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Color name
HEX #6F2D46

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6F2D46 it is the complementary color #90D2B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6F2D46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6F2D46 shade: #742D41, #853F54, #965167, #A7637A and #B8758D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6F2D46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6F2D46 shade: #6F2D46, #5E1B33, #4D0920, #3C000D and #2B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6F2D46 shade: #702D47, #702D35 and #702D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6F2D46 shade: #702D47, #702D58, #702D6A, #632D70 and #512D70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6F2D46 shade matches the following richer shades: #702D47, #7D2143, #891440 and #96073D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6F2D46 shade: #702D47, #633A4A, #56474D, #495450 and #3D6153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6F2D46 shade: #702D6A, #702D59, #702D47, #702D35 and #70372D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6F2D46 shade: #351521, #522134, #702D47, #8D3959 and #AA456C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6F2D46 shade: #6F2D46, #70642D and #2D6170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6F2D46 shade: #6F2D46, #47702D and #2D4770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6F2D46 shade: #6F2D46, #70642D, #2D7056 and #2D3A70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6F2D46 shade: #6F2D46, #68702D, #2D7056 and #352D70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 37 / 56

HEX #6F2D46

RGB 111 45 70

HSL 337.27, 0.42%, 0.31%

LAB 28.64, 32.06, -0.97

 

Complementary color

CMYK 31 / 0 / 12 / 18

HEX #90D2B9

RGB 144 210 185

HSL 157.27, 0.42%, 0.69%

LAB 79.34, -26.22, 5.75

 

CMYK 0 / 61 / 44 / 55

HEX #742D41

RGB 116 45 65

HSL 343.1, 0.44%, 0.32%

LAB 29.34, 33.26, 3.47

 

CMYK 0 / 53 / 37 / 48

HEX #853F54

RGB 133 63 84

HSL 342, 0.36%, 0.38%

LAB 36.33, 32.38, 1.61

 

CMYK 0 / 46 / 31 / 41

HEX #965167

RGB 150 81 103

HSL 340.87, 0.3%, 0.45%

LAB 43.28, 31.43, 0.17

 

CMYK 0 / 41 / 27 / 35

HEX #A7637A

RGB 167 99 122

HSL 339.71, 0.28%, 0.52%

LAB 50.15, 30.51, -1.01

 

CMYK 0 / 36 / 23 / 28

HEX #B8758D

RGB 184 117 141

HSL 338.51, 0.32%, 0.59%

LAB 56.92, 29.65, -2.01

 

CMYK 0 / 59 / 37 / 56

HEX #6F2D46

RGB 111 45 70

HSL 337.27, 0.42%, 0.31%

LAB 28.64, 32.06, -0.97

 

CMYK 0 / 71 / 46 / 63

HEX #5E1B33

RGB 94 27 51

HSL 338.51, 0.55%, 0.24%

LAB 21.59, 32.6, 1.26

 

CMYK 0 / 88 / 58 / 70

HEX #4D0920

RGB 77 9 32

HSL 339.71, 0.79%, 0.17%

LAB 14.83, 32.16, 4.7

 

CMYK 0 / 100 / 78 / 76

HEX #3C000D

RGB 60 0 13

HSL 347, 1%, 0.12%

LAB 8.91, 29.2, 8.64

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 60 / 37 / 56

HEX #702D47

RGB 112 45 71

HSL 336.72, 0.43%, 0.31%

LAB 28.84, 32.55, -1.31

 

CMYK 0 / 60 / 53 / 56

HEX #702D35

RGB 112 45 53

HSL 352.84, 0.43%, 0.31%

LAB 28.32, 30.45, 9.88

 

CMYK 0 / 60 / 60 / 56

HEX #702D2D

RGB 112 45 45

HSL 0, 0.43%, 0.31%

LAB 28.14, 29.7, 14.91

 

CMYK 0 / 60 / 37 / 56

HEX #702D47

RGB 112 45 71

HSL 336.72, 0.43%, 0.31%

LAB 28.84, 32.55, -1.31

 

CMYK 0 / 60 / 21 / 56

HEX #702D58

RGB 112 45 88

HSL 321.49, 0.43%, 0.31%

LAB 29.48, 35.05, -11.53

 

CMYK 0 / 60 / 5 / 56

HEX #702D6A

RGB 112 45 106

HSL 305.37, 0.43%, 0.31%

LAB 30.31, 38.17, -21.88

 

CMYK 12 / 60 / 0 / 56

HEX #632D70

RGB 99 45 112

HSL 288.36, 0.43%, 0.31%

LAB 28.64, 35.55, -28.47

 

CMYK 28 / 60 / 0 / 56

HEX #512D70

RGB 81 45 112

HSL 272.24, 0.43%, 0.31%

LAB 26.15, 30.45, -32.59

 

CMYK 0 / 60 / 37 / 56

HEX #702D47

RGB 112 45 71

HSL 336.72, 0.43%, 0.31%

LAB 28.84, 32.55, -1.31

 

CMYK 0 / 74 / 46 / 51

HEX #7D2143

RGB 125 33 67

HSL 337.83, 0.58%, 0.31%

LAB 29.04, 42.03, 1.92

 

CMYK 0 / 85 / 53 / 46

HEX #891440

RGB 137 20 64

HSL 337.44, 0.75%, 0.31%

LAB 29.88, 49.47, 5.45

 

CMYK 0 / 95 / 59 / 41

HEX #96073D

RGB 150 7 61

HSL 337.34, 0.91%, 0.31%

LAB 31.75, 55.05, 10.46

 

CMYK 0 / 60 / 37 / 56

HEX #702D47

RGB 112 45 71

HSL 336.72, 0.43%, 0.31%

LAB 28.84, 32.55, -1.31

 

