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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE6E1 it is the complementary color #90191E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE6E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE6E1 shade: #74E6DC, #85F8EF, #96FFFF, #A7FFFF and #B8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE6E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE6E1 shade: #6FE6E1, #5ED4CE, #4DC2BB, #3CB0A8 and #2B9E95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE6E1 shade: #6FE5E0, #6FE5C1, #6FE5A1, #6FE581 and #7EE56F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE6E1 shade: #6FE5E0, #6FCAE5, #6FABE5, #6F8BE5 and #6F6FE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE6E1 shade matches the following richer shades: #6FE5E0 and #62F3ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE6E1 shade: #6FE5E0, #7DD8D4, #8BCAC7, #98BCBB and #A6AFAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE6E1 shade: #6FE5A1, #6FE5C0, #6FE5DF, #6FCCE5 and #6FACE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE6E1 shade: #29D9D2, #4CDFD9, #6FE5E0, #93EBE8 and #B6F2EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE6E1 shade: #6FE6E1, #816FE5 and #E5B06F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE6E1 shade: #6FE6E1, #DF6FE5 and #E5DF6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE6E1 shade: #6FE6E1, #816FE5, #E56F75 and #D4E56F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE6E1 shade: #6FE6E1, #A46FE5, #E56F75 and #B0E56F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 2 / 10

HEX #6FE6E1

RGB 111 230 225

HSL 177.48, 0.7%, 0.67%

LAB 84.69, -34.63, -7.84

 

Complementary color

CMYK 0 / 83 / 79 / 44

HEX #90191E

RGB 144 25 30

HSL 357.48, 0.7%, 0.33%

LAB 31.16, 48.15, 29.54

 

CMYK 50 / 0 / 4 / 10

HEX #74E6DC

RGB 116 230 220

HSL 174.74, 0.7%, 0.68%

LAB 84.73, -34.85, -5.13

 

CMYK 46 / 0 / 4 / 3

HEX #85F8EF

RGB 133 248 239

HSL 175.3, 0.89%, 0.75%

LAB 90.94, -34.86, -5.84

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 52 / 0 / 2 / 10

HEX #6FE6E1

RGB 111 230 225

HSL 177.48, 0.7%, 0.67%

LAB 84.69, -34.63, -7.84

 

CMYK 56 / 0 / 3 / 17

HEX #5ED4CE

RGB 94 212 206

HSL 176.95, 0.58%, 0.6%

LAB 78.42, -34.47, -7.1

 

CMYK 60 / 0 / 4 / 24

HEX #4DC2BB

RGB 77 194 187

HSL 176.41, 0.49%, 0.53%

LAB 72.06, -34.21, -6.29

 

CMYK 66 / 0 / 5 / 31

HEX #3CB0A8

RGB 60 176 168

HSL 175.86, 0.49%, 0.46%

LAB 65.62, -33.8, -5.41

 

CMYK 73 / 0 / 6 / 38

HEX #2B9E95

RGB 43 158 149

HSL 175.3, 0.57%, 0.39%

LAB 59.1, -33.18, -4.43

 

CMYK 52 / 0 / 2 / 10

HEX #6FE5E0

RGB 111 229 224

HSL 177.46, 0.69%, 0.67%

LAB 84.38, -34.42, -7.77

 

CMYK 52 / 0 / 16 / 10

HEX #6FE5C1

RGB 111 229 193

HSL 161.69, 0.69%, 0.67%

LAB 83.58, -41.86, 7.42

 

CMYK 52 / 0 / 30 / 10

HEX #6FE5A1

RGB 111 229 161

HSL 145.42, 0.69%, 0.67%

LAB 82.91, -48.52, 23.21

 

CMYK 52 / 0 / 44 / 10

HEX #6FE581

RGB 111 229 129

HSL 129.15, 0.69%, 0.67%

LAB 82.38, -53.98, 38.74

 

CMYK 45 / 0 / 52 / 10

HEX #7EE56F

RGB 126 229 111

HSL 112.37, 0.69%, 0.67%

LAB 82.71, -52.38, 47.97

 

CMYK 52 / 0 / 2 / 10

HEX #6FE5E0

RGB 111 229 224

HSL 177.46, 0.69%, 0.67%

LAB 84.38, -34.42, -7.77

 

CMYK 52 / 12 / 0 / 10

HEX #6FCAE5

RGB 111 202 229

HSL 193.73, 0.69%, 0.67%

LAB 76.85, -19.91, -21.75

 

CMYK 52 / 25 / 0 / 10

HEX #6FABE5

RGB 111 171 229

HSL 209.49, 0.69%, 0.67%

LAB 68.14, -3.4, -35.13

 

CMYK 52 / 39 / 0 / 10

HEX #6F8BE5

RGB 111 139 229

HSL 225.76, 0.69%, 0.67%

LAB 59.44, 15.02, -48.78

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE5

RGB 111 111 229

HSL 240, 0.69%, 0.67%

LAB 52.29, 31.8, -60.19

 

CMYK 52 / 0 / 2 / 10

HEX #6FE5E0

RGB 111 229 224

HSL 177.46, 0.69%, 0.67%

LAB 84.38, -34.42, -7.77

 

CMYK 60 / 0 / 2 / 5

HEX #62F3ED

RGB 98 243 237

HSL 177.52, 0.86%, 0.67%

LAB 88.36, -39.9, -8.75

 

CMYK 52 / 0 / 2 / 10

HEX #6FE5E0

RGB 111 229 224

HSL 177.46, 0.69%, 0.67%

LAB 84.38, -34.42, -7.77

 

