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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F60CF it is the complementary color #909F30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F60CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F60CF shade: #7460CA, #8572DD, #9684F0, #A796FF and #B8A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F60CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F60CF shade: #6F60CF, #5E4EBC, #4D3CA9, #3C2A96 and #2B1883

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F60CF shade: #6D5DCE, #8B5DCE, #AA5DCE, #C85DCE and #CE5DB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F60CF shade: #6D5DCE and #5D5DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F60CF shade matches the following richer shades: #6D5DCE, #604DDF and #543CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F60CF shade: #6D5DCE, #796EBD, #857FAD, #92909C and #9EA18B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F60CF shade: #5D8BCE, #5D6DCE, #6D5DCE, #8B5DCE and #A95DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F60CF shade: #4232A8, #503EC5, #6D5DCE, #8A7DD8 and #A69DE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F60CF shade: #6F60CF, #CE5DA9 and #7CCE5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F60CF shade: #6F60CF, #CE6D5D and #5DCE6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F60CF shade: #6F60CF, #CE5DA9, #BFCE5D and #5DCE83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F60CF shade: #6F60CF, #CE5D87, #BFCE5D and #5DCEA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 54 / 0 / 19

HEX #6F60CF

RGB 111 96 207

HSL 248.11, 0.54%, 0.59%

LAB 47.3, 34.15, -55.74

 

Complementary color

CMYK 9 / 0 / 70 / 38

HEX #909F30

RGB 144 159 48

HSL 68.11, 0.54%, 0.41%

LAB 62.46, -20.25, 53.36

 

CMYK 43 / 52 / 0 / 21

HEX #7460CA

RGB 116 96 202

HSL 251.32, 0.5%, 0.58%

LAB 47.42, 33.84, -52.66

 

CMYK 40 / 48 / 0 / 13

HEX #8572DD

RGB 133 114 221

HSL 250.65, 0.61%, 0.66%

LAB 54.28, 32.66, -52.41

 

CMYK 38 / 45 / 0 / 6

HEX #9684F0

RGB 150 132 240

HSL 250, 0.78%, 0.73%

LAB 61.03, 31.61, -52.19

 

CMYK 35 / 41 / 0 / 0

HEX #A796FF

RGB 167 150 255

HSL 249.71, 1%, 0.79%

LAB 67.46, 29.63, -50.14

 

CMYK 28 / 34 / 0 / 0

HEX #B8A8FF

RGB 184 168 255

HSL 251.03, 1%, 0.83%

LAB 73.16, 24.14, -41.09

 

CMYK 46 / 54 / 0 / 19

HEX #6F60CF

RGB 111 96 207

HSL 248.11, 0.54%, 0.59%

LAB 47.3, 34.15, -55.74

 

CMYK 50 / 59 / 0 / 26

HEX #5E4EBC

RGB 94 78 188

HSL 248.73, 0.45%, 0.52%

LAB 40.34, 35.6, -56.04

 

CMYK 54 / 64 / 0 / 34

HEX #4D3CA9

RGB 77 60 169

HSL 249.36, 0.48%, 0.45%

LAB 33.29, 37.22, -56.3

 

CMYK 60 / 72 / 0 / 41

HEX #3C2A96

RGB 60 42 150

HSL 250, 0.56%, 0.38%

LAB 26.21, 38.96, -56.42

 

CMYK 67 / 82 / 0 / 49

HEX #2B1883

RGB 43 24 131

HSL 250.65, 0.69%, 0.3%

LAB 19.25, 40.52, -56.1

 

CMYK 47 / 55 / 0 / 19

HEX #6D5DCE

RGB 109 93 206

HSL 248.5, 0.54%, 0.59%

LAB 46.36, 35.2, -56.69

 

CMYK 33 / 55 / 0 / 19

HEX #8B5DCE

RGB 139 93 206

HSL 264.42, 0.54%, 0.59%

LAB 49.22, 42.21, -51.94

 

CMYK 17 / 55 / 0 / 19

HEX #AA5DCE

RGB 170 93 206

HSL 280.88, 0.54%, 0.59%

LAB 52.76, 50.1, -46.09

 

CMYK 3 / 55 / 0 / 19

HEX #C85DCE

RGB 200 93 206

HSL 296.81, 0.54%, 0.59%

LAB 56.65, 58.01, -39.7

 

CMYK 0 / 55 / 12 / 19

HEX #CE5DB6

RGB 206 93 182

HSL 312.74, 0.54%, 0.59%

LAB 56.41, 55.6, -26.25

 

CMYK 47 / 55 / 0 / 19

HEX #6D5DCE

RGB 109 93 206

HSL 248.5, 0.54%, 0.59%

LAB 46.36, 35.2, -56.69

 

CMYK 55 / 55 / 0 / 19

HEX #5D5DCE

RGB 93 93 206

HSL 240, 0.54%, 0.59%

LAB 45.1, 31.89, -58.79

 

CMYK 47 / 55 / 0 / 19

HEX #6D5DCE

RGB 109 93 206

HSL 248.5, 0.54%, 0.59%

LAB 46.36, 35.2, -56.69

 

CMYK 57 / 65 / 0 / 13

HEX #604DDF

RGB 96 77 223

HSL 247.81, 0.7%, 0.59%

LAB 42.95, 47.21, -72

 

CMYK 65 / 75 / 0 / 6

HEX #543CF0

RGB 84 60 240

HSL 248, 0.86%, 0.59%

LAB 40.26, 59.78, -86.09

 

CMYK 47 / 55 / 0 / 19

HEX #6D5DCE

RGB 109 93 206

HSL 248.5, 0.54%, 0.59%

LAB 46.36, 35.2, -56.69

 

