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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73FC64 it is the complementary color #8C039B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73FC64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73FC64 shade: #78FC5F, #89FF72, #9AFF85, #ABFF98 and #BCFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73FC64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73FC64 shade: #73FC64, #62EA51, #51D83E, #40C62B and #2FB418

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73FC64 shade: #73FB64, #9BFB64, #C4FB64, #EDFB64 and #FBE064

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73FC64 shade: #73FB64, #64FB7E, #64FBA6, #64FBCF and #64FBF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73FC64 shade matches the following richer shades: #73FB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73FC64 shade: #73FB64, #7DEF70, #87E27D, #91D58A and #9CC897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73FC64 shade: #C4FB64, #9BFB64, #73FB64, #64FB7D and #64FBA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73FC64 shade: #29FA13, #4EFB3B, #73FB64, #97FC8C and #BCFDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73FC64 shade: #73FC64, #64ECFB and #FB64AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73FC64 shade: #73FC64, #6473FB and #FB6473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73FC64 shade: #73FC64, #64ECFB, #EC64FB and #FB7364

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73FC64 shade: #73FC64, #64BFFB, #EC64FB and #FBA064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 60 / 1

HEX #73FC64

RGB 115 252 100

HSL 114.08, 0.96%, 0.69%

LAB 89.01, -65.31, 60.16

 

Complementary color

CMYK 10 / 98 / 0 / 39

HEX #8C039B

RGB 140 3 155

HSL 294.08, 0.96%, 0.31%

LAB 34, 64.9, -46.31

 

CMYK 52 / 0 / 62 / 1

HEX #78FC5F

RGB 120 252 95

HSL 110.45, 0.96%, 0.68%

LAB 89.13, -64.54, 62.42

 

CMYK 46 / 0 / 55 / 0

HEX #89FF72

RGB 137 255 114

HSL 110.21, 1%, 0.72%

LAB 90.8, -59.13, 56.36

 

CMYK 40 / 0 / 48 / 0

HEX #9AFF85

RGB 154 255 133

HSL 109.67, 1%, 0.76%

LAB 91.72, -51.95, 48.94

 

CMYK 33 / 0 / 40 / 0

HEX #ABFF98

RGB 171 255 152

HSL 108.93, 1%, 0.8%

LAB 92.77, -44.2, 41.31

 

CMYK 26 / 0 / 33 / 0

HEX #BCFFAB

RGB 188 255 171

HSL 107.86, 1%, 0.84%

LAB 93.95, -36.01, 33.64

 

CMYK 54 / 0 / 60 / 1

HEX #73FC64

RGB 115 252 100

HSL 114.08, 0.96%, 0.69%

LAB 89.01, -65.31, 60.16

 

CMYK 58 / 0 / 65 / 8

HEX #62EA51

RGB 98 234 81

HSL 113.33, 0.78%, 0.62%

LAB 82.93, -64.86, 61.08

 

CMYK 63 / 0 / 71 / 15

HEX #51D83E

RGB 81 216 62

HSL 112.6, 0.66%, 0.55%

LAB 76.81, -64.12, 61.72

 

CMYK 68 / 0 / 78 / 22

HEX #40C62B

RGB 64 198 43

HSL 111.87, 0.64%, 0.47%

LAB 70.63, -62.99, 61.84

 

CMYK 74 / 0 / 87 / 29

HEX #2FB418

RGB 47 180 24

HSL 111.15, 0.76%, 0.4%

LAB 64.41, -61.31, 61.03

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 38 / 0 / 60 / 2

HEX #9BFB64

RGB 155 251 100

HSL 98.15, 0.95%, 0.69%

LAB 90.27, -53.58, 62

 

CMYK 22 / 0 / 60 / 2

HEX #C4FB64

RGB 196 251 100

HSL 81.85, 0.95%, 0.69%

LAB 92.42, -39.46, 64.99

 

CMYK 6 / 0 / 60 / 2

HEX #EDFB64

RGB 237 251 100

HSL 65.56, 0.95%, 0.69%

LAB 95.13, -23.79, 68.73

 

CMYK 0 / 11 / 60 / 2

HEX #FBE064

RGB 251 224 100

HSL 49.27, 0.95%, 0.69%

LAB 89.27, -4.95, 62.63

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 60 / 0 / 50 / 2

HEX #64FB7E

RGB 100 251 126

HSL 130.33, 0.95%, 0.69%

LAB 88.55, -65.26, 47.87

 

CMYK 60 / 0 / 34 / 2

HEX #64FBA6

RGB 100 251 166

HSL 146.23, 0.95%, 0.69%

LAB 89.14, -58.82, 29.07

 

CMYK 60 / 0 / 18 / 2

HEX #64FBCF

RGB 100 251 207

HSL 162.52, 0.95%, 0.69%

LAB 89.96, -50.37, 9.21

 

CMYK 60 / 0 / 1 / 2

HEX #64FBF8

RGB 100 251 248

HSL 178.81, 0.95%, 0.69%

LAB 91, -40.31, -10.55

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 48 / 0 / 53 / 6

HEX #7DEF70

RGB 125 239 112

HSL 113.86, 0.8%, 0.69%

LAB 85.64, -56.5, 51.02

 

