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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F649B it is the complementary color #909B64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F649B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F649B shade: #746496, #8576A9, #9688BC, #A79ACF and #B8ACE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F649B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F649B shade: #6F649B, #5E5288, #4D4075, #3C2E62 and #2B1C4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F649B shade: #6E639B, #7D639B, #8C639B, #9B639B and #9B638B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F649B shade: #6E639B and #63639B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F649B shade matches the following richer shades: #6E639B, #624EB0, #553AC4, #4925D9 and #3D10EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F649B shade: #6E639B, #7B7886, #878C72, #93A15D and #A0B549

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F649B shade: #63769B, #63679B, #6E639B, #7D639B and #8C639B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F649B shade: #4A4369, #5C5382, #6E639B, #867CAB and #9D95BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F649B shade: #6F649B, #9B6385 and #6E9B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F649B shade: #6F649B, #9B6E63 and #639B6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F649B shade: #6F649B, #9B6385, #909B63 and #639B79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F649B shade: #6F649B, #9B6374, #909B63 and #639B8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 35 / 0 / 39

HEX #6F649B

RGB 111 100 155

HSL 252, 0.22%, 0.5%

LAB 45.44, 17.04, -28.38

 

Complementary color

CMYK 7 / 0 / 35 / 39

HEX #909B64

RGB 144 155 100

HSL 72, 0.22%, 0.5%

LAB 61.91, -13.22, 27.57

 

CMYK 23 / 33 / 0 / 41

HEX #746496

RGB 116 100 150

HSL 259.2, 0.2%, 0.49%

LAB 45.67, 17.33, -25.02

 

CMYK 21 / 30 / 0 / 34

HEX #8576A9

RGB 133 118 169

HSL 257.65, 0.23%, 0.56%

LAB 52.74, 16.7, -25.11

 

CMYK 20 / 28 / 0 / 26

HEX #9688BC

RGB 150 136 188

HSL 256.15, 0.28%, 0.64%

LAB 59.64, 16.13, -25.24

 

CMYK 19 / 26 / 0 / 19

HEX #A79ACF

RGB 167 154 207

HSL 254.72, 0.36%, 0.71%

LAB 66.39, 15.63, -25.4

 

CMYK 19 / 24 / 0 / 11

HEX #B8ACE2

RGB 184 172 226

HSL 253.33, 0.48%, 0.78%

LAB 73.01, 15.17, -25.58

 

CMYK 28 / 35 / 0 / 39

HEX #6F649B

RGB 111 100 155

HSL 252, 0.22%, 0.5%

LAB 45.44, 17.04, -28.38

 

CMYK 31 / 40 / 0 / 47

HEX #5E5288

RGB 94 82 136

HSL 253.33, 0.25%, 0.43%

LAB 38.18, 17.82, -28.43

 

CMYK 34 / 45 / 0 / 54

HEX #4D4075

RGB 77 64 117

HSL 254.72, 0.29%, 0.35%

LAB 30.71, 18.74, -28.54

 

CMYK 39 / 53 / 0 / 62

HEX #3C2E62

RGB 60 46 98

HSL 256.15, 0.36%, 0.28%

LAB 22.99, 19.86, -28.73

 

CMYK 46 / 65 / 0 / 69

HEX #2B1C4F

RGB 43 28 79

HSL 257.65, 0.48%, 0.21%

LAB 15, 21.22, -28.96

 

CMYK 29 / 36 / 0 / 39

HEX #6E639B

RGB 110 99 155

HSL 251.79, 0.22%, 0.5%

LAB 45.09, 17.34, -28.94

 

CMYK 19 / 36 / 0 / 39

HEX #7D639B

RGB 125 99 155

HSL 267.86, 0.22%, 0.5%

LAB 46.51, 22.06, -26.62

 

CMYK 10 / 36 / 0 / 39

HEX #8C639B

RGB 140 99 155

HSL 283.93, 0.22%, 0.5%

LAB 48.09, 26.95, -24.04

 

CMYK 0 / 36 / 0 / 39

HEX #9B639B

RGB 155 99 155

HSL 300, 0.22%, 0.5%

LAB 49.81, 31.91, -21.25

 

CMYK 0 / 36 / 10 / 39

HEX #9B638B

RGB 155 99 139

HSL 317.14, 0.22%, 0.5%

LAB 49.2, 28.91, -12.71

 

CMYK 29 / 36 / 0 / 39

HEX #6E639B

RGB 110 99 155

HSL 251.79, 0.22%, 0.5%

LAB 45.09, 17.34, -28.94

 

CMYK 36 / 36 / 0 / 39

HEX #63639B

RGB 99 99 155

HSL 240, 0.22%, 0.5%

LAB 44.15, 14.04, -30.48

 

CMYK 29 / 36 / 0 / 39

HEX #6E639B

RGB 110 99 155

HSL 251.79, 0.22%, 0.5%

LAB 45.09, 17.34, -28.94

 

CMYK 44 / 56 / 0 / 31

HEX #624EB0

RGB 98 78 176

HSL 252.24, 0.39%, 0.5%

LAB 39.88, 32.87, -49.71

 

CMYK 57 / 70 / 0 / 23

HEX #553AC4

RGB 85 58 196

HSL 251.74, 0.54%, 0.5%

LAB 35.87, 47.94, -68.03

 

CMYK 66 / 83 / 0 / 15

HEX #4925D9

RGB 73 37 217

HSL 252, 0.71%, 0.5%

LAB 33.46, 62.53, -84.25

 

CMYK 74 / 93 / 0 / 7

HEX #3D10EE

RGB 61 16 238

HSL 252.16, 0.87%, 0.5%

LAB 33, 73.49, -97.05

 

