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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D622 it is the complementary color #8C29DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D622 shade: #78D61D, #89E830, #9AFA43, #ABFF56 and #BCFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D622 shade: #73D622, #62C40F, #51B200, #40A000 and #2F8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D622 shade: #73D821, #A5D821, #D6D821, #D8A821 and #D87721

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D622 shade: #73D821, #42D821, #21D832, #21D863 and #21D894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D622 shade matches the following richer shades: #73D821 and #71EC0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D622 shade: #73D821, #75C335, #77AF4A, #799B5E and #7B8772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D622 shade: #D5D821, #A4D821, #73D821, #43D821 and #21D830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D622 shade: #4D9016, #60B41C, #73D821, #89E141 and #9FE765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D622 shade: #73D622, #21D8AA and #D821BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D622 shade: #73D622, #2173D8 and #D82173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D622 shade: #73D622, #21D8AA, #8621D8 and #D8214F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D622 shade: #73D622, #21CFD8, #8621D8 and #D82A21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 84 / 16

HEX #73D622

RGB 115 214 34

HSL 93, 0.73%, 0.49%

LAB 77.19, -56.03, 70.84

 

Complementary color

CMYK 37 / 81 / 0 / 13

HEX #8C29DD

RGB 140 41 221

HSL 273, 0.73%, 0.51%

LAB 41.82, 69.69, -72.52

 

CMYK 44 / 0 / 86 / 16

HEX #78D61D

RGB 120 214 29

HSL 90.49, 0.76%, 0.48%

LAB 77.39, -54.64, 72.16

 

CMYK 41 / 0 / 79 / 9

HEX #89E830

RGB 137 232 48

HSL 90.98, 0.8%, 0.55%

LAB 83.57, -55.41, 73.42

 

CMYK 38 / 0 / 73 / 2

HEX #9AFA43

RGB 154 250 67

HSL 91.48, 0.95%, 0.62%

LAB 89.69, -55.96, 73.8

 

CMYK 33 / 0 / 66 / 0

HEX #ABFF56

RGB 171 255 86

HSL 89.82, 1%, 0.67%

LAB 92.06, -51.08, 69.76

 

CMYK 26 / 0 / 59 / 0

HEX #BCFF69

RGB 188 255 105

HSL 86.8, 1%, 0.71%

LAB 93.12, -43.69, 63.55

 

CMYK 46 / 0 / 84 / 16

HEX #73D622

RGB 115 214 34

HSL 93, 0.73%, 0.49%

LAB 77.19, -56.03, 70.84

 

CMYK 50 / 0 / 92 / 23

HEX #62C40F

RGB 98 196 15

HSL 92.49, 0.86%, 0.41%

LAB 70.95, -55, 68.77

 

CMYK 54 / 0 / 100 / 30

HEX #51B200

RGB 81 178 0

HSL 92.7, 1%, 0.35%

LAB 64.64, -53.61, 65.25

 

CMYK 60 / 0 / 100 / 37

HEX #40A000

RGB 64 160 0

HSL 96, 1%, 0.31%

LAB 58.26, -51.77, 59.98

 

CMYK 67 / 0 / 100 / 44

HEX #2F8E00

RGB 47 142 0

HSL 100.14, 1%, 0.28%

LAB 51.78, -49.65, 54.64

 

CMYK 47 / 0 / 85 / 15

HEX #73D821

RGB 115 216 33

HSL 93.11, 0.73%, 0.49%

LAB 77.8, -56.82, 71.6

 

CMYK 24 / 0 / 85 / 15

HEX #A5D821

RGB 165 216 33

HSL 76.72, 0.73%, 0.49%

LAB 80.3, -39.33, 74.74

 

CMYK 1 / 0 / 85 / 15

HEX #D6D821

RGB 214 216 33

HSL 60.66, 0.73%, 0.49%

LAB 83.71, -19.4, 78.97

 

CMYK 0 / 22 / 85 / 15

HEX #D8A821

RGB 216 168 33

HSL 44.26, 0.73%, 0.49%

LAB 71.36, 6.08, 68.86

 

CMYK 0 / 45 / 85 / 15

HEX #D87721

RGB 216 119 33

HSL 28.2, 0.73%, 0.49%

LAB 59.8, 32.3, 59.22

 

CMYK 47 / 0 / 85 / 15

HEX #73D821

RGB 115 216 33

HSL 93.11, 0.73%, 0.49%

LAB 77.8, -56.82, 71.6

 

CMYK 69 / 0 / 85 / 15

HEX #42D821

RGB 66 216 33

HSL 109.18, 0.73%, 0.49%

LAB 76.3, -68.86, 69.71

 

CMYK 85 / 0 / 77 / 15

HEX #21D832

RGB 33 216 50

HSL 125.57, 0.73%, 0.49%

LAB 75.86, -72.39, 64.55

 

CMYK 85 / 0 / 54 / 15

HEX #21D863

RGB 33 216 99

HSL 141.64, 0.73%, 0.49%

LAB 76.27, -67.3, 45.26

 

CMYK 85 / 0 / 31 / 15

HEX #21D894

RGB 33 216 148

HSL 157.7, 0.73%, 0.49%

LAB 77.02, -58.55, 21.63

 

CMYK 47 / 0 / 85 / 15

HEX #73D821

RGB 115 216 33

HSL 93.11, 0.73%, 0.49%

LAB 77.8, -56.82, 71.6

 

CMYK 52 / 0 / 94 / 7

HEX #71EC0D

RGB 113 236 13

HSL 93.09, 0.9%, 0.49%

LAB 83.72, -65.15, 79.64

 

