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Color name
HEX #6EC515

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EC515 it is the complementary color #913AEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EC515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EC515 shade: #73C510, #84D723, #95E936, #A6FB49 and #B7FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EC515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EC515 shade: #6EC515, #5DB302, #4CA100, #3B8F00 and #2A7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EC515 shade: #6EC614, #9EC614, #C6BE14, #C68E14 and #C65E14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EC515 shade: #6EC614, #3EC614, #14C61A, #14C64A and #14C67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EC515 shade matches the following richer shades: #6EC614 and #6ED803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EC515 shade: #6EC614, #6EB426, #6EA238, #6E914A and #6D7F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EC515 shade: #C6BD14, #9FC614, #70C614, #41C614 and #14C617

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EC515 shade: #457B0C, #59A110, #6EC614, #83E71D and #97EB42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EC515 shade: #6EC515, #14C68E and #C614B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EC515 shade: #6EC515, #1470C6 and #C61470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EC515 shade: #6EC515, #14C68E, #6A14C6 and #C6144D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EC515 shade: #6EC515, #14C6C3, #6A14C6 and #C61417

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 89 / 23

HEX #6EC515

RGB 110 197 21

HSL 89.66, 0.81%, 0.43%

LAB 71.76, -51.5, 68.71

 

Complementary color

CMYK 38 / 75 / 0 / 8

HEX #913AEA

RGB 145 58 234

HSL 269.66, 0.81%, 0.57%

LAB 45.62, 67.27, -73.68

 

CMYK 42 / 0 / 92 / 23

HEX #73C510

RGB 115 197 16

HSL 87.18, 0.85%, 0.42%

LAB 71.97, -49.97, 69.77

 

CMYK 39 / 0 / 84 / 16

HEX #84D723

RGB 132 215 35

HSL 87.67, 0.72%, 0.49%

LAB 78.24, -50.87, 71.83

 

CMYK 36 / 0 / 77 / 9

HEX #95E936

RGB 149 233 54

HSL 88.16, 0.8%, 0.56%

LAB 84.45, -51.53, 72.73

 

CMYK 34 / 0 / 71 / 2

HEX #A6FB49

RGB 166 251 73

HSL 88.65, 0.96%, 0.64%

LAB 90.59, -52.01, 72.87

 

CMYK 28 / 0 / 64 / 0

HEX #B7FF5C

RGB 183 255 92

HSL 86.5, 1%, 0.68%

LAB 92.73, -46.49, 68.35

 

CMYK 44 / 0 / 89 / 23

HEX #6EC515

RGB 110 197 21

HSL 89.66, 0.81%, 0.43%

LAB 71.76, -51.5, 68.71

 

CMYK 48 / 0 / 99 / 30

HEX #5DB302

RGB 93 179 2

HSL 89.15, 0.98%, 0.35%

LAB 65.41, -50.36, 65.8

 

CMYK 53 / 0 / 100 / 37

HEX #4CA100

RGB 76 161 0

HSL 91.68, 1%, 0.32%

LAB 59, -48.78, 60.74

 

CMYK 59 / 0 / 100 / 44

HEX #3B8F00

RGB 59 143 0

HSL 95.24, 1%, 0.28%

LAB 52.48, -46.98, 55.35

 

CMYK 66 / 0 / 100 / 51

HEX #2A7D00

RGB 42 125 0

HSL 99.84, 1%, 0.25%

LAB 45.85, -44.88, 49.88

 

CMYK 44 / 0 / 90 / 22

HEX #6EC614

RGB 110 198 20

HSL 89.66, 0.82%, 0.43%

LAB 72.06, -51.91, 69.14

 

CMYK 20 / 0 / 90 / 22

HEX #9EC614

RGB 158 198 20

HSL 73.48, 0.82%, 0.43%

LAB 74.64, -34.3, 72.31

 

