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Color name
HEX #6E9D30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E9D30 it is the complementary color #9162CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E9D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E9D30 shade: #739D2B, #84AF3E, #95C151, #A6D364 and #B7E577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E9D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E9D30 shade: #6E9D30, #5D8B1D, #4C790A, #3B6700 and #2A5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E9D30 shade: #6D9C2F, #8A9C2F, #9C902F, #9C732F and #9C562F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E9D30 shade: #6D9C2F, #509C2F, #339C2F, #2F9C49 and #2F9C67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E9D30 shade matches the following richer shades: #6D9C2F, #6FAC1F and #71BD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E9D30 shade: #6D9C2F, #6B8B40, #687B50, #666A61 and #645A71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E9D30 shade: #9C8F2F, #8B9C2F, #6F9C2F, #529C2F and #359C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E9D30 shade: #415C1C, #577C26, #6D9C2F, #83BB39 and #97CA54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E9D30 shade: #6E9D30, #2F9C72 and #9C2F9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E9D30 shade: #6E9D30, #2F6F9C and #9C2F6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E9D30 shade: #6E9D30, #2F9C72, #5C2F9C and #9C2F59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E9D30 shade: #6E9D30, #2F9C93, #5C2F9C and #9C2F38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 69 / 38

HEX #6E9D30

RGB 110 157 48

HSL 85.87, 0.53%, 0.4%

LAB 59.56, -33.25, 49.67

 

Complementary color

CMYK 30 / 53 / 0 / 19

HEX #9162CF

RGB 145 98 207

HSL 265.87, 0.53%, 0.6%

LAB 50.99, 41.18, -49.65

 

CMYK 27 / 0 / 73 / 38

HEX #739D2B

RGB 115 157 43

HSL 82.11, 0.57%, 0.39%

LAB 59.83, -31.63, 51.99

 

CMYK 25 / 0 / 65 / 31

HEX #84AF3E

RGB 132 175 62

HSL 82.83, 0.48%, 0.46%

LAB 66.45, -32.02, 51.52

 

CMYK 23 / 0 / 58 / 24

HEX #95C151

RGB 149 193 81

HSL 83.57, 0.47%, 0.54%

LAB 72.97, -32.26, 50.67

 

CMYK 21 / 0 / 53 / 17

HEX #A6D364

RGB 166 211 100

HSL 84.32, 0.56%, 0.61%

LAB 79.39, -32.41, 49.63

 

CMYK 20 / 0 / 48 / 10

HEX #B7E577

RGB 183 229 119

HSL 85.09, 0.68%, 0.68%

LAB 85.72, -32.49, 48.53

 

CMYK 30 / 0 / 69 / 38

HEX #6E9D30

RGB 110 157 48

HSL 85.87, 0.53%, 0.4%

LAB 59.56, -33.25, 49.67

 

CMYK 33 / 0 / 79 / 45

HEX #5D8B1D

RGB 93 139 29

HSL 85.09, 0.65%, 0.33%

LAB 52.82, -32.77, 49.73

 

CMYK 37 / 0 / 92 / 53

HEX #4C790A

RGB 76 121 10

HSL 84.32, 0.85%, 0.26%

LAB 45.95, -32, 48.44

 

CMYK 43 / 0 / 100 / 60

HEX #3B6700

RGB 59 103 0

HSL 85.63, 1%, 0.2%

LAB 38.95, -30.79, 44.74

 

CMYK 51 / 0 / 100 / 67

HEX #2A5500

RGB 42 85 0

HSL 90.35, 1%, 0.17%

LAB 31.78, -29.14, 38.79

 

CMYK 30 / 0 / 70 / 39

HEX #6D9C2F

RGB 109 156 47

HSL 85.87, 0.54%, 0.4%

LAB 59.19, -33.24, 49.67

 

CMYK 12 / 0 / 70 / 39

HEX #8A9C2F

RGB 138 156 47

HSL 69.91, 0.54%, 0.4%

LAB 61.12, -21.37, 52.26

 