CMYK 29 / 36 / 0 / 39

HEX #6E639B

RGB 110 99 155

HSL 251.79, 0.22%, 0.5%

LAB 45.09, 17.34, -28.94

 

CMYK 8 / 10 / 0 / 47

HEX #7B7886

RGB 123 120 134

HSL 252.86, 0.06%, 0.5%

LAB 51.11, 4.04, -7.22

 

CMYK 4 / 0 / 19 / 45

HEX #878C72

RGB 135 140 114

HSL 71.54, 0.1%, 0.5%

LAB 57.19, -6.61, 13.29

 

CMYK 9 / 0 / 42 / 37

HEX #93A15D

RGB 147 161 93

HSL 72.35, 0.27%, 0.5%

LAB 63.74, -16.03, 33.7

 

CMYK 12 / 0 / 60 / 29

HEX #A0B549

RGB 160 181 73

HSL 71.67, 0.43%, 0.5%

LAB 70.18, -22.81, 51.33

 

CMYK 36 / 24 / 0 / 39

HEX #63769B

RGB 99 118 155

HSL 219.64, 0.22%, 0.5%

LAB 49.47, 2.48, -22.22

 

CMYK 36 / 34 / 0 / 39

HEX #63679B

RGB 99 103 155

HSL 235.71, 0.22%, 0.5%

LAB 45.25, 11.57, -28.76

 

CMYK 29 / 36 / 0 / 39

HEX #6E639B

RGB 110 99 155

HSL 251.79, 0.22%, 0.5%

LAB 45.09, 17.34, -28.94

 

CMYK 19 / 36 / 0 / 39

HEX #7D639B

RGB 125 99 155

HSL 267.86, 0.22%, 0.5%

LAB 46.51, 22.06, -26.62

 

CMYK 10 / 36 / 0 / 39

HEX #8C639B

RGB 140 99 155

HSL 283.93, 0.22%, 0.5%

LAB 48.09, 26.95, -24.04

 

CMYK 30 / 36 / 0 / 59

HEX #4A4369

RGB 74 67 105

HSL 251.05, 0.22%, 0.34%

LAB 30.62, 12.38, -21.12

 

CMYK 29 / 36 / 0 / 49

HEX #5C5382

RGB 92 83 130

HSL 251.49, 0.22%, 0.42%

LAB 37.97, 14.91, -25.1

 

CMYK 29 / 36 / 0 / 39

HEX #6E639B

RGB 110 99 155

HSL 251.79, 0.22%, 0.5%

LAB 45.09, 17.34, -28.94

 

CMYK 22 / 27 / 0 / 33

HEX #867CAB

RGB 134 124 171

HSL 252.77, 0.22%, 0.58%

LAB 54.47, 13.96, -23.58

 

CMYK 16 / 20 / 0 / 27

HEX #9D95BB

RGB 157 149 187

HSL 252.63, 0.22%, 0.66%

LAB 63.55, 10.73, -18.64

 

CMYK 28 / 35 / 0 / 39

HEX #6F649B

RGB 111 100 155

HSL 252, 0.22%, 0.5%

LAB 45.44, 17.04, -28.38

 

CMYK 0 / 36 / 14 / 39

HEX #9B6385

RGB 155 99 133

HSL 323.57, 0.22%, 0.5%

LAB 48.99, 27.85, -9.45

 

CMYK 29 / 0 / 36 / 39

HEX #6E9B63

RGB 110 155 99

HSL 108.21, 0.22%, 0.5%

LAB 59.58, -26.39, 24.62

 

CMYK 28 / 35 / 0 / 39

HEX #6F649B

RGB 111 100 155

HSL 252, 0.22%, 0.5%

LAB 45.44, 17.04, -28.38

 

CMYK 0 / 29 / 36 / 39

HEX #9B6E63

RGB 155 110 99

HSL 11.79, 0.22%, 0.5%

LAB 50.71, 16.37, 13.24

 

CMYK 36 / 0 / 29 / 39

HEX #639B6E

RGB 99 155 110

HSL 131.79, 0.22%, 0.5%

LAB 59.18, -28.24, 17.92

 

CMYK 28 / 35 / 0 / 39

HEX #6F649B

RGB 111 100 155

HSL 252, 0.22%, 0.5%

LAB 45.44, 17.04, -28.38

 

CMYK 0 / 36 / 14 / 39

HEX #9B6385

RGB 155 99 133

HSL 323.57, 0.22%, 0.5%

LAB 48.99, 27.85, -9.45

 

CMYK 7 / 0 / 36 / 39

HEX #909B63

RGB 144 155 99

HSL 71.79, 0.22%, 0.5%

LAB 61.89, -13.35, 28.09

 

CMYK 36 / 0 / 22 / 39

HEX #639B79

RGB 99 155 121

HSL 143.57, 0.22%, 0.5%

LAB 59.41, -26.09, 12.09

 

CMYK 28 / 35 / 0 / 39

HEX #6F649B

RGB 111 100 155

HSL 252, 0.22%, 0.5%

LAB 45.44, 17.04, -28.38

 

CMYK 0 / 36 / 25 / 39

HEX #9B6374

RGB 155 99 116

HSL 341.79, 0.22%, 0.5%

LAB 48.45, 25.09, -0.09

 

CMYK 7 / 0 / 36 / 39

HEX #909B63

RGB 144 155 99

HSL 71.79, 0.22%, 0.5%

LAB 61.89, -13.35, 28.09

 

CMYK 36 / 0 / 11 / 39

HEX #639B8A

RGB 99 155 138

HSL 161.79, 0.22%, 0.5%

LAB 59.83, -22.4, 3.09

 

Description

Color code: HEX #6F649B | qconv.com Color code: HEX #6F649B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 100 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 100 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 35 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 35% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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