CMYK 0 / 4 / 90 / 22

HEX #C6BE14

RGB 198 190 20

HSL 57.3, 0.82%, 0.43%

LAB 75.38, -13.55, 74.16

 

CMYK 0 / 28 / 90 / 22

HEX #C68E14

RGB 198 142 20

HSL 41.12, 0.82%, 0.43%

LAB 62.85, 11.88, 64.42

 

CMYK 0 / 53 / 90 / 22

HEX #C65E14

RGB 198 94 20

HSL 24.94, 0.82%, 0.43%

LAB 51.91, 37.67, 56.08

 

CMYK 44 / 0 / 90 / 22

HEX #6EC614

RGB 110 198 20

HSL 89.66, 0.82%, 0.43%

LAB 72.06, -51.91, 69.14

 

CMYK 69 / 0 / 90 / 22

HEX #3EC614

RGB 62 198 20

HSL 105.84, 0.82%, 0.43%

LAB 70.5, -64.42, 67.19

 

CMYK 90 / 0 / 87 / 22

HEX #14C61A

RGB 20 198 26

HSL 122.02, 0.82%, 0.43%

LAB 69.9, -69.6, 65.31

 

CMYK 90 / 0 / 63 / 22

HEX #14C64A

RGB 20 198 74

HSL 138.2, 0.82%, 0.43%

LAB 70.2, -65.86, 49.5

 

CMYK 90 / 0 / 38 / 22

HEX #14C67A

RGB 20 198 122

HSL 154.38, 0.82%, 0.43%

LAB 70.83, -58.26, 26.84

 

CMYK 44 / 0 / 90 / 22

HEX #6EC614

RGB 110 198 20

HSL 89.66, 0.82%, 0.43%

LAB 72.06, -51.91, 69.14

 

CMYK 49 / 0 / 99 / 15

HEX #6ED803

RGB 110 216 3

HSL 89.86, 0.97%, 0.43%

LAB 77.54, -59, 75.55

 

CMYK 44 / 0 / 90 / 22

HEX #6EC614

RGB 110 198 20

HSL 89.66, 0.82%, 0.43%

LAB 72.06, -51.91, 69.14

 

CMYK 39 / 0 / 79 / 29

HEX #6EB426

RGB 110 180 38

HSL 89.58, 0.65%, 0.43%

LAB 66.59, -43.97, 60.12

 

CMYK 32 / 0 / 65 / 36

HEX #6EA238

RGB 110 162 56

HSL 89.43, 0.49%, 0.43%

LAB 61.17, -34.91, 48.02

 

CMYK 24 / 0 / 49 / 43

HEX #6E914A

RGB 110 145 74

HSL 89.58, 0.32%, 0.43%

LAB 56.15, -24.96, 33.6

 

CMYK 14 / 0 / 28 / 50

HEX #6D7F5B

RGB 109 127 91

HSL 90, 0.17%, 0.43%

LAB 50.9, -13.54, 17.46

 

CMYK 0 / 5 / 90 / 22

HEX #C6BD14

RGB 198 189 20

HSL 56.97, 0.82%, 0.43%

LAB 75.11, -13.05, 73.95

 

CMYK 20 / 0 / 90 / 22

HEX #9FC614

RGB 159 198 20

HSL 73.15, 0.82%, 0.43%

LAB 74.7, -33.89, 72.39

 

CMYK 43 / 0 / 90 / 22

HEX #70C614

RGB 112 198 20

HSL 88.99, 0.82%, 0.43%

LAB 72.15, -51.27, 69.24

 

CMYK 67 / 0 / 90 / 22

HEX #41C614

RGB 65 198 20

HSL 104.83, 0.82%, 0.43%

LAB 70.57, -63.83, 67.28

 

CMYK 90 / 0 / 88 / 22

HEX #14C617

RGB 20 198 23

HSL 121.01, 0.82%, 0.43%

LAB 69.89, -69.71, 65.89

 