CMYK 0 / 8 / 70 / 39

HEX #9C902F

RGB 156 144 47

HSL 53.39, 0.54%, 0.4%

LAB 59.18, -7.15, 50.78

 

CMYK 0 / 26 / 70 / 39

HEX #9C732F

RGB 156 115 47

HSL 37.43, 0.54%, 0.4%

LAB 51.31, 9.02, 42.62

 

CMYK 0 / 45 / 70 / 39

HEX #9C562F

RGB 156 86 47

HSL 21.47, 0.54%, 0.4%

LAB 44.13, 25.54, 34.77

 

CMYK 30 / 0 / 70 / 39

HEX #6D9C2F

RGB 109 156 47

HSL 85.87, 0.54%, 0.4%

LAB 59.19, -33.24, 49.67

 

CMYK 49 / 0 / 70 / 39

HEX #509C2F

RGB 80 156 47

HSL 101.83, 0.54%, 0.4%

LAB 57.74, -43.44, 47.71

 

CMYK 67 / 0 / 70 / 39

HEX #339C2F

RGB 51 156 47

HSL 117.8, 0.54%, 0.4%

LAB 56.77, -51.07, 46.39

 

CMYK 70 / 0 / 53 / 39

HEX #2F9C49

RGB 47 156 73

HSL 134.31, 0.54%, 0.4%

LAB 56.94, -48.7, 34.48

 

CMYK 70 / 0 / 34 / 39

HEX #2F9C67

RGB 47 156 103

HSL 150.83, 0.54%, 0.4%

LAB 57.43, -43.26, 19.09

 

CMYK 30 / 0 / 70 / 39

HEX #6D9C2F

RGB 109 156 47

HSL 85.87, 0.54%, 0.4%

LAB 59.19, -33.24, 49.67

 

CMYK 35 / 0 / 82 / 33

HEX #6FAC1F

RGB 111 172 31

HSL 85.96, 0.69%, 0.4%

LAB 64.15, -40.55, 59.91

 

CMYK 40 / 0 / 93 / 26

HEX #71BD0E

RGB 113 189 14

HSL 86.06, 0.86%, 0.4%

LAB 69.43, -47.48, 67.93

 

CMYK 30 / 0 / 70 / 39

HEX #6D9C2F

RGB 109 156 47

HSL 85.87, 0.54%, 0.4%

LAB 59.19, -33.24, 49.67

 

CMYK 23 / 0 / 54 / 45

HEX #6B8B40

RGB 107 139 64

HSL 85.6, 0.37%, 0.4%

LAB 53.99, -24.32, 36.09

 

CMYK 15 / 0 / 35 / 52

HEX #687B50

RGB 104 123 80

HSL 86.51, 0.21%, 0.4%

LAB 49.12, -15.11, 21.28

 

CMYK 4 / 0 / 8 / 58

HEX #666A61

RGB 102 106 97

HSL 86.67, 0.04%, 0.4%

LAB 44.23, -3.37, 4.51

 

CMYK 12 / 20 / 0 / 56

HEX #645A71

RGB 100 90 113

HSL 266.09, 0.11%, 0.4%

LAB 39.94, 8.97, -11.59

 

CMYK 0 / 8 / 70 / 39

HEX #9C8F2F

RGB 156 143 47

HSL 52.84, 0.54%, 0.4%

LAB 58.9, -6.61, 50.5

 

CMYK 11 / 0 / 70 / 39

HEX #8B9C2F

RGB 139 156 47

HSL 69.36, 0.54%, 0.4%

LAB 61.2, -20.94, 52.36

 

CMYK 29 / 0 / 70 / 39

HEX #6F9C2F

RGB 111 156 47

HSL 84.77, 0.54%, 0.4%

LAB 59.31, -32.47, 49.83

 

CMYK 47 / 0 / 70 / 39

HEX #529C2F

RGB 82 156 47

HSL 100.73, 0.54%, 0.4%

LAB 57.82, -42.81, 47.83

 

