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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E6129 it is the complementary color #919ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E6129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E6129 shade: #736124, #847337, #95854A, #A6975D and #B7A970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E6129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E6129 shade: #6E6129, #5D4F16, #4C3D03, #3B2B00 and #2A1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E6129 shade: #6F6229, #6F4F29, #6F3C29, #6F2929 and #6F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E6129 shade: #6F6229, #696F29, #566F29, #446F29 and #316F29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E6129 shade matches the following richer shades: #6F6229, #7C6A1C, #887110 and #947904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E6129 shade: #6F6229, #635A35, #565342, #4A4B4E and #3E435A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E6129 shade: #6F3C29, #6F4E29, #6F6129, #6A6F29 and #586F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E6129 shade: #332D13, #51471E, #6F6229, #8D7C34 and #AB973F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E6129 shade: #6E6129, #296F29 and #45296F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E6129 shade: #6E6129, #296F61 and #61296F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E6129 shade: #6E6129, #296F29, #29376F and #6F296F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E6129 shade: #6E6129, #296F3E, #29376F and #6F295A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 63 / 57

HEX #6E6129

RGB 110 97 41

HSL 48.7, 0.46%, 0.3%

LAB 41.26, -2.35, 33.17

 

Complementary color

CMYK 32 / 26 / 0 / 16

HEX #919ED6

RGB 145 158 214

HSL 228.7, 0.46%, 0.7%

LAB 66, 8.44, -30.02

 

CMYK 0 / 16 / 69 / 55

HEX #736124

RGB 115 97 36

HSL 46.33, 0.52%, 0.3%

LAB 41.72, -0.34, 36.34

 

CMYK 0 / 13 / 58 / 48

HEX #847337

RGB 132 115 55

HSL 46.75, 0.41%, 0.37%

LAB 48.81, -1.37, 35.13

 

CMYK 0 / 11 / 50 / 42

HEX #95854A

RGB 149 133 74

HSL 47.2, 0.34%, 0.44%

LAB 55.74, -2.17, 33.81

 

CMYK 0 / 9 / 44 / 35

HEX #A6975D

RGB 166 151 93

HSL 47.67, 0.29%, 0.51%

LAB 62.53, -2.8, 32.5

 

CMYK 0 / 8 / 39 / 28

HEX #B7A970

RGB 183 169 112

HSL 48.17, 0.33%, 0.58%

LAB 69.19, -3.31, 31.25

 

CMYK 0 / 12 / 63 / 57

HEX #6E6129

RGB 110 97 41

HSL 48.7, 0.46%, 0.3%

LAB 41.26, -2.35, 33.17

 

CMYK 0 / 15 / 76 / 64

HEX #5D4F16

RGB 93 79 22

HSL 48.17, 0.62%, 0.23%

LAB 33.94, -1.21, 34.17

 

CMYK 0 / 20 / 96 / 70

HEX #4C3D03

RGB 76 61 3

HSL 47.67, 0.92%, 0.15%

LAB 26.39, 0.35, 34.31

 

CMYK 0 / 27 / 100 / 77

HEX #3B2B00

RGB 59 43 0

HSL 43.73, 1%, 0.12%

LAB 18.62, 2.74, 26.77

 

CMYK 0 / 40 / 100 / 84

HEX #2A1900

RGB 42 25 0

HSL 35.71, 1%, 0.08%

LAB 10.46, 5.58, 15.75

 

CMYK 0 / 12 / 63 / 56

HEX #6F6229

RGB 111 98 41

HSL 48.86, 0.46%, 0.3%

LAB 41.65, -2.46, 33.64

 

CMYK 0 / 29 / 63 / 56

HEX #6F4F29

RGB 111 79 41

HSL 32.57, 0.46%, 0.3%

LAB 36.24, 8.92, 27.42

 

CMYK 0 / 46 / 63 / 56

HEX #6F3C29

RGB 111 60 41

HSL 16.29, 0.46%, 0.3%

LAB 31.28, 20.43, 21.43

 

