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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E9D37 it is the complementary color #9162C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E9D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E9D37 shade: #739D32, #84AF45, #95C158, #A6D36B and #B7E57E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E9D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E9D37 shade: #6E9D37, #5D8B24, #4C7911, #3B6700 and #2A5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E9D37 shade: #6F9E37, #8A9E37, #9E9637, #9E7A37 and #9E5E37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E9D37 shade: #6F9E37, #539E37, #379E37, #379E53 and #379E6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E9D37 shade matches the following richer shades: #6F9E37, #70AF26, #71C115 and #73D203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E9D37 shade: #6F9E37, #6D8D49, #6C7B5A, #6B6A6B and #69597D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E9D37 shade: #9E9537, #8B9E37, #709E37, #549E37 and #399E37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E9D37 shade: #446122, #597F2C, #6F9E37, #84BC42 and #98C761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E9D37 shade: #6E9D37, #379E7A and #9E3799

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E9D37 shade: #6E9D37, #37709E and #9E3770

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E9D37 shade: #6E9D37, #379E7A, #65379E and #9E375B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E9D37 shade: #6E9D37, #379E99, #65379E and #9E373C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 65 / 38

HEX #6E9D37

RGB 110 157 55

HSL 87.65, 0.48%, 0.42%

LAB 59.62, -32.69, 46.78

 

Complementary color

CMYK 28 / 51 / 0 / 22

HEX #9162C8

RGB 145 98 200

HSL 267.65, 0.48%, 0.58%

LAB 50.6, 39.45, -46.27

 

CMYK 27 / 0 / 68 / 38

HEX #739D32

RGB 115 157 50

HSL 83.55, 0.52%, 0.41%

LAB 59.88, -31.15, 49.28

 

CMYK 25 / 0 / 61 / 31

HEX #84AF45

RGB 132 175 69

HSL 84.34, 0.43%, 0.48%

LAB 66.52, -31.43, 48.53

 

CMYK 23 / 0 / 54 / 24

HEX #95C158

RGB 149 193 88

HSL 85.14, 0.46%, 0.55%

LAB 73.05, -31.6, 47.52

 

CMYK 21 / 0 / 49 / 17

HEX #A6D36B

RGB 166 211 107

HSL 85.96, 0.54%, 0.62%

LAB 79.48, -31.68, 46.41

 

CMYK 20 / 0 / 45 / 10

HEX #B7E57E

RGB 183 229 126

HSL 86.8, 0.66%, 0.7%

LAB 85.81, -31.71, 45.27

 

CMYK 30 / 0 / 65 / 38

HEX #6E9D37

RGB 110 157 55

HSL 87.65, 0.48%, 0.42%

LAB 59.62, -32.69, 46.78

 

CMYK 33 / 0 / 74 / 45

HEX #5D8B24

RGB 93 139 36

HSL 86.8, 0.59%, 0.34%

LAB 52.86, -32.35, 47.27

 

CMYK 37 / 0 / 86 / 53

HEX #4C7911

RGB 76 121 17

HSL 85.96, 0.75%, 0.27%

LAB 45.98, -31.74, 46.78

 

CMYK 43 / 0 / 100 / 60

HEX #3B6700

RGB 59 103 0

HSL 85.63, 1%, 0.2%

LAB 38.95, -30.79, 44.74

 

CMYK 51 / 0 / 100 / 67

HEX #2A5500

RGB 42 85 0

HSL 90.35, 1%, 0.17%

LAB 31.78, -29.14, 38.79

 

CMYK 30 / 0 / 65 / 38

HEX #6F9E37

RGB 111 158 55

HSL 87.38, 0.48%, 0.42%

LAB 59.99, -32.78, 47.2

 

CMYK 13 / 0 / 65 / 38

HEX #8A9E37

RGB 138 158 55

HSL 71.65, 0.48%, 0.42%

LAB 61.77, -21.85, 49.63

 

CMYK 0 / 5 / 65 / 38

HEX #9E9637

RGB 158 150 55

HSL 55.34, 0.48%, 0.42%

LAB 61.1, -9, 49.41

 

