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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6EA10D it is the complementary color #915EF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6EA10D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6EA10D shade: #73A108, #84B31B, #95C52E, #A6D741 and #B7E954

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6EA10D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6EA10D shade: #6EA10D, #5D8F00, #4C7D00, #3B6B00 and #2A5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6EA10D shade: #6DA00D, #95A00D, #A0830D, #A05B0D and #A0340D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6EA10D shade: #6DA00D, #45A00D, #1EA00D, #0DA023 and #0DA04B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6EA10D shade matches the following richer shades: #6DA00D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6EA10D shade: #6DA00D, #69921B, #648429, #607637 and #5C6845

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6EA10D shade: #A0820D, #96A00D, #6FA00D, #47A00D and #20A00D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6EA10D shade: #395406, #537A09, #6DA00D, #87C610 and #A1EB13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6EA10D shade: #6EA10D, #0DA05B and #960DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6EA10D shade: #6EA10D, #0D6FA0 and #A00D6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6EA10D shade: #6EA10D, #0DA05B, #3E0DA0 and #A00D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6EA10D shade: #6EA10D, #0DA087, #3E0DA0 and #A00D25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 92 / 37

HEX #6EA10D

RGB 110 161 13

HSL 80.68, 0.85%, 0.34%

LAB 60.63, -36.7, 60.84

 

Complementary color

CMYK 40 / 61 / 0 / 5

HEX #915EF2

RGB 145 94 242

HSL 260.68, 0.85%, 0.66%

LAB 52.33, 52.26, -67.27

 

CMYK 29 / 0 / 95 / 37

HEX #73A108

RGB 115 161 8

HSL 78.04, 0.91%, 0.33%

LAB 60.92, -34.84, 61.91

 

CMYK 26 / 0 / 85 / 30

HEX #84B31B

RGB 132 179 27

HSL 78.55, 0.74%, 0.4%

LAB 67.45, -35.8, 64.29

 

CMYK 24 / 0 / 77 / 23

HEX #95C52E

RGB 149 197 46

HSL 79.07, 0.62%, 0.48%

LAB 73.88, -36.52, 65.24

 

CMYK 23 / 0 / 70 / 16

HEX #A6D741

RGB 166 215 65

HSL 79.6, 0.65%, 0.55%

LAB 80.23, -37.05, 65.3

 

CMYK 21 / 0 / 64 / 9

HEX #B7E954

RGB 183 233 84

HSL 80.13, 0.77%, 0.62%

LAB 86.5, -37.45, 64.85

 

CMYK 32 / 0 / 92 / 37

HEX #6EA10D

RGB 110 161 13

HSL 80.68, 0.85%, 0.34%

LAB 60.63, -36.7, 60.84

 

CMYK 35 / 0 / 100 / 44

HEX #5D8F00

RGB 93 143 0

HSL 80.98, 1%, 0.28%

LAB 54, -35.55, 57.18

 

CMYK 39 / 0 / 100 / 51

HEX #4C7D00

RGB 76 125 0

HSL 83.52, 1%, 0.25%

LAB 47.24, -34.1, 51.56

 

CMYK 45 / 0 / 100 / 58

HEX #3B6B00

RGB 59 107 0

HSL 86.92, 1%, 0.21%

LAB 40.32, -32.57, 45.81

 

CMYK 53 / 0 / 100 / 65

HEX #2A5900

RGB 42 89 0

HSL 91.69, 1%, 0.17%

LAB 33.22, -30.89, 39.91

 

CMYK 32 / 0 / 92 / 37

HEX #6DA00D

RGB 109 160 13

HSL 80.82, 0.85%, 0.34%

LAB 60.27, -36.64, 60.51

 

CMYK 7 / 0 / 92 / 37

HEX #95A00D

RGB 149 160 13

HSL 64.49, 0.85%, 0.34%

LAB 62.98, -19.9, 63.83

 

CMYK 0 / 18 / 92 / 37

HEX #A0830D

RGB 160 131 13

HSL 48.16, 0.85%, 0.34%

LAB 55.82, 0.58, 58.66

 

CMYK 0 / 43 / 92 / 37

HEX #A05B0D

RGB 160 91 13

HSL 31.84, 0.85%, 0.34%

LAB 45.61, 23.2, 50.88

 

CMYK 0 / 68 / 92 / 37

HEX #A0340D

RGB 160 52 13

HSL 15.92, 0.85%, 0.34%

LAB 37.77, 43.15, 45.08

 

CMYK 32 / 0 / 92 / 37

HEX #6DA00D

RGB 109 160 13

HSL 80.82, 0.85%, 0.34%

LAB 60.27, -36.64, 60.51

 

CMYK 57 / 0 / 92 / 37

HEX #45A00D

RGB 69 160 13

HSL 97.14, 0.85%, 0.34%

LAB 58.45, -50.11, 58.26

 

CMYK 81 / 0 / 92 / 37

HEX #1EA00D

RGB 30 160 13

HSL 113.06, 0.85%, 0.34%

LAB 57.51, -58.05, 57.09

 

CMYK 92 / 0 / 78 / 37

HEX #0DA023

RGB 13 160 35

HSL 128.98, 0.85%, 0.34%

LAB 57.41, -58.56, 51.34

 

CMYK 92 / 0 / 53 / 37

HEX #0DA04B

RGB 13 160 75

HSL 145.31, 0.85%, 0.34%

LAB 57.78, -53.94, 34.39

 

CMYK 32 / 0 / 92 / 37

HEX #6DA00D

RGB 109 160 13

HSL 80.82, 0.85%, 0.34%

LAB 60.27, -36.64, 60.51

 

