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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ED708 it is the complementary color #9128F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ED708. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ED708 shade: #73D703, #84E916, #95FB29, #A6FF3C and #B7FF4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ED708. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ED708 shade: #6ED708, #5DC500, #4CB300, #3BA100 and #2A8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ED708 shade: #6ED807, #A6D807, #D8D107, #D89907 and #D86107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ED708 shade: #6ED807, #36D807, #07D811, #07D849 and #07D882

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ED708 shade matches the following richer shades: #6ED807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ED708 shade: #6ED807, #6EC61A, #6FB42C, #6FA23E and #6F8F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ED708 shade: #D8D107, #A7D807, #70D807, #38D807 and #07D80E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ED708 shade: #458804, #5AB006, #6ED807, #83F613 and #98F73B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ED708 shade: #6ED708, #07D899 and #D807C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ED708 shade: #6ED708, #0770D8 and #D80770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ED708 shade: #6ED708, #07D899, #7007D8 and #D80746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ED708 shade: #6ED708, #07D8D8, #7007D8 and #D80707

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

Complementary color

CMYK 41 / 84 / 0 / 3

HEX #9128F7

RGB 145 40 247

HSL 270.43, 0.93%, 0.56%

LAB 44.59, 76.3, -82.67

 

CMYK 47 / 0 / 99 / 16

HEX #73D703

RGB 115 215 3

HSL 88.3, 0.97%, 0.43%

LAB 77.43, -57.12, 75.55

 

CMYK 43 / 0 / 91 / 9

HEX #84E916

RGB 132 233 22

HSL 88.72, 0.83%, 0.5%

LAB 83.57, -58.27, 78.75

 

CMYK 41 / 0 / 84 / 2

HEX #95FB29

RGB 149 251 41

HSL 89.14, 0.96%, 0.57%

LAB 89.65, -59.17, 80.76

 

CMYK 35 / 0 / 76 / 0

HEX #A6FF3C

RGB 166 255 60

HSL 87.38, 1%, 0.62%

LAB 91.66, -54.34, 78.04

 

CMYK 28 / 0 / 69 / 0

HEX #B7FF4F

RGB 183 255 79

HSL 84.55, 1%, 0.65%

LAB 92.64, -47.38, 73.12

 

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

CMYK 53 / 0 / 100 / 23

HEX #5DC500

RGB 93 197 0

HSL 91.68, 1%, 0.39%

LAB 71.05, -57.09, 70.48

 

CMYK 58 / 0 / 100 / 30

HEX #4CB300

RGB 76 179 0

HSL 94.53, 1%, 0.35%

LAB 64.78, -55.34, 65.3

 

CMYK 63 / 0 / 100 / 37

HEX #3BA100

RGB 59 161 0

HSL 98.01, 1%, 0.32%

LAB 58.43, -53.37, 60.05

 

CMYK 71 / 0 / 100 / 44

HEX #2A8F00

RGB 42 143 0

HSL 102.38, 1%, 0.28%

LAB 51.99, -51.06, 54.75

 

CMYK 49 / 0 / 97 / 15

HEX #6ED807

RGB 110 216 7

HSL 90.43, 0.94%, 0.44%

LAB 77.54, -58.94, 75.18

 

CMYK 23 / 0 / 97 / 15

HEX #A6D807

RGB 166 216 7

HSL 74.35, 0.94%, 0.44%

LAB 80.31, -39.44, 78.54

 

CMYK 0 / 3 / 97 / 15

HEX #D8D107

RGB 216 209 7

HSL 57.99, 0.94%, 0.44%

LAB 81.96, -15.5, 81.36

 

CMYK 0 / 29 / 97 / 15

HEX #D89907

RGB 216 153 7

HSL 41.91, 0.94%, 0.44%

LAB 67.57, 13.68, 70.96

 

CMYK 0 / 55 / 97 / 15

HEX #D86107

RGB 216 97 7

HSL 25.84, 0.94%, 0.44%

LAB 55.24, 43.04, 62.74

 

CMYK 49 / 0 / 97 / 15

HEX #6ED807

RGB 110 216 7

HSL 90.43, 0.94%, 0.44%

LAB 77.54, -58.94, 75.18

 

CMYK 75 / 0 / 97 / 15

HEX #36D807

RGB 54 216 7

HSL 106.51, 0.94%, 0.44%

LAB 76.01, -71.56, 73.31

 

CMYK 97 / 0 / 92 / 15

HEX #07D811

RGB 7 216 17

HSL 122.87, 0.94%, 0.44%

LAB 75.57, -75.45, 71.67

 

CMYK 97 / 0 / 66 / 15

HEX #07D849

RGB 7 216 73

HSL 138.95, 0.94%, 0.44%

LAB 75.85, -71.96, 56.17

 

CMYK 97 / 0 / 40 / 15

HEX #07D882

RGB 7 216 130

HSL 155.31, 0.94%, 0.44%

LAB 76.54, -63.54, 30.27

 

CMYK 49 / 0 / 97 / 15

HEX #6ED807

RGB 110 216 7

HSL 90.43, 0.94%, 0.44%

LAB 77.54, -58.94, 75.18

 