CMYK 66 / 0 / 70 / 39

HEX #359C2F

RGB 53 156 47

HSL 116.7, 0.54%, 0.4%

LAB 56.82, -50.64, 46.46

 

CMYK 29 / 0 / 70 / 64

HEX #415C1C

RGB 65 92 28

HSL 85.31, 0.53%, 0.24%

LAB 35.72, -21.46, 32.46

 

CMYK 30 / 0 / 69 / 51

HEX #577C26

RGB 87 124 38

HSL 85.81, 0.53%, 0.32%

LAB 47.73, -27.48, 41.09

 

CMYK 30 / 0 / 70 / 39

HEX #6D9C2F

RGB 109 156 47

HSL 85.87, 0.54%, 0.4%

LAB 59.19, -33.24, 49.67

 

CMYK 30 / 0 / 70 / 27

HEX #83BB39

RGB 131 187 57

HSL 85.85, 0.53%, 0.48%

LAB 69.94, -38.25, 57.19

 

CMYK 25 / 0 / 58 / 21

HEX #97CA54

RGB 151 202 84

HSL 85.93, 0.53%, 0.56%

LAB 75.74, -35.39, 52.49

 

CMYK 30 / 0 / 69 / 38

HEX #6E9D30

RGB 110 157 48

HSL 85.87, 0.53%, 0.4%

LAB 59.56, -33.25, 49.67

 

CMYK 70 / 0 / 27 / 39

HEX #2F9C72

RGB 47 156 114

HSL 156.88, 0.54%, 0.4%

LAB 57.65, -40.82, 13.27

 

CMYK 0 / 70 / 1 / 39

HEX #9C2F9A

RGB 156 47 154

HSL 301.1, 0.54%, 0.4%

LAB 40.3, 57.46, -35.48

 

CMYK 30 / 0 / 69 / 38

HEX #6E9D30

RGB 110 157 48

HSL 85.87, 0.53%, 0.4%

LAB 59.56, -33.25, 49.67

 

CMYK 70 / 29 / 0 / 39

HEX #2F6F9C

RGB 47 111 156

HSL 204.77, 0.54%, 0.4%

LAB 44.76, -5.24, -30.32

 

CMYK 0 / 70 / 29 / 39

HEX #9C2F6F

RGB 156 47 111

HSL 324.77, 0.54%, 0.4%

LAB 38.29, 50.98, -12.14

 

CMYK 30 / 0 / 69 / 38

HEX #6E9D30

RGB 110 157 48

HSL 85.87, 0.53%, 0.4%

LAB 59.56, -33.25, 49.67

 

CMYK 70 / 0 / 27 / 39

HEX #2F9C72

RGB 47 156 114

HSL 156.88, 0.54%, 0.4%

LAB 57.65, -40.82, 13.27

 

CMYK 41 / 70 / 0 / 39

HEX #5C2F9C

RGB 92 47 156

HSL 264.77, 0.54%, 0.4%

LAB 31.13, 43.64, -51.91

 

CMYK 0 / 70 / 43 / 39

HEX #9C2F59

RGB 156 47 89

HSL 336.88, 0.54%, 0.4%

LAB 37.52, 48.4, 0.63

 

CMYK 30 / 0 / 69 / 38

HEX #6E9D30

RGB 110 157 48

HSL 85.87, 0.53%, 0.4%

LAB 59.56, -33.25, 49.67

 

CMYK 70 / 0 / 6 / 39

HEX #2F9C93

RGB 47 156 147

HSL 175.05, 0.54%, 0.4%

LAB 58.5, -32.25, -4.18

 

CMYK 41 / 70 / 0 / 39

HEX #5C2F9C

RGB 92 47 156

HSL 264.77, 0.54%, 0.4%

LAB 31.13, 43.64, -51.91

 

CMYK 0 / 70 / 64 / 39

HEX #9C2F38

RGB 156 47 56

HSL 355.05, 0.54%, 0.4%

LAB 36.72, 45.59, 20.54

 

Description

Color code: HEX #6E9D30 | qconv.com Color code: HEX #6E9D30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 157 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 157 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 69 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 69% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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