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Color name
HEX #6FAE15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FAE15 it is the complementary color #9051EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FAE15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FAE15 shade: #74AE10, #85C023, #96D236, #A7E449 and #B8F65C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FAE15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FAE15 shade: #6FAE15, #5E9C02, #4D8A00, #3C7800 and #2B6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FAE15 shade: #6EAC15, #96AC15, #AC9915, #AC7015 and #AC4715

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FAE15 shade: #6EAC15, #45AC15, #1CAC15, #15AC36 and #15AC5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FAE15 shade matches the following richer shades: #6EAC15 and #70BC05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FAE15 shade: #6EAC15, #6B9C24, #688D34, #657D44 and #636D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FAE15 shade: #AC9815, #98AC15, #70AC15, #47AC15 and #1FAC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FAE15 shade: #3F630C, #568710, #6EAC15, #85D119 and #9AE52F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FAE15 shade: #6FAE15, #15AC70 and #AC15AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FAE15 shade: #6FAE15, #1570AC and #AC1570

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FAE15 shade: #6FAE15, #15AC70, #5115AC and #AC1551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FAE15 shade: #6FAE15, #15AC9D, #5115AC and #AC1524

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 88 / 32

HEX #6FAE15

RGB 111 174 21

HSL 84.71, 0.78%, 0.38%

LAB 64.73, -41.78, 62.81

 

Complementary color

CMYK 38 / 65 / 0 / 8

HEX #9051EA

RGB 144 81 234

HSL 264.71, 0.78%, 0.62%

LAB 49.2, 56.72, -67.85

 

CMYK 33 / 0 / 91 / 32

HEX #74AE10

RGB 116 174 16

HSL 82.03, 0.83%, 0.37%

LAB 64.98, -40.06, 64.05

 

CMYK 31 / 0 / 82 / 25

HEX #85C023

RGB 133 192 35

HSL 82.55, 0.69%, 0.45%

LAB 71.42, -40.9, 65.82

 

CMYK 29 / 0 / 74 / 18

HEX #96D236

RGB 150 210 54

HSL 83.08, 0.63%, 0.52%

LAB 77.78, -41.5, 66.4

 

CMYK 27 / 0 / 68 / 11

HEX #A7E449

RGB 167 228 73

HSL 83.61, 0.74%, 0.59%

LAB 84.06, -41.94, 66.27

 

CMYK 25 / 0 / 63 / 4

HEX #B8F65C

RGB 184 246 92

HSL 84.16, 0.9%, 0.66%

LAB 90.26, -42.25, 65.71

 

CMYK 36 / 0 / 88 / 32

HEX #6FAE15

RGB 111 174 21

HSL 84.71, 0.78%, 0.38%

LAB 64.73, -41.78, 62.81

 

CMYK 40 / 0 / 99 / 39

HEX #5E9C02

RGB 94 156 2

HSL 84.16, 0.97%, 0.31%

LAB 58.19, -40.77, 60.14

 

CMYK 44 / 0 / 100 / 46

HEX #4D8A00

RGB 77 138 0

HSL 86.52, 1%, 0.27%

LAB 51.56, -39.33, 54.94

 

CMYK 50 / 0 / 100 / 53

HEX #3C7800

RGB 60 120 0

HSL 90, 1%, 0.24%

LAB 44.79, -37.74, 49.32

 

CMYK 58 / 0 / 100 / 60

HEX #2B6600

RGB 43 102 0

HSL 94.71, 1%, 0.2%

LAB 37.87, -35.95, 43.59

 

CMYK 36 / 0 / 88 / 33

HEX #6EAC15

RGB 110 172 21

HSL 84.64, 0.78%, 0.38%

LAB 64.06, -41.29, 62.22

 

CMYK 13 / 0 / 88 / 33

HEX #96AC15

RGB 150 172 21

HSL 68.74, 0.78%, 0.38%

LAB 66.55, -25.27, 65.31

 

