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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE958 it is the complementary color #9016A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE958. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE958 shade: #74E953, #85FB66, #96FF79, #A7FF8C and #B8FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE958. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE958 shade: #6FE958, #5ED745, #4DC532, #3CB31F and #2BA10C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE958 shade: #6FE958, #96E958, #BDE958, #E4E958 and #E9C658

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE958 shade: #6FE958, #58E968, #58E98F, #58E9B6 and #58E9DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE958 shade matches the following richer shades: #6FE958 and #64F848

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE958 shade: #6FE958, #79DA67, #83CA76, #8EBB85 and #98AC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE958 shade: #BDE958, #96E958, #70E958, #58E966 and #58E98D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE958 shade: #38D31B, #4FE433, #6FE958, #8EEE7C and #AEF2A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE958 shade: #6FE958, #58E4E9 and #E958AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE958 shade: #6FE958, #5870E9 and #E95870

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE958 shade: #6FE958, #58E4E9, #D158E9 and #E95C58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE958 shade: #6FE958, #58B8E9, #D158E9 and #E98858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

Complementary color

CMYK 14 / 87 / 0 / 35

HEX #9016A7

RGB 144 22 167

HSL 290.48, 0.77%, 0.37%

LAB 36.54, 64.66, -49.43

 

CMYK 50 / 0 / 64 / 9

HEX #74E953

RGB 116 233 83

HSL 106.8, 0.77%, 0.62%

LAB 83.24, -59.73, 60.79

 

CMYK 47 / 0 / 59 / 2

HEX #85FB66

RGB 133 251 102

HSL 107.52, 0.95%, 0.69%

LAB 89.36, -59.99, 59.88

 

CMYK 41 / 0 / 53 / 0

HEX #96FF79

RGB 150 255 121

HSL 107.01, 1%, 0.74%

LAB 91.41, -54.58, 54.07

 

CMYK 35 / 0 / 45 / 0

HEX #A7FF8C

RGB 167 255 140

HSL 105.91, 1%, 0.77%

LAB 92.41, -47.05, 46.61

 

CMYK 28 / 0 / 38 / 0

HEX #B8FF9F

RGB 184 255 159

HSL 104.38, 1%, 0.81%

LAB 93.54, -39.04, 39.02

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 56 / 0 / 68 / 16

HEX #5ED745

RGB 94 215 69

HSL 109.73, 0.65%, 0.56%

LAB 76.93, -60.15, 59.34

 

CMYK 61 / 0 / 75 / 23

HEX #4DC532

RGB 77 197 50

HSL 108.98, 0.6%, 0.48%

LAB 70.69, -59.4, 59.75

 

CMYK 66 / 0 / 83 / 30

HEX #3CB31F

RGB 60 179 31

HSL 108.24, 0.7%, 0.41%

LAB 64.4, -58.21, 59.42

 

CMYK 73 / 0 / 93 / 37

HEX #2BA10C

RGB 43 161 12

HSL 107.52, 0.86%, 0.34%

LAB 58.07, -56.4, 57.82

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 36 / 0 / 62 / 9

HEX #96E958

RGB 150 233 88

HSL 94.34, 0.77%, 0.63%

LAB 84.72, -48.9, 60.78

 

CMYK 19 / 0 / 62 / 9

HEX #BDE958

RGB 189 233 88

HSL 78.21, 0.77%, 0.63%

LAB 86.9, -34.89, 63.78

 

CMYK 2 / 0 / 62 / 9

HEX #E4E958

RGB 228 233 88

HSL 62.07, 0.77%, 0.63%

LAB 89.62, -19.53, 67.49

 

CMYK 0 / 15 / 62 / 9

HEX #E9C658

RGB 233 198 88

HSL 45.52, 0.77%, 0.63%

LAB 80.97, 0.09, 58.28

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 62 / 0 / 55 / 9

HEX #58E968

RGB 88 233 104

HSL 126.62, 0.77%, 0.63%

LAB 82.57, -64.23, 50.73

 

CMYK 62 / 0 / 39 / 9

HEX #58E98F

RGB 88 233 143

HSL 142.76, 0.77%, 0.63%

LAB 83.09, -58.39, 32.54

 

CMYK 62 / 0 / 22 / 9

HEX #58E9B6

RGB 88 233 182

HSL 158.9, 0.77%, 0.63%

LAB 83.82, -50.63, 13.45

 

CMYK 62 / 0 / 5 / 9

HEX #58E9DD

RGB 88 233 221

HSL 175.03, 0.77%, 0.63%

LAB 84.78, -41.22, -5.68

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 60 / 0 / 71 / 3

HEX #64F848

RGB 100 248 72

HSL 110.45, 0.93%, 0.63%

LAB 87.15, -69.94, 68.91

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 44 / 0 / 53 / 15

HEX #79DA67

RGB 121 218 103

HSL 110.61, 0.61%, 0.63%

LAB 79.15, -50.37, 47.37

 

