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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED1B1 it is the complementary color #912E4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED1B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED1B1 shade: #73D1AC, #84E3BF, #95F5D2, #A6FFE5 and #B7FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED1B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED1B1 shade: #6ED1B1, #5DBF9E, #4CAD8B, #3B9B78 and #2A8965

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED1B1 shade: #6FD1B2, #6FD197, #6FD17D, #7CD16F and #97D16F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED1B1 shade: #6FD1B2, #6FD1CC, #6FBCD1, #6FA2D1 and #6F87D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED1B1 shade matches the following richer shades: #6FD1B2, #60E0B7 and #51F0BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED1B1 shade: #6FD1B2, #7EC2AC, #8EB3A7, #9DA3A1 and #AC949C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED1B1 shade: #6FD17C, #6FD196, #6FD1B1, #6FD1CB and #6FBED1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED1B1 shade: #39B58D, #50C7A1, #6FD1B2, #8EDBC2 and #AEE5D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED1B1 shade: #6ED1B1, #6F7CD1 and #D1896F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED1B1 shade: #6ED1B1, #B16FD1 and #D1B16F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED1B1 shade: #6ED1B1, #6F7CD1, #D16F90 and #D1C46F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED1B1 shade: #6ED1B1, #7F6FD1, #D16F90 and #C1D16F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 15 / 18

HEX #6ED1B1

RGB 110 209 177

HSL 160.61, 0.52%, 0.63%

LAB 77.33, -36.68, 6.94

 

Complementary color

CMYK 0 / 68 / 46 / 43

HEX #912E4E

RGB 145 46 78

HSL 340.61, 0.52%, 0.37%

LAB 35.05, 44.2, 3.86

 

CMYK 45 / 0 / 18 / 18

HEX #73D1AC

RGB 115 209 172

HSL 156.38, 0.51%, 0.64%

LAB 77.41, -36.53, 9.76

 

CMYK 42 / 0 / 16 / 11

HEX #84E3BF

RGB 132 227 191

HSL 157.26, 0.63%, 0.7%

LAB 83.76, -36.33, 8.83

 

CMYK 39 / 0 / 14 / 4

HEX #95F5D2

RGB 149 245 210

HSL 158.13, 0.83%, 0.77%

LAB 90.02, -36.13, 7.97

 

CMYK 35 / 0 / 10 / 0

HEX #A6FFE5

RGB 166 255 229

HSL 162.47, 1%, 0.83%

LAB 94.01, -32.23, 3.98

 

CMYK 28 / 0 / 3 / 0

HEX #B7FFF8

RGB 183 255 248

HSL 174.17, 1%, 0.86%

LAB 95.31, -23.52, -3.81

 

CMYK 47 / 0 / 15 / 18

HEX #6ED1B1

RGB 110 209 177

HSL 160.61, 0.52%, 0.63%

LAB 77.33, -36.68, 6.94

 

CMYK 51 / 0 / 17 / 25

HEX #5DBF9E

RGB 93 191 158

HSL 159.8, 0.43%, 0.56%

LAB 70.91, -36.79, 7.91

 

CMYK 56 / 0 / 20 / 32

HEX #4CAD8B

RGB 76 173 139

HSL 158.97, 0.39%, 0.49%

LAB 64.39, -36.83, 8.96

 

CMYK 62 / 0 / 23 / 39

HEX #3B9B78

RGB 59 155 120

HSL 158.13, 0.45%, 0.42%

LAB 57.78, -36.77, 10.12

 

CMYK 69 / 0 / 26 / 46

HEX #2A8965

RGB 42 137 101

HSL 157.26, 0.53%, 0.35%

LAB 51.06, -36.51, 11.43

 

CMYK 47 / 0 / 15 / 18

HEX #6FD1B2

RGB 111 209 178

HSL 161.02, 0.52%, 0.63%

LAB 77.4, -36.21, 6.5

 

CMYK 47 / 0 / 28 / 18

HEX #6FD197

RGB 111 209 151

HSL 144.49, 0.52%, 0.63%

LAB 76.81, -41.85, 20.05

 

