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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F7127 it is the complementary color #908ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F7127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F7127 shade: #747122, #858335, #969548, #A7A75B and #B8B96E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F7127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F7127 shade: #6F7127, #5E5F14, #4D4D01, #3C3B00 and #2B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F7127 shade: #6F7127, #715F27, #714B27, #713727 and #712727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F7127 shade: #6F7127, #5B7127, #477127, #337127 and #27712E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F7127 shade matches the following richer shades: #6F7127, #7B7E1A, #878A0E and #939701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F7127 shade: #6F7127, #646533, #58593F, #4C4C4C and #414058

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F7127 shade: #714B27, #715F27, #707127, #5C7127 and #487127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F7127 shade: #333411, #51531C, #6F7127, #8E9031 and #ACAF3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F7127 shade: #6F7127, #277137 and #552771

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F7127 shade: #6F7127, #277071 and #712770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F7127 shade: #6F7127, #277137, #282771 and #712761

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F7127 shade: #6F7127, #27714D, #282771 and #71274B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

Complementary color

CMYK 33 / 34 / 0 / 15

HEX #908ED8

RGB 144 142 216

HSL 241.62, 0.49%, 0.7%

LAB 61.85, 17.85, -37.58

 

CMYK 0 / 3 / 71 / 55

HEX #747122

RGB 116 113 34

HSL 57.8, 0.55%, 0.29%

LAB 46.5, -9.18, 42.25

 

CMYK 0 / 2 / 60 / 48

HEX #858335

RGB 133 131 53

HSL 58.5, 0.43%, 0.36%

LAB 53.47, -10.02, 41.44

 

CMYK 0 / 1 / 52 / 41

HEX #969548

RGB 150 149 72

HSL 59.23, 0.35%, 0.44%

LAB 60.29, -10.65, 40.32

 

CMYK 0 / 0 / 46 / 35

HEX #A7A75B

RGB 167 167 91

HSL 60, 0.3%, 0.51%

LAB 66.98, -11.14, 39.1

 

CMYK 1 / 0 / 41 / 27

HEX #B8B96E

RGB 184 185 110

HSL 60.8, 0.35%, 0.58%

LAB 73.55, -11.53, 37.89

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 1 / 0 / 79 / 63

HEX #5E5F14

RGB 94 95 20

HSL 60.8, 0.65%, 0.23%

LAB 38.92, -10.25, 39.85

 

CMYK 0 / 0 / 99 / 70

HEX #4D4D01

RGB 77 77 1

HSL 60, 0.97%, 0.15%

LAB 31.55, -9.02, 39.32

 

CMYK 0 / 2 / 100 / 76

HEX #3C3B00

RGB 60 59 0

HSL 59, 1%, 0.12%

LAB 23.96, -7.06, 32.61

 

CMYK 0 / 5 / 100 / 83

HEX #2B2900

RGB 43 41 0

HSL 57.21, 1%, 0.08%

LAB 16, -4.93, 23.14

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 0 / 16 / 65 / 56

HEX #715F27

RGB 113 95 39

HSL 45.41, 0.49%, 0.3%

LAB 40.96, 0.1, 33.95

 

CMYK 0 / 34 / 65 / 56

HEX #714B27

RGB 113 75 39

HSL 29.19, 0.49%, 0.3%

LAB 35.38, 12.13, 27.61

 

CMYK 0 / 51 / 65 / 56

HEX #713727

RGB 113 55 39

HSL 12.97, 0.49%, 0.3%

LAB 30.37, 24.08, 21.62

 

CMYK 0 / 65 / 65 / 56

HEX #712727

RGB 113 39 39

HSL 0, 0.49%, 0.3%

LAB 27.04, 32.7, 17.45

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 19 / 0 / 65 / 56

HEX #5B7127

RGB 91 113 39

HSL 77.84, 0.49%, 0.3%

LAB 44.49, -20.17, 37.27

 

CMYK 37 / 0 / 65 / 56

HEX #477127

RGB 71 113 39

HSL 94.05, 0.49%, 0.3%

LAB 43.21, -28.41, 35.49

 

CMYK 55 / 0 / 65 / 56

HEX #337127

RGB 51 113 39

HSL 110.27, 0.49%, 0.3%

LAB 42.25, -35.31, 34.16

 

CMYK 65 / 0 / 59 / 56

HEX #27712E

RGB 39 113 46

HSL 125.68, 0.49%, 0.3%

LAB 41.91, -37.69, 30.16

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 2 / 0 / 79 / 51

HEX #7B7E1A

RGB 123 126 26

HSL 61.8, 0.66%, 0.3%

LAB 50.93, -13.47, 49.74

 

CMYK 2 / 0 / 90 / 46

HEX #878A0E

RGB 135 138 14

HSL 61.45, 0.82%, 0.3%

LAB 55.44, -14.77, 57.16

 