CMYK 36 / 42 / 0 / 26

HEX #796EBD

RGB 121 110 189

HSL 248.35, 0.37%, 0.59%

LAB 50.56, 23.08, -40.15

 

CMYK 23 / 27 / 0 / 32

HEX #857FAD

RGB 133 127 173

HSL 247.83, 0.22%, 0.59%

LAB 55.26, 12.37, -23.53

 

CMYK 6 / 8 / 0 / 39

HEX #92909C

RGB 146 144 156

HSL 250, 0.06%, 0.59%

LAB 60.3, 3.13, -6.07

 

CMYK 2 / 0 / 14 / 37

HEX #9EA18B

RGB 158 161 139

HSL 68.18, 0.1%, 0.59%

LAB 65.45, -5.06, 11.1

 

CMYK 55 / 33 / 0 / 19

HEX #5D8BCE

RGB 93 139 206

HSL 215.58, 0.54%, 0.59%

LAB 57.32, 3.86, -39.32

 

CMYK 55 / 47 / 0 / 19

HEX #5D6DCE

RGB 93 109 206

HSL 231.5, 0.54%, 0.59%

LAB 49.16, 22.02, -52.27

 

CMYK 47 / 55 / 0 / 19

HEX #6D5DCE

RGB 109 93 206

HSL 248.5, 0.54%, 0.59%

LAB 46.36, 35.2, -56.69

 

CMYK 33 / 55 / 0 / 19

HEX #8B5DCE

RGB 139 93 206

HSL 264.42, 0.54%, 0.59%

LAB 49.22, 42.21, -51.94

 

CMYK 18 / 55 / 0 / 19

HEX #A95DCE

RGB 169 93 206

HSL 280.35, 0.54%, 0.59%

LAB 52.64, 49.84, -46.29

 

CMYK 61 / 70 / 0 / 34

HEX #4232A8

RGB 66 50 168

HSL 248.14, 0.54%, 0.43%

LAB 30.08, 40.97, -61

 

CMYK 59 / 69 / 0 / 23

HEX #503EC5

RGB 80 62 197

HSL 248, 0.54%, 0.51%

LAB 36.33, 45.28, -67.89

 

CMYK 47 / 55 / 0 / 19

HEX #6D5DCE

RGB 109 93 206

HSL 248.5, 0.54%, 0.59%

LAB 46.36, 35.2, -56.69

 

CMYK 36 / 42 / 0 / 15

HEX #8A7DD8

RGB 138 125 216

HSL 248.57, 0.54%, 0.67%

LAB 57.1, 26.12, -45.09

 

CMYK 26 / 30 / 0 / 12

HEX #A69DE1

RGB 166 157 225

HSL 247.94, 0.53%, 0.75%

LAB 67.77, 17.87, -33.24

 

CMYK 46 / 54 / 0 / 19

HEX #6F60CF

RGB 111 96 207

HSL 248.11, 0.54%, 0.59%

LAB 47.3, 34.15, -55.74

 

CMYK 0 / 55 / 18 / 19

HEX #CE5DA9

RGB 206 93 169

HSL 319.65, 0.54%, 0.59%

LAB 55.9, 53.6, -19.52

 

CMYK 40 / 0 / 55 / 19

HEX #7CCE5D

RGB 124 206 93

HSL 103.54, 0.54%, 0.59%

LAB 75.59, -45.64, 47.84

 

CMYK 46 / 54 / 0 / 19

HEX #6F60CF

RGB 111 96 207

HSL 248.11, 0.54%, 0.59%

LAB 47.3, 34.15, -55.74

 

CMYK 0 / 47 / 55 / 19

HEX #CE6D5D

RGB 206 109 93

HSL 8.5, 0.54%, 0.59%

LAB 56.93, 36.71, 26.21

 

CMYK 55 / 0 / 47 / 19

HEX #5DCE6D

RGB 93 206 109

HSL 128.5, 0.54%, 0.59%

LAB 74.56, -52.39, 38.59

 

CMYK 46 / 54 / 0 / 19

HEX #6F60CF

RGB 111 96 207

HSL 248.11, 0.54%, 0.59%

LAB 47.3, 34.15, -55.74

 

CMYK 0 / 55 / 18 / 19

HEX #CE5DA9

RGB 206 93 169

HSL 319.65, 0.54%, 0.59%

LAB 55.9, 53.6, -19.52

 

CMYK 7 / 0 / 55 / 19

HEX #BFCE5D

RGB 191 206 93

HSL 67.96, 0.54%, 0.59%

LAB 79.62, -20.92, 53.56

 

CMYK 55 / 0 / 36 / 19

HEX #5DCE83

RGB 93 206 131

HSL 140.18, 0.54%, 0.59%

LAB 74.89, -48.79, 27.82

 

CMYK 46 / 54 / 0 / 19

HEX #6F60CF

RGB 111 96 207

HSL 248.11, 0.54%, 0.59%

LAB 47.3, 34.15, -55.74

 

CMYK 0 / 55 / 34 / 19

HEX #CE5D87

RGB 206 93 135

HSL 337.7, 0.54%, 0.59%

LAB 54.76, 49.03, -1.32

 

CMYK 7 / 0 / 55 / 19

HEX #BFCE5D

RGB 191 206 93

HSL 67.96, 0.54%, 0.59%

LAB 79.62, -20.92, 53.56

 

CMYK 55 / 0 / 20 / 19

HEX #5DCEA5

RGB 93 206 165

HSL 158.23, 0.54%, 0.59%

LAB 75.57, -41.93, 10.76

 

Description

Color code: HEX #6F60CF | qconv.com Color code: HEX #6F60CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 96 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 96 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 54 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 54% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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