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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F59D2 it is the complementary color #90A62D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F59D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F59D2 shade: #7459CD, #856BE0, #967DF3, #A78FFF and #B8A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F59D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F59D2 shade: #6F59D2, #5E47BF, #4D35AC, #3C2399 and #2B1186

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F59D2 shade: #705AD2, #905AD2, #B05AD2, #D05AD2 and #D25AB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F59D2 shade: #705AD2 and #5A5AD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F59D2 shade matches the following richer shades: #705AD2, #6549E2 and #5A39F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F59D2 shade: #705AD2, #7B6BC1, #867CB0, #908D9F and #9B9E8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F59D2 shade: #5A86D2, #5A66D2, #6E5AD2, #8E5AD2 and #AE5AD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F59D2 shade: #452EAB, #543AC9, #705AD2, #8C7BDA and #A89BE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F59D2 shade: #6F59D2, #D25AA6 and #76D25A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F59D2 shade: #6F59D2, #D26E5A and #5AD26E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F59D2 shade: #6F59D2, #D25AA6, #BED25A and #5AD286

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F59D2 shade: #6F59D2, #D25A82, #BED25A and #5AD2AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 58 / 0 / 18

HEX #6F59D2

RGB 111 89 210

HSL 250.91, 0.57%, 0.59%

LAB 45.88, 39.17, -59.76

 

Complementary color

CMYK 13 / 0 / 73 / 35

HEX #90A62D

RGB 144 166 45

HSL 70.91, 0.57%, 0.41%

LAB 64.48, -23.93, 56.49

 

CMYK 43 / 57 / 0 / 20

HEX #7459CD

RGB 116 89 205

HSL 253.97, 0.54%, 0.58%

LAB 46, 38.81, -56.67

 

CMYK 41 / 52 / 0 / 12

HEX #856BE0

RGB 133 107 224

HSL 253.33, 0.65%, 0.65%

LAB 52.82, 37.56, -56.43

 

CMYK 38 / 49 / 0 / 5

HEX #967DF3

RGB 150 125 243

HSL 252.71, 0.83%, 0.72%

LAB 59.55, 36.43, -56.2

 

CMYK 35 / 44 / 0 / 0

HEX #A78FFF

RGB 167 143 255

HSL 252.86, 1%, 0.78%

LAB 65.81, 33.59, -52.75

 

CMYK 28 / 37 / 0 / 0

HEX #B8A1FF

RGB 184 161 255

HSL 254.68, 1%, 0.82%

LAB 71.49, 28.03, -43.71

 

CMYK 47 / 58 / 0 / 18

HEX #6F59D2

RGB 111 89 210

HSL 250.91, 0.57%, 0.59%

LAB 45.88, 39.17, -59.76

 

CMYK 51 / 63 / 0 / 25

HEX #5E47BF

RGB 94 71 191

HSL 251.5, 0.48%, 0.51%

LAB 38.98, 40.65, -60.01

 

CMYK 55 / 69 / 0 / 33

HEX #4D35AC

RGB 77 53 172

HSL 252.1, 0.53%, 0.44%

LAB 32.04, 42.23, -60.15

 

CMYK 61 / 77 / 0 / 40

HEX #3C2399

RGB 60 35 153

HSL 252.71, 0.63%, 0.37%

LAB 25.15, 43.71, -60.01

 

CMYK 68 / 87 / 0 / 47

HEX #2B1186

RGB 43 17 134

HSL 253.33, 0.77%, 0.3%

LAB 18.52, 44.59, -59.2

 

CMYK 47 / 57 / 0 / 18

HEX #705AD2

RGB 112 90 210

HSL 251, 0.57%, 0.59%

LAB 46.19, 38.8, -59.25

 

CMYK 31 / 57 / 0 / 18

HEX #905AD2

RGB 144 90 210

HSL 267, 0.57%, 0.59%

LAB 49.37, 46.07, -53.97

 

CMYK 16 / 57 / 0 / 18

HEX #B05AD2

RGB 176 90 210

HSL 283, 0.57%, 0.59%

LAB 53.16, 53.99, -47.69

 

CMYK 1 / 57 / 0 / 18

HEX #D05AD2

RGB 208 90 210

HSL 299, 0.57%, 0.59%

LAB 57.44, 62.17, -40.65

 

CMYK 0 / 57 / 15 / 18

HEX #D25AB2

RGB 210 90 178

HSL 316, 0.57%, 0.59%

LAB 56.32, 57.51, -24.05

 

CMYK 47 / 57 / 0 / 18

HEX #705AD2

RGB 112 90 210

HSL 251, 0.57%, 0.59%

LAB 46.19, 38.8, -59.25

 

CMYK 57 / 57 / 0 / 18

HEX #5A5AD2

RGB 90 90 210

HSL 240, 0.57%, 0.59%

LAB 44.43, 34.44, -62.18

 

CMYK 47 / 57 / 0 / 18

HEX #705AD2

RGB 112 90 210

HSL 251, 0.57%, 0.59%

LAB 46.19, 38.8, -59.25

 

CMYK 55 / 68 / 0 / 11

HEX #6549E2

RGB 101 73 226

HSL 250.98, 0.73%, 0.59%

LAB 42.8, 51.1, -73.94

 

CMYK 63 / 77 / 0 / 5

HEX #5A39F3

RGB 90 57 243

HSL 250.65, 0.89%, 0.59%

LAB 40.53, 62.68, -87.33

 

CMYK 47 / 57 / 0 / 18

HEX #705AD2

RGB 112 90 210

HSL 251, 0.57%, 0.59%

LAB 46.19, 38.8, -59.25

 