CMYK 40 / 0 / 45 / 11

HEX #87E27D

RGB 135 226 125

HSL 114.06, 0.64%, 0.69%

LAB 82.39, -46.65, 40.92

 

CMYK 32 / 0 / 35 / 16

HEX #91D58A

RGB 145 213 138

HSL 114.4, 0.47%, 0.69%

LAB 79.3, -35.88, 30.46

 

CMYK 22 / 0 / 25 / 22

HEX #9CC897

RGB 156 200 151

HSL 113.88, 0.31%, 0.69%

LAB 76.44, -23.92, 19.89

 

CMYK 22 / 0 / 60 / 2

HEX #C4FB64

RGB 196 251 100

HSL 81.85, 0.95%, 0.69%

LAB 92.42, -39.46, 64.99

 

CMYK 38 / 0 / 60 / 2

HEX #9BFB64

RGB 155 251 100

HSL 98.15, 0.95%, 0.69%

LAB 90.27, -53.58, 62

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 60 / 0 / 50 / 2

HEX #64FB7D

RGB 100 251 125

HSL 129.93, 0.95%, 0.69%

LAB 88.54, -65.4, 48.33

 

CMYK 60 / 0 / 34 / 2

HEX #64FBA5

RGB 100 251 165

HSL 145.83, 0.95%, 0.69%

LAB 89.12, -59, 29.55

 

CMYK 84 / 0 / 92 / 2

HEX #29FA13

RGB 41 250 19

HSL 114.29, 0.96%, 0.53%

LAB 86.45, -82.47, 80.6

 

CMYK 69 / 0 / 76 / 2

HEX #4EFB3B

RGB 78 251 59

HSL 114.06, 0.96%, 0.61%

LAB 87.45, -76.19, 73.26

 

CMYK 54 / 0 / 60 / 2

HEX #73FB64

RGB 115 251 100

HSL 114.04, 0.95%, 0.69%

LAB 88.71, -64.95, 59.82

 

CMYK 40 / 0 / 44 / 1

HEX #97FC8C

RGB 151 252 140

HSL 114.11, 0.95%, 0.77%

LAB 90.82, -50.7, 44.45

 

CMYK 26 / 0 / 29 / 1

HEX #BCFDB4

RGB 188 253 180

HSL 113.42, 0.95%, 0.85%

LAB 93.55, -33.73, 28.59

 

CMYK 54 / 0 / 60 / 1

HEX #73FC64

RGB 115 252 100

HSL 114.08, 0.96%, 0.69%

LAB 89.01, -65.31, 60.16

 

CMYK 60 / 6 / 0 / 2

HEX #64ECFB

RGB 100 236 251

HSL 185.96, 0.95%, 0.69%

LAB 86.83, -32.57, -18.36

 

CMYK 0 / 60 / 30 / 2

HEX #FB64AF

RGB 251 100 175

HSL 330.2, 0.95%, 0.69%

LAB 63.93, 64.61, -10.19

 

CMYK 54 / 0 / 60 / 1

HEX #73FC64

RGB 115 252 100

HSL 114.08, 0.96%, 0.69%

LAB 89.01, -65.31, 60.16

 

CMYK 60 / 54 / 0 / 2

HEX #6473FB

RGB 100 115 251

HSL 234.04, 0.95%, 0.69%

LAB 53.96, 34.28, -69.81

 

CMYK 0 / 60 / 54 / 2

HEX #FB6473

RGB 251 100 115

HSL 354.04, 0.95%, 0.69%

LAB 62.39, 58.71, 22.08

 

CMYK 54 / 0 / 60 / 1

HEX #73FC64

RGB 115 252 100

HSL 114.08, 0.96%, 0.69%

LAB 89.01, -65.31, 60.16

 

CMYK 60 / 6 / 0 / 2

HEX #64ECFB

RGB 100 236 251

HSL 185.96, 0.95%, 0.69%

LAB 86.83, -32.57, -18.36

 

CMYK 6 / 60 / 0 / 2

HEX #EC64FB

RGB 236 100 251

HSL 294.04, 0.95%, 0.69%

LAB 64.89, 71.89, -51.53

 

CMYK 0 / 54 / 60 / 2

HEX #FB7364

RGB 251 115 100

HSL 5.96, 0.95%, 0.69%

LAB 64.72, 50.85, 33.59

 

CMYK 54 / 0 / 60 / 1

HEX #73FC64

RGB 115 252 100

HSL 114.08, 0.96%, 0.69%

LAB 89.01, -65.31, 60.16

 

CMYK 60 / 24 / 0 / 2

HEX #64BFFB

RGB 100 191 251

HSL 203.84, 0.95%, 0.69%

LAB 74.15, -9.87, -37.77

 

CMYK 6 / 60 / 0 / 2

HEX #EC64FB

RGB 236 100 251

HSL 294.04, 0.95%, 0.69%

LAB 64.89, 71.89, -51.53

 

CMYK 0 / 36 / 60 / 2

HEX #FBA064

RGB 251 160 100

HSL 23.84, 0.95%, 0.69%

LAB 73.91, 28.22, 44.92

 

Description

Color code: HEX #73FC64 | qconv.com Color code: HEX #73FC64 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 252 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 252 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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