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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F66C1 it is the complementary color #90993E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F66C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F66C1 shade: #7466BC, #8578CF, #968AE2, #A79CF5 and #B8AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F66C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F66C1 shade: #6F66C1, #5E54AE, #4D429B, #3C3088 and #2B1E75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F66C1 shade: #6F66C0, #8866C0, #A066C0, #B866C0 and #C066B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F66C1 shade: #6F66C0 and #6666C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F66C1 shade matches the following richer shades: #6F66C0, #6155D2, #5444E3 and #4632F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F66C1 shade: #6F66C0, #7D78AF, #8B899E, #999A8C and #A7AC7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F66C1 shade: #668FC0, #6677C0, #6E66C0, #8666C0 and #9E66C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F66C1 shade: #463D97, #5449B4, #6F66C0, #8B84CC and #A6A1D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F66C1 shade: #6F66C1, #C066A7 and #83C066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F66C1 shade: #6F66C1, #C06E66 and #66C06E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F66C1 shade: #6F66C1, #C066A7, #B9C066 and #66C080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F66C1 shade: #6F66C1, #C0668C, #B9C066 and #66C09B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 47 / 0 / 24

HEX #6F66C1

RGB 111 102 193

HSL 245.93, 0.42%, 0.58%

LAB 47.92, 26.42, -46.7

 

Complementary color

CMYK 6 / 0 / 59 / 40

HEX #90993E

RGB 144 153 62

HSL 65.93, 0.42%, 0.42%

LAB 60.83, -16.2, 45.63

 

CMYK 38 / 46 / 0 / 26

HEX #7466BC

RGB 116 102 188

HSL 249.77, 0.39%, 0.57%

LAB 48.07, 26.27, -43.55

 

CMYK 36 / 42 / 0 / 19

HEX #8578CF

RGB 133 120 207

HSL 248.97, 0.48%, 0.64%

LAB 54.99, 25.3, -43.37

 

CMYK 34 / 39 / 0 / 11

HEX #968AE2

RGB 150 138 226

HSL 248.18, 0.6%, 0.71%

LAB 61.79, 24.44, -43.23

 

CMYK 32 / 36 / 0 / 4

HEX #A79CF5

RGB 167 156 245

HSL 247.42, 0.82%, 0.79%

LAB 68.45, 23.68, -43.13

 

CMYK 28 / 32 / 0 / 0

HEX #B8AEFF

RGB 184 174 255

HSL 247.41, 1%, 0.84%

LAB 74.62, 20.8, -38.82

 

CMYK 42 / 47 / 0 / 24

HEX #6F66C1

RGB 111 102 193

HSL 245.93, 0.42%, 0.58%

LAB 47.92, 26.42, -46.7

 

CMYK 46 / 52 / 0 / 32

HEX #5E54AE

RGB 94 84 174

HSL 246.67, 0.36%, 0.51%

LAB 40.86, 27.66, -46.98

 

CMYK 50 / 57 / 0 / 39

HEX #4D429B

RGB 77 66 155

HSL 247.42, 0.4%, 0.43%

LAB 33.65, 29.1, -47.3

 

CMYK 56 / 65 / 0 / 47

HEX #3C3088

RGB 60 48 136

HSL 248.18, 0.48%, 0.36%

LAB 26.31, 30.79, -47.6

 

CMYK 63 / 74 / 0 / 54

HEX #2B1E75

RGB 43 30 117

HSL 248.97, 0.59%, 0.29%

LAB 18.91, 32.66, -47.73

 

CMYK 42 / 47 / 0 / 25

HEX #6F66C0

RGB 111 102 192

HSL 246, 0.42%, 0.58%

LAB 47.86, 26.13, -46.21

 

CMYK 29 / 47 / 0 / 25

HEX #8866C0

RGB 136 102 192

HSL 262.67, 0.42%, 0.58%

LAB 50.15, 32.74, -42.44

 

CMYK 17 / 47 / 0 / 25

HEX #A066C0

RGB 160 102 192

HSL 278.67, 0.42%, 0.58%

LAB 52.71, 39.52, -38.23

 

CMYK 4 / 47 / 0 / 25

HEX #B866C0

RGB 184 102 192

HSL 294.67, 0.42%, 0.58%

LAB 55.58, 46.51, -33.52

 

CMYK 0 / 47 / 8 / 25

HEX #C066B0

RGB 192 102 176

HSL 310.67, 0.42%, 0.58%

LAB 55.93, 46.02, -23.7

 

CMYK 42 / 47 / 0 / 25

HEX #6F66C0

RGB 111 102 192

HSL 246, 0.42%, 0.58%

LAB 47.86, 26.13, -46.21

 

CMYK 47 / 47 / 0 / 25

HEX #6666C0

RGB 102 102 192

HSL 240, 0.42%, 0.58%

LAB 47.15, 23.93, -47.4

 

CMYK 42 / 47 / 0 / 25

HEX #6F66C0

RGB 111 102 192

HSL 246, 0.42%, 0.58%

LAB 47.86, 26.13, -46.21

 

CMYK 54 / 60 / 0 / 18

HEX #6155D2

RGB 97 85 210

HSL 245.76, 0.58%, 0.58%

LAB 43.79, 38.75, -63.2

 

CMYK 63 / 70 / 0 / 11

HEX #5444E3

RGB 84 68 227

HSL 246.04, 0.74%, 0.58%

LAB 40.52, 51.74, -78.3

 

CMYK 71 / 80 / 0 / 4

HEX #4632F4

RGB 70 50 244

HSL 246.19, 0.9%, 0.58%

LAB 38.05, 64.41, -92.04

 