CMYK 0 / 41 / 25 / 61

HEX #633A4A

RGB 99 58 74

HSL 336.59, 0.26%, 0.31%

LAB 29.85, 20.55, -2.03

 

CMYK 0 / 17 / 10 / 66

HEX #56474D

RGB 86 71 77

HSL 336, 0.1%, 0.31%

LAB 31.85, 7.53, -1.21

 

CMYK 13 / 0 / 5 / 67

HEX #495450

RGB 73 84 80

HSL 158.18, 0.07%, 0.31%

LAB 34.67, -5.25, 0.86

 

CMYK 37 / 0 / 14 / 62

HEX #3D6153

RGB 61 97 83

HSL 156.67, 0.23%, 0.31%

LAB 38.14, -16.44, 3.91

 

CMYK 0 / 60 / 5 / 56

HEX #702D6A

RGB 112 45 106

HSL 305.37, 0.43%, 0.31%

LAB 30.31, 38.17, -21.88

 

CMYK 0 / 60 / 21 / 56

HEX #702D59

RGB 112 45 89

HSL 320.6, 0.43%, 0.31%

LAB 29.52, 35.21, -12.11

 

CMYK 0 / 60 / 37 / 56

HEX #702D47

RGB 112 45 71

HSL 336.72, 0.43%, 0.31%

LAB 28.84, 32.55, -1.31

 

CMYK 0 / 60 / 53 / 56

HEX #702D35

RGB 112 45 53

HSL 352.84, 0.43%, 0.31%

LAB 28.32, 30.45, 9.88

 

CMYK 0 / 51 / 60 / 56

HEX #70372D

RGB 112 55 45

HSL 8.96, 0.43%, 0.31%

LAB 30.32, 24.14, 17.74

 

CMYK 0 / 60 / 38 / 79

HEX #351521

RGB 53 21 33

HSL 337.5, 0.43%, 0.15%

LAB 11.98, 17.69, -0.79

 

CMYK 0 / 60 / 37 / 68

HEX #522134

RGB 82 33 52

HSL 336.73, 0.43%, 0.23%

LAB 20.56, 25.22, -1.21

 

CMYK 0 / 60 / 37 / 56

HEX #702D47

RGB 112 45 71

HSL 336.72, 0.43%, 0.31%

LAB 28.84, 32.55, -1.31

 

CMYK 0 / 60 / 37 / 45

HEX #8D3959

RGB 141 57 89

HSL 337.14, 0.42%, 0.39%

LAB 36.57, 39.01, -1.06

 

CMYK 0 / 59 / 36 / 33

HEX #AA456C

RGB 170 69 108

HSL 336.83, 0.42%, 0.47%

LAB 44.07, 45.33, -1.4

 

CMYK 0 / 59 / 37 / 56

HEX #6F2D46

RGB 111 45 70

HSL 337.27, 0.42%, 0.31%

LAB 28.64, 32.06, -0.97

 

CMYK 0 / 11 / 60 / 56

HEX #70642D

RGB 112 100 45

HSL 49.25, 0.43%, 0.31%

LAB 42.38, -2.83, 32.41

 

CMYK 60 / 13 / 0 / 56

HEX #2D6170

RGB 45 97 112

HSL 193.43, 0.43%, 0.31%

LAB 38.34, -12.54, -13.75

 

CMYK 0 / 59 / 37 / 56

HEX #6F2D46

RGB 111 45 70

HSL 337.27, 0.42%, 0.31%

LAB 28.64, 32.06, -0.97

 

CMYK 37 / 0 / 60 / 56

HEX #47702D

RGB 71 112 45

HSL 96.72, 0.43%, 0.31%

LAB 42.94, -27.29, 32.23

 

CMYK 60 / 37 / 0 / 56

HEX #2D4770

RGB 45 71 112

HSL 216.72, 0.43%, 0.31%

LAB 30, 3.66, -26.68

 

CMYK 0 / 59 / 37 / 56

HEX #6F2D46

RGB 111 45 70

HSL 337.27, 0.42%, 0.31%

LAB 28.64, 32.06, -0.97

 

CMYK 0 / 11 / 60 / 56

HEX #70642D

RGB 112 100 45

HSL 49.25, 0.43%, 0.31%

LAB 42.38, -2.83, 32.41

 

CMYK 60 / 0 / 23 / 56

HEX #2D7056

RGB 45 112 86

HSL 156.72, 0.43%, 0.31%

LAB 42.49, -28.02, 8.18

 

CMYK 60 / 48 / 0 / 56

HEX #2D3A70

RGB 45 58 112

HSL 228.36, 0.43%, 0.31%

LAB 26.02, 12.5, -32.99

 

CMYK 0 / 59 / 37 / 56

HEX #6F2D46

RGB 111 45 70

HSL 337.27, 0.42%, 0.31%

LAB 28.64, 32.06, -0.97

 

CMYK 7 / 0 / 60 / 56

HEX #68702D

RGB 104 112 45

HSL 67.16, 0.43%, 0.31%

LAB 45.25, -13.34, 35.48

 

CMYK 60 / 0 / 23 / 56

HEX #2D7056

RGB 45 112 86

HSL 156.72, 0.43%, 0.31%

LAB 42.49, -28.02, 8.18

 

CMYK 53 / 60 / 0 / 56

HEX #352D70

RGB 53 45 112

HSL 247.16, 0.43%, 0.31%

LAB 23.01, 23.25, -37.8

 

Description

Color code: HEX #6F2D46 | qconv.com Color code: HEX #6F2D46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 45 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 45 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 37 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 37% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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