CMYK 0 / 11 / 88 / 33

HEX #AC9915

RGB 172 153 21

HSL 52.45, 0.78%, 0.38%

LAB 63.02, -5.77, 63.18

 

CMYK 0 / 35 / 88 / 33

HEX #AC7015

RGB 172 112 21

HSL 36.16, 0.78%, 0.38%

LAB 52.3, 16.92, 54.53

 

CMYK 0 / 59 / 88 / 33

HEX #AC4715

RGB 172 71 21

HSL 19.87, 0.78%, 0.38%

LAB 43.26, 38.98, 47.2

 

CMYK 36 / 0 / 88 / 33

HEX #6EAC15

RGB 110 172 21

HSL 84.64, 0.78%, 0.38%

LAB 64.06, -41.29, 62.22

 

CMYK 60 / 0 / 88 / 33

HEX #45AC15

RGB 69 172 21

HSL 100.93, 0.78%, 0.38%

LAB 62.36, -54.16, 60.09

 

CMYK 84 / 0 / 88 / 33

HEX #1CAC15

RGB 28 172 21

HSL 117.22, 0.78%, 0.38%

LAB 61.49, -61.61, 58.99

 

CMYK 88 / 0 / 69 / 33

HEX #15AC36

RGB 21 172 54

HSL 133.11, 0.78%, 0.38%

LAB 61.59, -59.96, 48.51

 

CMYK 88 / 0 / 45 / 33

HEX #15AC5F

RGB 21 172 95

HSL 149.4, 0.78%, 0.38%

LAB 62.08, -54.12, 29.49

 

CMYK 36 / 0 / 88 / 33

HEX #6EAC15

RGB 110 172 21

HSL 84.64, 0.78%, 0.38%

LAB 64.06, -41.29, 62.22

 

CMYK 40 / 0 / 97 / 26

HEX #70BC05

RGB 112 188 5

HSL 84.92, 0.95%, 0.38%

LAB 69.06, -47.58, 68.68

 

CMYK 36 / 0 / 88 / 33

HEX #6EAC15

RGB 110 172 21

HSL 84.64, 0.78%, 0.38%

LAB 64.06, -41.29, 62.22

 

CMYK 31 / 0 / 77 / 39

HEX #6B9C24

RGB 107 156 36

HSL 84.5, 0.63%, 0.38%

LAB 59, -34.72, 53.53

 

CMYK 26 / 0 / 63 / 45

HEX #688D34

RGB 104 141 52

HSL 84.94, 0.46%, 0.38%

LAB 54.28, -27.7, 42.19

 

CMYK 19 / 0 / 46 / 51

HEX #657D44

RGB 101 125 68

HSL 85.26, 0.3%, 0.38%

LAB 49.32, -19.09, 28.19

 

CMYK 9 / 0 / 23 / 57

HEX #636D54

RGB 99 109 84

HSL 84, 0.13%, 0.38%

LAB 44.56, -8.72, 12.73

 

CMYK 0 / 12 / 88 / 33

HEX #AC9815

RGB 172 152 21

HSL 52.05, 0.78%, 0.38%

LAB 62.74, -5.24, 62.96

 

CMYK 12 / 0 / 88 / 33

HEX #98AC15

RGB 152 172 21

HSL 67.95, 0.78%, 0.38%

LAB 66.7, -24.42, 65.49

 

CMYK 35 / 0 / 88 / 33

HEX #70AC15

RGB 112 172 21

HSL 83.84, 0.78%, 0.38%

LAB 64.16, -40.55, 62.35

 

CMYK 59 / 0 / 88 / 33

HEX #47AC15

RGB 71 172 21

HSL 100.13, 0.78%, 0.38%

LAB 62.42, -53.65, 60.17

 

CMYK 82 / 0 / 88 / 33

HEX #1FAC15

RGB 31 172 21

HSL 116.03, 0.78%, 0.38%

LAB 61.53, -61.27, 59.04

 

