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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EFEC7 it is the complementary color #910138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EFEC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EFEC7 shade: #73FEC2, #84FFD5, #95FFE8, #A6FFFB and #B7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EFEC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EFEC7 shade: #6EFEC7, #5DECB4, #4CDAA1, #3BC88E and #2AB67B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EFEC7 shade: #6BFEC6, #6BFE9E, #6BFE77, #87FE6B and #AFFE6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EFEC7 shade: #6BFEC6, #6BFEED, #6BE7FE, #6BBFFE and #6B98FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EFEC7 shade matches the following richer shades: #6BFEC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EFEC7 shade: #6BFEC6, #77F2C3, #83E6C0, #8FDABD and #9BCEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EFEC7 shade: #6BFE78, #6BFE9F, #6BFEC6, #6BFEED and #6BE8FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EFEC7 shade: #19FDA6, #42FEB6, #6BFEC6, #94FED6 and #BDFEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EFEC7 shade: #6EFEC7, #6B86FE and #FE8B6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EFEC7 shade: #6EFEC7, #C66BFE and #FEC66B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EFEC7 shade: #6EFEC7, #6B86FE, #FE6BA3 and #FEE36B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EFEC7 shade: #6EFEC7, #7C6BFE, #FE6BA3 and #EDFE6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 22 / 0

HEX #6EFEC7

RGB 110 254 199

HSL 157.08, 0.99%, 0.71%

LAB 90.93, -51.48, 14.75

 

Complementary color

CMYK 0 / 99 / 61 / 43

HEX #910138

RGB 145 1 56

HSL 337.08, 0.99%, 0.29%

LAB 30.22, 54.36, 11.54

 

CMYK 55 / 0 / 24 / 0

HEX #73FEC2

RGB 115 254 194

HSL 154.1, 0.99%, 0.72%

LAB 90.97, -51.5, 17.41

 

CMYK 48 / 0 / 16 / 0

HEX #84FFD5

RGB 132 255 213

HSL 159.51, 1%, 0.76%

LAB 92.23, -44.17, 9.5

 

CMYK 42 / 0 / 9 / 0

HEX #95FFE8

RGB 149 255 232

HSL 166.98, 1%, 0.79%

LAB 93.34, -35.97, 1.37

 

CMYK 35 / 0 / 2 / 0

HEX #A6FFFB

RGB 166 255 251

HSL 177.3, 1%, 0.83%

LAB 94.56, -27.42, -6.56

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 57 / 0 / 22 / 0

HEX #6EFEC7

RGB 110 254 199

HSL 157.08, 0.99%, 0.71%

LAB 90.93, -51.48, 14.75

 

CMYK 61 / 0 / 24 / 7

HEX #5DECB4

RGB 93 236 180

HSL 156.5, 0.79%, 0.65%

LAB 84.8, -51.39, 15.88

 

CMYK 65 / 0 / 26 / 15

HEX #4CDAA1

RGB 76 218 161

HSL 155.92, 0.66%, 0.58%

LAB 78.61, -51.18, 17.1

 

CMYK 71 / 0 / 29 / 22

HEX #3BC88E

RGB 59 200 142

HSL 155.32, 0.56%, 0.51%

LAB 72.36, -50.79, 18.43

 

CMYK 77 / 0 / 32 / 29

HEX #2AB67B

RGB 42 182 123

HSL 154.71, 0.63%, 0.44%

LAB 66.04, -50.13, 19.89

 

CMYK 58 / 0 / 22 / 0

HEX #6BFEC6

RGB 107 254 198

HSL 157.14, 0.99%, 0.71%

LAB 90.82, -52.28, 15.1

 

CMYK 58 / 0 / 38 / 0

HEX #6BFE9E

RGB 107 254 158

HSL 140.82, 0.99%, 0.71%

LAB 90.08, -59.97, 34.37

 

CMYK 58 / 0 / 53 / 0

HEX #6BFE77

RGB 107 254 119

HSL 124.9, 0.99%, 0.71%

LAB 89.55, -65.75, 52.38

 

CMYK 47 / 0 / 58 / 0

HEX #87FE6B

RGB 135 254 107

HSL 108.57, 0.99%, 0.71%

LAB 90.37, -60.06, 58.9

 

CMYK 31 / 0 / 58 / 0

HEX #AFFE6B

RGB 175 254 107

HSL 92.24, 0.99%, 0.71%

LAB 92.16, -47.59, 61.43

 

CMYK 58 / 0 / 22 / 0

HEX #6BFEC6

RGB 107 254 198

HSL 157.14, 0.99%, 0.71%

LAB 90.82, -52.28, 15.1

 

CMYK 58 / 0 / 7 / 0

HEX #6BFEED

RGB 107 254 237

HSL 173.06, 0.99%, 0.71%

LAB 91.74, -43.27, -3.72

 

CMYK 58 / 9 / 0 / 0

HEX #6BE7FE

RGB 107 231 254

HSL 189.39, 0.99%, 0.71%

LAB 85.72, -28.14, -21.59

 

CMYK 58 / 25 / 0 / 0

HEX #6BBFFE

RGB 107 191 254

HSL 205.71, 0.99%, 0.71%

LAB 74.54, -7.65, -38.76

 

CMYK 58 / 40 / 0 / 0

HEX #6B98FE

RGB 107 152 254

HSL 221.63, 0.99%, 0.71%

LAB 63.95, 14.39, -55.41

 

CMYK 58 / 0 / 22 / 0

HEX #6BFEC6

RGB 107 254 198

HSL 157.14, 0.99%, 0.71%

LAB 90.82, -52.28, 15.1

 

CMYK 58 / 0 / 22 / 0

HEX #6BFEC6

RGB 107 254 198

HSL 157.14, 0.99%, 0.71%

LAB 90.82, -52.28, 15.1

 

