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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EED7A it is the complementary color #911285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EED7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EED7A shade: #73ED75, #84FF88, #95FF9B, #A6FFAE and #B7FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EED7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EED7A shade: #6EED7A, #5DDB67, #4CC954, #3BB741 and #2AA52E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EED7A shade: #6DED79, #84ED6D, #A6ED6D, #C8ED6D and #EBED6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EED7A shade: #6DED79, #6DED9C, #6DEDBE, #6DEDE0 and #6DD7ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EED7A shade matches the following richer shades: #6DED79 and #60FA6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EED7A shade: #6DED79, #7ADF84, #88D28F, #95C599 and #A2B8A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EED7A shade: #A7ED6D, #85ED6D, #6DED78, #6DED9A and #6DEDBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EED7A shade: #24E336, #49E858, #6DED79, #92F19B and #B7F6BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EED7A shade: #6EED7A, #6DC8ED and #ED6D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EED7A shade: #6EED7A, #786DED and #ED786D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EED7A shade: #6EED7A, #6DC8ED, #ED6DE2 and #ED916D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EED7A shade: #6EED7A, #6DA2ED, #ED6DE2 and #EDB86D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

Complementary color

CMYK 0 / 88 / 8 / 43

HEX #911285

RGB 145 18 133

HSL 305.67, 0.78%, 0.32%

LAB 34.28, 60.06, -32.26

 

CMYK 51 / 0 / 51 / 7

HEX #73ED75

RGB 115 237 117

HSL 120.98, 0.77%, 0.69%

LAB 84.74, -57.77, 47.52

 

CMYK 48 / 0 / 47 / 0

HEX #84FF88

RGB 132 255 136

HSL 121.95, 1%, 0.76%

LAB 90.87, -57.79, 46.27

 

CMYK 42 / 0 / 39 / 0

HEX #95FF9B

RGB 149 255 155

HSL 123.4, 1%, 0.79%

LAB 91.81, -50.4, 38.4

 

CMYK 35 / 0 / 32 / 0

HEX #A6FFAE

RGB 166 255 174

HSL 125.39, 1%, 0.83%

LAB 92.88, -42.47, 30.5

 

CMYK 28 / 0 / 24 / 0

HEX #B7FFC1

RGB 183 255 193

HSL 128.33, 1%, 0.86%

LAB 94.07, -34.12, 22.66

 

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

CMYK 58 / 0 / 53 / 14

HEX #5DDB67

RGB 93 219 103

HSL 124.76, 0.64%, 0.61%

LAB 78.44, -58.19, 46.29

 

CMYK 62 / 0 / 58 / 21

HEX #4CC954

RGB 76 201 84

HSL 123.84, 0.54%, 0.54%

LAB 72.19, -57.81, 47.57

 

CMYK 68 / 0 / 64 / 28

HEX #3BB741

RGB 59 183 65

HSL 122.9, 0.51%, 0.47%

LAB 65.89, -57.11, 48.74

 

CMYK 75 / 0 / 72 / 35

HEX #2AA52E

RGB 42 165 46

HSL 121.95, 0.59%, 0.41%

LAB 59.53, -55.92, 49.62

 

CMYK 54 / 0 / 49 / 7

HEX #6DED79

RGB 109 237 121

HSL 125.63, 0.78%, 0.68%

LAB 84.59, -58.74, 45.39

 

CMYK 44 / 0 / 54 / 7

HEX #84ED6D

RGB 132 237 109

HSL 109.22, 0.78%, 0.68%

LAB 85.29, -54.07, 52.05

 

CMYK 30 / 0 / 54 / 7

HEX #A6ED6D

RGB 166 237 109

HSL 93.28, 0.78%, 0.68%

LAB 86.89, -43.19, 54.33

 

CMYK 16 / 0 / 54 / 7

HEX #C8ED6D

RGB 200 237 109

HSL 77.34, 0.78%, 0.68%

LAB 88.9, -30.84, 57.19

 

CMYK 1 / 0 / 54 / 7

HEX #EBED6D

RGB 235 237 109

HSL 60.94, 0.78%, 0.68%

LAB 91.39, -17.2, 60.7

 

CMYK 54 / 0 / 49 / 7

HEX #6DED79

RGB 109 237 121

HSL 125.63, 0.78%, 0.68%

LAB 84.59, -58.74, 45.39

 

CMYK 54 / 0 / 34 / 7

HEX #6DED9C

RGB 109 237 156

HSL 142.03, 0.78%, 0.68%

LAB 85.11, -53.19, 28.75

 

CMYK 54 / 0 / 20 / 7

HEX #6DEDBE

RGB 109 237 190

HSL 157.97, 0.78%, 0.68%

LAB 85.77, -46.45, 12.11

 

CMYK 54 / 0 / 5 / 7

HEX #6DEDE0

RGB 109 237 224

HSL 173.91, 0.78%, 0.68%

LAB 86.6, -38.51, -4.5

 

CMYK 54 / 9 / 0 / 7

HEX #6DD7ED

RGB 109 215 237

HSL 190.31, 0.78%, 0.68%

LAB 80.72, -24.64, -20.16

 

CMYK 54 / 0 / 49 / 7

HEX #6DED79

RGB 109 237 121

HSL 125.63, 0.78%, 0.68%

LAB 84.59, -58.74, 45.39

 

