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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E8F19 it is the complementary color #9170E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E8F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E8F19 shade: #738F14, #84A127, #95B33A, #A6C54D and #B7D760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E8F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E8F19 shade: #6E8F19, #5D7D06, #4C6B00, #3B5900 and #2A4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E8F19 shade: #6E8F19, #8D8F19, #8F7019, #8F5019 and #8F3019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E8F19 shade: #6E8F19, #4E8F19, #2E8F19, #198F23 and #198F43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E8F19 shade matches the following richer shades: #6E8F19 and #749C0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E8F19 shade: #6E8F19, #688126, #627334, #5C6642 and #56584F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E8F19 shade: #8F6F19, #8F8F19, #6F8F19, #508F19 and #308F19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E8F19 shade: #38480C, #536B13, #6E8F19, #89B21F and #A4D525

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E8F19 shade: #6E8F19, #198F50 and #7F198F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E8F19 shade: #6E8F19, #196F8F and #8F196F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E8F19 shade: #6E8F19, #198F50, #38198F and #8F1958

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E8F19 shade: #6E8F19, #198F73, #38198F and #8F1934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

Complementary color

CMYK 37 / 51 / 0 / 10

HEX #9170E6

RGB 145 112 230

HSL 256.78, 0.7%, 0.67%

LAB 55.4, 39.18, -55.61

 

CMYK 20 / 0 / 86 / 44

HEX #738F14

RGB 115 143 20

HSL 73.66, 0.75%, 0.32%

LAB 55.42, -26.03, 55.19

 

CMYK 18 / 0 / 76 / 37

HEX #84A127

RGB 132 161 39

HSL 74.26, 0.61%, 0.39%

LAB 62.12, -26.84, 56.04

 

CMYK 17 / 0 / 68 / 30

HEX #95B33A

RGB 149 179 58

HSL 74.88, 0.51%, 0.46%

LAB 68.7, -27.42, 55.88

 

CMYK 16 / 0 / 61 / 23

HEX #A6C54D

RGB 166 197 77

HSL 75.5, 0.51%, 0.54%

LAB 75.19, -27.86, 55.21

 

CMYK 15 / 0 / 55 / 16

HEX #B7D760

RGB 183 215 96

HSL 76.13, 0.6%, 0.61%

LAB 81.57, -28.18, 54.29

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 26 / 0 / 95 / 51

HEX #5D7D06

RGB 93 125 6

HSL 76.13, 0.91%, 0.26%

LAB 48.27, -27.03, 51.57

 

CMYK 29 / 0 / 100 / 58

HEX #4C6B00

RGB 76 107 0

HSL 77.38, 1%, 0.21%

LAB 41.3, -25.7, 46.99

 

CMYK 34 / 0 / 100 / 65

HEX #3B5900

RGB 59 89 0

HSL 80.22, 1%, 0.17%

LAB 34.14, -24.18, 41.03

 

CMYK 41 / 0 / 100 / 72

HEX #2A4700

RGB 42 71 0

HSL 84.51, 1%, 0.14%

LAB 26.73, -22.6, 34.71

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 1 / 0 / 83 / 44

HEX #8D8F19

RGB 141 143 25

HSL 61.02, 0.7%, 0.33%

LAB 57.44, -14.37, 56.41

 

CMYK 0 / 22 / 83 / 44

HEX #8F7019

RGB 143 112 25

HSL 44.24, 0.7%, 0.33%

LAB 48.88, 3.68, 48.97

 

CMYK 0 / 44 / 83 / 44

HEX #8F5019

RGB 143 80 25

HSL 27.97, 0.7%, 0.33%

LAB 40.65, 22.2, 41.52

 

CMYK 0 / 66 / 83 / 44

HEX #8F3019

RGB 143 48 25

HSL 11.69, 0.7%, 0.33%

LAB 34.03, 39.02, 35.25

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 45 / 0 / 83 / 44

HEX #4E8F19

RGB 78 143 25

HSL 93.05, 0.7%, 0.33%

LAB 53.31, -40.23, 51.16

 

CMYK 68 / 0 / 83 / 44

HEX #2E8F19

RGB 46 143 25

HSL 109.32, 0.7%, 0.33%

LAB 52.17, -49.26, 49.69

 

CMYK 83 / 0 / 76 / 44

HEX #198F23

RGB 25 143 35

HSL 125.08, 0.7%, 0.33%

LAB 51.81, -52.15, 45.82

 

CMYK 83 / 0 / 53 / 44

HEX #198F43

RGB 25 143 67

HSL 141.36, 0.7%, 0.33%

LAB 52.13, -48.25, 31.56

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 26 / 0 / 93 / 39

HEX #749C0B

RGB 116 156 11

HSL 76.55, 0.87%, 0.33%

LAB 59.45, -32.08, 60.33

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 19 / 0 / 71 / 49

HEX #688126

RGB 104 129 38

HSL 76.48, 0.54%, 0.33%

LAB 50.43, -22.86, 44.25

 