CMYK 35 / 0 / 42 / 21

HEX #83CA76

RGB 131 202 118

HSL 110.71, 0.44%, 0.63%

LAB 75.06, -38.44, 35.03

 

CMYK 24 / 0 / 29 / 27

HEX #8EBB85

RGB 142 187 133

HSL 110, 0.28%, 0.63%

LAB 71.54, -25.36, 22.65

 

CMYK 12 / 0 / 13 / 33

HEX #98AC95

RGB 152 172 149

HSL 112.17, 0.12%, 0.63%

LAB 68.28, -11.4, 9.5

 

CMYK 19 / 0 / 62 / 9

HEX #BDE958

RGB 189 233 88

HSL 78.21, 0.77%, 0.63%

LAB 86.9, -34.89, 63.78

 

CMYK 36 / 0 / 62 / 9

HEX #96E958

RGB 150 233 88

HSL 94.34, 0.77%, 0.63%

LAB 84.72, -48.9, 60.78

 

CMYK 52 / 0 / 62 / 9

HEX #70E958

RGB 112 233 88

HSL 110.07, 0.77%, 0.63%

LAB 83.14, -60.34, 58.58

 

CMYK 62 / 0 / 56 / 9

HEX #58E966

RGB 88 233 102

HSL 125.79, 0.77%, 0.63%

LAB 82.55, -64.48, 51.61

 

CMYK 62 / 0 / 39 / 9

HEX #58E98D

RGB 88 233 141

HSL 141.93, 0.77%, 0.63%

LAB 83.06, -58.73, 33.5

 

CMYK 73 / 0 / 87 / 17

HEX #38D31B

RGB 56 211 27

HSL 110.54, 0.77%, 0.47%

LAB 74.51, -69.26, 69.32

 

CMYK 65 / 0 / 78 / 11

HEX #4FE433

RGB 79 228 51

HSL 110.51, 0.77%, 0.55%

LAB 80.4, -69.25, 68.88

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 40 / 0 / 48 / 7

HEX #8EEE7C

RGB 142 238 124

HSL 110.53, 0.77%, 0.71%

LAB 86.18, -49.69, 46.22

 

CMYK 28 / 0 / 33 / 5

HEX #AEF2A1

RGB 174 242 161

HSL 110.37, 0.76%, 0.79%

LAB 89.43, -36.17, 32.49

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 62 / 2 / 0 / 9

HEX #58E4E9

RGB 88 228 233

HSL 182.07, 0.77%, 0.63%

LAB 83.68, -35.72, -13.65

 

CMYK 0 / 62 / 27 / 9

HEX #E958AA

RGB 233 88 170

HSL 326.07, 0.77%, 0.63%

LAB 59.16, 63.83, -14.76

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 62 / 52 / 0 / 9

HEX #5870E9

RGB 88 112 233

HSL 230.07, 0.77%, 0.63%

LAB 51.32, 28.15, -64.08

 

CMYK 0 / 62 / 52 / 9

HEX #E95870

RGB 233 88 112

HSL 350.07, 0.77%, 0.63%

LAB 57.53, 57.8, 16.74

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 62 / 2 / 0 / 9

HEX #58E4E9

RGB 88 228 233

HSL 182.07, 0.77%, 0.63%

LAB 83.68, -35.72, -13.65

 

CMYK 10 / 62 / 0 / 9

HEX #D158E9

RGB 209 88 233

HSL 290.07, 0.77%, 0.63%

LAB 58.43, 67.4, -52.02

 

CMYK 0 / 61 / 62 / 9

HEX #E95C58

RGB 233 92 88

HSL 1.66, 0.77%, 0.63%

LAB 57.73, 54.34, 30.91

 

CMYK 52 / 0 / 62 / 9

HEX #6FE958

RGB 111 233 88

HSL 110.48, 0.77%, 0.63%

LAB 83.11, -60.6, 58.53

 

CMYK 62 / 21 / 0 / 9

HEX #58B8E9

RGB 88 184 233

HSL 200.28, 0.77%, 0.63%

LAB 71.04, -13.81, -32.9

 

CMYK 10 / 62 / 0 / 9

HEX #D158E9

RGB 209 88 233

HSL 290.07, 0.77%, 0.63%

LAB 58.43, 67.4, -52.02

 

CMYK 0 / 42 / 62 / 9

HEX #E98858

RGB 233 136 88

HSL 19.86, 0.77%, 0.63%

LAB 66.24, 32.8, 41.37

 

Description

Color code: HEX #6FE958 | qconv.com Color code: HEX #6FE958 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 233 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 233 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 62 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 62% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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