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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FA127 it is the complementary color #905ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FA127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FA127 shade: #74A122, #85B335, #96C548, #A7D75B and #B8E96E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FA127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FA127 shade: #6FA127, #5E8F14, #4D7D01, #3C6B00 and #2B5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FA127 shade: #6EA026, #8FA026, #A09026, #A06F26 and #A04E26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FA127 shade: #6EA026, #4DA026, #2CA026, #26A041 and #26A062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FA127 shade matches the following richer shades: #6EA026, #71B016 and #74C006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FA127 shade: #6EA026, #6B9036, #687F46, #656F57 and #625F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FA127 shade: #A08F26, #8FA026, #6FA026, #4FA026 and #2EA026

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FA127 shade: #405D16, #577E1E, #6EA026, #85C12E and #99D246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FA127 shade: #6FA127, #26A06F and #A026A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FA127 shade: #6FA127, #266FA0 and #A0266F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FA127 shade: #6FA127, #26A06F, #5726A0 and #A02657

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FA127 shade: #6FA127, #26A093, #5726A0 and #A02632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 76 / 37

HEX #6FA127

RGB 111 161 39

HSL 84.59, 0.61%, 0.39%

LAB 60.8, -35.28, 54.31

 

Complementary color

CMYK 33 / 56 / 0 / 15

HEX #905ED8

RGB 144 94 216

HSL 264.59, 0.61%, 0.61%

LAB 50.56, 45.39, -55.47

 

CMYK 28 / 0 / 79 / 37

HEX #74A122

RGB 116 161 34

HSL 81.26, 0.65%, 0.38%

LAB 61.06, -33.6, 56.31

 

CMYK 26 / 0 / 70 / 30

HEX #85B335

RGB 133 179 53

HSL 81.9, 0.54%, 0.45%

LAB 67.64, -34.13, 56.41

 

CMYK 24 / 0 / 63 / 23

HEX #96C548

RGB 150 197 72

HSL 82.56, 0.52%, 0.53%

LAB 74.12, -34.49, 55.88

 

CMYK 22 / 0 / 58 / 16

HEX #A7D75B

RGB 167 215 91

HSL 83.23, 0.61%, 0.6%

LAB 80.5, -34.73, 55.03

 

CMYK 21 / 0 / 53 / 9

HEX #B8E96E

RGB 184 233 110

HSL 83.9, 0.74%, 0.67%

LAB 86.8, -34.89, 54.02

 

CMYK 31 / 0 / 76 / 37

HEX #6FA127

RGB 111 161 39

HSL 84.59, 0.61%, 0.39%

LAB 60.8, -35.28, 54.31

 

CMYK 34 / 0 / 86 / 44

HEX #5E8F14

RGB 94 143 20

HSL 83.9, 0.75%, 0.32%

LAB 54.11, -34.62, 53.54

 

CMYK 38 / 0 / 99 / 51

HEX #4D7D01

RGB 77 125 1

HSL 83.23, 0.98%, 0.25%

LAB 47.3, -33.69, 51.42

 

CMYK 44 / 0 / 100 / 58

HEX #3C6B00

RGB 60 107 0

HSL 86.36, 1%, 0.21%

LAB 40.37, -32.19, 45.87

 

CMYK 52 / 0 / 100 / 65

HEX #2B5900

RGB 43 89 0

HSL 91.01, 1%, 0.17%

LAB 33.26, -30.54, 39.97

 

CMYK 31 / 0 / 76 / 37

HEX #6EA026

RGB 110 160 38

HSL 84.59, 0.62%, 0.39%

LAB 60.42, -35.27, 54.27

 

CMYK 11 / 0 / 76 / 37

HEX #8FA026

RGB 143 160 38

HSL 68.36, 0.62%, 0.39%

LAB 62.61, -21.72, 57.12

 

CMYK 0 / 10 / 76 / 37

HEX #A09026

RGB 160 144 38

HSL 52.13, 0.62%, 0.39%

LAB 59.49, -5.79, 54.71

 