CMYK 15 / 0 / 55 / 55

HEX #627334

RGB 98 115 52

HSL 76.19, 0.38%, 0.33%

LAB 45.78, -16.95, 32.39

 

CMYK 10 / 0 / 35 / 60

HEX #5C6642

RGB 92 102 66

HSL 76.67, 0.21%, 0.33%

LAB 41.49, -10.59, 19.12

 

CMYK 2 / 0 / 10 / 65

HEX #56584F

RGB 86 88 79

HSL 73.33, 0.05%, 0.33%

LAB 36.97, -2.65, 4.94

 

CMYK 0 / 22 / 83 / 44

HEX #8F6F19

RGB 143 111 25

HSL 43.73, 0.7%, 0.33%

LAB 48.61, 4.26, 48.73

 

CMYK 0 / 0 / 83 / 44

HEX #8F8F19

RGB 143 143 25

HSL 60, 0.7%, 0.33%

LAB 57.61, -13.47, 56.62

 

CMYK 22 / 0 / 83 / 44

HEX #6F8F19

RGB 111 143 25

HSL 76.27, 0.7%, 0.33%

LAB 55.17, -27.54, 53.53

 

CMYK 44 / 0 / 83 / 44

HEX #508F19

RGB 80 143 25

HSL 92.03, 0.7%, 0.33%

LAB 53.41, -39.54, 51.28

 

CMYK 66 / 0 / 83 / 44

HEX #308F19

RGB 48 143 25

HSL 108.31, 0.7%, 0.33%

LAB 52.22, -48.81, 49.76

 

CMYK 22 / 0 / 83 / 72

HEX #38480C

RGB 56 72 12

HSL 76, 0.71%, 0.16%

LAB 28.12, -16.04, 31.58

 

CMYK 22 / 0 / 82 / 58

HEX #536B13

RGB 83 107 19

HSL 76.36, 0.7%, 0.25%

LAB 41.85, -21.93, 42.6

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 23 / 0 / 83 / 30

HEX #89B21F

RGB 137 178 31

HSL 76.73, 0.7%, 0.41%

LAB 67.47, -33.21, 63.44

 

CMYK 23 / 0 / 83 / 16

HEX #A4D525

RGB 164 213 37

HSL 76.7, 0.7%, 0.49%

LAB 79.39, -38.25, 73.03

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 83 / 0 / 44 / 44

HEX #198F50

RGB 25 143 80

HSL 147.97, 0.7%, 0.33%

LAB 52.32, -45.96, 24.88

 

CMYK 11 / 83 / 0 / 44

HEX #7F198F

RGB 127 25 143

HSL 291.86, 0.7%, 0.33%

LAB 32.24, 56.51, -41.91

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 83 / 22 / 0 / 44

HEX #196F8F

RGB 25 111 143

HSL 196.27, 0.7%, 0.33%

LAB 43.59, -12.89, -24.47

 

CMYK 0 / 83 / 22 / 44

HEX #8F196F

RGB 143 25 111

HSL 316.27, 0.7%, 0.33%

LAB 33.31, 54.88, -19.98

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 83 / 0 / 44 / 44

HEX #198F50

RGB 25 143 80

HSL 147.97, 0.7%, 0.33%

LAB 52.32, -45.96, 24.88

 

CMYK 61 / 83 / 0 / 44

HEX #38198F

RGB 56 25 143

HSL 255.76, 0.7%, 0.33%

LAB 22.01, 45.1, -59.02

 

CMYK 0 / 83 / 38 / 44

HEX #8F1958

RGB 143 25 88

HSL 327.97, 0.7%, 0.33%

LAB 32.35, 52.08, -6.64

 

CMYK 23 / 0 / 83 / 44

HEX #6E8F19

RGB 110 143 25

HSL 76.78, 0.7%, 0.33%

LAB 55.1, -27.96, 53.45

 

CMYK 83 / 0 / 20 / 44

HEX #198F73

RGB 25 143 115

HSL 165.76, 0.7%, 0.33%

LAB 53.05, -37.92, 6.14

 

CMYK 61 / 83 / 0 / 44

HEX #38198F

RGB 56 25 143

HSL 255.76, 0.7%, 0.33%

LAB 22.01, 45.1, -59.02

 

CMYK 0 / 83 / 64 / 44

HEX #8F1934

RGB 143 25 52

HSL 346.27, 0.7%, 0.33%

LAB 31.31, 48.96, 15.58

 

Description

Color code: HEX #6E8F19 | qconv.com Color code: HEX #6E8F19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 143 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 143 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 83 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 83% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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