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Color name
HEX #6FD75F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD75F it is the complementary color #9028A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD75F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD75F shade: #74D75A, #85E96D, #96FB80, #A7FF93 and #B8FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD75F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD75F shade: #6FD75F, #5EC54C, #4DB339, #3CA126 and #2B8F13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD75F shade: #6FD75F, #8FD75F, #B0D75F, #D0D75F and #D7BD5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD75F shade: #6FD75F, #5FD770, #5FD790, #5FD7B0 and #5FD7D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD75F shade matches the following richer shades: #6FD75F, #63E74F and #58F73F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD75F shade: #6FD75F, #7BC76F, #87B780, #93A690 and #9E96A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD75F shade: #AFD75F, #8FD75F, #6FD75F, #5FD76F and #5FD78F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD75F shade: #40B62D, #52CE3E, #6FD75F, #8DDF80 and #ABE7A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD75F shade: #6FD75F, #5FCFD7 and #D75F9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD75F shade: #6FD75F, #5F6FD7 and #D75F6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD75F shade: #6FD75F, #5FCFD7, #C75FD7 and #D7675F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD75F shade: #6FD75F, #5FABD7, #C75FD7 and #D78B5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

Complementary color

CMYK 10 / 75 / 0 / 37

HEX #9028A0

RGB 144 40 160

HSL 292, 0.6%, 0.39%

LAB 37.82, 58.35, -43.17

 

CMYK 46 / 0 / 58 / 16

HEX #74D75A

RGB 116 215 90

HSL 107.52, 0.61%, 0.6%

LAB 77.91, -52.11, 51.83

 

CMYK 43 / 0 / 53 / 9

HEX #85E96D

RGB 133 233 109

HSL 108.39, 0.74%, 0.67%

LAB 84.16, -52.17, 50.71

 

CMYK 40 / 0 / 49 / 2

HEX #96FB80

RGB 150 251 128

HSL 109.27, 0.94%, 0.74%

LAB 90.34, -52.13, 49.54

 

CMYK 35 / 0 / 42 / 0

HEX #A7FF93

RGB 167 255 147

HSL 108.89, 1%, 0.79%

LAB 92.51, -46.14, 43.36

 

CMYK 28 / 0 / 35 / 0

HEX #B8FFA6

RGB 184 255 166

HSL 107.87, 1%, 0.83%

LAB 93.65, -38.05, 35.7

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 52 / 0 / 61 / 23

HEX #5EC54C

RGB 94 197 76

HSL 111.07, 0.51%, 0.54%

LAB 71.44, -52.8, 50.44

 

CMYK 57 / 0 / 68 / 30

HEX #4DB339

RGB 77 179 57

HSL 110.16, 0.52%, 0.46%

LAB 65.05, -52.37, 51.33

 

CMYK 63 / 0 / 76 / 37

HEX #3CA126

RGB 60 161 38

HSL 109.27, 0.62%, 0.39%

LAB 58.59, -51.57, 51.76

 

CMYK 70 / 0 / 87 / 44

HEX #2B8F13

RGB 43 143 19

HSL 108.39, 0.77%, 0.32%

LAB 52.07, -50.21, 51.21

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 33 / 0 / 56 / 16

HEX #8FD75F

RGB 143 215 95

HSL 96, 0.6%, 0.61%

LAB 79.19, -42.97, 51.38

 

CMYK 18 / 0 / 56 / 16

HEX #B0D75F

RGB 176 215 95

HSL 79.5, 0.6%, 0.61%

LAB 81.1, -30.97, 54.08

 

CMYK 3 / 0 / 56 / 16

HEX #D0D75F

RGB 208 215 95

HSL 63.5, 0.6%, 0.61%

LAB 83.36, -18.33, 57.25

 

CMYK 0 / 12 / 56 / 16

HEX #D7BD5F

RGB 215 189 95

HSL 47, 0.6%, 0.61%

LAB 77.08, -2.25, 50.21

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 56 / 0 / 48 / 16

HEX #5FD770

RGB 95 215 112

HSL 128.5, 0.6%, 0.61%

LAB 77.4, -54.96, 40.69

 

CMYK 56 / 0 / 33 / 16

HEX #5FD790

RGB 95 215 144

HSL 144.5, 0.6%, 0.61%

LAB 77.9, -49.63, 25.12

 

CMYK 56 / 0 / 18 / 16

HEX #5FD7B0

RGB 95 215 176

HSL 160.5, 0.6%, 0.61%

LAB 78.56, -42.98, 9.16

 

CMYK 56 / 0 / 3 / 16

HEX #5FD7D0

RGB 95 215 208

HSL 176.5, 0.6%, 0.61%

LAB 79.38, -35.16, -6.74

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 57 / 0 / 66 / 9

HEX #63E74F

RGB 99 231 79

HSL 112.11, 0.76%, 0.61%

LAB 82.04, -63.74, 60.92

 

