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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EDC3B it is the complementary color #9123C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EDC3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EDC3B shade: #73DC36, #84EE49, #95FF5C, #A6FF6F and #B7FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EDC3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EDC3B shade: #6EDC3B, #5DCA28, #4CB815, #3BA602 and #2A9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EDC3B shade: #6EDC3B, #9ADC3B, #C5DC3B, #DCC83B and #DC9D3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EDC3B shade: #6EDC3B, #43DC3B, #3BDC5F, #3BDC8A and #3BDCB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EDC3B shade matches the following richer shades: #6EDC3B and #68EF29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EDC3B shade: #6EDC3B, #75CA4E, #7CB761, #83A473 and #8A9286

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EDC3B shade: #C7DC3B, #9CDC3B, #71DC3B, #46DC3B and #3BDC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EDC3B shade: #49A81D, #58CB23, #6EDC3B, #88E25E and #A2E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EDC3B shade: #6EDC3B, #3BDCC7 and #DC3BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EDC3B shade: #6EDC3B, #3B71DC and #DC3B71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EDC3B shade: #6EDC3B, #3BDCC7, #A73BDC and #DC3B51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EDC3B shade: #6EDC3B, #3BC1DC, #A73BDC and #DC563B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

Complementary color

CMYK 26 / 82 / 0 / 23

HEX #9123C4

RGB 145 35 196

HSL 280.99, 0.7%, 0.45%

LAB 39.93, 67.05, -61.11

 

CMYK 48 / 0 / 75 / 14

HEX #73DC36

RGB 115 220 54

HSL 97.95, 0.7%, 0.54%

LAB 79.1, -57.32, 67.1

 

CMYK 45 / 0 / 69 / 7

HEX #84EE49

RGB 132 238 73

HSL 98.55, 0.83%, 0.61%

LAB 85.27, -57.82, 66.97

 

CMYK 42 / 0 / 64 / 0

HEX #95FF5C

RGB 149 255 92

HSL 99.02, 1%, 0.68%

LAB 91.09, -57.74, 66.1

 

CMYK 35 / 0 / 56 / 0

HEX #A6FF6F

RGB 166 255 111

HSL 97.08, 1%, 0.72%

LAB 92.03, -50.63, 59.43

 

CMYK 28 / 0 / 49 / 0

HEX #B7FF82

RGB 183 255 130

HSL 94.56, 1%, 0.75%

LAB 93.1, -42.98, 52.35

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 54 / 0 / 80 / 21

HEX #5DCA28

RGB 93 202 40

HSL 100.37, 0.67%, 0.47%

LAB 72.71, -57.71, 64.97

 

CMYK 59 / 0 / 89 / 28

HEX #4CB815

RGB 76 184 21

HSL 99.75, 0.8%, 0.4%

LAB 66.42, -56.61, 63.68

 

CMYK 64 / 0 / 99 / 35

HEX #3BA602

RGB 59 166 2

HSL 99.15, 0.98%, 0.33%

LAB 60.07, -55.03, 61.07

 

CMYK 72 / 0 / 100 / 42

HEX #2A9400

RGB 42 148 0

HSL 102.97, 1%, 0.29%

LAB 53.68, -52.71, 56.09

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 30 / 0 / 73 / 14

HEX #9ADC3B

RGB 154 220 59

HSL 84.6, 0.7%, 0.55%

LAB 80.95, -44.08, 67.88

 

CMYK 10 / 0 / 73 / 14

HEX #C5DC3B

RGB 197 220 59

HSL 68.57, 0.7%, 0.55%

LAB 83.64, -27.44, 71.41

 

CMYK 0 / 9 / 73 / 14

HEX #DCC83B

RGB 220 200 59

HSL 52.55, 0.7%, 0.55%

LAB 80.09, -7.99, 68.67

 

CMYK 0 / 29 / 73 / 14

HEX #DC9D3B

RGB 220 157 59

HSL 36.52, 0.7%, 0.55%

LAB 69.22, 14.62, 58.04

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 70 / 0 / 73 / 14

HEX #43DC3B

RGB 67 220 59

HSL 117.02, 0.7%, 0.55%

LAB 77.69, -68.43, 63.58

 

CMYK 73 / 0 / 57 / 14

HEX #3BDC5F

RGB 59 220 95

HSL 133.42, 0.7%, 0.55%

LAB 77.84, -66.1, 49.08

 

CMYK 73 / 0 / 37 / 14

HEX #3BDC8A

RGB 59 220 138

HSL 149.44, 0.7%, 0.55%

LAB 78.43, -59.26, 28.78

 