CMYK 42 / 47 / 0 / 25

HEX #6F66C0

RGB 111 102 192

HSL 246, 0.42%, 0.58%

LAB 47.86, 26.13, -46.21

 

CMYK 29 / 31 / 0 / 31

HEX #7D78AF

RGB 125 120 175

HSL 245.45, 0.26%, 0.58%

LAB 52.83, 14.51, -28.5

 

CMYK 12 / 13 / 0 / 38

HEX #8B899E

RGB 139 137 158

HSL 245.71, 0.1%, 0.58%

LAB 57.89, 5.09, -10.87

 

CMYK 1 / 0 / 9 / 40

HEX #999A8C

RGB 153 154 140

HSL 64.29, 0.06%, 0.58%

LAB 63.16, -2.95, 7.22

 

CMYK 3 / 0 / 28 / 33

HEX #A7AC7B

RGB 167 172 123

HSL 66.12, 0.23%, 0.58%

LAB 68.86, -9.92, 24.68

 

CMYK 47 / 26 / 0 / 25

HEX #668FC0

RGB 102 143 192

HSL 212.67, 0.42%, 0.58%

LAB 58.3, -0.68, -29.85

 

CMYK 47 / 38 / 0 / 25

HEX #6677C0

RGB 102 119 192

HSL 228.67, 0.42%, 0.58%

LAB 51.64, 13.54, -40.27

 

CMYK 43 / 47 / 0 / 25

HEX #6E66C0

RGB 110 102 192

HSL 245.33, 0.42%, 0.58%

LAB 47.78, 25.88, -46.35

 

CMYK 30 / 47 / 0 / 25

HEX #8666C0

RGB 134 102 192

HSL 261.33, 0.42%, 0.58%

LAB 49.95, 32.19, -42.77

 

CMYK 18 / 47 / 0 / 25

HEX #9E66C0

RGB 158 102 192

HSL 277.33, 0.42%, 0.58%

LAB 52.48, 38.95, -38.6

 

CMYK 54 / 60 / 0 / 41

HEX #463D97

RGB 70 61 151

HSL 246, 0.42%, 0.42%

LAB 31.52, 29.48, -48.34

 

CMYK 53 / 59 / 0 / 29

HEX #5449B4

RGB 84 73 180

HSL 246.17, 0.42%, 0.5%

LAB 37.74, 34.13, -55.59

 

CMYK 42 / 47 / 0 / 25

HEX #6F66C0

RGB 111 102 192

HSL 246, 0.42%, 0.58%

LAB 47.86, 26.13, -46.21

 

CMYK 32 / 35 / 0 / 20

HEX #8B84CC

RGB 139 132 204

HSL 245.83, 0.41%, 0.66%

LAB 58.37, 19.11, -36.33

 

CMYK 23 / 25 / 0 / 15

HEX #A6A1D8

RGB 166 161 216

HSL 245.45, 0.41%, 0.74%

LAB 68.43, 13.47, -27.26

 

CMYK 42 / 47 / 0 / 24

HEX #6F66C1

RGB 111 102 193

HSL 245.93, 0.42%, 0.58%

LAB 47.92, 26.42, -46.7

 

CMYK 0 / 47 / 13 / 25

HEX #C066A7

RGB 192 102 167

HSL 316.67, 0.42%, 0.58%

LAB 55.58, 44.52, -19.02

 

CMYK 32 / 0 / 47 / 25

HEX #83C066

RGB 131 192 102

HSL 100.67, 0.42%, 0.58%

LAB 71.88, -36.09, 39.08

 

CMYK 42 / 47 / 0 / 24

HEX #6F66C1

RGB 111 102 193

HSL 245.93, 0.42%, 0.58%

LAB 47.92, 26.42, -46.7

 

CMYK 0 / 43 / 47 / 25

HEX #C06E66

RGB 192 110 102

HSL 5.33, 0.42%, 0.58%

LAB 55.4, 31.59, 18.66

 

CMYK 47 / 0 / 43 / 25

HEX #66C06E

RGB 102 192 110

HSL 125.33, 0.42%, 0.58%

LAB 70.63, -44.13, 33.15

 

CMYK 42 / 47 / 0 / 24

HEX #6F66C1

RGB 111 102 193

HSL 245.93, 0.42%, 0.58%

LAB 47.92, 26.42, -46.7

 

CMYK 0 / 47 / 13 / 25

HEX #C066A7

RGB 192 102 167

HSL 316.67, 0.42%, 0.58%

LAB 55.58, 44.52, -19.02

 

CMYK 4 / 0 / 47 / 25

HEX #B9C066

RGB 185 192 102

HSL 64.67, 0.42%, 0.58%

LAB 75.43, -15.54, 44.24

 

CMYK 47 / 0 / 33 / 25

HEX #66C080

RGB 102 192 128

HSL 137.33, 0.42%, 0.58%

LAB 70.93, -41.11, 24.14

 

CMYK 42 / 47 / 0 / 24

HEX #6F66C1

RGB 111 102 193

HSL 245.93, 0.42%, 0.58%

LAB 47.92, 26.42, -46.7

 

CMYK 0 / 47 / 27 / 25

HEX #C0668C

RGB 192 102 140

HSL 334.67, 0.42%, 0.58%

LAB 54.66, 40.43, -4.64

 

CMYK 4 / 0 / 47 / 25

HEX #B9C066

RGB 185 192 102

HSL 64.67, 0.42%, 0.58%

LAB 75.43, -15.54, 44.24

 

CMYK 47 / 0 / 19 / 25

HEX #66C09B

RGB 102 192 155

HSL 155.33, 0.42%, 0.58%

LAB 71.48, -35.71, 10.4

 

Description

Color code: HEX #6F66C1 | qconv.com Color code: HEX #6F66C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 102 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 102 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 47 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 47% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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