CMYK 64 / 0 / 74 / 3

HEX #58F73F

RGB 88 247 63

HSL 111.85, 0.92%, 0.61%

LAB 86.48, -72.8, 71.15

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 38 / 0 / 44 / 22

HEX #7BC76F

RGB 123 199 111

HSL 111.82, 0.44%, 0.61%

LAB 73.68, -40.67, 36.73

 

CMYK 26 / 0 / 30 / 28

HEX #87B780

RGB 135 183 128

HSL 112.36, 0.28%, 0.61%

LAB 69.88, -26.65, 22.99

 

CMYK 11 / 0 / 13 / 35

HEX #93A690

RGB 147 166 144

HSL 111.82, 0.11%, 0.61%

LAB 66.13, -10.93, 9.16

 

CMYK 1 / 6 / 0 / 37

HEX #9E96A0

RGB 158 150 160

HSL 288, 0.05%, 0.61%

LAB 63.03, 4.84, -4.2

 

CMYK 19 / 0 / 56 / 16

HEX #AFD75F

RGB 175 215 95

HSL 80, 0.6%, 0.61%

LAB 81.04, -31.35, 53.99

 

CMYK 33 / 0 / 56 / 16

HEX #8FD75F

RGB 143 215 95

HSL 96, 0.6%, 0.61%

LAB 79.19, -42.97, 51.38

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 56 / 0 / 48 / 16

HEX #5FD76F

RGB 95 215 111

HSL 128, 0.6%, 0.61%

LAB 77.39, -55.11, 41.17

 

CMYK 56 / 0 / 33 / 16

HEX #5FD78F

RGB 95 215 143

HSL 144, 0.6%, 0.61%

LAB 77.89, -49.82, 25.62

 

CMYK 65 / 0 / 75 / 29

HEX #40B62D

RGB 64 182 45

HSL 111.68, 0.6%, 0.45%

LAB 65.54, -57.51, 56.24

 

CMYK 60 / 0 / 70 / 19

HEX #52CE3E

RGB 82 206 62

HSL 111.67, 0.6%, 0.53%

LAB 73.73, -60.45, 58.55

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 37 / 0 / 43 / 13

HEX #8DDF80

RGB 141 223 128

HSL 111.79, 0.6%, 0.69%

LAB 81.84, -43.09, 38.79

 

CMYK 26 / 0 / 30 / 9

HEX #ABE7A1

RGB 171 231 161

HSL 111.43, 0.59%, 0.77%

LAB 86.2, -32.08, 28.13

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 56 / 4 / 0 / 16

HEX #5FCFD7

RGB 95 207 215

HSL 184, 0.6%, 0.61%

LAB 77.26, -29.49, -13.65

 

CMYK 0 / 56 / 26 / 16

HEX #D75F9F

RGB 215 95 159

HSL 328, 0.6%, 0.61%

LAB 57.21, 54, -11.6

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 56 / 48 / 0 / 16

HEX #5F6FD7

RGB 95 111 215

HSL 232, 0.6%, 0.61%

LAB 50.34, 24.11, -55.48

 

CMYK 0 / 56 / 48 / 16

HEX #D75F6F

RGB 215 95 111

HSL 352, 0.6%, 0.61%

LAB 55.87, 48.57, 14.58

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 56 / 4 / 0 / 16

HEX #5FCFD7

RGB 95 207 215

HSL 184, 0.6%, 0.61%

LAB 77.26, -29.49, -13.65

 

CMYK 7 / 56 / 0 / 16

HEX #C75FD7

RGB 199 95 215

HSL 292, 0.6%, 0.61%

LAB 57.3, 58.46, -43.78

 

CMYK 0 / 52 / 56 / 16

HEX #D7675F

RGB 215 103 95

HSL 4, 0.6%, 0.61%

LAB 57.05, 43.31, 25.47

 

CMYK 48 / 0 / 56 / 16

HEX #6FD75F

RGB 111 215 95

HSL 112, 0.6%, 0.61%

LAB 77.76, -53, 49.34

 

CMYK 56 / 20 / 0 / 16

HEX #5FABD7

RGB 95 171 215

HSL 202, 0.6%, 0.61%

LAB 66.87, -11.02, -29.45

 

CMYK 7 / 56 / 0 / 16

HEX #C75FD7

RGB 199 95 215

HSL 292, 0.6%, 0.61%

LAB 57.3, 58.46, -43.78

 

CMYK 0 / 35 / 56 / 16

HEX #D78B5F

RGB 215 139 95

HSL 22, 0.6%, 0.61%

LAB 64.75, 24.49, 35.33

 

Description

Color code: HEX #6FD75F | qconv.com Color code: HEX #6FD75F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 215 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 215 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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