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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F6ED8 it is the complementary color #909127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F6ED8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F6ED8 shade: #746ED3, #8580E6, #9692F9, #A7A4FF and #B8B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F6ED8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F6ED8 shade: #6F6ED8, #5E5CC5, #4D4AB2, #3C389F and #2B268C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F6ED8 shade: #6E6DD8, #8B6DD8, #A86DD8, #C56DD8 and #D86DCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F6ED8 shade: #6E6DD8 and #6D6DD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F6ED8 shade matches the following richer shades: #6E6DD8, #605FE7 and #5150F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F6ED8 shade: #6E6DD8, #7D7CC9, #8C8BBA, #9A9AAB and #A9A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F6ED8 shade: #6DA6D8, #6D8AD8, #6D6DD8, #8A6DD8 and #A66DD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F6ED8 shade: #3433C0, #4E4DCF, #6E6DD8, #8F8EE1 and #AFAFE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F6ED8 shade: #6F6ED8, #D86DC3 and #98D86D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F6ED8 shade: #6F6ED8, #D86D6D and #6DD86D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F6ED8 shade: #6F6ED8, #D86DC3, #D8D86D and #6DD883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F6ED8 shade: #6F6ED8, #D86DA3, #D8D86D and #6DD8A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 49 / 0 / 15

HEX #6F6ED8

RGB 111 110 216

HSL 240.57, 0.58%, 0.64%

LAB 51.25, 28.43, -54.52

 

Complementary color

CMYK 1 / 0 / 73 / 43

HEX #909127

RGB 144 145 39

HSL 60.57, 0.58%, 0.36%

LAB 58.35, -13.49, 52.75

 

CMYK 45 / 48 / 0 / 17

HEX #746ED3

RGB 116 110 211

HSL 243.56, 0.53%, 0.63%

LAB 51.35, 28.08, -51.52

 

CMYK 42 / 44 / 0 / 10

HEX #8580E6

RGB 133 128 230

HSL 242.94, 0.67%, 0.7%

LAB 58.17, 26.96, -51.26

 

CMYK 40 / 41 / 0 / 2

HEX #9692F9

RGB 150 146 249

HSL 242.33, 0.9%, 0.77%

LAB 64.87, 25.99, -51.05

 

CMYK 35 / 36 / 0 / 0

HEX #A7A4FF

RGB 167 164 255

HSL 241.98, 1%, 0.82%

LAB 70.86, 21.72, -44.79

 

CMYK 28 / 29 / 0 / 0

HEX #B8B6FF

RGB 184 182 255

HSL 241.64, 1%, 0.86%

LAB 76.6, 16.38, -35.75

 

CMYK 49 / 49 / 0 / 15

HEX #6F6ED8

RGB 111 110 216

HSL 240.57, 0.58%, 0.64%

LAB 51.25, 28.43, -54.52

 

CMYK 52 / 53 / 0 / 23

HEX #5E5CC5

RGB 94 92 197

HSL 241.14, 0.48%, 0.57%

LAB 44.33, 29.85, -54.85

 

CMYK 57 / 58 / 0 / 30

HEX #4D4AB2

RGB 77 74 178

HSL 241.73, 0.41%, 0.49%

LAB 37.28, 31.51, -55.19

 

CMYK 62 / 65 / 0 / 38

HEX #3C389F

RGB 60 56 159

HSL 242.33, 0.48%, 0.42%

LAB 30.14, 33.46, -55.49

 

CMYK 69 / 73 / 0 / 45

HEX #2B268C

RGB 43 38 140

HSL 242.94, 0.57%, 0.35%

LAB 22.98, 35.66, -55.6

 

CMYK 49 / 50 / 0 / 15

HEX #6E6DD8

RGB 110 109 216

HSL 240.56, 0.58%, 0.64%

LAB 50.93, 28.81, -55.04

 

CMYK 36 / 50 / 0 / 15

HEX #8B6DD8

RGB 139 109 216

HSL 256.82, 0.58%, 0.64%

LAB 53.37, 35.71, -51.01

 

CMYK 22 / 50 / 0 / 15

HEX #A86DD8

RGB 168 109 216

HSL 273.08, 0.58%, 0.64%

LAB 56.31, 43.31, -46.16

 

CMYK 9 / 50 / 0 / 15

HEX #C56DD8

RGB 197 109 216

HSL 289.35, 0.58%, 0.64%

LAB 59.68, 51.26, -40.62

 

CMYK 0 / 50 / 4 / 15

HEX #D86DCF

RGB 216 109 207

HSL 305.05, 0.58%, 0.64%

LAB 61.69, 54.97, -32.23

 

CMYK 49 / 50 / 0 / 15

HEX #6E6DD8

RGB 110 109 216

HSL 240.56, 0.58%, 0.64%

LAB 50.93, 28.81, -55.04

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD8

RGB 109 109 216

HSL 240, 0.58%, 0.64%

LAB 50.86, 28.59, -55.17

 

CMYK 49 / 50 / 0 / 15

HEX #6E6DD8

RGB 110 109 216

HSL 240.56, 0.58%, 0.64%

LAB 50.93, 28.81, -55.04

 

CMYK 58 / 59 / 0 / 9

HEX #605FE7

RGB 96 95 231

HSL 240.44, 0.74%, 0.64%

LAB 47.55, 39.19, -69.04

 

CMYK 67 / 67 / 0 / 4

HEX #5150F6

RGB 81 80 246

HSL 240.36, 0.9%, 0.64%

LAB 44.43, 50.62, -82.6

 

CMYK 49 / 50 / 0 / 15

HEX #6E6DD8

RGB 110 109 216

HSL 240.56, 0.58%, 0.64%

LAB 50.93, 28.81, -55.04

 

