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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FE6A4 it is the complementary color #90195B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FE6A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FE6A4 shade: #74E69F, #85F8B2, #96FFC5, #A7FFD8 and #B8FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FE6A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FE6A4 shade: #6FE6A4, #5ED491, #4DC27E, #3CB06B and #2B9E58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FE6A4 shade: #6FE5A4, #6FE584, #7BE56F, #9AE56F and #BAE56F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FE6A4 shade: #6FE5A4, #6FE5C4, #6FE5E3, #6FC7E5 and #6FA8E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FE6A4 shade matches the following richer shades: #6FE5A4 and #62F3A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FE6A4 shade: #6FE5A4, #7DD8A5, #8BCAA7, #98BCA8 and #A6AFAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FE6A4 shade: #7BE56F, #6FE583, #6FE5A2, #6FE5C2 and #6FE5E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FE6A4 shade: #29D977, #4CDF8E, #6FE5A4, #93EBBA and #B6F2D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FE6A4 shade: #6FE6A4, #6F9BE5 and #E5736F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FE6A4 shade: #6FE6A4, #A26FE5 and #E5A26F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FE6A4 shade: #6FE6A4, #6F9BE5, #E56FB2 and #E5BA6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FE6A4 shade: #6FE6A4, #6F77E5, #E56FB2 and #E5DD6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 29 / 10

HEX #6FE6A4

RGB 111 230 164

HSL 146.72, 0.7%, 0.67%

LAB 83.26, -48.36, 22.13

 

Complementary color

CMYK 0 / 83 / 37 / 44

HEX #90195B

RGB 144 25 91

HSL 326.72, 0.7%, 0.33%

LAB 32.66, 52.67, -8.11

 

CMYK 50 / 0 / 31 / 10

HEX #74E69F

RGB 116 230 159

HSL 142.63, 0.7%, 0.68%

LAB 83.34, -48.1, 24.86

 

CMYK 46 / 0 / 28 / 3

HEX #85F8B2

RGB 133 248 178

HSL 143.48, 0.89%, 0.75%

LAB 89.55, -47.92, 23.71

 

CMYK 41 / 0 / 23 / 0

HEX #96FFC5

RGB 150 255 197

HSL 146.86, 1%, 0.79%

LAB 92.59, -42.95, 18.32

 

CMYK 35 / 0 / 15 / 0

HEX #A7FFD8

RGB 167 255 216

HSL 153.41, 1%, 0.83%

LAB 93.75, -34.61, 10.32

 

CMYK 28 / 0 / 8 / 0

HEX #B8FFEB

RGB 184 255 235

HSL 163.1, 1%, 0.86%

LAB 95.04, -25.96, 2.5

 

CMYK 52 / 0 / 29 / 10

HEX #6FE6A4

RGB 111 230 164

HSL 146.72, 0.7%, 0.67%

LAB 83.26, -48.36, 22.13

 

CMYK 56 / 0 / 32 / 17

HEX #5ED491

RGB 94 212 145

HSL 145.93, 0.58%, 0.6%

LAB 76.99, -48.43, 23.35

 

CMYK 60 / 0 / 35 / 24

HEX #4DC27E

RGB 77 194 126

HSL 145.13, 0.49%, 0.53%

LAB 70.64, -48.39, 24.66

 

CMYK 66 / 0 / 39 / 31

HEX #3CB06B

RGB 60 176 107

HSL 144.31, 0.49%, 0.46%

LAB 64.22, -48.17, 26.08

 

CMYK 73 / 0 / 44 / 38

HEX #2B9E58

RGB 43 158 88

HSL 143.48, 0.57%, 0.39%

LAB 57.72, -47.67, 27.63

 

CMYK 52 / 0 / 28 / 10

HEX #6FE5A4

RGB 111 229 164

HSL 146.95, 0.69%, 0.67%

LAB 82.97, -47.94, 21.73

 

CMYK 52 / 0 / 42 / 10

HEX #6FE584

RGB 111 229 132

HSL 130.68, 0.69%, 0.67%

LAB 82.42, -53.52, 37.31

 