CMYK 42 / 0 / 2 / 15

HEX #7DD8D4

RGB 125 216 212

HSL 177.36, 0.54%, 0.67%

LAB 80.86, -28.12, -6.56

 

CMYK 31 / 0 / 1 / 21

HEX #8BCAC7

RGB 139 202 199

HSL 177.14, 0.37%, 0.67%

LAB 77.19, -20.62, -4.94

 

CMYK 19 / 0 / 1 / 26

HEX #98BCBB

RGB 152 188 187

HSL 178.33, 0.21%, 0.67%

LAB 73.69, -12.23, -3.5

 

CMYK 5 / 0 / 1 / 31

HEX #A6AFAE

RGB 166 175 174

HSL 173.33, 0.05%, 0.67%

LAB 70.75, -3.34, -0.59

 

CMYK 52 / 0 / 30 / 10

HEX #6FE5A1

RGB 111 229 161

HSL 145.42, 0.69%, 0.67%

LAB 82.91, -48.52, 23.21

 

CMYK 52 / 0 / 16 / 10

HEX #6FE5C0

RGB 111 229 192

HSL 161.19, 0.69%, 0.67%

LAB 83.56, -42.09, 7.92

 

CMYK 52 / 0 / 3 / 10

HEX #6FE5DF

RGB 111 229 223

HSL 176.95, 0.69%, 0.67%

LAB 84.35, -34.68, -7.29

 

CMYK 52 / 11 / 0 / 10

HEX #6FCCE5

RGB 111 204 229

HSL 192.71, 0.69%, 0.67%

LAB 77.41, -20.93, -20.89

 

CMYK 52 / 25 / 0 / 10

HEX #6FACE5

RGB 111 172 229

HSL 208.98, 0.69%, 0.67%

LAB 68.42, -3.96, -34.7

 

CMYK 81 / 0 / 3 / 15

HEX #29D9D2

RGB 41 217 210

HSL 177.61, 0.7%, 0.51%

LAB 78.9, -42.78, -8.65

 

CMYK 66 / 0 / 3 / 13

HEX #4CDFD9

RGB 76 223 217

HSL 177.55, 0.7%, 0.59%

LAB 81.47, -39.61, -8.49

 

CMYK 52 / 0 / 2 / 10

HEX #6FE5E0

RGB 111 229 224

HSL 177.46, 0.69%, 0.67%

LAB 84.38, -34.42, -7.77

 

CMYK 37 / 0 / 1 / 8

HEX #93EBE8

RGB 147 235 232

HSL 177.95, 0.69%, 0.75%

LAB 87.7, -27.06, -6.91

 

CMYK 25 / 0 / 1 / 5

HEX #B6F2EF

RGB 182 242 239

HSL 177, 0.7%, 0.83%

LAB 91.54, -19.39, -4.7

 

CMYK 52 / 0 / 2 / 10

HEX #6FE6E1

RGB 111 230 225

HSL 177.48, 0.7%, 0.67%

LAB 84.69, -34.63, -7.84

 

CMYK 44 / 52 / 0 / 10

HEX #816FE5

RGB 129 111 229

HSL 249.15, 0.69%, 0.67%

LAB 53.7, 35.71, -57.85

 

CMYK 0 / 23 / 52 / 10

HEX #E5B06F

RGB 229 176 111

HSL 33.05, 0.69%, 0.67%

LAB 75.36, 11.72, 40.52

 

CMYK 52 / 0 / 2 / 10

HEX #6FE6E1

RGB 111 230 225

HSL 177.48, 0.7%, 0.67%

LAB 84.69, -34.63, -7.84

 

CMYK 3 / 52 / 0 / 10

HEX #DF6FE5

RGB 223 111 229

HSL 296.95, 0.69%, 0.67%

LAB 63.93, 59.8, -40.99

 

CMYK 0 / 3 / 52 / 10

HEX #E5DF6F

RGB 229 223 111

HSL 56.95, 0.69%, 0.67%

LAB 87.28, -12.55, 54.92

 

CMYK 52 / 0 / 2 / 10

HEX #6FE6E1

RGB 111 230 225

HSL 177.48, 0.7%, 0.67%

LAB 84.69, -34.63, -7.84

 

CMYK 44 / 52 / 0 / 10

HEX #816FE5

RGB 129 111 229

HSL 249.15, 0.69%, 0.67%

LAB 53.7, 35.71, -57.85

 

CMYK 0 / 52 / 49 / 10

HEX #E56F75

RGB 229 111 117

HSL 356.95, 0.69%, 0.67%

LAB 61.06, 46.3, 18.57

 

CMYK 7 / 0 / 52 / 10

HEX #D4E56F

RGB 212 229 111

HSL 68.64, 0.69%, 0.67%

LAB 87.57, -22.24, 54.94

 

CMYK 52 / 0 / 2 / 10

HEX #6FE6E1

RGB 111 230 225

HSL 177.48, 0.7%, 0.67%

LAB 84.69, -34.63, -7.84

 

CMYK 28 / 52 / 0 / 10

HEX #A46FE5

RGB 164 111 229

HSL 266.95, 0.69%, 0.67%

LAB 57, 44.21, -52.4

 

CMYK 0 / 52 / 49 / 10

HEX #E56F75

RGB 229 111 117

HSL 356.95, 0.69%, 0.67%

LAB 61.06, 46.3, 18.57

 

CMYK 23 / 0 / 52 / 10

HEX #B0E56F

RGB 176 229 111

HSL 86.95, 0.69%, 0.67%

LAB 85.21, -35.89, 51.56

 

Description

Color code: HEX #6FE6E1 | qconv.com Color code: HEX #6FE6E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 230 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 230 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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