CMYK 51 / 0 / 19 / 5

HEX #77F2C3

RGB 119 242 195

HSL 157.07, 0.83%, 0.71%

LAB 87.66, -45.33, 12.24

 

CMYK 43 / 0 / 17 / 10

HEX #83E6C0

RGB 131 230 192

HSL 156.97, 0.66%, 0.71%

LAB 84.6, -37.75, 9.5

 

CMYK 34 / 0 / 13 / 15

HEX #8FDABD

RGB 143 218 189

HSL 156.8, 0.5%, 0.71%

LAB 81.65, -29.53, 6.93

 

CMYK 25 / 0 / 9 / 19

HEX #9BCEBB

RGB 155 206 187

HSL 157.65, 0.34%, 0.71%

LAB 78.87, -20.49, 4.07

 

CMYK 58 / 0 / 53 / 0

HEX #6BFE78

RGB 107 254 120

HSL 125.31, 0.99%, 0.71%

LAB 89.56, -65.62, 51.94

 

CMYK 58 / 0 / 37 / 0

HEX #6BFE9F

RGB 107 254 159

HSL 141.22, 0.99%, 0.71%

LAB 90.1, -59.8, 33.89

 

CMYK 58 / 0 / 22 / 0

HEX #6BFEC6

RGB 107 254 198

HSL 157.14, 0.99%, 0.71%

LAB 90.82, -52.28, 15.1

 

CMYK 58 / 0 / 7 / 0

HEX #6BFEED

RGB 107 254 237

HSL 173.06, 0.99%, 0.71%

LAB 91.74, -43.27, -3.72

 

CMYK 58 / 9 / 0 / 0

HEX #6BE8FE

RGB 107 232 254

HSL 188.98, 0.99%, 0.71%

LAB 86, -28.62, -21.16

 

CMYK 90 / 0 / 34 / 1

HEX #19FDA6

RGB 25 253 166

HSL 157.11, 0.98%, 0.55%

LAB 88.55, -68.57, 28.07

 

CMYK 74 / 0 / 28 / 0

HEX #42FEB6

RGB 66 254 182

HSL 157.02, 0.99%, 0.63%

LAB 89.59, -62.19, 21.45

 

CMYK 58 / 0 / 22 / 0

HEX #6BFEC6

RGB 107 254 198

HSL 157.14, 0.99%, 0.71%

LAB 90.82, -52.28, 15.1

 

CMYK 42 / 0 / 16 / 0

HEX #94FED6

RGB 148 254 214

HSL 157.36, 0.98%, 0.79%

LAB 92.59, -39.64, 9.58

 

CMYK 26 / 0 / 10 / 0

HEX #BDFEE5

RGB 189 254 229

HSL 156.92, 0.97%, 0.87%

LAB 94.89, -25.22, 5.41

 

CMYK 57 / 0 / 22 / 0

HEX #6EFEC7

RGB 110 254 199

HSL 157.08, 0.99%, 0.71%

LAB 90.93, -51.48, 14.75

 

CMYK 58 / 47 / 0 / 0

HEX #6B86FE

RGB 107 134 254

HSL 228.98, 0.99%, 0.71%

LAB 59.28, 25.08, -62.87

 

CMYK 0 / 45 / 58 / 0

HEX #FE8B6B

RGB 254 139 107

HSL 13.06, 0.99%, 0.71%

LAB 69.89, 40.69, 36.4

 

CMYK 57 / 0 / 22 / 0

HEX #6EFEC7

RGB 110 254 199

HSL 157.08, 0.99%, 0.71%

LAB 90.93, -51.48, 14.75

 

CMYK 22 / 58 / 0 / 0

HEX #C66BFE

RGB 198 107 254

HSL 277.14, 0.99%, 0.71%

LAB 61.37, 60.29, -59.07

 

CMYK 0 / 22 / 58 / 0

HEX #FEC66B

RGB 254 198 107

HSL 37.14, 0.99%, 0.71%

LAB 83.19, 10.07, 52.57

 

CMYK 57 / 0 / 22 / 0

HEX #6EFEC7

RGB 110 254 199

HSL 157.08, 0.99%, 0.71%

LAB 90.93, -51.48, 14.75

 

CMYK 58 / 47 / 0 / 0

HEX #6B86FE

RGB 107 134 254

HSL 228.98, 0.99%, 0.71%

LAB 59.28, 25.08, -62.87

 

CMYK 0 / 58 / 36 / 0

HEX #FE6BA3

RGB 254 107 163

HSL 337.14, 0.99%, 0.71%

LAB 65.15, 61.11, -1.49

 

CMYK 0 / 11 / 58 / 0

HEX #FEE36B

RGB 254 227 107

HSL 48.98, 0.99%, 0.71%

LAB 90.35, -4.76, 60.83

 

CMYK 57 / 0 / 22 / 0

HEX #6EFEC7

RGB 110 254 199

HSL 157.08, 0.99%, 0.71%

LAB 90.93, -51.48, 14.75

 

CMYK 51 / 58 / 0 / 0

HEX #7C6BFE

RGB 124 107 254

HSL 246.94, 0.99%, 0.71%

LAB 53.98, 44.22, -71.35

 

CMYK 0 / 58 / 36 / 0

HEX #FE6BA3

RGB 254 107 163

HSL 337.14, 0.99%, 0.71%

LAB 65.15, 61.11, -1.49

 

CMYK 7 / 0 / 58 / 0

HEX #EDFE6B

RGB 237 254 107

HSL 66.94, 0.99%, 0.71%

LAB 95.98, -24.72, 66.76

 

Description

Color code: HEX #6EFEC7 | qconv.com Color code: HEX #6EFEC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 254 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 254 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 22 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 22% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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