / 66 / 36

HEX #19A337

RGB 25 163 55

HSL 133.04, 0.73%, 0.37%

LAB 58.67, -56.64, 44.93

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 0 / 33 / 85 / 36

HEX #A36E19

RGB 163 110 25

HSL 36.96, 0.73%, 0.37%

LAB 50.7, 14.09, 51.47

 

CMYK 85 / 0 / 33 / 36

HEX #19A36E

RGB 25 163 110

HSL 156.96, 0.73%, 0.37%

LAB 59.46, -47.39, 17.94

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 0 / 85 / 69 / 36

HEX #A31932

RGB 163 25 50

HSL 349.13, 0.73%, 0.37%

LAB 35.42, 54.58, 22.99

 

CMYK 52 / 0 / 85 / 36

HEX #4EA319

RGB 78 163 25

HSL 96.96, 0.73%, 0.37%

LAB 59.78, -48.21, 57.01

 

CMYK 85 / 0 / 16 / 36

HEX #19A389

RGB 25 163 137

HSL 168.7, 0.73%, 0.37%

LAB 60.08, -40.71, 3.74

 

CMYK 31 / 85 / 0 / 36

HEX #7019A3

RGB 112 25 163

HSL 277.83, 0.73%, 0.37%

LAB 31.31, 57.85, -55.75

 

CMYK 0 / 75 / 85 / 36

HEX #A32919

RGB 163 41 25

HSL 6.96, 0.73%, 0.37%

LAB 36.82, 48.81, 39.24

 

CMYK 52 / 0 / 85 / 36

HEX #4EA319

RGB 78 163 25

HSL 96.96, 0.73%, 0.37%

LAB 59.78, -48.21, 57.01

 

CMYK 85 / 10 / 0 / 36

HEX #1993A3

RGB 25 147 163

HSL 186.96, 0.73%, 0.37%

LAB 55.8, -25.35, -17.39

 

Description

Color code: HEX #7019A3 | qconv.com Color code: HEX #7019A3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 25 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 25 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 85 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 85% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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