CMYK 36 / 0 / 88 / 61

HEX #3F630C

RGB 63 99 12

HSL 84.83, 0.78%, 0.22%

LAB 37.85, -26.85, 40.68

 

CMYK 36 / 0 / 88 / 47

HEX #568710

RGB 86 135 16

HSL 84.71, 0.79%, 0.3%

LAB 51.09, -34.25, 51.71

 

CMYK 36 / 0 / 88 / 33

HEX #6EAC15

RGB 110 172 21

HSL 84.64, 0.78%, 0.38%

LAB 64.06, -41.29, 62.22

 

CMYK 36 / 0 / 88 / 18

HEX #85D119

RGB 133 209 25

HSL 84.78, 0.79%, 0.46%

LAB 76.47, -48.41, 72.39

 

CMYK 33 / 0 / 79 / 10

HEX #9AE52F

RGB 154 229 47

HSL 84.73, 0.78%, 0.54%

LAB 83.5, -48.48, 73.93

 

CMYK 36 / 0 / 88 / 32

HEX #6FAE15

RGB 111 174 21

HSL 84.71, 0.78%, 0.38%

LAB 64.73, -41.78, 62.81

 

CMYK 88 / 0 / 35 / 33

HEX #15AC70

RGB 21 172 112

HSL 156.16, 0.78%, 0.38%

LAB 62.37, -50.73, 20.8

 

CMYK 0 / 88 / 0 / 33

HEX #AC15AC

RGB 172 21 172

HSL 300, 0.78%, 0.38%

LAB 41.67, 70.63, -43.93

 

CMYK 36 / 0 / 88 / 32

HEX #6FAE15

RGB 111 174 21

HSL 84.71, 0.78%, 0.38%

LAB 64.73, -41.78, 62.81

 

CMYK 88 / 35 / 0 / 33

HEX #1570AC

RGB 21 112 172

HSL 203.84, 0.78%, 0.38%

LAB 45.26, -2.84, -38.99

 

CMYK 0 / 88 / 35 / 33

HEX #AC1570

RGB 172 21 112

HSL 323.84, 0.78%, 0.38%

LAB 38.68, 62.7, -11.88

 

CMYK 36 / 0 / 88 / 32

HEX #6FAE15

RGB 111 174 21

HSL 84.71, 0.78%, 0.38%

LAB 64.73, -41.78, 62.81

 

CMYK 88 / 0 / 35 / 33

HEX #15AC70

RGB 21 172 112

HSL 156.16, 0.78%, 0.38%

LAB 62.37, -50.73, 20.8

 

CMYK 53 / 88 / 0 / 33

HEX #5115AC

RGB 81 21 172

HSL 263.84, 0.78%, 0.38%

LAB 27.47, 57.07, -67.64

 

CMYK 0 / 88 / 53 / 33

HEX #AC1551

RGB 172 21 81

HSL 336.16, 0.78%, 0.38%

LAB 37.66, 59.84, 6.36

 

CMYK 36 / 0 / 88 / 32

HEX #6FAE15

RGB 111 174 21

HSL 84.71, 0.78%, 0.38%

LAB 64.73, -41.78, 62.81

 

CMYK 88 / 0 / 9 / 33

HEX #15AC9D

RGB 21 172 157

HSL 174.04, 0.78%, 0.38%

LAB 63.42, -39.37, -2.6

 

CMYK 53 / 88 / 0 / 33

HEX #5115AC

RGB 81 21 172

HSL 263.84, 0.78%, 0.38%

LAB 27.47, 57.07, -67.64

 

CMYK 0 / 88 / 79 / 33

HEX #AC1524

RGB 172 21 36

HSL 354.04, 0.78%, 0.38%

LAB 36.81, 57.37, 33.73

 

Description

Color code: HEX #6FAE15 | qconv.com Color code: HEX #6FAE15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 174 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 174 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 88 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 88% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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