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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EF1E2 it is the complementary color #910E1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EF1E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EF1E2 shade: #73F1DD, #84FFF0, #95FFFF, #A6FFFF and #B7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EF1E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EF1E2 shade: #6EF1E2, #5DDFCF, #4CCDBC, #3BBBA9 and #2AA996

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EF1E2 shade: #6FF0E1, #6FF0BE, #6FF09C, #6FF079 and #88F06F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EF1E2 shade: #6FF0E1, #6FDCF0, #6FB9F0, #6F96F0 and #6F73F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EF1E2 shade matches the following richer shades: #6FF0E1 and #62FDEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EF1E2 shade: #6FF0E1, #7BE3D8, #88D7CE, #95CAC4 and #A2BDBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EF1E2 shade: #6FF09C, #6FF0BF, #6FF0E1, #6FDDF0 and #6FBAF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EF1E2 shade: #24E9D2, #49EDDA, #6FF0E1, #94F4E9 and #BAF8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EF1E2 shade: #6EF1E2, #796FF0 and #F0AD6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EF1E2 shade: #6EF1E2, #E16FF0 and #F0E16F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EF1E2 shade: #6EF1E2, #796FF0, #F06F7E and #E5F06F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EF1E2 shade: #6EF1E2, #A06FF0, #F06F7E and #BFF06F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

Complementary color

CMYK 0 / 90 / 80 / 43

HEX #910E1D

RGB 145 14 29

HSL 353.13, 0.82%, 0.31%

LAB 30.45, 50.99, 29.46

 

CMYK 52 / 0 / 8 / 5

HEX #73F1DD

RGB 115 241 221

HSL 170.48, 0.82%, 0.7%

LAB 87.86, -39.85, -1.06

 

CMYK 48 / 0 / 6 / 0

HEX #84FFF0

RGB 132 255 240

HSL 172.68, 1%, 0.76%

LAB 92.89, -38.06, -3.5

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 35 / 0 / 0 / 0

HEX #A6FFFF

RGB 166 255 255

HSL 180, 1%, 0.83%

LAB 94.67, -26.51, -8.46

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

CMYK 58 / 0 / 7 / 13

HEX #5DDFCF

RGB 93 223 207

HSL 172.62, 0.67%, 0.62%

LAB 81.62, -39.46, -2.9

 

CMYK 63 / 0 / 8 / 20

HEX #4CCDBC

RGB 76 205 188

HSL 172.09, 0.56%, 0.55%

LAB 75.35, -39.18, -2

 

CMYK 68 / 0 / 10 / 27

HEX #3BBBA9

RGB 59 187 169

HSL 171.56, 0.52%, 0.48%

LAB 68.99, -38.74, -1.01

 

CMYK 75 / 0 / 11 / 34

HEX #2AA996

RGB 42 169 150

HSL 171.02, 0.6%, 0.41%

LAB 62.57, -38.08, 0.09

 

CMYK 54 / 0 / 6 / 6

HEX #6FF0E1

RGB 111 240 225

HSL 173.02, 0.81%, 0.69%

LAB 87.55, -39.23, -3.62

 

CMYK 54 / 0 / 21 / 6

HEX #6FF0BE

RGB 111 240 190

HSL 156.74, 0.81%, 0.69%

LAB 86.71, -47.3, 13.45

 

CMYK 54 / 0 / 35 / 6

HEX #6FF09C

RGB 111 240 156

HSL 140.93, 0.81%, 0.69%

LAB 86.06, -53.94, 30.03

 

CMYK 54 / 0 / 50 / 6

HEX #6FF079

RGB 111 240 121

HSL 124.65, 0.81%, 0.69%

LAB 85.54, -59.39, 46.59

 

CMYK 43 / 0 / 54 / 6

HEX #88F06F

RGB 136 240 111

HSL 108.37, 0.81%, 0.69%

LAB 86.36, -53.87, 52.44

 

CMYK 54 / 0 / 6 / 6

HEX #6FF0E1

RGB 111 240 225

HSL 173.02, 0.81%, 0.69%

LAB 87.55, -39.23, -3.62

 

CMYK 54 / 8 / 0 / 6

HEX #6FDCF0

RGB 111 220 240

HSL 189.3, 0.81%, 0.69%

LAB 82.3, -25.88, -19.36

 

CMYK 54 / 23 / 0 / 6

HEX #6FB9F0

RGB 111 185 240

HSL 205.58, 0.81%, 0.69%

LAB 72.47, -7.81, -34.4

 

CMYK 54 / 38 / 0 / 6

HEX #6F96F0

RGB 111 150 240

HSL 221.86, 0.81%, 0.69%

LAB 62.91, 11.95, -49.36

 

CMYK 54 / 52 / 0 / 6

HEX #6F73F0

RGB 111 115 240

HSL 238.14, 0.81%, 0.69%

LAB 53.96, 32.8, -63.67

 

CMYK 54 / 0 / 6 / 6

HEX #6FF0E1

RGB 111 240 225

HSL 173.02, 0.81%, 0.69%

LAB 87.55, -39.23, -3.62

 

CMYK 61 / 0 / 7 / 1

HEX #62FDEB

RGB 98 253 235

HSL 173.03, 0.97%, 0.69%

LAB 91.16, -44.86, -3.56

 

