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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D542 it is the complementary color #8C2ABD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D542. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D542 shade: #78D53D, #89E750, #9AF963, #ABFF76 and #BCFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D542. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D542 shade: #73D542, #62C32F, #51B11C, #409F09 and #2F8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D542 shade: #73D542, #9BD542, #C2D542, #D5C042 and #D59942

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D542 shade: #73D542, #4CD542, #42D561, #42D588 and #42D5B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D542 shade matches the following richer shades: #73D542, #6DE830 and #67FA1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D542 shade: #73D542, #79C355, #80B067, #869D7A and #8C8B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D542 shade: #C2D542, #9AD542, #73D542, #4CD542 and #42D560

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D542 shade: #4DA223, #5EC42B, #73D542, #8CDD64 and #A5E486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D542 shade: #73D542, #42D5C2 and #D542AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D542 shade: #73D542, #4273D5 and #D54273

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D542 shade: #73D542, #42D5C2, #A442D5 and #D54256

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D542 shade: #73D542, #42BDD5, #A442D5 and #D55B42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

Complementary color

CMYK 26 / 78 / 0 / 26

HEX #8C2ABD

RGB 140 42 189

HSL 280, 0.64%, 0.45%

LAB 39.42, 62.56, -57.87

 

CMYK 44 / 0 / 71 / 16

HEX #78D53D

RGB 120 213 61

HSL 96.71, 0.64%, 0.54%

LAB 77.23, -52.65, 62.95

 

CMYK 41 / 0 / 65 / 9

HEX #89E750

RGB 137 231 80

HSL 97.35, 0.76%, 0.61%

LAB 83.47, -52.99, 62.48

 

CMYK 38 / 0 / 60 / 2

HEX #9AF963

RGB 154 249 99

HSL 98, 0.93%, 0.68%

LAB 89.64, -53.18, 61.7

 

CMYK 33 / 0 / 54 / 0

HEX #ABFF76

RGB 171 255 118

HSL 96.79, 1%, 0.73%

LAB 92.35, -48.29, 56.77

 

CMYK 26 / 0 / 46 / 0

HEX #BCFF89

RGB 188 255 137

HSL 94.07, 1%, 0.77%

LAB 93.46, -40.48, 49.57

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 50 / 0 / 76 / 24

HEX #62C32F

RGB 98 195 47

HSL 99.32, 0.61%, 0.47%

LAB 70.76, -53.31, 61.05

 

CMYK 54 / 0 / 84 / 31

HEX #51B11C

RGB 81 177 28

HSL 98.66, 0.73%, 0.4%

LAB 64.38, -52.48, 60.42

 

CMYK 60 / 0 / 94 / 38

HEX #409F09

RGB 64 159 9

HSL 98, 0.89%, 0.33%

LAB 57.95, -51.2, 58.39

 

CMYK 67 / 0 / 100 / 45

HEX #2F8D00

RGB 47 141 0

HSL 100, 1%, 0.28%

LAB 51.44, -49.3, 54.37

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 27 / 0 / 69 / 16

HEX #9BD542

RGB 155 213 66

HSL 83.67, 0.64%, 0.55%

LAB 79.01, -40.24, 63.49

 

CMYK 9 / 0 / 69 / 16

HEX #C2D542

RGB 194 213 66

HSL 67.76, 0.64%, 0.55%

LAB 81.54, -24.97, 66.86

 

CMYK 0 / 10 / 69 / 16

HEX #D5C042

RGB 213 192 66

HSL 51.43, 0.64%, 0.55%

LAB 77.42, -6.53, 63.24

 

CMYK 0 / 28 / 69 / 16

HEX #D59942

RGB 213 153 66

HSL 35.51, 0.64%, 0.55%

LAB 67.52, 14.13, 52.99

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 64 / 0 / 69 / 16

HEX #4CD542

RGB 76 213 66

HSL 115.92, 0.64%, 0.55%

LAB 75.77, -63.84, 59.12

 

CMYK 69 / 0 / 54 / 16

HEX #42D561

RGB 66 213 97

HSL 132.65, 0.64%, 0.55%

LAB 75.83, -62.34, 45.79

 

CMYK 69 / 0 / 36 / 16

HEX #42D588

RGB 66 213 136

HSL 148.57, 0.64%, 0.55%

LAB 76.39, -55.98, 27.1

 

CMYK 69 / 0 / 17 / 16

HEX #42D5B0

RGB 66 213 176

HSL 164.9, 0.64%, 0.55%

LAB 77.21, -47.26, 7.13

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 53 / 0 / 79 / 9

HEX #6DE830

RGB 109 232 48

HSL 100.11, 0.8%, 0.55%

LAB 82.47, -63.71, 72

 