CMYK 0 / 23 / 65 / 38

HEX #9E7A37

RGB 158 122 55

HSL 39.03, 0.48%, 0.42%

LAB 53.45, 6.46, 41.14

 

CMYK 0 / 41 / 65 / 38

HEX #9E5E37

RGB 158 94 55

HSL 22.72, 0.48%, 0.42%

LAB 46.38, 22.41, 33.06

 

CMYK 30 / 0 / 65 / 38

HEX #6F9E37

RGB 111 158 55

HSL 87.38, 0.48%, 0.42%

LAB 59.99, -32.78, 47.2

 

CMYK 47 / 0 / 65 / 38

HEX #539E37

RGB 83 158 55

HSL 103.69, 0.48%, 0.42%

LAB 58.57, -42.6, 45.25

 

CMYK 65 / 0 / 65 / 38

HEX #379E37

RGB 55 158 55

HSL 120, 0.48%, 0.42%

LAB 57.6, -50.12, 43.9

 

CMYK 65 / 0 / 47 / 38

HEX #379E53

RGB 55 158 83

HSL 136.31, 0.48%, 0.42%

LAB 57.93, -46.31, 30.6

 

CMYK 65 / 0 / 30 / 38

HEX #379E6F

RGB 55 158 111

HSL 152.62, 0.48%, 0.42%

LAB 58.43, -40.92, 16.06

 

CMYK 30 / 0 / 65 / 38

HEX #6F9E37

RGB 111 158 55

HSL 87.38, 0.48%, 0.42%

LAB 59.99, -32.78, 47.2

 

CMYK 36 / 0 / 78 / 31

HEX #70AF26

RGB 112 175 38

HSL 87.59, 0.64%, 0.42%

LAB 65.16, -41.14, 58.81

 

CMYK 41 / 0 / 89 / 24

HEX #71C115

RGB 113 193 21

HSL 87.91, 0.8%, 0.42%

LAB 70.67, -48.93, 67.85

 

CMYK 45 / 0 / 99 / 18

HEX #73D203

RGB 115 210 3

HSL 87.54, 0.97%, 0.42%

LAB 75.91, -55.24, 74.36

 

CMYK 30 / 0 / 65 / 38

HEX #6F9E37

RGB 111 158 55

HSL 87.38, 0.48%, 0.42%

LAB 59.99, -32.78, 47.2

 

CMYK 23 / 0 / 48 / 45

HEX #6D8D49

RGB 109 141 73

HSL 88.24, 0.32%, 0.42%

LAB 54.85, -23.47, 32.51

 

CMYK 12 / 0 / 27 / 52

HEX #6C7B5A

RGB 108 123 90

HSL 87.27, 0.15%, 0.42%

LAB 49.61, -11.92, 16.26

 

CMYK 0 / 1 / 0 / 58

HEX #6B6A6B

RGB 107 106 107

HSL 300, 0%, 0.42%

LAB 44.94, 0.59, -0.43

 

CMYK 16 / 29 / 0 / 51

HEX #69597D

RGB 105 89 125

HSL 266.67, 0.17%, 0.42%

LAB 40.62, 14.22, -17.85

 

CMYK 0 / 6 / 65 / 38

HEX #9E9537

RGB 158 149 55

HSL 54.76, 0.48%, 0.42%

LAB 60.82, -8.47, 49.12

 

CMYK 12 / 0 / 65 / 38

HEX #8B9E37

RGB 139 158 55

HSL 71.07, 0.48%, 0.42%

LAB 61.84, -21.42, 49.73

 

CMYK 29 / 0 / 65 / 38

HEX #709E37

RGB 112 158 55

HSL 86.8, 0.48%, 0.42%

LAB 60.05, -32.39, 47.28

 

CMYK 47 / 0 / 65 / 38

HEX #549E37

RGB 84 158 55

HSL 103.11, 0.48%, 0.42%

LAB 58.62, -42.29, 45.31

 