CMYK 54 / 0 / 6 / 6

HEX #6FF0E1

RGB 111 240 225

HSL 173.02, 0.81%, 0.69%

LAB 87.55, -39.23, -3.62

 

CMYK 46 / 0 / 5 / 11

HEX #7BE3D8

RGB 123 227 216

HSL 173.65, 0.65%, 0.69%

LAB 84.02, -32.87, -4.03

 

CMYK 37 / 0 / 4 / 16

HEX #88D7CE

RGB 136 215 206

HSL 173.16, 0.5%, 0.69%

LAB 80.9, -26.27, -3.25

 

CMYK 26 / 0 / 3 / 21

HEX #95CAC4

RGB 149 202 196

HSL 173.21, 0.33%, 0.69%

LAB 77.65, -18.4, -2.59

 

CMYK 14 / 0 / 2 / 26

HEX #A2BDBA

RGB 162 189 186

HSL 173.33, 0.17%, 0.69%

LAB 74.59, -9.74, -1.57

 

CMYK 54 / 0 / 35 / 6

HEX #6FF09C

RGB 111 240 156

HSL 140.93, 0.81%, 0.69%

LAB 86.06, -53.94, 30.03

 

CMYK 54 / 0 / 20 / 6

HEX #6FF0BF

RGB 111 240 191

HSL 157.21, 0.81%, 0.69%

LAB 86.73, -47.09, 12.96

 

CMYK 54 / 0 / 6 / 6

HEX #6FF0E1

RGB 111 240 225

HSL 173.02, 0.81%, 0.69%

LAB 87.55, -39.23, -3.62

 

CMYK 54 / 8 / 0 / 6

HEX #6FDDF0

RGB 111 221 240

HSL 188.84, 0.81%, 0.69%

LAB 82.58, -26.37, -18.93

 

CMYK 54 / 23 / 0 / 6

HEX #6FBAF0

RGB 111 186 240

HSL 205.12, 0.81%, 0.69%

LAB 72.75, -8.35, -33.97

 

CMYK 85 / 0 / 10 / 9

HEX #24E9D2

RGB 36 233 210

HSL 172.99, 0.82%, 0.53%

LAB 83.6, -50.01, -1.71

 

CMYK 69 / 0 / 8 / 7

HEX #49EDDA

RGB 73 237 218

HSL 173.05, 0.82%, 0.61%

LAB 85.53, -45.95, -3.03

 

CMYK 54 / 0 / 6 / 6

HEX #6FF0E1

RGB 111 240 225

HSL 173.02, 0.81%, 0.69%

LAB 87.55, -39.23, -3.62

 

CMYK 39 / 0 / 5 / 4

HEX #94F4E9

RGB 148 244 233

HSL 173.13, 0.81%, 0.77%

LAB 90.27, -30.87, -3.65

 

CMYK 25 / 0 / 3 / 3

HEX #BAF8F1

RGB 186 248 241

HSL 173.23, 0.82%, 0.85%

LAB 93.42, -20.75, -2.96

 

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

CMYK 50 / 54 / 0 / 6

HEX #796FF0

RGB 121 111 240

HSL 244.65, 0.81%, 0.69%

LAB 53.73, 37.18, -63.99

 

CMYK 0 / 28 / 54 / 6

HEX #F0AD6F

RGB 240 173 111

HSL 28.84, 0.81%, 0.69%

LAB 75.8, 17.79, 41.32

 

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

CMYK 6 / 54 / 0 / 6

HEX #E16FF0

RGB 225 111 240

HSL 293.02, 0.81%, 0.69%

LAB 64.7, 62.32, -45.86

 

CMYK 0 / 6 / 54 / 6

HEX #F0E16F

RGB 240 225 111

HSL 53.02, 0.81%, 0.69%

LAB 88.7, -9.12, 56.81

 

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

CMYK 50 / 54 / 0 / 6

HEX #796FF0

RGB 121 111 240

HSL 244.65, 0.81%, 0.69%

LAB 53.73, 37.18, -63.99

 

CMYK 0 / 54 / 48 / 6

HEX #F06F7E

RGB 240 111 126

HSL 353.02, 0.81%, 0.69%

LAB 62.84, 50.96, 16.13

 

CMYK 5 / 0 / 54 / 6

HEX #E5F06F

RGB 229 240 111

HSL 65.12, 0.81%, 0.69%

LAB 91.74, -20.87, 60.1

 

CMYK 54 / 0 / 6 / 5

HEX #6EF1E2

RGB 110 241 226

HSL 173.13, 0.82%, 0.69%

LAB 87.83, -39.63, -3.73

 

CMYK 33 / 54 / 0 / 6

HEX #A06FF0

RGB 160 111 240

HSL 262.79, 0.81%, 0.69%

LAB 57.21, 45.92, -58.22

 

CMYK 0 / 54 / 48 / 6

HEX #F06F7E

RGB 240 111 126

HSL 353.02, 0.81%, 0.69%

LAB 62.84, 50.96, 16.13

 

CMYK 20 / 0 / 54 / 6

HEX #BFF06F

RGB 191 240 111

HSL 82.79, 0.81%, 0.69%

LAB 89.18, -35.4, 56.47

 

Description

Color code: HEX #6EF1E2 | qconv.com Color code: HEX #6EF1E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 241 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 241 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 6% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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