CMYK 44 / 0 / 90 / 52

HEX #457B0C

RGB 69 123 12

HSL 89.19, 0.82%, 0.26%

LAB 46.25, -35.46, 48.13

 

CMYK 45 / 0 / 90 / 37

HEX #59A110

RGB 89 161 16

HSL 89.79, 0.82%, 0.35%

LAB 59.57, -44.26, 59

 

CMYK 44 / 0 / 90 / 22

HEX #6EC614

RGB 110 198 20

HSL 89.66, 0.82%, 0.43%

LAB 72.06, -51.91, 69.14

 

CMYK 43 / 0 / 87 / 9

HEX #83E71D

RGB 131 231 29

HSL 89.7, 0.81%, 0.51%

LAB 82.95, -57.65, 77.08

 

CMYK 36 / 0 / 72 / 8

HEX #97EB42

RGB 151 235 66

HSL 89.82, 0.81%, 0.59%

LAB 85.19, -51, 69.65

 

CMYK 44 / 0 / 89 / 23

HEX #6EC515

RGB 110 197 21

HSL 89.66, 0.81%, 0.43%

LAB 71.76, -51.5, 68.71

 

CMYK 90 / 0 / 28 / 22

HEX #14C68E

RGB 20 198 142

HSL 161.12, 0.82%, 0.43%

LAB 71.21, -53.98, 16.76

 

CMYK 0 / 90 / 8 / 22

HEX #C614B7

RGB 198 20 183

HSL 305.06, 0.82%, 0.43%

LAB 46.88, 77.13, -41.86

 

CMYK 44 / 0 / 89 / 23

HEX #6EC515

RGB 110 197 21

HSL 89.66, 0.81%, 0.43%

LAB 71.76, -51.5, 68.71

 

CMYK 90 / 43 / 0 / 22

HEX #1470C6

RGB 20 112 198

HSL 208.99, 0.82%, 0.43%

LAB 46.73, 7.27, -51.72

 

CMYK 0 / 90 / 43 / 22

HEX #C61470

RGB 198 20 112

HSL 328.99, 0.82%, 0.43%

LAB 43.76, 68.89, -3.75

 

CMYK 44 / 0 / 89 / 23

HEX #6EC515

RGB 110 197 21

HSL 89.66, 0.81%, 0.43%

LAB 71.76, -51.5, 68.71

 

CMYK 90 / 0 / 28 / 22

HEX #14C68E

RGB 20 198 142

HSL 161.12, 0.82%, 0.43%

LAB 71.21, -53.98, 16.76

 

CMYK 46 / 90 / 0 / 22

HEX #6A14C6

RGB 106 20 198

HSL 268.99, 0.82%, 0.43%

LAB 33.23, 66.11, -73.48

 

CMYK 0 / 90 / 61 / 22

HEX #C6144D

RGB 198 20 77

HSL 340.79, 0.82%, 0.43%

LAB 42.83, 66.28, 16.87

 

CMYK 44 / 0 / 89 / 23

HEX #6EC515

RGB 110 197 21

HSL 89.66, 0.81%, 0.43%

LAB 71.76, -51.5, 68.71

 

CMYK 90 / 0 / 2 / 22

HEX #14C6C3

RGB 20 198 195

HSL 178.99, 0.82%, 0.43%

LAB 72.55, -39.98, -10.03

 

CMYK 46 / 90 / 0 / 22

HEX #6A14C6

RGB 106 20 198

HSL 268.99, 0.82%, 0.43%

LAB 33.23, 66.11, -73.48

 

CMYK 0 / 90 / 88 / 22

HEX #C61417

RGB 198 20 23

HSL 358.99, 0.82%, 0.43%

LAB 42.1, 64.23, 47.52

 

Description

Color code: HEX #6EC515 | qconv.com Color code: HEX #6EC515 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 197 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 197 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 89% 23% C M Y K

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Provide designers and agencies with accurate color values.

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