CMYK 46 / 0 / 52 / 10

HEX #7BE56F

RGB 123 229 111

HSL 113.9, 0.69%, 0.67%

LAB 82.59, -53.24, 47.79

 

CMYK 33 / 0 / 52 / 10

HEX #9AE56F

RGB 154 229 111

HSL 98.14, 0.69%, 0.67%

LAB 84, -43.59, 49.82

 

CMYK 19 / 0 / 52 / 10

HEX #BAE56F

RGB 186 229 111

HSL 81.86, 0.69%, 0.67%

LAB 85.82, -32.21, 52.44

 

CMYK 52 / 0 / 28 / 10

HEX #6FE5A4

RGB 111 229 164

HSL 146.95, 0.69%, 0.67%

LAB 82.97, -47.94, 21.73

 

CMYK 52 / 0 / 14 / 10

HEX #6FE5C4

RGB 111 229 196

HSL 163.22, 0.69%, 0.67%

LAB 83.65, -41.18, 5.94

 

CMYK 52 / 0 / 1 / 10

HEX #6FE5E3

RGB 111 229 227

HSL 178.98, 0.69%, 0.67%

LAB 84.47, -33.65, -9.23

 

CMYK 52 / 13 / 0 / 10

HEX #6FC7E5

RGB 111 199 229

HSL 195.25, 0.69%, 0.67%

LAB 76, -18.38, -23.04

 

CMYK 52 / 27 / 0 / 10

HEX #6FA8E5

RGB 111 168 229

HSL 211.02, 0.69%, 0.67%

LAB 67.31, -1.73, -36.42

 

CMYK 52 / 0 / 28 / 10

HEX #6FE5A4

RGB 111 229 164

HSL 146.95, 0.69%, 0.67%

LAB 82.97, -47.94, 21.73

 

CMYK 60 / 0 / 33 / 5

HEX #62F3A2

RGB 98 243 162

HSL 146.48, 0.86%, 0.67%

LAB 86.66, -56.84, 27.73

 

CMYK 52 / 0 / 28 / 10

HEX #6FE5A4

RGB 111 229 164

HSL 146.95, 0.69%, 0.67%

LAB 82.97, -47.94, 21.73

 

CMYK 42 / 0 / 24 / 15

HEX #7DD8A5

RGB 125 216 165

HSL 146.37, 0.54%, 0.67%

LAB 79.72, -38.51, 16.79

 

CMYK 31 / 0 / 17 / 21

HEX #8BCAA7

RGB 139 202 167

HSL 146.67, 0.37%, 0.67%

LAB 76.39, -27.49, 11.12

 

CMYK 19 / 0 / 11 / 26

HEX #98BCA8

RGB 152 188 168

HSL 146.67, 0.21%, 0.67%

LAB 73.2, -16.14, 6.13

 

CMYK 5 / 0 / 3 / 31

HEX #A6AFAA

RGB 166 175 170

HSL 146.67, 0.05%, 0.67%

LAB 70.64, -4.11, 1.46

 

CMYK 46 / 0 / 52 / 10

HEX #7BE56F

RGB 123 229 111

HSL 113.9, 0.69%, 0.67%

LAB 82.59, -53.24, 47.79

 

CMYK 52 / 0 / 43 / 10

HEX #6FE583

RGB 111 229 131

HSL 130.17, 0.69%, 0.67%

LAB 82.41, -53.68, 37.79

 

CMYK 52 / 0 / 29 / 10

HEX #6FE5A2

RGB 111 229 162

HSL 145.93, 0.69%, 0.67%

LAB 82.93, -48.33, 22.71

 

CMYK 52 / 0 / 15 / 10

HEX #6FE5C2

RGB 111 229 194

HSL 162.2, 0.69%, 0.67%

LAB 83.61, -41.64, 6.93

 

CMYK 52 / 0 / 2 / 10

HEX #6FE5E1

RGB 111 229 225

HSL 177.97, 0.69%, 0.67%

LAB 84.41, -34.17, -8.26

 