CMYK 47 / 0 / 40 / 18

HEX #6FD17D

RGB 111 209 125

HSL 128.57, 0.52%, 0.63%

LAB 76.35, -46.44, 32.96

 

CMYK 41 / 0 / 47 / 18

HEX #7CD16F

RGB 124 209 111

HSL 112.04, 0.52%, 0.63%

LAB 76.7, -44.69, 40.55

 

CMYK 28 / 0 / 47 / 18

HEX #97D16F

RGB 151 209 111

HSL 95.51, 0.52%, 0.63%

LAB 78.07, -35.73, 42.55

 

CMYK 47 / 0 / 15 / 18

HEX #6FD1B2

RGB 111 209 178

HSL 161.02, 0.52%, 0.63%

LAB 77.4, -36.21, 6.5

 

CMYK 47 / 0 / 2 / 18

HEX #6FD1CC

RGB 111 209 204

HSL 176.94, 0.52%, 0.63%

LAB 78.08, -30.01, -6.46

 

CMYK 47 / 10 / 0 / 18

HEX #6FBCD1

RGB 111 188 209

HSL 192.86, 0.52%, 0.63%

LAB 72.19, -18.23, -17.97

 

CMYK 47 / 22 / 0 / 18

HEX #6FA2D1

RGB 111 162 209

HSL 208.78, 0.52%, 0.63%

LAB 64.82, -4.26, -29.24

 

CMYK 47 / 35 / 0 / 18

HEX #6F87D1

RGB 111 135 209

HSL 225.31, 0.52%, 0.63%

LAB 57.38, 11.3, -40.85

 

CMYK 47 / 0 / 15 / 18

HEX #6FD1B2

RGB 111 209 178

HSL 161.02, 0.52%, 0.63%

LAB 77.4, -36.21, 6.5

 

CMYK 57 / 0 / 18 / 12

HEX #60E0B7

RGB 96 224 183

HSL 160.78, 0.67%, 0.63%

LAB 81.41, -45.1, 9.52

 

CMYK 66 / 0 / 22 / 6

HEX #51F0BC

RGB 81 240 188

HSL 160.38, 0.84%, 0.63%

LAB 85.86, -53.33, 13.17

 

CMYK 47 / 0 / 15 / 18

HEX #6FD1B2

RGB 111 209 178

HSL 161.02, 0.52%, 0.63%

LAB 77.4, -36.21, 6.5

 

CMYK 35 / 0 / 11 / 24

HEX #7EC2AC

RGB 126 194 172

HSL 160.59, 0.36%, 0.63%

LAB 73.54, -26.42, 4.27

 

CMYK 21 / 0 / 7 / 30

HEX #8EB3A7

RGB 142 179 167

HSL 160.54, 0.2%, 0.63%

LAB 70.02, -14.98, 2.01

 

CMYK 4 / 0 / 1 / 36

HEX #9DA3A1

RGB 157 163 161

HSL 160, 0.03%, 0.63%

LAB 66.47, -2.52, 0.29

 

CMYK 0 / 14 / 9 / 33

HEX #AC949C

RGB 172 148 156

HSL 340, 0.13%, 0.63%

LAB 63.63, 10.31, -0.91

 

CMYK 47 / 0 / 41 / 18

HEX #6FD17C

RGB 111 209 124

HSL 127.96, 0.52%, 0.63%

LAB 76.34, -46.6, 33.45

 

CMYK 47 / 0 / 28 / 18

HEX #6FD196

RGB 111 209 150

HSL 143.88, 0.52%, 0.63%

LAB 76.79, -42.05, 20.55

 

CMYK 47 / 0 / 15 / 18

HEX #6FD1B1

RGB 111 209 177

HSL 160.41, 0.52%, 0.63%

LAB 77.37, -36.43, 7

 

CMYK 47 / 0 / 3 / 18

HEX #6FD1CB

RGB 111 209 203

HSL 176.33, 0.52%, 0.63%

LAB 78.05, -30.26, -5.97

 