CMYK 3 / 0 / 99 / 41

HEX #939701

RGB 147 151 1

HSL 61.6, 0.99%, 0.3%

LAB 60.19, -16.37, 63.36

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 1 / 0 / 50 / 60

HEX #646533

RGB 100 101 51

HSL 61.2, 0.33%, 0.3%

LAB 41.62, -8.4, 27.99

 

CMYK 1 / 0 / 29 / 65

HEX #58593F

RGB 88 89 63

HSL 62.31, 0.17%, 0.3%

LAB 37.07, -5.23, 14.96

 

CMYK 0 / 0 / 0 / 70

HEX #4C4C4C

RGB 76 76 76

HSL 0, 0%, 0.3%

LAB 32.32, 0, -0

 

CMYK 26 / 27 / 0 / 65

HEX #414058

RGB 65 64 88

HSL 242.5, 0.16%, 0.3%

LAB 28.1, 6.47, -14.16

 

CMYK 0 / 34 / 65 / 56

HEX #714B27

RGB 113 75 39

HSL 29.19, 0.49%, 0.3%

LAB 35.38, 12.13, 27.61

 

CMYK 0 / 16 / 65 / 56

HEX #715F27

RGB 113 95 39

HSL 45.41, 0.49%, 0.3%

LAB 40.96, 0.1, 33.95

 

CMYK 1 / 0 / 65 / 56

HEX #707127

RGB 112 113 39

HSL 60.81, 0.49%, 0.3%

LAB 46.18, -10.71, 39.58

 

CMYK 19 / 0 / 65 / 56

HEX #5C7127

RGB 92 113 39

HSL 77.03, 0.49%, 0.3%

LAB 44.56, -19.74, 37.37

 

CMYK 36 / 0 / 65 / 56

HEX #487127

RGB 72 113 39

HSL 93.24, 0.49%, 0.3%

LAB 43.26, -28.02, 35.57

 

CMYK 2 / 0 / 67 / 80

HEX #333411

RGB 51 52 17

HSL 61.71, 0.51%, 0.14%

LAB 20.83, -6.29, 21.53

 

CMYK 2 / 0 / 66 / 67

HEX #51531C

RGB 81 83 28

HSL 62.18, 0.5%, 0.22%

LAB 34.02, -9.11, 31.01

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 1 / 0 / 66 / 44

HEX #8E9031

RGB 142 144 49

HSL 61.26, 0.49%, 0.38%

LAB 57.96, -13.28, 48.3

 

CMYK 2 / 0 / 66 / 31

HEX #ACAF3C

RGB 172 175 60

HSL 61.57, 0.49%, 0.46%

LAB 69.3, -15.67, 56.23

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 65 / 0 / 51 / 56

HEX #277137

RGB 39 113 55

HSL 132.97, 0.49%, 0.3%

LAB 42.03, -36.31, 25.5

 

CMYK 25 / 65 / 0 / 56

HEX #552771

RGB 85 39 113

HSL 277.3, 0.49%, 0.3%

LAB 25.49, 35.18, -34.26

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 65 / 1 / 0 / 56

HEX #277071

RGB 39 112 113

HSL 180.81, 0.49%, 0.3%

LAB 43.08, -21.71, -7.22

 

CMYK 0 / 65 / 1 / 56

HEX #712770

RGB 113 39 112

HSL 300.81, 0.49%, 0.3%

LAB 29.74, 42.45, -26.59

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 65 / 0 / 51 / 56

HEX #277137

RGB 39 113 55

HSL 132.97, 0.49%, 0.3%

LAB 42.03, -36.31, 25.5

 

CMYK 65 / 65 / 0 / 56

HEX #282771

RGB 40 39 113

HSL 240.81, 0.49%, 0.3%

LAB 20.42, 24.99, -42.7

 

CMYK 0 / 65 / 14 / 56

HEX #712761

RGB 113 39 97

HSL 312.97, 0.49%, 0.3%

LAB 28.97, 39.78, -18.16

 

CMYK 2 / 0 / 65 / 56

HEX #6F7127

RGB 111 113 39

HSL 61.62, 0.49%, 0.3%

LAB 46.09, -11.17, 39.46

 

CMYK 65 / 0 / 32 / 56

HEX #27714D

RGB 39 113 77

HSL 150.81, 0.49%, 0.3%

LAB 42.43, -31.97, 13.42

 

CMYK 65 / 65 / 0 / 56

HEX #282771

RGB 40 39 113

HSL 240.81, 0.49%, 0.3%

LAB 20.42, 24.99, -42.7

 

CMYK 0 / 65 / 34 / 56

HEX #71274B

RGB 113 39 75

HSL 330.81, 0.49%, 0.3%

LAB 28.03, 36.45, -5.14

 

Description

Color code: HEX #6F7127 | qconv.com Color code: HEX #6F7127 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 113 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 113 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 65 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 65% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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