CMYK 0 / 31 / 76 / 37

HEX #A06F26

RGB 160 111 38

HSL 35.9, 0.62%, 0.39%

LAB 50.67, 12.65, 46.23

 

CMYK 0 / 51 / 76 / 37

HEX #A04E26

RGB 160 78 38

HSL 19.67, 0.62%, 0.39%

LAB 42.86, 31.14, 38.32

 

CMYK 31 / 0 / 76 / 37

HEX #6EA026

RGB 110 160 38

HSL 84.59, 0.62%, 0.39%

LAB 60.42, -35.27, 54.27

 

CMYK 52 / 0 / 76 / 37

HEX #4DA026

RGB 77 160 38

HSL 100.82, 0.62%, 0.39%

LAB 58.84, -46.63, 52.2

 

CMYK 73 / 0 / 76 / 37

HEX #2CA026

RGB 44 160 38

HSL 117.05, 0.62%, 0.39%

LAB 57.86, -54.57, 50.9

 

CMYK 76 / 0 / 59 / 37

HEX #26A041

RGB 38 160 65

HSL 133.28, 0.62%, 0.39%

LAB 57.98, -52.78, 39.62

 

CMYK 76 / 0 / 39 / 37

HEX #26A062

RGB 38 160 98

HSL 149.51, 0.62%, 0.39%

LAB 58.45, -47.29, 23.18

 

CMYK 31 / 0 / 76 / 37

HEX #6EA026

RGB 110 160 38

HSL 84.59, 0.62%, 0.39%

LAB 60.42, -35.27, 54.27

 

CMYK 36 / 0 / 88 / 31

HEX #71B016

RGB 113 176 22

HSL 84.55, 0.78%, 0.39%

LAB 65.45, -41.87, 63.26

 

CMYK 40 / 0 / 97 / 25

HEX #74C006

RGB 116 192 6

HSL 84.52, 0.94%, 0.39%

LAB 70.47, -47.8, 69.77

 

CMYK 31 / 0 / 76 / 37

HEX #6EA026

RGB 110 160 38

HSL 84.59, 0.62%, 0.39%

LAB 60.42, -35.27, 54.27

 

CMYK 26 / 0 / 63 / 44

HEX #6B9036

RGB 107 144 54

HSL 84.67, 0.45%, 0.39%

LAB 55.42, -27.78, 42.58

 

CMYK 18 / 0 / 45 / 50

HEX #687F46

RGB 104 127 70

HSL 84.21, 0.29%, 0.39%

LAB 50.17, -18.66, 28.22

 

CMYK 9 / 0 / 22 / 56

HEX #656F57

RGB 101 111 87

HSL 85, 0.12%, 0.39%

LAB 45.39, -8.52, 12.12

 

CMYK 5 / 8 / 0 / 60

HEX #625F67

RGB 98 95 103

HSL 262.5, 0.04%, 0.39%

LAB 40.83, 2.88, -4.13

 

CMYK 0 / 11 / 76 / 37

HEX #A08F26

RGB 160 143 38

HSL 51.64, 0.62%, 0.39%

LAB 59.21, -5.25, 54.45

 

CMYK 11 / 0 / 76 / 37

HEX #8FA026

RGB 143 160 38

HSL 68.36, 0.62%, 0.39%

LAB 62.61, -21.72, 57.12

 

CMYK 31 / 0 / 76 / 37

HEX #6FA026

RGB 111 160 38

HSL 84.1, 0.62%, 0.39%

LAB 60.48, -34.88, 54.35

 

CMYK 51 / 0 / 76 / 37

HEX #4FA026

RGB 79 160 38

HSL 99.84, 0.62%, 0.39%

LAB 58.92, -46.03, 52.3

 

CMYK 71 / 0 / 76 / 37

HEX #2EA026

RGB 46 160 38

HSL 116.07, 0.62%, 0.39%

LAB 57.91, -54.21, 50.96

 

