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Color name
HEX #73FA77

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73FA77 it is the complementary color #8C0588. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73FA77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73FA77 shade: #78FA72, #89FF85, #9AFF98, #ABFFAB and #BCFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73FA77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73FA77 shade: #73FA77, #62E864, #51D651, #40C43E and #2FB22B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73FA77 shade: #75FA79, #95FA75, #B8FA75, #DCFA75 and #FAF375

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73FA77 shade: #75FA79, #75FA9C, #75FAC0, #75FAE4 and #75EBFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73FA77 shade matches the following richer shades: #75FA79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73FA77 shade: #75FA79, #80EE84, #8CE28E, #97D799 and #A3CBA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73FA77 shade: #B9FA75, #96FA75, #75FA77, #75FA9A and #75FABE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73FA77 shade: #25F72B, #4DF852, #75FA79, #9DFB9F and #C4FCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73FA77 shade: #73FA77, #75DDFA and #FA75A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73FA77 shade: #73FA77, #7775FA and #FA7775

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73FA77 shade: #73FA77, #75DDFA, #FA75F7 and #FA9175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73FA77 shade: #73FA77, #75B5FA, #FA75F7 and #FAB975

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 52 / 2

HEX #73FA77

RGB 115 250 119

HSL 121.78, 0.93%, 0.72%

LAB 88.61, -62.42, 51.3

 

Complementary color

CMYK 0 / 96 / 3 / 45

HEX #8C0588

RGB 140 5 136

HSL 301.78, 0.93%, 0.28%

LAB 32.84, 61.57, -36.49

 

CMYK 52 / 0 / 54 / 2

HEX #78FA72

RGB 120 250 114

HSL 117.35, 0.93%, 0.71%

LAB 88.72, -61.79, 53.75

 

CMYK 46 / 0 / 48 / 0

HEX #89FF85

RGB 137 255 133

HSL 118.03, 1%, 0.76%

LAB 91.02, -56.84, 47.91

 

CMYK 40 / 0 / 40 / 0

HEX #9AFF98

RGB 154 255 152

HSL 118.83, 1%, 0.8%

LAB 91.98, -49.39, 40.13

 

CMYK 33 / 0 / 33 / 0

HEX #ABFFAB

RGB 171 255 171

HSL 120, 1%, 0.84%

LAB 93.07, -41.42, 32.3

 

CMYK 26 / 0 / 25 / 0

HEX #BCFFBE

RGB 188 255 190

HSL 121.79, 1%, 0.87%

LAB 94.28, -33.05, 24.52

 

CMYK 54 / 0 / 52 / 2

HEX #73FA77

RGB 115 250 119

HSL 121.78, 0.93%, 0.72%

LAB 88.61, -62.42, 51.3

 

CMYK 58 / 0 / 57 / 9

HEX #62E864

RGB 98 232 100

HSL 120.9, 0.74%, 0.65%

LAB 82.5, -62.17, 52.53

 

CMYK 62 / 0 / 62 / 16

HEX #51D651

RGB 81 214 81

HSL 120, 0.62%, 0.58%

LAB 76.34, -61.68, 53.67

 

CMYK 67 / 0 / 68 / 23

HEX #40C43E

RGB 64 196 62

HSL 119.1, 0.53%, 0.51%

LAB 70.12, -60.87, 54.61

 

CMYK 74 / 0 / 76 / 30

HEX #2FB22B

RGB 47 178 43

HSL 118.22, 0.61%, 0.43%

LAB 63.85, -59.58, 55.12

 

CMYK 53 / 0 / 52 / 2

HEX #75FA79

RGB 117 250 121

HSL 121.8, 0.93%, 0.72%

LAB 88.7, -61.68, 50.51

 

CMYK 40 / 0 / 53 / 2

HEX #95FA75

RGB 149 250 117

HSL 105.56, 0.93%, 0.72%

LAB 89.88, -53.32, 54.05

 

CMYK 26 / 0 / 53 / 2

HEX #B8FA75

RGB 184 250 117

HSL 89.77, 0.93%, 0.72%

LAB 91.62, -41.81, 56.53

 

CMYK 12 / 0 / 53 / 2

HEX #DCFA75

RGB 220 250 117

HSL 73.53, 0.93%, 0.72%

LAB 93.83, -28.6, 59.67

 

CMYK 0 / 3 / 53 / 2

HEX #FAF375

RGB 250 243 117

HSL 56.84, 0.93%, 0.72%

LAB 94.19, -13.56, 60.66

 

CMYK 53 / 0 / 52 / 2

HEX #75FA79

RGB 117 250 121

HSL 121.8, 0.93%, 0.72%

LAB 88.7, -61.68, 50.51

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9C

RGB 117 250 156

HSL 137.59, 0.93%, 0.72%

LAB 89.18, -56.53, 34.23

 

CMYK 53 / 0 / 23 / 2

HEX #75FAC0

RGB 117 250 192

HSL 153.83, 0.93%, 0.72%

LAB 89.84, -49.81, 16.85

 

CMYK 53 / 0 / 9 / 2

HEX #75FAE4

RGB 117 250 228

HSL 170.08, 0.93%, 0.72%

LAB 90.67, -41.8, -0.59

 

CMYK 53 / 6 / 0 / 2

HEX #75EBFA

RGB 117 235 250

HSL 186.77, 0.93%, 0.72%

LAB 87.05, -29.28, -17.46

 

CMYK 53 / 0 / 52 / 2

HEX #75FA79

RGB 117 250 121

HSL 121.8, 0.93%, 0.72%

LAB 88.7, -61.68, 50.51

 

CMYK 53 / 0 / 52 / 2

HEX #75FA79

RGB 117 250 121

HSL 121.8, 0.93%, 0.72%

LAB 88.7, -61.68, 50.51

 

