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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FF429 it is the complementary color #900BD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FF429. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FF429 shade: #74F424, #85FF37, #96FF4A, #A7FF5D and #B8FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FF429. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FF429 shade: #6FF429, #5EE216, #4DD003, #3CBE00 and #2BAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FF429 shade: #6FF329, #A5F329, #DCF329, #F3D429 and #F39E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FF429 shade: #6FF329, #39F329, #29F351, #29F387 and #29F3BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FF429 shade matches the following richer shades: #6FF329

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FF429 shade: #6FF329, #75E13B, #7ACF4E, #80BD60 and #85AB72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FF429 shade: #DCF329, #A6F329, #70F329, #3AF329 and #29F34E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FF429 shade: #49C00A, #58E80C, #6FF329, #89F551 and #A4F778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FF429 shade: #6FF429, #29F3D5 and #F329C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FF429 shade: #6FF429, #2970F3 and #F32970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FF429 shade: #6FF429, #29F3D5, #AD29F3 and #F32948

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FF429 shade: #6FF429, #29D5F3, #AD29F3 and #F34829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 83 / 4

HEX #6FF429

RGB 111 244 41

HSL 99.31, 0.9%, 0.56%

LAB 86.13, -67.69, 77.1

 

Complementary color

CMYK 33 / 95 / 0 / 16

HEX #900BD6

RGB 144 11 214

HSL 279.31, 0.9%, 0.44%

LAB 39.62, 75.22, -72.07

 

CMYK 52 / 0 / 85 / 4

HEX #74F424

RGB 116 244 36

HSL 96.92, 0.9%, 0.55%

LAB 86.28, -66.55, 78.37

 

CMYK 48 / 0 / 78 / 0

HEX #85FF37

RGB 133 255 55

HSL 96.6, 1%, 0.61%

LAB 90.22, -64.94, 77.59

 

CMYK 41 / 0 / 71 / 0

HEX #96FF4A

RGB 150 255 74

HSL 94.81, 1%, 0.65%

LAB 91.01, -58.76, 72.7

 

CMYK 35 / 0 / 64 / 0

HEX #A7FF5D

RGB 167 255 93

HSL 92.59, 1%, 0.68%

LAB 91.92, -51.9, 66.84

 

CMYK 28 / 0 / 56 / 0

HEX #B8FF70

RGB 184 255 112

HSL 89.79, 1%, 0.72%

LAB 92.96, -44.47, 60.31

 

CMYK 55 / 0 / 83 / 4

HEX #6FF429

RGB 111 244 41

HSL 99.31, 0.9%, 0.56%

LAB 86.13, -67.69, 77.1

 

CMYK 58 / 0 / 90 / 11

HEX #5EE216

RGB 94 226 22

HSL 98.82, 0.82%, 0.49%

LAB 80.08, -66.47, 75.29

 

CMYK 63 / 0 / 99 / 18

HEX #4DD003

RGB 77 208 3

HSL 98.34, 0.97%, 0.41%

LAB 73.99, -64.87, 72.28

 

CMYK 68 / 0 / 100 / 25

HEX #3CBE00

RGB 60 190 0

HSL 101.05, 1%, 0.37%

LAB 67.86, -62.72, 67.55

 

CMYK 75 / 0 / 100 / 33

HEX #2BAC00

RGB 43 172 0

HSL 105, 1%, 0.34%

LAB 61.67, -60.16, 62.47

 

CMYK 54 / 0 / 83 / 5

HEX #6FF329

RGB 111 243 41

HSL 99.21, 0.89%, 0.56%

LAB 85.83, -67.34, 76.83

 

CMYK 32 / 0 / 83 / 5

HEX #A5F329

RGB 165 243 41

HSL 83.17, 0.89%, 0.56%

LAB 88.09, -50.6, 79.7

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 0 / 13 / 83 / 5

HEX #F3D429

RGB 243 212 41

HSL 50.79, 0.89%, 0.56%

LAB 85.15, -4.93, 79.35

 

CMYK 0 / 35 / 83 / 5

HEX #F39E29

RGB 243 158 41

HSL 34.75, 0.89%, 0.56%

LAB 72.01, 23.18, 68.27

 

CMYK 54 / 0 / 83 / 5

HEX #6FF329

RGB 111 243 41

HSL 99.21, 0.89%, 0.56%

LAB 85.83, -67.34, 76.83

 

CMYK 77 / 0 / 83 / 5

HEX #39F329

RGB 57 243 41

HSL 115.25, 0.89%, 0.56%

LAB 84.55, -77.99, 75.21

 

CMYK 83 / 0 / 67 / 5

HEX #29F351

RGB 41 243 81

HSL 131.88, 0.89%, 0.56%

LAB 84.57, -76.99, 62.53

 

CMYK 83 / 0 / 44 / 5

HEX #29F387

RGB 41 243 135

HSL 147.92, 0.89%, 0.56%

LAB 85.16, -69.84, 39.05

 

CMYK 83 / 0 / 22 / 5

HEX #29F3BE

RGB 41 243 190

HSL 164.26, 0.89%, 0.56%

LAB 86.15, -58.69, 12.46

 

CMYK 54 / 0 / 83 / 5

HEX #6FF329

RGB 111 243 41

HSL 99.21, 0.89%, 0.56%

LAB 85.83, -67.34, 76.83

 

CMYK 54 / 0 / 83 / 5

HEX #6FF329

RGB 111 243 41

HSL 99.21, 0.89%, 0.56%

LAB 85.83, -67.34, 76.83

 