CMYK 81 / 0 / 45 / 15

HEX #29D977

RGB 41 217 119

HSL 146.59, 0.7%, 0.51%

LAB 76.94, -63.77, 36.4

 

CMYK 66 / 0 / 36 / 13

HEX #4CDF8E

RGB 76 223 142

HSL 146.94, 0.7%, 0.59%

LAB 79.76, -56.97, 28.57

 

CMYK 52 / 0 / 28 / 10

HEX #6FE5A4

RGB 111 229 164

HSL 146.95, 0.69%, 0.67%

LAB 82.97, -47.94, 21.73

 

CMYK 37 / 0 / 21 / 8

HEX #93EBBA

RGB 147 235 186

HSL 146.59, 0.69%, 0.75%

LAB 86.59, -36.93, 15.55

 

CMYK 25 / 0 / 14 / 5

HEX #B6F2D0

RGB 182 242 208

HSL 146, 0.7%, 0.83%

LAB 90.78, -25.64, 10.32

 

CMYK 52 / 0 / 29 / 10

HEX #6FE6A4

RGB 111 230 164

HSL 146.72, 0.7%, 0.67%

LAB 83.26, -48.36, 22.13

 

CMYK 52 / 32 / 0 / 10

HEX #6F9BE5

RGB 111 155 229

HSL 217.63, 0.69%, 0.67%

LAB 63.74, 5.66, -42

 

CMYK 0 / 50 / 52 / 10

HEX #E5736F

RGB 229 115 111

HSL 2.03, 0.69%, 0.67%

LAB 61.71, 43.78, 22.89

 

CMYK 52 / 0 / 29 / 10

HEX #6FE6A4

RGB 111 230 164

HSL 146.72, 0.7%, 0.67%

LAB 83.26, -48.36, 22.13

 

CMYK 29 / 52 / 0 / 10

HEX #A26FE5

RGB 162 111 229

HSL 265.93, 0.69%, 0.67%

LAB 56.79, 43.7, -52.74

 

CMYK 0 / 29 / 52 / 10

HEX #E5A26F

RGB 229 162 111

HSL 25.93, 0.69%, 0.67%

LAB 71.99, 19.18, 36.29

 

CMYK 52 / 0 / 29 / 10

HEX #6FE6A4

RGB 111 230 164

HSL 146.72, 0.7%, 0.67%

LAB 83.26, -48.36, 22.13

 

CMYK 52 / 32 / 0 / 10

HEX #6F9BE5

RGB 111 155 229

HSL 217.63, 0.69%, 0.67%

LAB 63.74, 5.66, -42

 

CMYK 0 / 52 / 22 / 10

HEX #E56FB2

RGB 229 111 178

HSL 325.93, 0.69%, 0.67%

LAB 62.71, 53.39, -14.06

 

CMYK 0 / 19 / 52 / 10

HEX #E5BA6F

RGB 229 186 111

HSL 38.14, 0.69%, 0.67%

LAB 77.83, 6.43, 43.58

 

CMYK 52 / 0 / 29 / 10

HEX #6FE6A4

RGB 111 230 164

HSL 146.72, 0.7%, 0.67%

LAB 83.26, -48.36, 22.13

 

CMYK 52 / 48 / 0 / 10

HEX #6F77E5

RGB 111 119 229

HSL 235.93, 0.69%, 0.67%

LAB 54.27, 26.99, -57.02

 

CMYK 0 / 52 / 22 / 10

HEX #E56FB2

RGB 229 111 178

HSL 325.93, 0.69%, 0.67%

LAB 62.71, 53.39, -14.06

 

CMYK 0 / 3 / 52 / 10

HEX #E5DD6F

RGB 229 221 111

HSL 55.93, 0.69%, 0.67%

LAB 86.76, -11.55, 54.31

 

Description

Color code: HEX #6FE6A4 | qconv.com Color code: HEX #6FE6A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 230 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 230 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 29 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 29% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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