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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EDEA4 it is the complementary color #91215B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EDEA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EDEA4 shade: #73DE9F, #84F0B2, #95FFC5, #A6FFD8 and #B7FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EDEA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EDEA4 shade: #6EDEA4, #5DCC91, #4CBA7E, #3BA86B and #2A9658

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EDEA4 shade: #6DDDA3, #6DDD85, #73DD6D, #92DD6D and #B0DD6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EDEA4 shade: #6DDDA3, #6DDDC2, #6DDBDD, #6DBDDD and #6D9EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EDEA4 shade matches the following richer shades: #6DDDA3, #5FECA3 and #50FAA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EDEA4 shade: #6DDDA3, #7BCFA4, #8AC1A4, #98B2A5 and #A7A4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EDEA4 shade: #75DD6D, #6DDD84, #6DDDA2, #6DDDBF and #6DDDDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EDEA4 shade: #2ECA79, #4BD68E, #6DDDA3, #8FE5B8 and #B0EDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EDEA4 shade: #6EDEA4, #6D93DD and #DD756D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EDEA4 shade: #6EDEA4, #A26DDD and #DDA26D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EDEA4 shade: #6EDEA4, #6D93DD, #DD6DA9 and #DDB86D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EDEA4 shade: #6EDEA4, #6D71DD, #DD6DA9 and #DDDA6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 26 / 13

HEX #6EDEA4

RGB 110 222 164

HSL 148.93, 0.63%, 0.65%

LAB 80.87, -45.2, 18.83

 

Complementary color

CMYK 0 / 77 / 37 / 43

HEX #91215B

RGB 145 33 91

HSL 328.93, 0.63%, 0.35%

LAB 33.7, 50.54, -6.53

 

CMYK 48 / 0 / 28 / 13

HEX #73DE9F

RGB 115 222 159

HSL 144.67, 0.62%, 0.66%

LAB 80.96, -44.94, 21.59

 

CMYK 45 / 0 / 26 / 6

HEX #84F0B2

RGB 132 240 178

HSL 145.56, 0.78%, 0.73%

LAB 87.21, -44.75, 20.48

 

CMYK 42 / 0 / 23 / 0

HEX #95FFC5

RGB 149 255 197

HSL 147.17, 1%, 0.79%

LAB 92.55, -43.22, 18.26

 

CMYK 35 / 0 / 15 / 0

HEX #A6FFD8

RGB 166 255 216

HSL 153.71, 1%, 0.83%

LAB 93.7, -34.89, 10.25

 

CMYK 28 / 0 / 8 / 0

HEX #B7FFEB

RGB 183 255 235

HSL 163.33, 1%, 0.86%

LAB 94.99, -26.25, 2.42

 

CMYK 50 / 0 / 26 / 13

HEX #6EDEA4

RGB 110 222 164

HSL 148.93, 0.63%, 0.65%

LAB 80.87, -45.2, 18.83

 

CMYK 54 / 0 / 29 / 20

HEX #5DCC91

RGB 93 204 145

HSL 148.11, 0.52%, 0.58%

LAB 74.54, -45.3, 20

 

CMYK 59 / 0 / 32 / 27

HEX #4CBA7E

RGB 76 186 126

HSL 147.27, 0.44%, 0.51%

LAB 68.14, -45.3, 21.27

 

CMYK 65 / 0 / 36 / 34

HEX #3BA86B

RGB 59 168 107

HSL 146.42, 0.48%, 0.45%

LAB 61.65, -45.15, 22.66

 

CMYK 72 / 0 / 41 / 41

HEX #2A9658

RGB 42 150 88

HSL 145.56, 0.56%, 0.38%

LAB 55.08, -44.72, 24.18

 

CMYK 51 / 0 / 26 / 13

HEX #6DDDA3

RGB 109 221 163

HSL 148.93, 0.62%, 0.65%

LAB 80.52, -45.21, 18.86

 

CMYK 51 / 0 / 40 / 13

HEX #6DDD85

RGB 109 221 133

HSL 132.86, 0.62%, 0.65%

LAB 79.99, -50.65, 33.63

 