CMYK 31 / 0 / 76 / 64

HEX #405D16

RGB 64 93 22

HSL 84.51, 0.62%, 0.23%

LAB 35.94, -22.89, 35.36

 

CMYK 31 / 0 / 76 / 51

HEX #577E1E

RGB 87 126 30

HSL 84.38, 0.62%, 0.31%

LAB 48.31, -29.01, 44.93

 

CMYK 31 / 0 / 76 / 37

HEX #6EA026

RGB 110 160 38

HSL 84.59, 0.62%, 0.39%

LAB 60.42, -35.27, 54.27

 

CMYK 31 / 0 / 76 / 24

HEX #85C12E

RGB 133 193 46

HSL 84.49, 0.62%, 0.47%

LAB 71.77, -40.82, 62.92

 

CMYK 27 / 0 / 67 / 18

HEX #99D246

RGB 153 210 70

HSL 84.43, 0.61%, 0.55%

LAB 78.06, -39.38, 60.94

 

CMYK 31 / 0 / 76 / 37

HEX #6FA127

RGB 111 161 39

HSL 84.59, 0.61%, 0.39%

LAB 60.8, -35.28, 54.31

 

CMYK 76 / 0 / 31 / 37

HEX #26A06F

RGB 38 160 111

HSL 155.9, 0.62%, 0.39%

LAB 58.7, -44.52, 16.37

 

CMYK 0 / 76 / 0 / 37

HEX #A026A0

RGB 160 38 160

HSL 300, 0.62%, 0.39%

LAB 40.24, 62.39, -39.14

 

CMYK 31 / 0 / 76 / 37

HEX #6FA127

RGB 111 161 39

HSL 84.59, 0.61%, 0.39%

LAB 60.8, -35.28, 54.31

 

CMYK 76 / 31 / 0 / 37

HEX #266FA0

RGB 38 111 160

HSL 204.1, 0.62%, 0.39%

LAB 44.69, -5.1, -32.82

 

CMYK 0 / 76 / 31 / 37

HEX #A0266F

RGB 160 38 111

HSL 324.1, 0.62%, 0.39%

LAB 37.86, 55.31, -12.73

 

CMYK 31 / 0 / 76 / 37

HEX #6FA127

RGB 111 161 39

HSL 84.59, 0.61%, 0.39%

LAB 60.8, -35.28, 54.31

 

CMYK 76 / 0 / 31 / 37

HEX #26A06F

RGB 38 160 111

HSL 155.9, 0.62%, 0.39%

LAB 58.7, -44.52, 16.37

 

CMYK 46 / 76 / 0 / 37

HEX #5726A0

RGB 87 38 160

HSL 264.1, 0.62%, 0.39%

LAB 29.29, 48.23, -57.38

 

CMYK 0 / 76 / 46 / 37

HEX #A02657

RGB 160 38 87

HSL 335.9, 0.62%, 0.39%

LAB 37.02, 52.69, 1.27

 

CMYK 31 / 0 / 76 / 37

HEX #6FA127

RGB 111 161 39

HSL 84.59, 0.61%, 0.39%

LAB 60.8, -35.28, 54.31

 

CMYK 76 / 0 / 8 / 37

HEX #26A093

RGB 38 160 147

HSL 173.61, 0.62%, 0.39%

LAB 59.58, -35.3, -2.61

 

CMYK 46 / 76 / 0 / 37

HEX #5726A0

RGB 87 38 160

HSL 264.1, 0.62%, 0.39%

LAB 29.29, 48.23, -57.38

 

CMYK 0 / 76 / 69 / 37

HEX #A02632

RGB 160 38 50

HSL 354.1, 0.62%, 0.39%

LAB 36.16, 49.91, 23.77

 

Description

Color code: HEX #6FA127 | qconv.com Color code: HEX #6FA127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 161 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 161 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 76 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 76% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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