CMYK 38 / 38 / 0 / 21

HEX #7D7CC9

RGB 125 124 201

HSL 240.78, 0.42%, 0.64%

LAB 55.06, 19.12, -39.89

 

CMYK 25 / 25 / 0 / 27

HEX #8C8BBA

RGB 140 139 186

HSL 241.28, 0.25%, 0.64%

LAB 59.51, 10.78, -24.37

 

CMYK 10 / 10 / 0 / 33

HEX #9A9AAB

RGB 154 154 171

HSL 240, 0.09%, 0.64%

LAB 64.1, 3.43, -8.84

 

CMYK 0 / 0 / 7 / 34

HEX #A9A99D

RGB 169 169 157

HSL 60, 0.07%, 0.64%

LAB 68.93, -2.19, 6.18

 

CMYK 50 / 23 / 0 / 15

HEX #6DA6D8

RGB 109 166 216

HSL 208.04, 0.58%, 0.64%

LAB 66.12, -4.92, -31.11

 

CMYK 50 / 36 / 0 / 15

HEX #6D8AD8

RGB 109 138 216

HSL 223.74, 0.58%, 0.64%

LAB 58.4, 11.16, -43.17

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD8

RGB 109 109 216

HSL 240, 0.58%, 0.64%

LAB 50.86, 28.59, -55.17

 

CMYK 36 / 50 / 0 / 15

HEX #8A6DD8

RGB 138 109 216

HSL 256.26, 0.58%, 0.64%

LAB 53.27, 35.45, -51.16

 

CMYK 23 / 50 / 0 / 15

HEX #A66DD8

RGB 166 109 216

HSL 271.96, 0.58%, 0.64%

LAB 56.09, 42.77, -46.52

 

CMYK 73 / 73 / 0 / 25

HEX #3433C0

RGB 52 51 192

HSL 240.43, 0.58%, 0.48%

LAB 31.59, 46.51, -72.83

 

CMYK 62 / 63 / 0 / 19

HEX #4E4DCF

RGB 78 77 207

HSL 240.46, 0.58%, 0.56%

LAB 40.3, 39.36, -67.21

 

CMYK 49 / 50 / 0 / 15

HEX #6E6DD8

RGB 110 109 216

HSL 240.56, 0.58%, 0.64%

LAB 50.93, 28.81, -55.04

 

CMYK 36 / 37 / 0 / 12

HEX #8F8EE1

RGB 143 142 225

HSL 240.72, 0.58%, 0.72%

LAB 62.19, 19.97, -42.08

 

CMYK 25 / 25 / 0 / 9

HEX #AFAFE9

RGB 175 175 233

HSL 240, 0.57%, 0.8%

LAB 73.32, 12.38, -28.98

 

CMYK 49 / 49 / 0 / 15

HEX #6F6ED8

RGB 111 110 216

HSL 240.57, 0.58%, 0.64%

LAB 51.25, 28.43, -54.52

 

CMYK 0 / 50 / 10 / 15

HEX #D86DC3

RGB 216 109 195

HSL 311.78, 0.58%, 0.64%

LAB 61.2, 52.97, -26.2

 

CMYK 30 / 0 / 50 / 15

HEX #98D86D

RGB 152 216 109

HSL 95.89, 0.58%, 0.64%

LAB 80.12, -38.78, 46.05

 

CMYK 49 / 49 / 0 / 15

HEX #6F6ED8

RGB 111 110 216

HSL 240.57, 0.58%, 0.64%

LAB 51.25, 28.43, -54.52

 

CMYK 0 / 50 / 50 / 15

HEX #D86D6D

RGB 216 109 109

HSL 0, 0.58%, 0.64%

LAB 58.64, 41.87, 19.57

 

CMYK 50 / 0 / 50 / 15

HEX #6DD86D

RGB 109 216 109

HSL 120, 0.58%, 0.64%

LAB 78.15, -52.2, 43.19

 

CMYK 49 / 49 / 0 / 15

HEX #6F6ED8

RGB 111 110 216

HSL 240.57, 0.58%, 0.64%

LAB 51.25, 28.43, -54.52

 

CMYK 0 / 50 / 10 / 15

HEX #D86DC3

RGB 216 109 195

HSL 311.78, 0.58%, 0.64%

LAB 61.2, 52.97, -26.2

 

CMYK 0 / 0 / 50 / 15

HEX #D8D86D

RGB 216 216 109

HSL 60, 0.58%, 0.64%

LAB 84.39, -14.45, 52.19

 

CMYK 50 / 0 / 39 / 15

HEX #6DD883

RGB 109 216 131

HSL 132.34, 0.58%, 0.64%

LAB 78.46, -48.92, 32.65

 

CMYK 49 / 49 / 0 / 15

HEX #6F6ED8

RGB 111 110 216

HSL 240.57, 0.58%, 0.64%

LAB 51.25, 28.43, -54.52

 

CMYK 0 / 50 / 25 / 15

HEX #D86DA3

RGB 216 109 163

HSL 329.72, 0.58%, 0.64%

LAB 60.05, 48.13, -9.64

 

CMYK 0 / 0 / 50 / 15

HEX #D8D86D

RGB 216 216 109

HSL 60, 0.58%, 0.64%

LAB 84.39, -14.45, 52.19

 

CMYK 50 / 0 / 25 / 15

HEX #6DD8A3

RGB 109 216 163

HSL 150.28, 0.58%, 0.64%

LAB 79.05, -43.05, 16.8

 

Description

Color code: HEX #6F6ED8 | qconv.com Color code: HEX #6F6ED8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 110 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 110 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 49 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 49% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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