CMYK 36 / 45 / 0 / 24

HEX #7B6BC1

RGB 123 107 193

HSL 251.16, 0.41%, 0.59%

LAB 50.19, 26.52, -43.03

 

CMYK 24 / 30 / 0 / 31

HEX #867CB0

RGB 134 124 176

HSL 251.54, 0.25%, 0.59%

LAB 54.68, 15.19, -26.15

 

CMYK 9 / 11 / 0 / 38

HEX #908D9F

RGB 144 141 159

HSL 250, 0.09%, 0.59%

LAB 59.42, 4.76, -9.11

 

CMYK 2 / 0 / 10 / 38

HEX #9B9E8E

RGB 155 158 142

HSL 71.25, 0.08%, 0.59%

LAB 64.46, -4.04, 7.99

 

CMYK 57 / 36 / 0 / 18

HEX #5A86D2

RGB 90 134 210

HSL 218, 0.57%, 0.59%

LAB 55.96, 7.47, -43.72

 

CMYK 57 / 51 / 0 / 18

HEX #5A66D2

RGB 90 102 210

HSL 234, 0.57%, 0.59%

LAB 47.4, 27.05, -57.37

 

CMYK 48 / 57 / 0 / 18

HEX #6E5AD2

RGB 110 90 210

HSL 250, 0.57%, 0.59%

LAB 46.02, 38.37, -59.54

 

CMYK 32 / 57 / 0 / 18

HEX #8E5AD2

RGB 142 90 210

HSL 266, 0.57%, 0.59%

LAB 49.15, 45.59, -54.33

 

CMYK 17 / 57 / 0 / 18

HEX #AE5AD2

RGB 174 90 210

HSL 282, 0.57%, 0.59%

LAB 52.91, 53.49, -48.1

 

CMYK 60 / 73 / 0 / 33

HEX #452EAB

RGB 69 46 171

HSL 251.04, 0.58%, 0.43%

LAB 29.81, 44.58, -63.23

 

CMYK 58 / 71 / 0 / 21

HEX #543AC9

RGB 84 58 201

HSL 250.91, 0.57%, 0.51%

LAB 36.23, 49.28, -70.37

 

CMYK 47 / 57 / 0 / 18

HEX #705AD2

RGB 112 90 210

HSL 251, 0.57%, 0.59%

LAB 46.19, 38.8, -59.25

 

CMYK 36 / 44 / 0 / 15

HEX #8C7BDA

RGB 140 123 218

HSL 250.74, 0.56%, 0.67%

LAB 56.88, 28.36, -46.55

 

CMYK 26 / 32 / 0 / 11

HEX #A89BE3

RGB 168 155 227

HSL 250.83, 0.56%, 0.75%

LAB 67.51, 20.07, -34.72

 

CMYK 47 / 58 / 0 / 18

HEX #6F59D2

RGB 111 89 210

HSL 250.91, 0.57%, 0.59%

LAB 45.88, 39.17, -59.76

 

CMYK 0 / 57 / 21 / 18

HEX #D25AA6

RGB 210 90 166

HSL 322, 0.57%, 0.59%

LAB 55.85, 55.75, -17.79

 

CMYK 44 / 0 / 57 / 18

HEX #76D25A

RGB 118 210 90

HSL 106, 0.57%, 0.59%

LAB 76.49, -49.5, 50.2

 

CMYK 47 / 58 / 0 / 18

HEX #6F59D2

RGB 111 89 210

HSL 250.91, 0.57%, 0.59%

LAB 45.88, 39.17, -59.76

 

CMYK 0 / 48 / 57 / 18

HEX #D26E5A

RGB 210 110 90

HSL 10, 0.57%, 0.59%

LAB 57.65, 37.49, 28.95

 

CMYK 57 / 0 / 48 / 18

HEX #5AD26E

RGB 90 210 110

HSL 130, 0.57%, 0.59%

LAB 75.69, -54.51, 39.5

 

CMYK 47 / 58 / 0 / 18

HEX #6F59D2

RGB 111 89 210

HSL 250.91, 0.57%, 0.59%

LAB 45.88, 39.17, -59.76

 

CMYK 0 / 57 / 21 / 18

HEX #D25AA6

RGB 210 90 166

HSL 322, 0.57%, 0.59%

LAB 55.85, 55.75, -17.79

 

CMYK 10 / 0 / 57 / 18

HEX #BED25A

RGB 190 210 90

HSL 70, 0.57%, 0.59%

LAB 80.62, -23.52, 56.02

 

CMYK 57 / 0 / 36 / 18

HEX #5AD286

RGB 90 210 134

HSL 142, 0.57%, 0.59%

LAB 76.06, -50.56, 27.81

 

CMYK 47 / 58 / 0 / 18

HEX #6F59D2

RGB 111 89 210

HSL 250.91, 0.57%, 0.59%

LAB 45.88, 39.17, -59.76

 

CMYK 0 / 57 / 38 / 18

HEX #D25A82

RGB 210 90 130

HSL 340, 0.57%, 0.59%

LAB 54.68, 51.18, 1.6

 

CMYK 10 / 0 / 57 / 18

HEX #BED25A

RGB 190 210 90

HSL 70, 0.57%, 0.59%

LAB 80.62, -23.52, 56.02

 

CMYK 57 / 0 / 19 / 18

HEX #5AD2AA

RGB 90 210 170

HSL 160, 0.57%, 0.59%

LAB 76.78, -43.19, 9.8

 

Description

Color code: HEX #6F59D2 | qconv.com Color code: HEX #6F59D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 89 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 89 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 58 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 58% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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