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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F760E it is the complementary color #9089F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F760E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F760E shade: #747609, #85881C, #969A2F, #A7AC42 and #B8BE55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F760E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F760E shade: #6F760E, #5E6400, #4D5200, #3C4000 and #2B2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F760E shade: #6F760D, #76610D, #76450D, #76280D and #760D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F760E shade: #6F760D, #53760D, #37760D, #1A760D and #0D761D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F760E shade matches the following richer shades: #6F760D and #788103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F760E shade: #6F760D, #666B18, #5D6123, #53562E and #4A4B38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F760E shade: #76450D, #76610D, #6F760D, #53760D and #37760D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F760E shade: #2A2C05, #4C5109, #6F760D, #929B12 and #B5C016

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F760E shade: #6F760E, #0D7629 and #530D76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F760E shade: #6F760E, #0D6F76 and #760D6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F760E shade: #6F760E, #0D7629, #140D76 and #760D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F760E shade: #6F760E, #0D7649, #140D76 and #760D3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 88 / 54

HEX #6F760E

RGB 111 118 14

HSL 64.04, 0.79%, 0.26%

LAB 47.45, -15.15, 49.79

 

Complementary color

CMYK 40 / 43 / 0 / 5

HEX #9089F1

RGB 144 137 241

HSL 244.04, 0.79%, 0.74%

LAB 61.8, 27.49, -51.54

 

CMYK 2 / 0 / 92 / 54

HEX #747609

RGB 116 118 9

HSL 61.1, 0.86%, 0.25%

LAB 47.87, -12.94, 51.39

 

CMYK 2 / 0 / 79 / 47

HEX #85881C

RGB 133 136 28

HSL 61.67, 0.66%, 0.32%

LAB 54.74, -14.18, 52.86

 

CMYK 3 / 0 / 69 / 40

HEX #969A2F

RGB 150 154 47

HSL 62.24, 0.53%, 0.39%

LAB 61.48, -15.13, 52.93

 

CMYK 3 / 0 / 62 / 33

HEX #A7AC42

RGB 167 172 66

HSL 62.83, 0.45%, 0.47%

LAB 68.1, -15.88, 52.31

 

CMYK 3 / 0 / 55 / 25

HEX #B8BE55

RGB 184 190 85

HSL 63.43, 0.45%, 0.54%

LAB 74.62, -16.46, 51.37

 

CMYK 6 / 0 / 88 / 54

HEX #6F760E

RGB 111 118 14

HSL 64.04, 0.79%, 0.26%

LAB 47.45, -15.15, 49.79

 

CMYK 6 / 0 / 100 / 61

HEX #5E6400

RGB 94 100 0

HSL 63.6, 1%, 0.2%

LAB 40.4, -13.76, 46.91

 

CMYK 6 / 0 / 100 / 68

HEX #4D5200

RGB 77 82 0

HSL 63.66, 1%, 0.16%

LAB 33.16, -11.96, 40.89

 

CMYK 6 / 0 / 100 / 75

HEX #3C4000

RGB 60 64 0

HSL 63.75, 1%, 0.13%

LAB 25.65, -10.1, 34.23

 

CMYK 7 / 0 / 100 / 82

HEX #2B2E00

RGB 43 46 0

HSL 63.91, 1%, 0.09%

LAB 17.77, -8.15, 25.32

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 0 / 18 / 89 / 54

HEX #76610D

RGB 118 97 13

HSL 48, 0.8%, 0.26%

LAB 41.89, 0.03, 45.7

 

CMYK 0 / 42 / 89 / 54

HEX #76450D

RGB 118 69 13

HSL 32, 0.8%, 0.26%

LAB 34.27, 16.77, 39.35

 

CMYK 0 / 66 / 89 / 54

HEX #76280D

RGB 118 40 13

HSL 15.43, 0.8%, 0.26%

LAB 27.84, 32.88, 33.91

 

CMYK 0 / 89 / 89 / 54

HEX #760D0D

RGB 118 13 13

HSL 0, 0.8%, 0.26%

LAB 24.22, 42.87, 30.6

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 30 / 0 / 89 / 54

HEX #53760D

RGB 83 118 13

HSL 80, 0.8%, 0.26%

LAB 45.39, -27.66, 47.46

 

CMYK 53 / 0 / 89 / 54

HEX #37760D

RGB 55 118 13

HSL 96, 0.8%, 0.26%

LAB 43.94, -38.1, 45.64

 

CMYK 78 / 0 / 89 / 54

HEX #1A760D

RGB 26 118 13

HSL 112.57, 0.8%, 0.26%

LAB 43.07, -45.26, 44.54

 

CMYK 89 / 0 / 75 / 54

HEX #0D761D

RGB 13 118 29

HSL 129.14, 0.8%, 0.26%

LAB 42.96, -45.9, 39.08

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 7 / 0 / 98 / 49

HEX #788103

RGB 120 129 3

HSL 64.29, 0.95%, 0.26%

LAB 51.5, -17.1, 55.53

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 5 / 0 / 78 / 58

HEX #666B18

RGB 102 107 24

HSL 63.61, 0.63%, 0.26%

LAB 43.37, -12.96, 42.79

 