CMYK 32 / 0 / 92 / 37

HEX #6DA00D

RGB 109 160 13

HSL 80.82, 0.85%, 0.34%

LAB 60.27, -36.64, 60.51

 

CMYK 28 / 0 / 82 / 43

HEX #69921B

RGB 105 146 27

HSL 80.67, 0.69%, 0.34%

LAB 55.73, -31.36, 53.31

 

CMYK 24 / 0 / 69 / 48

HEX #648429

RGB 100 132 41

HSL 81.1, 0.53%, 0.34%

LAB 51.12, -25.84, 43.61

 

CMYK 19 / 0 / 53 / 54

HEX #607637

RGB 96 118 55

HSL 80.95, 0.36%, 0.34%

LAB 46.6, -19.07, 31.76

 

CMYK 12 / 0 / 34 / 59

HEX #5C6845

RGB 92 104 69

HSL 80.57, 0.2%, 0.34%

LAB 42.16, -11.26, 18.25

 

CMYK 0 / 19 / 92 / 37

HEX #A0820D

RGB 160 130 13

HSL 47.76, 0.85%, 0.34%

LAB 55.55, 1.13, 58.46

 

CMYK 6 / 0 / 92 / 37

HEX #96A00D

RGB 150 160 13

HSL 64.08, 0.85%, 0.34%

LAB 63.06, -19.46, 63.92

 

CMYK 31 / 0 / 92 / 37

HEX #6FA00D

RGB 111 160 13

HSL 80, 0.85%, 0.34%

LAB 60.38, -35.86, 60.65

 

CMYK 56 / 0 / 92 / 37

HEX #47A00D

RGB 71 160 13

HSL 96.33, 0.85%, 0.34%

LAB 58.52, -49.55, 58.35

 

CMYK 80 / 0 / 92 / 37

HEX #20A00D

RGB 32 160 13

HSL 112.24, 0.85%, 0.34%

LAB 57.54, -57.79, 57.13

 

CMYK 32 / 0 / 93 / 67

HEX #395406

RGB 57 84 6

HSL 80.77, 0.87%, 0.18%

LAB 32.31, -22.27, 37.48

 

CMYK 32 / 0 / 93 / 52

HEX #537A09

RGB 83 122 9

HSL 80.71, 0.86%, 0.26%

LAB 46.68, -29.69, 49.42

 

CMYK 32 / 0 / 92 / 37

HEX #6DA00D

RGB 109 160 13

HSL 80.82, 0.85%, 0.34%

LAB 60.27, -36.64, 60.51

 

CMYK 32 / 0 / 92 / 22

HEX #87C610

RGB 135 198 16

HSL 80.77, 0.85%, 0.42%

LAB 73.27, -43.3, 71.24

 

CMYK 31 / 0 / 92 / 8

HEX #A1EB13

RGB 161 235 19

HSL 80.56, 0.85%, 0.5%

LAB 85.52, -49.29, 81.31

 

CMYK 32 / 0 / 92 / 37

HEX #6EA10D

RGB 110 161 13

HSL 80.68, 0.85%, 0.34%

LAB 60.63, -36.7, 60.84

 

CMYK 92 / 0 / 43 / 37

HEX #0DA05B

RGB 13 160 91

HSL 151.84, 0.85%, 0.34%

LAB 58.02, -51.12, 26.34

 

CMYK 6 / 92 / 0 / 37

HEX #960DA0

RGB 150 13 160

HSL 295.92, 0.85%, 0.34%

LAB 36.57, 66.08, -45.11

 

CMYK 32 / 0 / 92 / 37

HEX #6EA10D

RGB 110 161 13

HSL 80.68, 0.85%, 0.34%

LAB 60.63, -36.7, 60.84

 

CMYK 92 / 31 / 0 / 37

HEX #0D6FA0

RGB 13 111 160

HSL 200, 0.85%, 0.34%

LAB 44.22, -7.39, -33.58

 

CMYK 0 / 92 / 31 / 37

HEX #A00D6F

RGB 160 13 111

HSL 320, 0.85%, 0.34%

LAB 35.81, 61.19, -15.85

 

CMYK 32 / 0 / 92 / 37

HEX #6EA10D

RGB 110 161 13

HSL 80.68, 0.85%, 0.34%

LAB 60.63, -36.7, 60.84

 

CMYK 92 / 0 / 43 / 37

HEX #0DA05B

RGB 13 160 91

HSL 151.84, 0.85%, 0.34%

LAB 58.02, -51.12, 26.34

 

CMYK 61 / 92 / 0 / 37

HEX #3E0DA0

RGB 62 13 160

HSL 260, 0.85%, 0.34%

LAB 23.17, 54.55, -67.56

 

CMYK 0 / 92 / 49 / 37

HEX #A00D51

RGB 160 13 81

HSL 332.24, 0.85%, 0.34%

LAB 34.71, 58.21, 1.8

 

CMYK 32 / 0 / 92 / 37

HEX #6EA10D

RGB 110 161 13

HSL 80.68, 0.85%, 0.34%

LAB 60.63, -36.7, 60.84

 

CMYK 92 / 0 / 16 / 37

HEX #0DA087

RGB 13 160 135

HSL 169.8, 0.85%, 0.34%

LAB 58.95, -40.75, 3.23

 

CMYK 61 / 92 / 0 / 37

HEX #3E0DA0

RGB 62 13 160

HSL 260, 0.85%, 0.34%

LAB 23.17, 54.55, -67.56

 

CMYK 0 / 92 / 77 / 37

HEX #A00D25

RGB 160 13 37

HSL 350.2, 0.85%, 0.34%

LAB 33.76, 55.55, 29.07

 

Description

Color code: HEX #6EA10D | qconv.com Color code: HEX #6EA10D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 161 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 161 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 92 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 92% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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