CMYK 46 / 0 / 45 / 7

HEX #80EE84

RGB 128 238 132

HSL 122.18, 0.76%, 0.72%

LAB 85.71, -52.66, 41.64

 

CMYK 38 / 0 / 37 / 11

HEX #8CE28E

RGB 140 226 142

HSL 121.4, 0.6%, 0.72%

LAB 82.87, -42.65, 33.1

 

CMYK 30 / 0 / 29 / 16

HEX #97D799

RGB 151 215 153

HSL 121.88, 0.44%, 0.72%

LAB 80.45, -32.45, 24.29

 

CMYK 20 / 0 / 19 / 20

HEX #A3CBA4

RGB 163 203 164

HSL 121.5, 0.28%, 0.72%

LAB 77.98, -20.77, 15.17

 

CMYK 26 / 0 / 53 / 2

HEX #B9FA75

RGB 185 250 117

HSL 89.32, 0.93%, 0.72%

LAB 91.67, -41.46, 56.61

 

CMYK 40 / 0 / 53 / 2

HEX #96FA75

RGB 150 250 117

HSL 105.11, 0.93%, 0.72%

LAB 89.92, -53.01, 54.11

 

CMYK 53 / 0 / 52 / 2

HEX #75FA77

RGB 117 250 119

HSL 120.9, 0.93%, 0.72%

LAB 88.68, -61.93, 51.4

 

CMYK 53 / 0 / 38 / 2

HEX #75FA9A

RGB 117 250 154

HSL 136.69, 0.93%, 0.72%

LAB 89.15, -56.86, 35.19

 

CMYK 53 / 0 / 24 / 2

HEX #75FABE

RGB 117 250 190

HSL 152.93, 0.93%, 0.72%

LAB 89.8, -50.22, 17.83

 

CMYK 85 / 0 / 83 / 3

HEX #25F72B

RGB 37 247 43

HSL 121.71, 0.93%, 0.56%

LAB 85.55, -81.18, 75.56

 

CMYK 69 / 0 / 67 / 3

HEX #4DF852

RGB 77 248 82

HSL 121.75, 0.92%, 0.64%

LAB 86.66, -73.68, 64.56

 

CMYK 53 / 0 / 52 / 2

HEX #75FA79

RGB 117 250 121

HSL 121.8, 0.93%, 0.72%

LAB 88.7, -61.68, 50.51

 

CMYK 37 / 0 / 37 / 2

HEX #9DFB9F

RGB 157 251 159

HSL 121.28, 0.92%, 0.8%

LAB 91.08, -45.77, 35.54

 

CMYK 22 / 0 / 21 / 1

HEX #C4FCC6

RGB 196 252 198

HSL 122.14, 0.9%, 0.88%

LAB 94.07, -27.76, 20.22

 

CMYK 54 / 0 / 52 / 2

HEX #73FA77

RGB 115 250 119

HSL 121.78, 0.93%, 0.72%

LAB 88.61, -62.42, 51.3

 

CMYK 53 / 12 / 0 / 2

HEX #75DDFA

RGB 117 221 250

HSL 193.08, 0.93%, 0.72%

LAB 83.12, -22.43, -23.39

 

CMYK 0 / 53 / 33 / 2

HEX #FA75A8

RGB 250 117 168

HSL 336.99, 0.93%, 0.72%

LAB 66.42, 55.89, -2.53

 

CMYK 54 / 0 / 52 / 2

HEX #73FA77

RGB 115 250 119

HSL 121.78, 0.93%, 0.72%

LAB 88.61, -62.42, 51.3

 

CMYK 52 / 53 / 0 / 2

HEX #7775FA

RGB 119 117 250

HSL 240.9, 0.93%, 0.72%

LAB 55.63, 36.25, -66.49

 

CMYK 0 / 52 / 53 / 2

HEX #FA7775

RGB 250 119 117

HSL 0.9, 0.93%, 0.72%

LAB 65.59, 49.85, 25.21

 

CMYK 54 / 0 / 52 / 2

HEX #73FA77

RGB 115 250 119

HSL 121.78, 0.93%, 0.72%

LAB 88.61, -62.42, 51.3

 

CMYK 53 / 12 / 0 / 2

HEX #75DDFA

RGB 117 221 250

HSL 193.08, 0.93%, 0.72%

LAB 83.12, -22.43, -23.39

 

CMYK 0 / 53 / 1 / 2

HEX #FA75F7

RGB 250 117 247

HSL 301.35, 0.93%, 0.72%

LAB 69.3, 67.3, -42.26

 

CMYK 0 / 42 / 53 / 2

HEX #FA9175

RGB 250 145 117

HSL 12.63, 0.93%, 0.72%

LAB 70.77, 36.9, 32.02

 

CMYK 54 / 0 / 52 / 2

HEX #73FA77

RGB 115 250 119

HSL 121.78, 0.93%, 0.72%

LAB 88.61, -62.42, 51.3

 

CMYK 53 / 28 / 0 / 2

HEX #75B5FA

RGB 117 181 250

HSL 211.13, 0.93%, 0.72%

LAB 72.05, -1.38, -40.45

 

CMYK 0 / 53 / 1 / 2

HEX #FA75F7

RGB 250 117 247

HSL 301.35, 0.93%, 0.72%

LAB 69.3, 67.3, -42.26

 

CMYK 0 / 26 / 53 / 2

HEX #FAB975

RGB 250 185 117

HSL 30.68, 0.93%, 0.72%

LAB 79.79, 16, 43.45

 

Description

Color code: HEX #73FA77 | qconv.com Color code: HEX #73FA77 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 250 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 250 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 52 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 52% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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