CMYK 48 / 0 / 51 / 13

HEX #73DD6D

RGB 115 221 109

HSL 116.79, 0.62%, 0.65%

LAB 79.88, -52.55, 45.36

 

CMYK 34 / 0 / 51 / 13

HEX #92DD6D

RGB 146 221 109

HSL 100.18, 0.62%, 0.65%

LAB 81.25, -43.03, 47.35

 

CMYK 20 / 0 / 51 / 13

HEX #B0DD6D

RGB 176 221 109

HSL 84.11, 0.62%, 0.65%

LAB 82.94, -32.42, 49.78

 

CMYK 51 / 0 / 26 / 13

HEX #6DDDA3

RGB 109 221 163

HSL 148.93, 0.62%, 0.65%

LAB 80.52, -45.21, 18.86

 

CMYK 51 / 0 / 12 / 13

HEX #6DDDC2

RGB 109 221 194

HSL 165.54, 0.62%, 0.65%

LAB 81.21, -38.49, 3.47

 

CMYK 51 / 1 / 0 / 13

HEX #6DDBDD

RGB 109 219 221

HSL 181.07, 0.62%, 0.65%

LAB 81.37, -30.88, -10.67

 

CMYK 51 / 14 / 0 / 13

HEX #6DBDDD

RGB 109 189 221

HSL 197.14, 0.62%, 0.65%

LAB 72.8, -15.88, -23.59

 

CMYK 51 / 29 / 0 / 13

HEX #6D9EDD

RGB 109 158 221

HSL 213.75, 0.62%, 0.65%

LAB 64.1, 1.06, -37.02

 

CMYK 51 / 0 / 26 / 13

HEX #6DDDA3

RGB 109 221 163

HSL 148.93, 0.62%, 0.65%

LAB 80.52, -45.21, 18.86

 

CMYK 60 / 0 / 31 / 7

HEX #5FECA3

RGB 95 236 163

HSL 148.94, 0.79%, 0.65%

LAB 84.52, -54.48, 24.3

 

CMYK 68 / 0 / 35 / 2

HEX #50FAA2

RGB 80 250 162

HSL 148.94, 0.94%, 0.65%

LAB 88.3, -62.72, 29.87

 

CMYK 51 / 0 / 26 / 13

HEX #6DDDA3

RGB 109 221 163

HSL 148.93, 0.62%, 0.65%

LAB 80.52, -45.21, 18.86

 

CMYK 41 / 0 / 21 / 19

HEX #7BCFA4

RGB 123 207 164

HSL 149.29, 0.47%, 0.65%

LAB 76.99, -35.14, 13.47

 

CMYK 28 / 0 / 15 / 24

HEX #8AC1A4

RGB 138 193 164

HSL 148.36, 0.31%, 0.65%

LAB 73.69, -23.99, 8.9

 

CMYK 15 / 0 / 7 / 30

HEX #98B2A5

RGB 152 178 165

HSL 150, 0.14%, 0.65%

LAB 70.34, -11.53, 3.65

 

CMYK 0 / 2 / 1 / 35

HEX #A7A4A5

RGB 167 164 165

HSL 340, 0.02%, 0.65%

LAB 67.64, 1.27, -0.14

 

CMYK 47 / 0 / 51 / 13

HEX #75DD6D

RGB 117 221 109

HSL 115.71, 0.62%, 0.65%

LAB 79.95, -51.99, 45.47

 

CMYK 51 / 0 / 40 / 13

HEX #6DDD84

RGB 109 221 132

HSL 132.32, 0.62%, 0.65%

LAB 79.97, -50.81, 34.11

 

CMYK 51 / 0 / 27 / 13

HEX #6DDDA2

RGB 109 221 162

HSL 148.39, 0.62%, 0.65%

LAB 80.5, -45.41, 19.35

 

CMYK 51 / 0 / 14 / 13

HEX #6DDDBF

RGB 109 221 191

HSL 163.93, 0.62%, 0.65%

LAB 81.14, -39.18, 4.95

 

