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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EF775 it is the complementary color #91088A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EF775. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EF775 shade: #73F770, #84FF83, #95FF96, #A6FFA9 and #B7FFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EF775. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EF775 shade: #6EF775, #5DE562, #4CD34F, #3BC13C and #2AAF29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EF775 shade: #6DF774, #8BF76D, #B0F76D, #D6F76D and #F7F36D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EF775 shade: #6DF774, #6DF799, #6DF7BE, #6DF7E4 and #6DE5F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EF775 shade matches the following richer shades: #6DF774

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EF775 shade: #6DF774, #7AEA7F, #86DE8A, #92D296 and #9FC5A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EF775 shade: #B0F76D, #8BF76D, #6DF774, #6DF799 and #6DF7BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EF775 shade: #1FF32A, #46F54F, #6DF774, #94F999 and #BCFBBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EF775 shade: #6EF775, #6DD4F7 and #F76D9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EF775 shade: #6EF775, #746DF7 and #F7746D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EF775 shade: #6EF775, #6DD4F7, #F76DF0 and #F7906D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EF775 shade: #6EF775, #6DABF7, #F76DF0 and #F7B96D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 53 / 3

HEX #6EF775

RGB 110 247 117

HSL 123.07, 0.9%, 0.7%

LAB 87.54, -62.76, 50.89

 

Complementary color

CMYK 0 / 94 / 5 / 43

HEX #91088A

RGB 145 8 138

HSL 303.07, 0.9%, 0.3%

LAB 34.04, 62.39, -35.75

 

CMYK 53 / 0 / 55 / 3

HEX #73F770

RGB 115 247 112

HSL 118.67, 0.89%, 0.7%

LAB 87.65, -62.16, 53.33

 

CMYK 48 / 0 / 49 / 0

HEX #84FF83

RGB 132 255 131

HSL 119.52, 1%, 0.76%

LAB 90.81, -58.45, 48.55

 

CMYK 42 / 0 / 41 / 0

HEX #95FF96

RGB 149 255 150

HSL 120.57, 1%, 0.79%

LAB 91.73, -51.13, 40.75

 

CMYK 35 / 0 / 34 / 0

HEX #A6FFA9

RGB 166 255 169

HSL 122.02, 1%, 0.83%

LAB 92.79, -43.26, 32.89

 

CMYK 28 / 0 / 26 / 0

HEX #B7FFBC

RGB 183 255 188

HSL 124.17, 1%, 0.86%

LAB 93.98, -34.96, 25.07

 

CMYK 55 / 0 / 53 / 3

HEX #6EF775

RGB 110 247 117

HSL 123.07, 0.9%, 0.7%

LAB 87.54, -62.76, 50.89

 

CMYK 59 / 0 / 57 / 10

HEX #5DE562

RGB 93 229 98

HSL 122.21, 0.72%, 0.63%

LAB 81.43, -62.46, 52.13

 

CMYK 64 / 0 / 63 / 17

HEX #4CD34F

RGB 76 211 79

HSL 121.33, 0.61%, 0.56%

LAB 75.26, -61.91, 53.28

 

CMYK 69 / 0 / 69 / 24

HEX #3BC13C

RGB 59 193 60

HSL 120.45, 0.53%, 0.49%

LAB 69.04, -61, 54.22

 

CMYK 76 / 0 / 77 / 31

HEX #2AAF29

RGB 42 175 41

HSL 119.55, 0.62%, 0.42%

LAB 62.77, -59.57, 54.7

 

CMYK 56 / 0 / 53 / 3

HEX #6DF774

RGB 109 247 116

HSL 123.04, 0.9%, 0.7%

LAB 87.5, -63.13, 51.29

 

CMYK 44 / 0 / 56 / 3

HEX #8BF76D

RGB 139 247 109

HSL 106.96, 0.9%, 0.7%

LAB 88.5, -55.99, 55.9

 

CMYK 29 / 0 / 56 / 3

HEX #B0F76D

RGB 176 247 109

HSL 90.87, 0.9%, 0.7%

LAB 90.26, -44.07, 58.39

 

CMYK 13 / 0 / 56 / 3

HEX #D6F76D

RGB 214 247 109

HSL 74.35, 0.9%, 0.7%

LAB 92.54, -30.17, 61.61

 

CMYK 0 / 2 / 56 / 3

HEX #F7F36D

RGB 247 243 109

HSL 58.26, 0.9%, 0.7%

LAB 93.87, -15.35, 63.77

 

CMYK 56 / 0 / 53 / 3

HEX #6DF774

RGB 109 247 116

HSL 123.04, 0.9%, 0.7%

LAB 87.5, -63.13, 51.29

 

CMYK 56 / 0 / 38 / 3

HEX #6DF799

RGB 109 247 153

HSL 139.13, 0.9%, 0.7%

LAB 88, -57.68, 34.12

 

CMYK 56 / 0 / 23 / 3

HEX #6DF7BE

RGB 109 247 190

HSL 155.22, 0.9%, 0.7%

LAB 88.68, -50.67, 16.22

 

CMYK 56 / 0 / 8 / 3

HEX #6DF7E4

RGB 109 247 228

HSL 171.74, 0.9%, 0.7%

LAB 89.57, -42.02, -2.23

 

CMYK 56 / 7 / 0 / 3

HEX #6DE5F7

RGB 109 229 247

HSL 187.83, 0.9%, 0.7%

LAB 85, -28.74, -18.99

 

CMYK 56 / 0 / 53 / 3

HEX #6DF774

RGB 109 247 116

HSL 123.04, 0.9%, 0.7%

LAB 87.5, -63.13, 51.29

 

CMYK 56 / 0 / 53 / 3

HEX #6DF774

RGB 109 247 116

HSL 123.04, 0.9%, 0.7%

LAB 87.5, -63.13, 51.29

 