CMYK 0 / 63 / 63 / 56

HEX #6F2929

RGB 111 41 41

HSL 0, 0.46%, 0.3%

LAB 27.09, 31.07, 16.12

 

CMYK 0 / 63 / 63 / 56

HEX #6F2929

RGB 111 41 41

HSL 0, 0.46%, 0.3%

LAB 27.09, 31.07, 16.12

 

CMYK 0 / 12 / 63 / 56

HEX #6F6229

RGB 111 98 41

HSL 48.86, 0.46%, 0.3%

LAB 41.65, -2.46, 33.64

 

CMYK 5 / 0 / 63 / 56

HEX #696F29

RGB 105 111 41

HSL 65.14, 0.46%, 0.3%

LAB 44.99, -12.67, 37.17

 

CMYK 23 / 0 / 63 / 56

HEX #566F29

RGB 86 111 41

HSL 81.43, 0.46%, 0.3%

LAB 43.52, -21.11, 35.14

 

CMYK 39 / 0 / 63 / 56

HEX #446F29

RGB 68 111 41

HSL 96.86, 0.46%, 0.3%

LAB 42.4, -28.39, 33.57

 

CMYK 56 / 0 / 63 / 56

HEX #316F29

RGB 49 111 41

HSL 113.14, 0.46%, 0.3%

LAB 41.5, -34.83, 32.32

 

CMYK 0 / 12 / 63 / 56

HEX #6F6229

RGB 111 98 41

HSL 48.86, 0.46%, 0.3%

LAB 41.65, -2.46, 33.64

 

CMYK 0 / 15 / 77 / 51

HEX #7C6A1C

RGB 124 106 28

HSL 48.75, 0.63%, 0.3%

LAB 45.19, -1.74, 43.71

 

CMYK 0 / 17 / 88 / 47

HEX #887110

RGB 136 113 16

HSL 48.5, 0.79%, 0.3%

LAB 48.36, -0.48, 51

 

CMYK 0 / 18 / 97 / 42

HEX #947904

RGB 148 121 4

HSL 48.75, 0.95%, 0.3%

LAB 51.81, 0.42, 56.74

 

CMYK 0 / 12 / 63 / 56

HEX #6F6229

RGB 111 98 41

HSL 48.86, 0.46%, 0.3%

LAB 41.65, -2.46, 33.64

 

CMYK 0 / 9 / 46 / 61

HEX #635A35

RGB 99 90 53

HSL 48.26, 0.3%, 0.3%

LAB 38.24, -2.2, 22.65

 

CMYK 0 / 3 / 23 / 66

HEX #565342

RGB 86 83 66

HSL 51, 0.13%, 0.3%

LAB 35.12, -2, 10.42

 

CMYK 5 / 4 / 0 / 69

HEX #4A4B4E

RGB 74 75 78

HSL 225, 0.03%, 0.3%

LAB 31.89, 0.27, -1.93

 

CMYK 31 / 26 / 0 / 65

HEX #3E435A

RGB 62 67 90

HSL 229.29, 0.18%, 0.3%

LAB 28.84, 4.01, -14.34

 

CMYK 0 / 46 / 63 / 56

HEX #6F3C29

RGB 111 60 41

HSL 16.29, 0.46%, 0.3%

LAB 31.28, 20.43, 21.43

 

CMYK 0 / 30 / 63 / 56

HEX #6F4E29

RGB 111 78 41

HSL 31.71, 0.46%, 0.3%

LAB 35.96, 9.53, 27.09

 

CMYK 0 / 13 / 63 / 56

HEX #6F6129

RGB 111 97 41

HSL 48, 0.46%, 0.3%

LAB 41.36, -1.88, 33.31

 

CMYK 5 / 0 / 63 / 56

HEX #6A6F29

RGB 106 111 41

HSL 64.29, 0.46%, 0.3%

LAB 45.07, -12.21, 37.29

 