CMYK 51 / 0 / 0 / 13

HEX #6DDDDD

RGB 109 221 221

HSL 180, 0.62%, 0.65%

LAB 81.94, -31.83, -9.82

 

CMYK 77 / 0 / 40 / 21

HEX #2ECA79

RGB 46 202 121

HSL 148.85, 0.63%, 0.49%

LAB 72.36, -57.56, 29.45

 

CMYK 65 / 0 / 34 / 16

HEX #4BD68E

RGB 75 214 142

HSL 148.92, 0.63%, 0.57%

LAB 77.01, -53.67, 24.85

 

CMYK 51 / 0 / 26 / 13

HEX #6DDDA3

RGB 109 221 163

HSL 148.93, 0.62%, 0.65%

LAB 80.52, -45.21, 18.86

 

CMYK 38 / 0 / 20 / 10

HEX #8FE5B8

RGB 143 229 184

HSL 148.6, 0.62%, 0.73%

LAB 84.66, -35.7, 13.85

 

CMYK 26 / 0 / 14 / 7

HEX #B0EDCD

RGB 176 237 205

HSL 148.52, 0.63%, 0.81%

LAB 89.02, -25.65, 9.31

 

CMYK 50 / 0 / 26 / 13

HEX #6EDEA4

RGB 110 222 164

HSL 148.93, 0.63%, 0.65%

LAB 80.87, -45.2, 18.83

 

CMYK 51 / 33 / 0 / 13

HEX #6D93DD

RGB 109 147 221

HSL 219.64, 0.62%, 0.65%

LAB 61.08, 7.4, -41.75

 

CMYK 0 / 47 / 51 / 13

HEX #DD756D

RGB 221 117 109

HSL 4.29, 0.62%, 0.65%

LAB 60.96, 39.65, 22.81

 

CMYK 50 / 0 / 26 / 13

HEX #6EDEA4

RGB 110 222 164

HSL 148.93, 0.63%, 0.65%

LAB 80.87, -45.2, 18.83

 

CMYK 27 / 51 / 0 / 13

HEX #A26DDD

RGB 162 109 221

HSL 268.39, 0.62%, 0.65%

LAB 55.93, 42.88, -49.62

 

CMYK 0 / 27 / 51 / 13

HEX #DDA26D

RGB 221 162 109

HSL 28.39, 0.62%, 0.65%

LAB 71.09, 15.75, 36.01

 

CMYK 50 / 0 / 26 / 13

HEX #6EDEA4

RGB 110 222 164

HSL 148.93, 0.63%, 0.65%

LAB 80.87, -45.2, 18.83

 

CMYK 51 / 33 / 0 / 13

HEX #6D93DD

RGB 109 147 221

HSL 219.64, 0.62%, 0.65%

LAB 61.08, 7.4, -41.75

 

CMYK 0 / 51 / 24 / 13

HEX #DD6DA9

RGB 221 109 169

HSL 327.86, 0.62%, 0.65%

LAB 60.93, 50.57, -11.69

 

CMYK 0 / 17 / 51 / 13

HEX #DDB86D

RGB 221 184 109

HSL 40.18, 0.62%, 0.65%

LAB 76.53, 4.03, 42.81

 

CMYK 50 / 0 / 26 / 13

HEX #6EDEA4

RGB 110 222 164

HSL 148.93, 0.63%, 0.65%

LAB 80.87, -45.2, 18.83

 

CMYK 51 / 49 / 0 / 13

HEX #6D71DD

RGB 109 113 221

HSL 237.86, 0.62%, 0.65%

LAB 52.15, 27.71, -55.92

 

CMYK 0 / 51 / 24 / 13

HEX #DD6DA9

RGB 221 109 169

HSL 327.86, 0.62%, 0.65%

LAB 60.93, 50.57, -11.69

 

CMYK 0 / 1 / 51 / 13

HEX #DDDA6D

RGB 221 218 109

HSL 58.39, 0.62%, 0.65%

LAB 85.31, -13.44, 53.38

 

Description

Color code: HEX #6EDEA4 | qconv.com Color code: HEX #6EDEA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 222 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 222 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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