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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E8DDD it is the complementary color #917222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E8DDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E8DDD shade: #738DD8, #849FEB, #95B1FE, #A6C3FF and #B7D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E8DDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E8DDD shade: #6E8DDD, #5D7BCA, #4C69B7, #3B57A4 and #2A4591

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E8DDD shade: #6E8DDD, #6E6FDD, #8B6EDD, #A96EDD and #C66EDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E8DDD shade: #6E8DDD, #6E6FDD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E8DDD shade matches the following richer shades: #6E8DDD, #5F86EB and #5180F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E8DDD shade: #6E8DDD, #7C93CE, #8B9AC0, #99A0B1 and #A8A6A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E8DDD shade: #6EC8DD, #6EABDD, #6E8DDD, #6E70DD and #8A6EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E8DDD shade: #2F5AC9, #4C73D5, #6E8DDD, #8FA7E4 and #B1C1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E8DDD shade: #6E8DDD, #D36EDD and #BADD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E8DDD shade: #6E8DDD, #DD6E8D and #8DDD6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E8DDD shade: #6E8DDD, #D36EDD, #DDBD6E and #77DD6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E8DDD shade: #6E8DDD, #DD6EC5, #DDBD6E and #6EDD86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

Complementary color

CMYK 0 / 21 / 77 / 43

HEX #917222

RGB 145 114 34

HSL 43.24, 0.62%, 0.35%

LAB 49.7, 3.85, 46.39

 

CMYK 47 / 35 / 0 / 15

HEX #738DD8

RGB 115 141 216

HSL 224.55, 0.56%, 0.65%

LAB 59.57, 10.82, -41.3

 

CMYK 44 / 32 / 0 / 8

HEX #849FEB

RGB 132 159 235

HSL 224.27, 0.72%, 0.72%

LAB 66.29, 10.09, -41.22

 

CMYK 41 / 30 / 0 / 0

HEX #95B1FE

RGB 149 177 254

HSL 224, 0.98%, 0.79%

LAB 72.89, 9.46, -41.17

 

CMYK 35 / 24 / 0 / 0

HEX #A6C3FF

RGB 166 195 255

HSL 220.45, 1%, 0.83%

LAB 78.67, 4.24, -32.66

 

CMYK 28 / 16 / 0 / 0

HEX #B7D5FF

RGB 183 213 255

HSL 215, 1%, 0.86%

LAB 84.42, -0.68, -23.76

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 54 / 39 / 0 / 21

HEX #5D7BCA

RGB 93 123 202

HSL 223.49, 0.51%, 0.58%

LAB 52.68, 12.14, -44.37

 

CMYK 58 / 43 / 0 / 28

HEX #4C69B7

RGB 76 105 183

HSL 223.74, 0.43%, 0.51%

LAB 45.71, 13.36, -44.57

 

CMYK 64 / 47 / 0 / 36

HEX #3B57A4

RGB 59 87 164

HSL 224, 0.47%, 0.44%

LAB 38.6, 14.89, -44.81

 

CMYK 71 / 52 / 0 / 43

HEX #2A4591

RGB 42 69 145

HSL 224.27, 0.55%, 0.37%

LAB 31.33, 16.87, -45.07

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 50 / 50 / 0 / 13

HEX #6E6FDD

RGB 110 111 221

HSL 239.46, 0.62%, 0.65%

LAB 51.73, 29.13, -56.59

 

CMYK 37 / 50 / 0 / 13

HEX #8B6EDD

RGB 139 110 221

HSL 255.68, 0.62%, 0.65%

LAB 53.88, 36.46, -53.02

 

CMYK 24 / 50 / 0 / 13

HEX #A96EDD

RGB 169 110 221

HSL 271.89, 0.62%, 0.65%

LAB 56.89, 44.18, -48.05

 

CMYK 10 / 50 / 0 / 13

HEX #C66EDD

RGB 198 110 221

HSL 287.57, 0.62%, 0.65%

LAB 60.23, 52.01, -42.55

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 50 / 50 / 0 / 13

HEX #6E6FDD

RGB 110 111 221

HSL 239.46, 0.62%, 0.65%

LAB 51.73, 29.13, -56.59

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 60 / 43 / 0 / 8

HEX #5F86EB

RGB 95 134 235

HSL 223.29, 0.78%, 0.65%

LAB 57.54, 16.65, -55.19

 

CMYK 67 / 49 / 0 / 2

HEX #5180F9

RGB 81 128 249

HSL 223.21, 0.93%, 0.65%

LAB 56.12, 22.69, -65.27

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 40 / 29 / 0 / 19

HEX #7C93CE

RGB 124 147 206

HSL 223.17, 0.46%, 0.65%

LAB 61.32, 6.75, -32.94

 

