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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EFBED it is the complementary color #910412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EFBED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EFBED shade: #73FBE8, #84FFFB, #95FFFF, #A6FFFF and #B7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EFBED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EFBED shade: #6EFBED, #5DE9DA, #4CD7C7, #3BC5B4 and #2AB3A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EFBED shade: #6EFBED, #6EFBC7, #6EFBA1, #6EFB7B and #87FB6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EFBED shade: #6EFBED, #6EE3FB, #6EBDFB, #6E97FB and #6E71FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EFBED shade matches the following richer shades: #6EFBED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EFBED shade: #6EFBED, #7AEFE3, #86E3DA, #92D7D0 and #9ECBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EFBED shade: #6EFBA2, #6EFBC7, #6EFBED, #6EE3FB and #6EBEFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EFBED shade: #1EF9E3, #46FAE8, #6EFBED, #97FCF2 and #BFFDF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EFBED shade: #6EFBED, #7C6EFB and #FBB56E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EFBED shade: #6EFBED, #ED6EFB and #FBED6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EFBED shade: #6EFBED, #7C6EFB, #FB6E7C and #EDFB6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EFBED shade: #6EFBED, #A66EFB, #FB6E7C and #C3FB6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

Complementary color

CMYK 0 / 97 / 88 / 43

HEX #910412

RGB 145 4 18

HSL 354.04, 0.95%, 0.29%

LAB 29.79, 52.28, 35.24

 

CMYK 54 / 0 / 8 / 2

HEX #73FBE8

RGB 115 251 232

HSL 171.62, 0.94%, 0.72%

LAB 90.99, -41.67, -2.2

 

CMYK 48 / 0 / 2 / 0

HEX #84FFFB

RGB 132 255 251

HSL 178.05, 1%, 0.76%

LAB 93.19, -35.4, -8.75

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 60 / 0 / 6 / 9

HEX #5DE9DA

RGB 93 233 218

HSL 173.57, 0.76%, 0.64%

LAB 84.83, -41.16, -4.01

 

CMYK 65 / 0 / 7 / 16

HEX #4CD7C7

RGB 76 215 199

HSL 173.09, 0.63%, 0.57%

LAB 78.61, -40.81, -3.11

 

CMYK 70 / 0 / 9 / 23

HEX #3BC5B4

RGB 59 197 180

HSL 172.61, 0.54%, 0.5%

LAB 72.33, -40.29, -2.13

 

CMYK 77 / 0 / 10 / 30

HEX #2AB3A1

RGB 42 179 161

HSL 172.12, 0.62%, 0.43%

LAB 65.99, -39.53, -1.04

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 56 / 0 / 21 / 2

HEX #6EFBC7

RGB 110 251 199

HSL 157.87, 0.95%, 0.71%

LAB 90.06, -50.23, 13.53

 

CMYK 56 / 0 / 36 / 2

HEX #6EFBA1

RGB 110 251 161

HSL 141.7, 0.95%, 0.71%

LAB 89.34, -57.65, 31.9

 

CMYK 56 / 0 / 51 / 2

HEX #6EFB7B

RGB 110 251 123

HSL 125.53, 0.95%, 0.71%

LAB 88.8, -63.46, 49.65

 

CMYK 46 / 0 / 56 / 2

HEX #87FB6E

RGB 135 251 110

HSL 109.36, 0.95%, 0.71%

LAB 89.52, -58.59, 56.61

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 56 / 10 / 0 / 2

HEX #6EE3FB

RGB 110 227 251

HSL 190.21, 0.95%, 0.71%

LAB 84.6, -26.48, -21.71

 

CMYK 56 / 25 / 0 / 2

HEX #6EBDFB

RGB 110 189 251

HSL 206.38, 0.95%, 0.71%

LAB 73.98, -6.89, -38

 

CMYK 56 / 40 / 0 / 2

HEX #6E97FB

RGB 110 151 251

HSL 222.55, 0.95%, 0.71%

LAB 63.68, 14.61, -54.18

 

CMYK 56 / 55 / 0 / 2

HEX #6E71FB

RGB 110 113 251

HSL 238.72, 0.95%, 0.71%

LAB 54.12, 37.22, -69.51

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 49 / 0 / 5 / 6

HEX #7AEFE3

RGB 122 239 227

HSL 173.85, 0.79%, 0.71%

LAB 87.69, -36.01, -4.42

 