CMYK 62 / 0 / 56 / 2

HEX #60FA6F

RGB 96 250 111

HSL 125.84, 0.94%, 0.68%

LAB 87.97, -67.68, 54.03

 

CMYK 54 / 0 / 49 / 7

HEX #6DED79

RGB 109 237 121

HSL 125.63, 0.78%, 0.68%

LAB 84.59, -58.74, 45.39

 

CMYK 45 / 0 / 41 / 13

HEX #7ADF84

RGB 122 223 132

HSL 125.94, 0.61%, 0.68%

LAB 81.06, -48.16, 35.63

 

CMYK 35 / 0 / 32 / 18

HEX #88D28F

RGB 136 210 143

HSL 125.68, 0.45%, 0.68%

LAB 78.06, -36.57, 26.13

 

CMYK 24 / 0 / 22 / 23

HEX #95C599

RGB 149 197 153

HSL 125, 0.29%, 0.68%

LAB 75.22, -24.47, 17.06

 

CMYK 12 / 0 / 11 / 28

HEX #A2B8A4

RGB 162 184 164

HSL 125.45, 0.13%, 0.68%

LAB 72.66, -11.41, 7.62

 

CMYK 30 / 0 / 54 / 7

HEX #A7ED6D

RGB 167 237 109

HSL 92.81, 0.78%, 0.68%

LAB 86.94, -42.85, 54.41

 

CMYK 44 / 0 / 54 / 7

HEX #85ED6D

RGB 133 237 109

HSL 108.75, 0.78%, 0.68%

LAB 85.33, -53.78, 52.11

 

CMYK 54 / 0 / 49 / 7

HEX #6DED78

RGB 109 237 120

HSL 125.16, 0.78%, 0.68%

LAB 84.57, -58.87, 45.85

 

CMYK 54 / 0 / 35 / 7

HEX #6DED9A

RGB 109 237 154

HSL 141.09, 0.78%, 0.68%

LAB 85.07, -53.55, 29.72

 

CMYK 54 / 0 / 21 / 7

HEX #6DEDBC

RGB 109 237 188

HSL 157.03, 0.78%, 0.68%

LAB 85.73, -46.88, 13.1

 

CMYK 84 / 0 / 76 / 11

HEX #24E336

RGB 36 227 54

HSL 125.65, 0.77%, 0.52%

LAB 79.37, -75.02, 66.73

 

CMYK 69 / 0 / 62 / 9

HEX #49E858

RGB 73 232 88

HSL 125.66, 0.78%, 0.6%

LAB 81.75, -68.61, 56.72

 

CMYK 54 / 0 / 49 / 7

HEX #6DED79

RGB 109 237 121

HSL 125.63, 0.78%, 0.68%

LAB 84.59, -58.74, 45.39

 

CMYK 39 / 0 / 36 / 5

HEX #92F19B

RGB 146 241 155

HSL 125.68, 0.77%, 0.76%

LAB 87.67, -45.33, 32.93

 

CMYK 26 / 0 / 23 / 4

HEX #B7F6BD

RGB 183 246 189

HSL 125.71, 0.78%, 0.84%

LAB 91.53, -30.63, 21.18

 

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

CMYK 54 / 16 / 0 / 7

HEX #6DC8ED

RGB 109 200 237

HSL 197.34, 0.78%, 0.68%

LAB 76.48, -17.04, -26.62

 

CMYK 0 / 54 / 37 / 7

HEX #ED6D96

RGB 237 109 150

HSL 340.78, 0.78%, 0.68%

LAB 62.63, 53.36, 1.98

 

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

CMYK 49 / 54 / 0 / 7

HEX #786DED

RGB 120 109 237

HSL 245.16, 0.78%, 0.68%

LAB 53, 37.26, -63.5

 

CMYK 0 / 49 / 54 / 7

HEX #ED786D

RGB 237 120 109

HSL 5.16, 0.78%, 0.68%

LAB 63.79, 44.05, 26.97

 

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

CMYK 54 / 16 / 0 / 7

HEX #6DC8ED

RGB 109 200 237

HSL 197.34, 0.78%, 0.68%

LAB 76.48, -17.04, -26.62

 

CMYK 0 / 54 / 5 / 7

HEX #ED6DE2

RGB 237 109 226

HSL 305.16, 0.78%, 0.68%

LAB 65.3, 63.97, -37.03

 

CMYK 0 / 39 / 54 / 7

HEX #ED916D

RGB 237 145 109

HSL 16.88, 0.78%, 0.68%

LAB 69.01, 31.22, 33.75

 

CMYK 54 / 0 / 49 / 7

HEX #6EED7A

RGB 110 237 122

HSL 125.67, 0.78%, 0.68%

LAB 84.63, -58.36, 44.98

 

CMYK 54 / 32 / 0 / 7

HEX #6DA2ED

RGB 109 162 237

HSL 215.16, 0.78%, 0.68%

LAB 65.91, 3.66, -43

 

CMYK 0 / 54 / 5 / 7

HEX #ED6DE2

RGB 237 109 226

HSL 305.16, 0.78%, 0.68%

LAB 65.3, 63.97, -37.03

 

CMYK 0 / 22 / 54 / 7

HEX #EDB86D

RGB 237 184 109

HSL 35.16, 0.78%, 0.68%

LAB 78.1, 10.59, 45.1

 

Description

Color code: HEX #6EED7A | qconv.com Color code: HEX #6EED7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 237 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 237 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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