CMYK 28 / 20 / 0 / 25

HEX #8B9AC0

RGB 139 154 192

HSL 223.02, 0.3%, 0.65%

LAB 63.68, 3.37, -21.38

 

CMYK 14 / 10 / 0 / 31

HEX #99A0B1

RGB 153 160 177

HSL 222.5, 0.13%, 0.65%

LAB 65.82, 1.03, -9.65

 

CMYK 0 / 1 / 3 / 34

HEX #A8A6A3

RGB 168 166 163

HSL 36, 0.03%, 0.65%

LAB 68.2, 0.16, 1.79

 

CMYK 50 / 10 / 0 / 13

HEX #6EC8DD

RGB 110 200 221

HSL 191.35, 0.62%, 0.65%

LAB 75.97, -21.32, -18.77

 

CMYK 50 / 23 / 0 / 13

HEX #6EABDD

RGB 110 171 221

HSL 207.03, 0.62%, 0.65%

LAB 67.77, -5.99, -31.32

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 50 / 49 / 0 / 13

HEX #6E70DD

RGB 110 112 221

HSL 238.92, 0.62%, 0.65%

LAB 51.98, 28.53, -56.2

 

CMYK 38 / 50 / 0 / 13

HEX #8A6EDD

RGB 138 110 221

HSL 255.14, 0.62%, 0.65%

LAB 53.79, 36.21, -53.17

 

CMYK 77 / 55 / 0 / 21

HEX #2F5AC9

RGB 47 90 201

HSL 223.25, 0.62%, 0.49%

LAB 41.43, 24.88, -61.98

 

CMYK 64 / 46 / 0 / 16

HEX #4C73D5

RGB 76 115 213

HSL 222.92, 0.62%, 0.57%

LAB 50.22, 17.43, -54.6

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 37 / 27 / 0 / 11

HEX #8FA7E4

RGB 143 167 228

HSL 223.06, 0.61%, 0.73%

LAB 68.81, 6.47, -33.4

 

CMYK 25 / 18 / 0 / 7

HEX #B1C1EC

RGB 177 193 236

HSL 223.73, 0.61%, 0.81%

LAB 78.19, 3.82, -23.14

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 5 / 50 / 0 / 13

HEX #D36EDD

RGB 211 110 221

HSL 294.59, 0.62%, 0.65%

LAB 61.84, 55.57, -39.9

 

CMYK 16 / 0 / 50 / 13

HEX #BADD6E

RGB 186 221 110

HSL 78.92, 0.62%, 0.65%

LAB 83.59, -28.56, 50.24

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 0 / 50 / 36 / 13

HEX #DD6E8D

RGB 221 110 141

HSL 343.24, 0.62%, 0.65%

LAB 60.29, 46.49, 3.49

 

CMYK 36 / 0 / 50 / 13

HEX #8DDD6E

RGB 141 221 110

HSL 103.24, 0.62%, 0.65%

LAB 81.02, -44.56, 46.54

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 5 / 50 / 0 / 13

HEX #D36EDD

RGB 211 110 221

HSL 294.59, 0.62%, 0.65%

LAB 61.84, 55.57, -39.9

 

CMYK 0 / 14 / 50 / 13

HEX #DDBD6E

RGB 221 189 110

HSL 42.7, 0.62%, 0.65%

LAB 77.81, 1.49, 43.89

 

CMYK 46 / 0 / 50 / 13

HEX #77DD6E

RGB 119 221 110

HSL 115.14, 0.62%, 0.65%

LAB 80.04, -51.29, 45.13

 

CMYK 50 / 36 / 0 / 13

HEX #6E8DDD

RGB 110 141 221

HSL 223.24, 0.62%, 0.65%

LAB 59.51, 11.15, -44.21

 

CMYK 0 / 50 / 11 / 13

HEX #DD6EC5

RGB 221 110 197

HSL 312.97, 0.62%, 0.65%

LAB 62.13, 54.29, -25.84

 

CMYK 0 / 14 / 50 / 13

HEX #DDBD6E

RGB 221 189 110

HSL 42.7, 0.62%, 0.65%

LAB 77.81, 1.49, 43.89

 

CMYK 50 / 0 / 39 / 13

HEX #6EDD86

RGB 110 221 134

HSL 132.97, 0.62%, 0.65%

LAB 80.04, -50.23, 33.2

 

Description

Color code: HEX #6E8DDD | qconv.com Color code: HEX #6E8DDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 141 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 141 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 36 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 36% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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