CMYK 41 / 0 / 4 / 11

HEX #86E3DA

RGB 134 227 218

HSL 174.19, 0.62%, 0.71%

LAB 84.52, -29.76, -4.3

 

CMYK 32 / 0 / 3 / 16

HEX #92D7D0

RGB 146 215 208

HSL 173.91, 0.46%, 0.71%

LAB 81.44, -23.09, -3.47

 

CMYK 22 / 0 / 2 / 20

HEX #9ECBC6

RGB 158 203 198

HSL 173.33, 0.3%, 0.71%

LAB 78.5, -15.74, -2.36

 

CMYK 56 / 0 / 35 / 2

HEX #6EFBA2

RGB 110 251 162

HSL 142.13, 0.95%, 0.71%

LAB 89.35, -57.47, 31.42

 

CMYK 56 / 0 / 21 / 2

HEX #6EFBC7

RGB 110 251 199

HSL 157.87, 0.95%, 0.71%

LAB 90.06, -50.23, 13.53

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 56 / 10 / 0 / 2

HEX #6EE3FB

RGB 110 227 251

HSL 190.21, 0.95%, 0.71%

LAB 84.6, -26.48, -21.71

 

CMYK 56 / 24 / 0 / 2

HEX #6EBEFB

RGB 110 190 251

HSL 205.96, 0.95%, 0.71%

LAB 74.26, -7.43, -37.57

 

CMYK 88 / 0 / 9 / 2

HEX #1EF9E3

RGB 30 249 227

HSL 173.97, 0.95%, 0.55%

LAB 88.72, -52.45, -3.12

 

CMYK 72 / 0 / 7 / 2

HEX #46FAE8

RGB 70 250 232

HSL 174, 0.95%, 0.63%

LAB 89.63, -48.25, -4.33

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 40 / 0 / 4 / 1

HEX #97FCF2

RGB 151 252 242

HSL 174.06, 0.94%, 0.79%

LAB 92.84, -31.82, -4.51

 

CMYK 25 / 0 / 2 / 1

HEX #BFFDF7

RGB 191 253 247

HSL 174.19, 0.94%, 0.87%

LAB 95.18, -20.49, -3.44

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 51 / 56 / 0 / 2

HEX #7C6EFB

RGB 124 110 251

HSL 245.96, 0.95%, 0.71%

LAB 54.45, 41.62, -68.93

 

CMYK 0 / 28 / 56 / 2

HEX #FBB56E

RGB 251 181 110

HSL 30.21, 0.95%, 0.71%

LAB 78.86, 17.94, 45.85

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 6 / 56 / 0 / 2

HEX #ED6EFB

RGB 237 110 251

HSL 294.04, 0.95%, 0.71%

LAB 66.61, 67.8, -48.8

 

CMYK 0 / 6 / 56 / 2

HEX #FBED6E

RGB 251 237 110

HSL 54.04, 0.95%, 0.71%

LAB 92.66, -10.73, 62.05

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 51 / 56 / 0 / 2

HEX #7C6EFB

RGB 124 110 251

HSL 245.96, 0.95%, 0.71%

LAB 54.45, 41.62, -68.93

 

CMYK 0 / 56 / 51 / 2

HEX #FB6E7C

RGB 251 110 124

HSL 354.04, 0.95%, 0.71%

LAB 64.25, 54.99, 19.47

 

CMYK 6 / 0 / 56 / 2

HEX #EDFB6E

RGB 237 251 110

HSL 65.96, 0.95%, 0.71%

LAB 95.21, -23.08, 64.63

 

CMYK 56 / 0 / 6 / 2

HEX #6EFBED

RGB 110 251 237

HSL 174.04, 0.95%, 0.71%

LAB 90.97, -41.39, -4.84

 

CMYK 34 / 56 / 0 / 2

HEX #A66EFB

RGB 166 110 251

HSL 263.83, 0.95%, 0.71%

LAB 58.25, 50.6, -62.62

 

CMYK 0 / 56 / 51 / 2

HEX #FB6E7C

RGB 251 110 124

HSL 354.04, 0.95%, 0.71%

LAB 64.25, 54.99, 19.47

 

CMYK 22 / 0 / 56 / 2

HEX #C3FB6E

RGB 195 251 110

HSL 83.83, 0.95%, 0.71%

LAB 92.45, -38.98, 60.76

 

Description

Color code: HEX #6EFBED | qconv.com Color code: HEX #6EFBED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 251 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 251 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 6 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 6% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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