CMYK 48 / 0 / 46 / 8

HEX #7AEA7F

RGB 122 234 127

HSL 122.68, 0.73%, 0.7%

LAB 84.23, -53.39, 42.16

 

CMYK 40 / 0 / 38 / 13

HEX #86DE8A

RGB 134 222 138

HSL 122.73, 0.57%, 0.7%

LAB 81.37, -43.33, 33.1

 

CMYK 30 / 0 / 29 / 18

HEX #92D296

RGB 146 210 150

HSL 123.75, 0.42%, 0.7%

LAB 78.7, -32.22, 23.42

 

CMYK 19 / 0 / 18 / 23

HEX #9FC5A1

RGB 159 197 161

HSL 123.16, 0.25%, 0.7%

LAB 75.99, -19.66, 13.95

 

CMYK 29 / 0 / 56 / 3

HEX #B0F76D

RGB 176 247 109

HSL 90.87, 0.9%, 0.7%

LAB 90.26, -44.07, 58.39

 

CMYK 44 / 0 / 56 / 3

HEX #8BF76D

RGB 139 247 109

HSL 106.96, 0.9%, 0.7%

LAB 88.5, -55.99, 55.9

 

CMYK 56 / 0 / 53 / 3

HEX #6DF774

RGB 109 247 116

HSL 123.04, 0.9%, 0.7%

LAB 87.5, -63.13, 51.29

 

CMYK 56 / 0 / 38 / 3

HEX #6DF799

RGB 109 247 153

HSL 139.13, 0.9%, 0.7%

LAB 88, -57.68, 34.12

 

CMYK 56 / 0 / 23 / 3

HEX #6DF7BD

RGB 109 247 189

HSL 154.78, 0.9%, 0.7%

LAB 88.66, -50.88, 16.71

 

CMYK 87 / 0 / 83 / 5

HEX #1FF32A

RGB 31 243 42

HSL 123.11, 0.9%, 0.54%

LAB 84.26, -80.6, 74.6

 

CMYK 71 / 0 / 68 / 4

HEX #46F54F

RGB 70 245 79

HSL 123.09, 0.9%, 0.62%

LAB 85.59, -74.16, 64.51

 

CMYK 56 / 0 / 53 / 3

HEX #6DF774

RGB 109 247 116

HSL 123.04, 0.9%, 0.7%

LAB 87.5, -63.13, 51.29

 

CMYK 41 / 0 / 39 / 2

HEX #94F999

RGB 148 249 153

HSL 122.97, 0.89%, 0.78%

LAB 90.02, -48.47, 37.04

 

CMYK 25 / 0 / 24 / 2

HEX #BCFBBF

RGB 188 251 191

HSL 122.86, 0.89%, 0.86%

LAB 93.21, -31.03, 22.53

 

CMYK 55 / 0 / 53 / 3

HEX #6EF775

RGB 110 247 117

HSL 123.07, 0.9%, 0.7%

LAB 87.54, -62.76, 50.89

 

CMYK 56 / 14 / 0 / 3

HEX #6DD4F7

RGB 109 212 247

HSL 195.22, 0.9%, 0.7%

LAB 80.21, -20.33, -26.27

 

CMYK 0 / 56 / 36 / 3

HEX #F76D9D

RGB 247 109 157

HSL 339.13, 0.9%, 0.7%

LAB 64.28, 57.36, 0.55

 

CMYK 55 / 0 / 53 / 3

HEX #6EF775

RGB 110 247 117

HSL 123.07, 0.9%, 0.7%

LAB 87.54, -62.76, 50.89

 

CMYK 53 / 56 / 0 / 3

HEX #746DF7

RGB 116 109 247

HSL 243.04, 0.9%, 0.7%

LAB 53.35, 39.46, -68.53

 

CMYK 0 / 53 / 56 / 3

HEX #F7746D

RGB 247 116 109

HSL 3.04, 0.9%, 0.7%

LAB 64.46, 49.6, 28.12

 

CMYK 55 / 0 / 53 / 3

HEX #6EF775

RGB 110 247 117

HSL 123.07, 0.9%, 0.7%

LAB 87.54, -62.76, 50.89

 

CMYK 56 / 14 / 0 / 3

HEX #6DD4F7

RGB 109 212 247

HSL 195.22, 0.9%, 0.7%

LAB 80.21, -20.33, -26.27

 

CMYK 0 / 56 / 3 / 3

HEX #F76DF0

RGB 247 109 240

HSL 303.04, 0.9%, 0.7%

LAB 67.28, 68.89, -41.61

 

CMYK 0 / 42 / 56 / 3

HEX #F7906D

RGB 247 144 109

HSL 15.22, 0.9%, 0.7%

LAB 70.05, 35.62, 35.34

 

CMYK 55 / 0 / 53 / 3

HEX #6EF775

RGB 110 247 117

HSL 123.07, 0.9%, 0.7%

LAB 87.54, -62.76, 50.89

 

CMYK 56 / 31 / 0 / 3

HEX #6DABF7

RGB 109 171 247

HSL 213.04, 0.9%, 0.7%

LAB 68.82, 1.64, -43.9

 

CMYK 0 / 56 / 3 / 3

HEX #F76DF0

RGB 247 109 240

HSL 303.04, 0.9%, 0.7%

LAB 67.28, 68.89, -41.61

 

CMYK 0 / 25 / 56 / 3

HEX #F7B96D

RGB 247 185 109

HSL 33.04, 0.9%, 0.7%

LAB 79.37, 14.15, 46.87

 

Description

Color code: HEX #6EF775 | qconv.com Color code: HEX #6EF775 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 247 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 247 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 53 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 53% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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