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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E75E6 it is the complementary color #918A19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E75E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E75E6 shade: #7375E1, #8487F4, #9599FF, #A6ABFF and #B7BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E75E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E75E6 shade: #6E75E6, #5D63D3, #4C51C0, #3B3FAD and #2A2D9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E75E6 shade: #6F76E6, #886FE6, #A86FE6, #C86FE6 and #E66FE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E75E6 shade: #6F76E6 and #6F6FE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E75E6 shade matches the following richer shades: #6F76E6 and #616AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E75E6 shade: #6F76E6, #7C82D8, #8A8ECB, #979ABD and #A5A6B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E75E6 shade: #6FB6E6, #6F96E6, #6F77E6, #876FE6 and #A66FE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E75E6 shade: #2832DA, #4B54E0, #6F76E6, #9297EC and #B5B9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E75E6 shade: #6E75E6, #E66FD6 and #A6E66F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E75E6 shade: #6E75E6, #E66F77 and #77E66F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E75E6 shade: #6E75E6, #E66FD6, #E6DE6F and #6FE67F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E75E6 shade: #6E75E6, #E66FB2, #E6DE6F and #6FE6A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 49 / 0 / 10

HEX #6E75E6

RGB 110 117 230

HSL 236.5, 0.71%, 0.67%

LAB 53.76, 28.29, -58.4

 

Complementary color

CMYK 0 / 5 / 83 / 43

HEX #918A19

RGB 145 138 25

HSL 56.5, 0.71%, 0.33%

LAB 56.35, -9.88, 55.6

 

CMYK 49 / 48 / 0 / 12

HEX #7375E1

RGB 115 117 225

HSL 238.91, 0.65%, 0.67%

LAB 53.82, 27.83, -55.48

 

CMYK 46 / 45 / 0 / 4

HEX #8487F4

RGB 132 135 244

HSL 238.39, 0.84%, 0.74%

LAB 60.57, 26.64, -55.2

 

CMYK 42 / 40 / 0 / 0

HEX #9599FF

RGB 149 153 255

HSL 237.74, 1%, 0.79%

LAB 66.82, 23.36, -51.24

 

CMYK 35 / 33 / 0 / 0

HEX #A6ABFF

RGB 166 171 255

HSL 236.63, 1%, 0.83%

LAB 72.53, 17.51, -42.18

 

CMYK 28 / 26 / 0 / 0

HEX #B7BDFF

RGB 183 189 255

HSL 235, 1%, 0.86%

LAB 78.28, 12.24, -33.17

 

CMYK 52 / 49 / 0 / 10

HEX #6E75E6

RGB 110 117 230

HSL 236.5, 0.71%, 0.67%

LAB 53.76, 28.29, -58.4

 

CMYK 56 / 53 / 0 / 17

HEX #5D63D3

RGB 93 99 211

HSL 236.95, 0.57%, 0.6%

LAB 46.91, 29.81, -58.72

 

CMYK 60 / 58 / 0 / 25

HEX #4C51C0

RGB 76 81 192

HSL 237.41, 0.48%, 0.53%

LAB 39.96, 31.59, -59.06

 

CMYK 66 / 64 / 0 / 32

HEX #3B3FAD

RGB 59 63 173

HSL 237.89, 0.49%, 0.45%

LAB 32.92, 33.7, -59.36

 

CMYK 73 / 71 / 0 / 40

HEX #2A2D9A

RGB 42 45 154

HSL 238.39, 0.57%, 0.38%

LAB 25.87, 36.12, -59.49

 

CMYK 52 / 49 / 0 / 10

HEX #6F76E6

RGB 111 118 230

HSL 236.47, 0.7%, 0.67%

LAB 54.08, 27.9, -57.88

 

CMYK 41 / 52 / 0 / 10

HEX #886FE6

RGB 136 111 230

HSL 252.61, 0.7%, 0.67%

LAB 54.36, 37.61, -57.32

 

CMYK 27 / 52 / 0 / 10

HEX #A86FE6

RGB 168 111 230

HSL 268.74, 0.7%, 0.67%

LAB 57.47, 45.47, -52.18

 

CMYK 13 / 52 / 0 / 10

HEX #C86FE6

RGB 200 111 230

HSL 284.87, 0.7%, 0.67%

LAB 61.1, 53.84, -46.19

 

CMYK 0 / 52 / 1 / 10

HEX #E66FE4

RGB 230 111 228

HSL 301.01, 0.7%, 0.67%

LAB 64.8, 61.51, -39.01

 

CMYK 52 / 49 / 0 / 10

HEX #6F76E6

RGB 111 118 230

HSL 236.47, 0.7%, 0.67%

LAB 54.08, 27.9, -57.88

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE6

RGB 111 111 230

HSL 240, 0.7%, 0.67%

LAB 52.36, 32.1, -60.65

 

CMYK 52 / 49 / 0 / 10

HEX #6F76E6

RGB 111 118 230

HSL 236.47, 0.7%, 0.67%

LAB 54.08, 27.9, -57.88

 

CMYK 60 / 57 / 0 / 4

HEX #616AF4

RGB 97 106 244

HSL 236.33, 0.87%, 0.67%

LAB 51.13, 36.93, -70.51

 

CMYK 52 / 49 / 0 / 10

HEX #6F76E6

RGB 111 118 230

HSL 236.47, 0.7%, 0.67%

LAB 54.08, 27.9, -57.88

 

CMYK 43 / 40 / 0 / 15

HEX #7C82D8

RGB 124 130 216

HSL 236.09, 0.54%, 0.67%

LAB 57.28, 19.55, -44.88

 