CMYK 4 / 0 / 64 / 62

HEX #5D6123

RGB 93 97 35

HSL 63.87, 0.47%, 0.26%

LAB 39.58, -10.88, 33.89

 

CMYK 3 / 0 / 47 / 66

HEX #53562E

RGB 83 86 46

HSL 64.5, 0.3%, 0.26%

LAB 35.38, -8.09, 22.82

 

CMYK 1 / 0 / 25 / 71

HEX #4A4B38

RGB 74 75 56

HSL 63.16, 0.15%, 0.26%

LAB 31.29, -4.14, 11.22

 

CMYK 0 / 42 / 89 / 54

HEX #76450D

RGB 118 69 13

HSL 32, 0.8%, 0.26%

LAB 34.27, 16.77, 39.35

 

CMYK 0 / 18 / 89 / 54

HEX #76610D

RGB 118 97 13

HSL 48, 0.8%, 0.26%

LAB 41.89, 0.03, 45.7

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 30 / 0 / 89 / 54

HEX #53760D

RGB 83 118 13

HSL 80, 0.8%, 0.26%

LAB 45.39, -27.66, 47.46

 

CMYK 53 / 0 / 89 / 54

HEX #37760D

RGB 55 118 13

HSL 96, 0.8%, 0.26%

LAB 43.94, -38.1, 45.64

 

CMYK 5 / 0 / 89 / 83

HEX #2A2C05

RGB 42 44 5

HSL 63.08, 0.8%, 0.1%

LAB 17.01, -7, 22.33

 

CMYK 6 / 0 / 89 / 68

HEX #4C5109

RGB 76 81 9

HSL 64.17, 0.8%, 0.18%

LAB 32.79, -11.53, 37.49

 

CMYK 6 / 0 / 89 / 54

HEX #6F760D

RGB 111 118 13

HSL 64, 0.8%, 0.26%

LAB 47.45, -15.18, 50.02

 

CMYK 6 / 0 / 88 / 39

HEX #929B12

RGB 146 155 18

HSL 63.94, 0.79%, 0.34%

LAB 61.31, -18.57, 61.49

 

CMYK 6 / 0 / 89 / 25

HEX #B5C016

RGB 181 192 22

HSL 63.88, 0.79%, 0.42%

LAB 74.56, -21.84, 72.59

 

CMYK 6 / 0 / 88 / 54

HEX #6F760E

RGB 111 118 14

HSL 64.04, 0.79%, 0.26%

LAB 47.45, -15.15, 49.79

 

CMYK 89 / 0 / 65 / 54

HEX #0D7629

RGB 13 118 41

HSL 136, 0.8%, 0.26%

LAB 43.07, -44.57, 33.86

 

CMYK 30 / 89 / 0 / 54

HEX #530D76

RGB 83 13 118

HSL 280, 0.8%, 0.26%

LAB 21.71, 46.86, -43.59

 

CMYK 6 / 0 / 88 / 54

HEX #6F760E

RGB 111 118 14

HSL 64.04, 0.79%, 0.26%

LAB 47.45, -15.15, 49.79

 

CMYK 89 / 6 / 0 / 54

HEX #0D6F76

RGB 13 111 118

HSL 184, 0.8%, 0.26%

LAB 42.4, -22.83, -11.31

 

CMYK 0 / 89 / 6 / 54

HEX #760D6F

RGB 118 13 111

HSL 304, 0.8%, 0.26%

LAB 27.54, 52.13, -29.38

 

CMYK 6 / 0 / 88 / 54

HEX #6F760E

RGB 111 118 14

HSL 64.04, 0.79%, 0.26%

LAB 47.45, -15.15, 49.79

 

CMYK 89 / 0 / 65 / 54

HEX #0D7629

RGB 13 118 41

HSL 136, 0.8%, 0.26%

LAB 43.07, -44.57, 33.86

 

CMYK 83 / 89 / 0 / 54

HEX #140D76

RGB 20 13 118

HSL 244, 0.8%, 0.26%

LAB 14.09, 39.82, -56.41

 

CMYK 0 / 89 / 24 / 54

HEX #760D5A

RGB 118 13 90

HSL 316, 0.8%, 0.26%

LAB 26.38, 49.03, -17.51

 

CMYK 6 / 0 / 88 / 54

HEX #6F760E

RGB 111 118 14

HSL 64.04, 0.79%, 0.26%

LAB 47.45, -15.15, 49.79

 

CMYK 89 / 0 / 38 / 54

HEX #0D7649

RGB 13 118 73

HSL 154.29, 0.8%, 0.26%

LAB 43.54, -38.93, 17.18

 

CMYK 83 / 89 / 0 / 54

HEX #140D76

RGB 20 13 118

HSL 244, 0.8%, 0.26%

LAB 14.09, 39.82, -56.41

 

CMYK 0 / 89 / 50 / 54

HEX #760D3B

RGB 118 13 59

HSL 333.71, 0.8%, 0.26%

LAB 25.12, 45.5, 1.47

 

Description

Color code: HEX #6F760E | qconv.com Color code: HEX #6F760E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 118 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 118 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 88 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 88% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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