CMYK 21 / 0 / 63 / 56

HEX #586F29

RGB 88 111 41

HSL 79.71, 0.46%, 0.3%

LAB 43.66, -20.25, 35.33

 

CMYK 0 / 12 / 63 / 80

HEX #332D13

RGB 51 45 19

HSL 48.75, 0.46%, 0.14%

LAB 18.49, -1.53, 17.64

 

CMYK 0 / 12 / 63 / 68

HEX #51471E

RGB 81 71 30

HSL 48.24, 0.46%, 0.22%

LAB 30.28, -1.71, 25.78

 

CMYK 0 / 12 / 63 / 56

HEX #6F6229

RGB 111 98 41

HSL 48.86, 0.46%, 0.3%

LAB 41.65, -2.46, 33.64

 

CMYK 0 / 12 / 63 / 45

HEX #8D7C34

RGB 141 124 52

HSL 48.54, 0.46%, 0.38%

LAB 52.2, -2.6, 40.73

 

CMYK 0 / 12 / 63 / 33

HEX #AB973F

RGB 171 151 63

HSL 48.89, 0.46%, 0.46%

LAB 62.63, -3.27, 47.82

 

CMYK 0 / 12 / 63 / 57

HEX #6E6129

RGB 110 97 41

HSL 48.7, 0.46%, 0.3%

LAB 41.26, -2.35, 33.17

 

CMYK 63 / 0 / 63 / 56

HEX #296F29

RGB 41 111 41

HSL 120, 0.46%, 0.3%

LAB 41.22, -37.05, 31.91

 

CMYK 38 / 63 / 0 / 56

HEX #45296F

RGB 69 41 111

HSL 264, 0.46%, 0.3%

LAB 23.67, 29.39, -36.01

 

CMYK 0 / 12 / 63 / 57

HEX #6E6129

RGB 110 97 41

HSL 48.7, 0.46%, 0.3%

LAB 41.26, -2.35, 33.17

 

CMYK 63 / 0 / 13 / 56

HEX #296F61

RGB 41 111 97

HSL 168, 0.46%, 0.3%

LAB 42.31, -25.53, 1.31

 

CMYK 13 / 63 / 0 / 56

HEX #61296F

RGB 97 41 111

HSL 288, 0.46%, 0.3%

LAB 27.5, 36.88, -29.66

 

CMYK 0 / 12 / 63 / 57

HEX #6E6129

RGB 110 97 41

HSL 48.7, 0.46%, 0.3%

LAB 41.26, -2.35, 33.17

 

CMYK 63 / 0 / 63 / 56

HEX #296F29

RGB 41 111 41

HSL 120, 0.46%, 0.3%

LAB 41.22, -37.05, 31.91

 

CMYK 63 / 50 / 0 / 56

HEX #29376F

RGB 41 55 111

HSL 228, 0.46%, 0.3%

LAB 24.8, 13.33, -34.32

 

CMYK 0 / 63 / 0 / 56

HEX #6F296F

RGB 111 41 111

HSL 300, 0.46%, 0.3%

LAB 29.7, 40.78, -26.05

 

CMYK 0 / 12 / 63 / 57

HEX #6E6129

RGB 110 97 41

HSL 48.7, 0.46%, 0.3%

LAB 41.26, -2.35, 33.17

 

CMYK 63 / 0 / 44 / 56

HEX #296F3E

RGB 41 111 62

HSL 138, 0.46%, 0.3%

LAB 41.51, -33.75, 20.93

 

CMYK 63 / 50 / 0 / 56

HEX #29376F

RGB 41 55 111

HSL 228, 0.46%, 0.3%

LAB 24.8, 13.33, -34.32

 

CMYK 0 / 63 / 19 / 56

HEX #6F295A

RGB 111 41 90

HSL 318, 0.46%, 0.3%

LAB 28.65, 37.06, -14.11

 

Description

Color code: HEX #6E6129 | qconv.com Color code: HEX #6E6129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 97 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 97 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 63 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 63% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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