CMYK 47 / 0 / 85 / 15

HEX #73D821

RGB 115 216 33

HSL 93.11, 0.73%, 0.49%

LAB 77.8, -56.82, 71.6

 

CMYK 40 / 0 / 73 / 24

HEX #75C335

RGB 117 195 53

HSL 92.96, 0.57%, 0.49%

LAB 71.6, -46.92, 60.11

 

CMYK 32 / 0 / 58 / 31

HEX #77AF4A

RGB 119 175 74

HSL 93.27, 0.41%, 0.49%

LAB 65.81, -35.83, 45.23

 

CMYK 22 / 0 / 39 / 39

HEX #799B5E

RGB 121 155 94

HSL 93.44, 0.24%, 0.49%

LAB 60.17, -23.08, 28.23

 

CMYK 9 / 0 / 16 / 47

HEX #7B8772

RGB 123 135 114

HSL 94.29, 0.08%, 0.49%

LAB 54.82, -8.5, 9.82

 

CMYK 1 / 0 / 85 / 15

HEX #D5D821

RGB 213 216 33

HSL 60.98, 0.73%, 0.49%

LAB 83.64, -19.82, 78.88

 

CMYK 24 / 0 / 85 / 15

HEX #A4D821

RGB 164 216 33

HSL 77.05, 0.73%, 0.49%

LAB 80.24, -39.71, 74.67

 

CMYK 47 / 0 / 85 / 15

HEX #73D821

RGB 115 216 33

HSL 93.11, 0.73%, 0.49%

LAB 77.8, -56.82, 71.6

 

CMYK 69 / 0 / 85 / 15

HEX #43D821

RGB 67 216 33

HSL 108.85, 0.73%, 0.49%

LAB 76.32, -68.67, 69.73

 

CMYK 85 / 0 / 78 / 15

HEX #21D830

RGB 33 216 48

HSL 124.92, 0.73%, 0.49%

LAB 75.85, -72.53, 65.15

 

CMYK 47 / 0 / 85 / 44

HEX #4D9016

RGB 77 144 22

HSL 92.95, 0.73%, 0.33%

LAB 53.58, -41.13, 52.23

 

CMYK 47 / 0 / 84 / 29

HEX #60B41C

RGB 96 180 28

HSL 93.16, 0.73%, 0.41%

LAB 65.91, -49.11, 62

 

CMYK 47 / 0 / 85 / 15

HEX #73D821

RGB 115 216 33

HSL 93.11, 0.73%, 0.49%

LAB 77.8, -56.82, 71.6

 

CMYK 39 / 0 / 71 / 12

HEX #89E141

RGB 137 225 65

HSL 93, 0.73%, 0.57%

LAB 81.59, -51.69, 66.17

 

CMYK 31 / 0 / 56 / 9

HEX #9FE765

RGB 159 231 101

HSL 93.23, 0.73%, 0.65%

LAB 84.72, -43.8, 55.3

 

CMYK 46 / 0 / 84 / 16

HEX #73D622

RGB 115 214 34

HSL 93, 0.73%, 0.49%

LAB 77.19, -56.03, 70.84

 

CMYK 85 / 0 / 21 / 15

HEX #21D8AA

RGB 33 216 170

HSL 164.92, 0.73%, 0.49%

LAB 77.48, -53.52, 10.65

 

CMYK 0 / 85 / 13 / 15

HEX #D821BC

RGB 216 33 188

HSL 309.18, 0.73%, 0.49%

LAB 51.06, 79.11, -37.97

 

CMYK 46 / 0 / 84 / 16

HEX #73D622

RGB 115 214 34

HSL 93, 0.73%, 0.49%

LAB 77.19, -56.03, 70.84

 

CMYK 85 / 47 / 0 / 15

HEX #2173D8

RGB 33 115 216

HSL 213.11, 0.73%, 0.49%

LAB 48.94, 13.23, -58.44

 

CMYK 0 / 85 / 47 / 15

HEX #D82173

RGB 216 33 115

HSL 333.11, 0.73%, 0.49%

LAB 48.16, 71.11, 1.27

 

CMYK 46 / 0 / 84 / 16

HEX #73D622

RGB 115 214 34

HSL 93, 0.73%, 0.49%

LAB 77.19, -56.03, 70.84

 

CMYK 85 / 0 / 21 / 15

HEX #21D8AA

RGB 33 216 170

HSL 164.92, 0.73%, 0.49%

LAB 77.48, -53.52, 10.65

 

CMYK 38 / 85 / 0 / 15

HEX #8621D8

RGB 134 33 216

HSL 273.11, 0.73%, 0.49%

LAB 39.77, 70.14, -73.03

 

CMYK 0 / 85 / 63 / 15

HEX #D8214F

RGB 216 33 79

HSL 344.92, 0.73%, 0.49%

LAB 47.3, 68.61, 22.22

 

CMYK 46 / 0 / 84 / 16

HEX #73D622

RGB 115 214 34

HSL 93, 0.73%, 0.49%

LAB 77.19, -56.03, 70.84

 

CMYK 85 / 4 / 0 / 15

HEX #21CFD8

RGB 33 207 216

HSL 182.95, 0.73%, 0.49%

LAB 76.01, -37.08, -16.19

 

CMYK 38 / 85 / 0 / 15

HEX #8621D8

RGB 134 33 216

HSL 273.11, 0.73%, 0.49%

LAB 39.77, 70.14, -73.03

 

CMYK 0 / 81 / 85 / 15

HEX #D82A21

RGB 216 42 33

HSL 2.95, 0.73%, 0.49%

LAB 47.45, 64.74, 48.68

 

Description

Color code: HEX #73D622 | qconv.com Color code: HEX #73D622 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 214 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 214 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 84 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 84% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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