CMYK 73 / 0 / 17 / 14

HEX #3BDCB6

RGB 59 220 182

HSL 165.84, 0.7%, 0.55%

LAB 79.32, -49.65, 6.95

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 56 / 0 / 83 / 6

HEX #68EF29

RGB 104 239 41

HSL 100.91, 0.86%, 0.55%

LAB 84.4, -67.75, 75.48

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 42 / 0 / 61 / 21

HEX #75CA4E

RGB 117 202 78

HSL 101.13, 0.54%, 0.55%

LAB 73.92, -47.77, 52.6

 

CMYK 32 / 0 / 47 / 28

HEX #7CB761

RGB 124 183 97

HSL 101.16, 0.37%, 0.55%

LAB 68.76, -35.04, 37.62

 

CMYK 20 / 0 / 30 / 36

HEX #83A473

RGB 131 164 115

HSL 100.41, 0.21%, 0.55%

LAB 63.85, -20.72, 21.82

 

CMYK 5 / 0 / 8 / 43

HEX #8A9286

RGB 138 146 134

HSL 100, 0.05%, 0.55%

LAB 59.6, -5.24, 5.36

 

CMYK 10 / 0 / 73 / 14

HEX #C7DC3B

RGB 199 220 59

HSL 67.83, 0.7%, 0.55%

LAB 83.78, -26.63, 71.6

 

CMYK 29 / 0 / 73 / 14

HEX #9CDC3B

RGB 156 220 59

HSL 83.85, 0.7%, 0.55%

LAB 81.05, -43.35, 68.03

 

CMYK 49 / 0 / 73 / 14

HEX #71DC3B

RGB 113 220 59

HSL 99.88, 0.7%, 0.55%

LAB 79.05, -57.59, 65.38

 

CMYK 68 / 0 / 73 / 14

HEX #46DC3B

RGB 70 220 59

HSL 115.9, 0.7%, 0.55%

LAB 77.76, -67.88, 63.66

 

CMYK 73 / 0 / 58 / 14

HEX #3BDC5C

RGB 59 220 92

HSL 132.3, 0.7%, 0.55%

LAB 77.81, -66.48, 50.4

 

CMYK 57 / 0 / 83 / 34

HEX #49A81D

RGB 73 168 29

HSL 101.01, 0.71%, 0.39%

LAB 61.23, -51.33, 57.2

 

CMYK 57 / 0 / 83 / 20

HEX #58CB23

RGB 88 203 35

HSL 101.07, 0.71%, 0.47%

LAB 72.83, -59.64, 66.35

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 40 / 0 / 58 / 11

HEX #88E25E

RGB 136 226 94

HSL 100.91, 0.69%, 0.63%

LAB 82.07, -50.02, 55.06

 

CMYK 30 / 0 / 44 / 9

HEX #A2E882

RGB 162 232 130

HSL 101.18, 0.69%, 0.71%

LAB 85.51, -39.95, 42.69

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 0 / 73 / 20 / 14

HEX #DC3BB1

RGB 220 59 177

HSL 316.02, 0.7%, 0.55%

LAB 53.51, 71.97, -27.67

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 73 / 49 / 0 / 14

HEX #3B71DC

RGB 59 113 220

HSL 219.88, 0.7%, 0.55%

LAB 49.38, 18.65, -59.95

 

CMYK 0 / 73 / 49 / 14

HEX #DC3B71

RGB 220 59 113

HSL 339.88, 0.7%, 0.55%

LAB 51.31, 65.02, 7.11

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 24 / 73 / 0 / 14

HEX #A73BDC

RGB 167 59 220

HSL 280.25, 0.7%, 0.55%

LAB 47.64, 67.71, -62.31

 

CMYK 0 / 73 / 63 / 14

HEX #DC3B51

RGB 220 59 81

HSL 351.8, 0.7%, 0.55%

LAB 50.61, 62.74, 25.46

 

CMYK 50 / 0 / 73 / 14

HEX #6EDC3B

RGB 110 220 59

HSL 100.99, 0.7%, 0.55%

LAB 78.94, -58.45, 65.23

 

CMYK 73 / 12 / 0 / 14

HEX #3BC1DC

RGB 59 193 220

HSL 190.06, 0.7%, 0.55%

LAB 72.39, -26.77, -23.82

 

CMYK 24 / 73 / 0 / 14

HEX #A73BDC

RGB 167 59 220

HSL 280.25, 0.7%, 0.55%

LAB 47.64, 67.71, -62.31

 

CMYK 0 / 61 / 73 / 14

HEX #DC563B

RGB 220 86 59

HSL 10.06, 0.7%, 0.55%

LAB 54.22, 50.96, 42.32

 

Description

Color code: HEX #6EDC3B | qconv.com Color code: HEX #6EDC3B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 220 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 220 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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