CMYK 59 / 0 / 88 / 2

HEX #67FA1D

RGB 103 250 29

HSL 99.91, 0.96%, 0.55%

LAB 87.65, -72.08, 80.67

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 38 / 0 / 56 / 24

HEX #79C355

RGB 121 195 85

HSL 100.36, 0.48%, 0.55%

LAB 72.06, -42.82, 47.38

 

CMYK 27 / 0 / 41 / 31

HEX #80B067

RGB 128 176 103

HSL 99.45, 0.32%, 0.55%

LAB 66.99, -29.54, 32.35

 

CMYK 15 / 0 / 22 / 38

HEX #869D7A

RGB 134 157 122

HSL 99.43, 0.15%, 0.55%

LAB 62.16, -14.82, 15.68

 

CMYK 1 / 1 / 0 / 45

HEX #8C8B8D

RGB 140 139 141

HSL 270, 0.01%, 0.55%

LAB 58, 0.76, -0.94

 

CMYK 9 / 0 / 69 / 16

HEX #C2D542

RGB 194 213 66

HSL 67.76, 0.64%, 0.55%

LAB 81.54, -24.97, 66.86

 

CMYK 28 / 0 / 69 / 16

HEX #9AD542

RGB 154 213 66

HSL 84.08, 0.64%, 0.55%

LAB 78.96, -40.61, 63.42

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 64 / 0 / 69 / 16

HEX #4CD542

RGB 76 213 66

HSL 115.92, 0.64%, 0.55%

LAB 75.77, -63.84, 59.12

 

CMYK 69 / 0 / 55 / 16

HEX #42D560

RGB 66 213 96

HSL 132.24, 0.64%, 0.55%

LAB 75.82, -62.47, 46.24

 

CMYK 52 / 0 / 78 / 36

HEX #4DA223

RGB 77 162 35

HSL 100.16, 0.64%, 0.39%

LAB 59.47, -47.6, 53.81

 

CMYK 52 / 0 / 78 / 23

HEX #5EC42B

RGB 94 196 43

HSL 100, 0.64%, 0.47%

LAB 70.89, -55.08, 62.4

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 37 / 0 / 55 / 13

HEX #8CDD64

RGB 140 221 100

HSL 100.17, 0.64%, 0.63%

LAB 80.85, -46.02, 51

 

CMYK 28 / 0 / 41 / 11

HEX #A5E486

RGB 165 228 134

HSL 100.21, 0.64%, 0.71%

LAB 84.59, -36.62, 39.59

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 69 / 0 / 9 / 16

HEX #42D5C2

RGB 66 213 194

HSL 172.24, 0.64%, 0.55%

LAB 77.66, -42.7, -1.85

 

CMYK 0 / 69 / 18 / 16

HEX #D542AE

RGB 213 66 174

HSL 315.92, 0.64%, 0.55%

LAB 53.06, 67.52, -26.71

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 69 / 46 / 0 / 16

HEX #4273D5

RGB 66 115 213

HSL 220, 0.64%, 0.55%

LAB 49.77, 15.83, -55.35

 

CMYK 0 / 69 / 46 / 16

HEX #D54273

RGB 213 66 115

HSL 340, 0.64%, 0.55%

LAB 51.01, 60.73, 5.31

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 69 / 0 / 9 / 16

HEX #42D5C2

RGB 66 213 194

HSL 172.24, 0.64%, 0.55%

LAB 77.66, -42.7, -1.85

 

CMYK 23 / 69 / 0 / 16

HEX #A442D5

RGB 164 66 213

HSL 280, 0.64%, 0.55%

LAB 47.74, 62.89, -58.16

 

CMYK 0 / 69 / 60 / 16

HEX #D54256

RGB 213 66 86

HSL 351.84, 0.64%, 0.55%

LAB 50.35, 58.43, 21.88

 

CMYK 46 / 0 / 69 / 16

HEX #73D542

RGB 115 213 66

HSL 100, 0.64%, 0.55%

LAB 77.06, -53.82, 60.86

 

CMYK 69 / 11 / 0 / 16

HEX #42BDD5

RGB 66 189 213

HSL 189.8, 0.64%, 0.55%

LAB 71.12, -26.03, -21.93

 

CMYK 23 / 69 / 0 / 16

HEX #A442D5

RGB 164 66 213

HSL 280, 0.64%, 0.55%

LAB 47.74, 62.89, -58.16

 

CMYK 0 / 57 / 69 / 16

HEX #D55B42

RGB 213 91 66

HSL 10.2, 0.64%, 0.55%

LAB 54.05, 46.49, 38.03

 

Description

Color code: HEX #73D542 | qconv.com Color code: HEX #73D542 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 213 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 213 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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