CMYK 64 / 0 / 65 / 38

HEX #399E37

RGB 57 158 55

HSL 118.83, 0.48%, 0.42%

LAB 57.65, -49.68, 43.98

 

CMYK 30 / 0 / 65 / 62

HEX #446122

RGB 68 97 34

HSL 87.62, 0.48%, 0.26%

LAB 37.65, -22.2, 31.72

 

CMYK 30 / 0 / 65 / 50

HEX #597F2C

RGB 89 127 44

HSL 87.47, 0.49%, 0.34%

LAB 48.86, -27.62, 39.66

 

CMYK 30 / 0 / 65 / 38

HEX #6F9E37

RGB 111 158 55

HSL 87.38, 0.48%, 0.42%

LAB 59.99, -32.78, 47.2

 

CMYK 30 / 0 / 65 / 26

HEX #84BC42

RGB 132 188 66

HSL 87.54, 0.48%, 0.5%

LAB 70.36, -37.66, 54.04

 

CMYK 24 / 0 / 51 / 22

HEX #98C761

RGB 152 199 97

HSL 87.65, 0.48%, 0.58%

LAB 75.07, -32.35, 45.69

 

CMYK 30 / 0 / 65 / 38

HEX #6E9D37

RGB 110 157 55

HSL 87.65, 0.48%, 0.42%

LAB 59.62, -32.69, 46.78

 

CMYK 65 / 0 / 23 / 38

HEX #379E7A

RGB 55 158 122

HSL 159.03, 0.48%, 0.42%

LAB 58.67, -38.4, 10.24

 

CMYK 0 / 65 / 3 / 38

HEX #9E3799

RGB 158 55 153

HSL 302.91, 0.48%, 0.42%

LAB 41.69, 54.64, -32.66

 

CMYK 30 / 0 / 65 / 38

HEX #6E9D37

RGB 110 157 55

HSL 87.65, 0.48%, 0.42%

LAB 59.62, -32.69, 46.78

 

CMYK 65 / 29 / 0 / 38

HEX #37709E

RGB 55 112 158

HSL 206.8, 0.48%, 0.42%

LAB 45.45, -3.75, -30.4

 

CMYK 0 / 65 / 29 / 38

HEX #9E3770

RGB 158 55 112

HSL 326.8, 0.48%, 0.42%

LAB 39.87, 48.39, -10.34

 

CMYK 30 / 0 / 65 / 38

HEX #6E9D37

RGB 110 157 55

HSL 87.65, 0.48%, 0.42%

LAB 59.62, -32.69, 46.78

 

CMYK 65 / 0 / 23 / 38

HEX #379E7A

RGB 55 158 122

HSL 159.03, 0.48%, 0.42%

LAB 58.67, -38.4, 10.24

 

CMYK 36 / 65 / 0 / 38

HEX #65379E

RGB 101 55 158

HSL 266.8, 0.48%, 0.42%

LAB 33.92, 41.83, -48.56

 

CMYK 0 / 65 / 42 / 38

HEX #9E375B

RGB 158 55 91

HSL 339.03, 0.48%, 0.42%

LAB 39.17, 45.87, 1.8

 

CMYK 30 / 0 / 65 / 38

HEX #6E9D37

RGB 110 157 55

HSL 87.65, 0.48%, 0.42%

LAB 59.62, -32.69, 46.78

 

CMYK 65 / 0 / 3 / 38

HEX #379E99

RGB 55 158 153

HSL 177.09, 0.48%, 0.42%

LAB 59.49, -30.25, -6.09

 

CMYK 36 / 65 / 0 / 38

HEX #65379E

RGB 101 55 158

HSL 266.8, 0.48%, 0.42%

LAB 33.92, 41.83, -48.56

 

CMYK 0 / 65 / 62 / 38

HEX #9E373C

RGB 158 55 60

HSL 357.09, 0.48%, 0.42%

LAB 38.42, 43.1, 20.31

 

Description

Color code: HEX #6E9D37 | qconv.com Color code: HEX #6E9D37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 157 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 157 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 65 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 65% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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