CMYK 32 / 30 / 0 / 20

HEX #8A8ECB

RGB 138 142 203

HSL 236.31, 0.38%, 0.67%

LAB 60.84, 12.74, -31.93

 

CMYK 20 / 19 / 0 / 26

HEX #979ABD

RGB 151 154 189

HSL 235.26, 0.22%, 0.67%

LAB 64.46, 6.41, -18.43

 

CMYK 6 / 6 / 0 / 31

HEX #A5A6B0

RGB 165 166 176

HSL 234.55, 0.07%, 0.67%

LAB 68.32, 1.6, -5.28

 

CMYK 52 / 21 / 0 / 10

HEX #6FB6E6

RGB 111 182 230

HSL 204.2, 0.7%, 0.67%

LAB 71.25, -9.13, -30.86

 

CMYK 52 / 35 / 0 / 10

HEX #6F96E6

RGB 111 150 230

HSL 220.34, 0.7%, 0.67%

LAB 62.43, 8.86, -44.61

 

CMYK 52 / 48 / 0 / 10

HEX #6F77E6

RGB 111 119 230

HSL 235.97, 0.7%, 0.67%

LAB 54.33, 27.3, -57.48

 

CMYK 41 / 52 / 0 / 10

HEX #876FE6

RGB 135 111 230

HSL 252.1, 0.7%, 0.67%

LAB 54.27, 37.38, -57.47

 

CMYK 28 / 52 / 0 / 10

HEX #A66FE6

RGB 166 111 230

HSL 267.73, 0.7%, 0.67%

LAB 57.26, 44.96, -52.53

 

CMYK 82 / 77 / 0 / 15

HEX #2832DA

RGB 40 50 218

HSL 236.63, 0.71%, 0.51%

LAB 33.55, 54.63, -84.73

 

CMYK 67 / 63 / 0 / 12

HEX #4B54E0

RGB 75 84 224

HSL 236.38, 0.71%, 0.59%

LAB 43.09, 40.33, -72.4

 

CMYK 52 / 49 / 0 / 10

HEX #6F76E6

RGB 111 118 230

HSL 236.47, 0.7%, 0.67%

LAB 54.08, 27.9, -57.88

 

CMYK 38 / 36 / 0 / 7

HEX #9297EC

RGB 146 151 236

HSL 236.67, 0.7%, 0.75%

LAB 65.2, 18.54, -43.41

 

CMYK 25 / 24 / 0 / 5

HEX #B5B9F2

RGB 181 185 242

HSL 236.07, 0.7%, 0.83%

LAB 76.64, 10.77, -28.72

 

CMYK 52 / 49 / 0 / 10

HEX #6E75E6

RGB 110 117 230

HSL 236.5, 0.71%, 0.67%

LAB 53.76, 28.29, -58.4

 

CMYK 0 / 52 / 7 / 10

HEX #E66FD6

RGB 230 111 214

HSL 308.07, 0.7%, 0.67%

LAB 64.2, 59.16, -32.12

 

CMYK 28 / 0 / 52 / 10

HEX #A6E66F

RGB 166 230 111

HSL 92.27, 0.7%, 0.67%

LAB 84.92, -39.91, 51.08

 

CMYK 52 / 49 / 0 / 10

HEX #6E75E6

RGB 110 117 230

HSL 236.5, 0.71%, 0.67%

LAB 53.76, 28.29, -58.4

 

CMYK 0 / 52 / 48 / 10

HEX #E66F77

RGB 230 111 119

HSL 355.97, 0.7%, 0.67%

LAB 61.24, 46.83, 17.7

 

CMYK 48 / 0 / 52 / 10

HEX #77E66F

RGB 119 230 111

HSL 115.97, 0.7%, 0.67%

LAB 82.73, -54.75, 47.93

 

CMYK 52 / 49 / 0 / 10

HEX #6E75E6

RGB 110 117 230

HSL 236.5, 0.71%, 0.67%

LAB 53.76, 28.29, -58.4

 

CMYK 0 / 52 / 7 / 10

HEX #E66FD6

RGB 230 111 214

HSL 308.07, 0.7%, 0.67%

LAB 64.2, 59.16, -32.12

 

CMYK 0 / 3 / 52 / 10

HEX #E6DE6F

RGB 230 222 111

HSL 55.97, 0.7%, 0.67%

LAB 87.1, -11.65, 54.73

 

CMYK 52 / 0 / 45 / 10

HEX #6FE67F

RGB 111 230 127

HSL 128.07, 0.7%, 0.67%

LAB 82.65, -54.68, 40.07

 

CMYK 52 / 49 / 0 / 10

HEX #6E75E6

RGB 110 117 230

HSL 236.5, 0.71%, 0.67%

LAB 53.76, 28.29, -58.4

 

CMYK 0 / 52 / 23 / 10

HEX #E66FB2

RGB 230 111 178

HSL 326.22, 0.7%, 0.67%

LAB 62.85, 53.7, -13.84

 

CMYK 0 / 3 / 52 / 10

HEX #E6DE6F

RGB 230 222 111

HSL 55.97, 0.7%, 0.67%

LAB 87.1, -11.65, 54.73

 

CMYK 52 / 0 / 30 / 10

HEX #6FE6A2

RGB 111 230 162

HSL 145.71, 0.7%, 0.67%

LAB 83.22, -48.74, 23.12

 

Description

Color code: HEX #6E75E6 | qconv.com Color code: HEX #6E75E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 117 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 117 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 49 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 49% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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