CMYK 47 / 9 / 0 / 18

HEX #6FBED1

RGB 111 190 209

HSL 191.63, 0.52%, 0.63%

LAB 72.77, -19.26, -17.11

 

CMYK 69 / 0 / 22 / 29

HEX #39B58D

RGB 57 181 141

HSL 160.65, 0.52%, 0.47%

LAB 66.4, -43.5, 10.63

 

CMYK 60 / 0 / 19 / 22

HEX #50C7A1

RGB 80 199 161

HSL 160.84, 0.52%, 0.55%

LAB 72.97, -42.46, 9.17

 

CMYK 47 / 0 / 15 / 18

HEX #6FD1B2

RGB 111 209 178

HSL 161.02, 0.52%, 0.63%

LAB 77.4, -36.21, 6.5

 

CMYK 35 / 0 / 11 / 14

HEX #8EDBC2

RGB 142 219 194

HSL 160.52, 0.52%, 0.71%

LAB 82.01, -29.24, 4.79

 

CMYK 24 / 0 / 8 / 10

HEX #AEE5D3

RGB 174 229 211

HSL 160.36, 0.51%, 0.79%

LAB 86.87, -21.18, 3.06

 

CMYK 47 / 0 / 15 / 18

HEX #6ED1B1

RGB 110 209 177

HSL 160.61, 0.52%, 0.63%

LAB 77.33, -36.68, 6.94

 

CMYK 47 / 41 / 0 / 18

HEX #6F7CD1

RGB 111 124 209

HSL 232.04, 0.52%, 0.63%

LAB 54.45, 17.87, -45.47

 

CMYK 0 / 34 / 47 / 18

HEX #D1896F

RGB 209 137 111

HSL 15.92, 0.52%, 0.63%

LAB 63.83, 24.6, 25.25

 

CMYK 47 / 0 / 15 / 18

HEX #6ED1B1

RGB 110 209 177

HSL 160.61, 0.52%, 0.63%

LAB 77.33, -36.68, 6.94

 

CMYK 15 / 47 / 0 / 18

HEX #B16FD1

RGB 177 111 209

HSL 280.41, 0.52%, 0.63%

LAB 57.39, 43.17, -40.44

 

CMYK 0 / 15 / 47 / 18

HEX #D1B16F

RGB 209 177 111

HSL 40.41, 0.52%, 0.63%

LAB 73.64, 2.98, 37.94

 

CMYK 47 / 0 / 15 / 18

HEX #6ED1B1

RGB 110 209 177

HSL 160.61, 0.52%, 0.63%

LAB 77.33, -36.68, 6.94

 

CMYK 47 / 41 / 0 / 18

HEX #6F7CD1

RGB 111 124 209

HSL 232.04, 0.52%, 0.63%

LAB 54.45, 17.87, -45.47

 

CMYK 0 / 47 / 31 / 18

HEX #D16F90

RGB 209 111 144

HSL 339.8, 0.52%, 0.63%

LAB 58.92, 42.21, -0.44

 

CMYK 0 / 6 / 47 / 18

HEX #D1C46F

RGB 209 196 111

HSL 52.04, 0.52%, 0.63%

LAB 78.57, -6.97, 44.08

 

CMYK 47 / 0 / 15 / 18

HEX #6ED1B1

RGB 110 209 177

HSL 160.61, 0.52%, 0.63%

LAB 77.33, -36.68, 6.94

 

CMYK 39 / 47 / 0 / 18

HEX #7F6FD1

RGB 127 111 209

HSL 249.8, 0.52%, 0.63%

LAB 52.38, 29.6, -48.68

 

CMYK 0 / 47 / 31 / 18

HEX #D16F90

RGB 209 111 144

HSL 339.8, 0.52%, 0.63%

LAB 58.92, 42.21, -0.44

 

CMYK 8 / 0 / 47 / 18

HEX #C1D16F

RGB 193 209 111

HSL 69.8, 0.52%, 0.63%

LAB 80.79, -19.95, 46.5

 

Description

Color code: HEX #6ED1B1 | qconv.com Color code: HEX #6ED1B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 209 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 209 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 15% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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