CMYK 49 / 0 / 97 / 15

HEX #6ED807

RGB 110 216 7

HSL 90.43, 0.94%, 0.44%

LAB 77.54, -58.94, 75.18

 

CMYK 44 / 0 / 87 / 22

HEX #6EC61A

RGB 110 198 26

HSL 90.7, 0.77%, 0.44%

LAB 72.08, -51.74, 68.05

 

CMYK 38 / 0 / 76 / 29

HEX #6FB42C

RGB 111 180 44

HSL 90.44, 0.61%, 0.44%

LAB 66.68, -43.29, 58.29

 

CMYK 31 / 0 / 62 / 36

HEX #6FA23E

RGB 111 162 62

HSL 90.6, 0.45%, 0.44%

LAB 61.28, -34, 45.5

 

CMYK 22 / 0 / 44 / 44

HEX #6F8F50

RGB 111 143 80

HSL 90.48, 0.28%, 0.44%

LAB 55.69, -22.8, 29.88

 

CMYK 0 / 3 / 97 / 15

HEX #D8D107

RGB 216 209 7

HSL 57.99, 0.94%, 0.44%

LAB 81.96, -15.5, 81.36

 

CMYK 23 / 0 / 97 / 15

HEX #A7D807

RGB 167 216 7

HSL 74.07, 0.94%, 0.44%

LAB 80.37, -39.05, 78.61

 

CMYK 48 / 0 / 97 / 15

HEX #70D807

RGB 112 216 7

HSL 89.86, 0.94%, 0.44%

LAB 77.62, -58.35, 75.27

 

CMYK 74 / 0 / 97 / 15

HEX #38D807

RGB 56 216 7

HSL 105.93, 0.94%, 0.44%

LAB 76.05, -71.26, 73.35

 

CMYK 97 / 0 / 94 / 15

HEX #07D80E

RGB 7 216 14

HSL 122.01, 0.94%, 0.44%

LAB 75.57, -75.52, 72.04

 

CMYK 49 / 0 / 97 / 47

HEX #458804

RGB 69 136 4

HSL 90.45, 0.94%, 0.27%

LAB 50.55, -41.14, 53.25

 

CMYK 49 / 0 / 97 / 31

HEX #5AB006

RGB 90 176 6

HSL 90.35, 0.93%, 0.36%

LAB 64.35, -50.07, 64.4

 

CMYK 49 / 0 / 97 / 15

HEX #6ED807

RGB 110 216 7

HSL 90.43, 0.94%, 0.44%

LAB 77.54, -58.94, 75.18

 

CMYK 47 / 0 / 92 / 4

HEX #83F613

RGB 131 246 19

HSL 90.4, 0.93%, 0.52%

LAB 87.38, -63.46, 82.24

 

CMYK 38 / 0 / 76 / 3

HEX #98F73B

RGB 152 247 59

HSL 90.32, 0.92%, 0.6%

LAB 88.69, -55.87, 75.29

 

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

CMYK 97 / 0 / 29 / 15

HEX #07D899

RGB 7 216 153

HSL 161.91, 0.94%, 0.44%

LAB 76.95, -58.75, 18.88

 

CMYK 0 / 97 / 10 / 15

HEX #D807C3

RGB 216 7 195

HSL 306.03, 0.94%, 0.44%

LAB 50.32, 83.25, -43.19

 

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

CMYK 97 / 48 / 0 / 15

HEX #0770D8

RGB 7 112 216

HSL 209.86, 0.94%, 0.44%

LAB 47.74, 13.85, -60.39

 

CMYK 0 / 97 / 48 / 15

HEX #D80770

RGB 216 7 112

HSL 329.86, 0.94%, 0.44%

LAB 46.87, 74.36, 1.23

 

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

CMYK 97 / 0 / 29 / 15

HEX #07D899

RGB 7 216 153

HSL 161.91, 0.94%, 0.44%

LAB 76.95, -58.75, 18.88

 

CMYK 48 / 97 / 0 / 15

HEX #7007D8

RGB 112 7 216

HSL 270.14, 0.94%, 0.44%

LAB 35.11, 72.82, -80.8

 

CMYK 0 / 97 / 68 / 15

HEX #D80746

RGB 216 7 70

HSL 341.91, 0.94%, 0.44%

LAB 45.9, 71.73, 25.95

 

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

CMYK 97 / 0 / 0 / 15

HEX #07D8D8

RGB 7 216 216

HSL 180, 0.94%, 0.44%

LAB 78.53, -42.24, -12.43

 

CMYK 48 / 97 / 0 / 15

HEX #7007D8

RGB 112 7 216

HSL 270.14, 0.94%, 0.44%

LAB 35.11, 72.82, -80.8

 

CMYK 0 / 97 / 97 / 15

HEX #D80707

RGB 216 7 7

HSL 0, 0.94%, 0.44%

LAB 45.31, 70.12, 57.21

 

Description

Color code: HEX #6ED708 | qconv.com Color code: HEX #6ED708 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 215 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 215 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 96 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 96% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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