CMYK 48 / 0 / 74 / 12

HEX #75E13B

RGB 117 225 59

HSL 99.04, 0.73%, 0.56%

LAB 80.71, -58.3, 67.07

 

CMYK 41 / 0 / 62 / 19

HEX #7ACF4E

RGB 122 207 78

HSL 99.53, 0.57%, 0.56%

LAB 75.65, -48.23, 54.59

 

CMYK 32 / 0 / 49 / 26

HEX #80BD60

RGB 128 189 96

HSL 99.35, 0.41%, 0.56%

LAB 70.75, -36.51, 40.63

 

CMYK 22 / 0 / 33 / 33

HEX #85AB72

RGB 133 171 114

HSL 100, 0.25%, 0.56%

LAB 66, -23.67, 25.28

 

CMYK 9 / 0 / 83 / 5

HEX #DCF329

RGB 220 243 41

HSL 66.83, 0.89%, 0.56%

LAB 91.45, -29.59, 83.9

 

CMYK 32 / 0 / 83 / 5

HEX #A6F329

RGB 166 243 41

HSL 82.87, 0.89%, 0.56%

LAB 88.15, -50.24, 79.77

 

CMYK 54 / 0 / 83 / 5

HEX #70F329

RGB 112 243 41

HSL 98.91, 0.89%, 0.56%

LAB 85.86, -67.08, 76.88

 

CMYK 76 / 0 / 83 / 5

HEX #3AF329

RGB 58 243 41

HSL 114.95, 0.89%, 0.56%

LAB 84.57, -77.86, 75.23

 

CMYK 83 / 0 / 68 / 5

HEX #29F34E

RGB 41 243 78

HSL 130.99, 0.89%, 0.56%

LAB 84.55, -77.28, 63.66

 

CMYK 62 / 0 / 95 / 25

HEX #49C00A

RGB 73 192 10

HSL 99.23, 0.9%, 0.4%

LAB 68.85, -60.37, 67.33

 

CMYK 62 / 0 / 95 / 9

HEX #58E80C

RGB 88 232 12

HSL 99.27, 0.9%, 0.48%

LAB 81.74, -70.05, 77.81

 

CMYK 54 / 0 / 83 / 5

HEX #6FF329

RGB 111 243 41

HSL 99.21, 0.89%, 0.56%

LAB 85.83, -67.34, 76.83

 

CMYK 44 / 0 / 67 / 4

HEX #89F551

RGB 137 245 81

HSL 99.51, 0.89%, 0.64%

LAB 87.59, -58.39, 66.47

 

CMYK 34 / 0 / 51 / 3

HEX #A4F778

RGB 164 247 120

HSL 99.21, 0.89%, 0.72%

LAB 89.75, -46.99, 52.69

 

CMYK 55 / 0 / 83 / 4

HEX #6FF429

RGB 111 244 41

HSL 99.31, 0.9%, 0.56%

LAB 86.13, -67.69, 77.1

 

CMYK 83 / 0 / 12 / 5

HEX #29F3D5

RGB 41 243 213

HSL 171.09, 0.89%, 0.56%

LAB 86.69, -53, 1.23

 

CMYK 0 / 83 / 21 / 5

HEX #F329C1

RGB 243 41 193

HSL 314.85, 0.89%, 0.56%

LAB 56.58, 83.63, -31.88

 

CMYK 55 / 0 / 83 / 4

HEX #6FF429

RGB 111 244 41

HSL 99.31, 0.9%, 0.56%

LAB 86.13, -67.69, 77.1

 

CMYK 83 / 54 / 0 / 5

HEX #2970F3

RGB 41 112 243

HSL 218.91, 0.89%, 0.56%

LAB 50.13, 26, -71.68

 

CMYK 0 / 83 / 54 / 5

HEX #F32970

RGB 243 41 112

HSL 338.91, 0.89%, 0.56%

LAB 53.83, 75.83, 11.87

 

CMYK 55 / 0 / 83 / 4

HEX #6FF429

RGB 111 244 41

HSL 99.31, 0.9%, 0.56%

LAB 86.13, -67.69, 77.1

 

CMYK 83 / 0 / 12 / 5

HEX #29F3D5

RGB 41 243 213

HSL 171.09, 0.89%, 0.56%

LAB 86.69, -53, 1.23

 

CMYK 29 / 83 / 0 / 5

HEX #AD29F3

RGB 173 41 243

HSL 279.21, 0.89%, 0.56%

LAB 48.19, 78.98, -74.4

 

CMYK 0 / 83 / 70 / 5

HEX #F32948

RGB 243 41 72

HSL 350.79, 0.89%, 0.56%

LAB 53.07, 73.6, 34.78

 

CMYK 55 / 0 / 83 / 4

HEX #6FF429

RGB 111 244 41

HSL 99.31, 0.9%, 0.56%

LAB 86.13, -67.69, 77.1

 

CMYK 83 / 12 / 0 / 5

HEX #29D5F3

RGB 41 213 243

HSL 188.91, 0.89%, 0.56%

LAB 78.77, -31.05, -26.47

 

CMYK 29 / 83 / 0 / 5

HEX #AD29F3

RGB 173 41 243

HSL 279.21, 0.89%, 0.56%

LAB 48.19, 78.98, -74.4

 

CMYK 0 / 70 / 83 / 5

HEX #F34829

RGB 243 72 41

HSL 9.21, 0.89%, 0.56%

LAB 55.94, 63.62, 54.32

 

Description

Color code: HEX #6FF429 | qconv.com Color code: HEX #6FF429 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 244 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 244 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 83 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 83% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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