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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E60A3 it is the complementary color #919F5C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E60A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E60A3 shade: #73609E, #8472B1, #9584C4, #A696D7 and #B7A8EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E60A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E60A3 shade: #6E60A3, #5D4E90, #4C3C7D, #3B2A6A and #2A1857

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E60A3 shade: #6E60A3, #8060A3, #9260A3, #A360A2 and #A36090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E60A3 shade: #6E60A3 and #6060A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E60A3 shade matches the following richer shades: #6E60A3, #624CB8, #5637CC, #4B23E0 and #3F0FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E60A3 shade: #6E60A3, #7A748F, #85887B, #919C67 and #9DB152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E60A3 shade: #6076A3, #6064A3, #6D60A3, #7F60A3 and #9160A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E60A3 shade: #4A4070, #5C4F8A, #6E60A3, #867AB2 and #9E94C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E60A3 shade: #6E60A3, #A36088 and #6DA360

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E60A3 shade: #6E60A3, #A36D60 and #60A36D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E60A3 shade: #6E60A3, #A36088, #96A360 and #60A37B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E60A3 shade: #6E60A3, #A36074, #96A360 and #60A38F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

Complementary color

CMYK 9 / 0 / 42 / 38

HEX #919F5C

RGB 145 159 92

HSL 72.54, 0.27%, 0.49%

LAB 63, -15.92, 33.26

 

CMYK 27 / 39 / 0 / 38

HEX #73609E

RGB 115 96 158

HSL 258.39, 0.24%, 0.5%

LAB 44.91, 21.49, -30.96

 

CMYK 25 / 36 / 0 / 31

HEX #8472B1

RGB 132 114 177

HSL 257.14, 0.29%, 0.57%

LAB 51.97, 20.72, -30.95

 

CMYK 24 / 33 / 0 / 23

HEX #9584C4

RGB 149 132 196

HSL 255.94, 0.35%, 0.64%

LAB 58.86, 20.05, -30.98

 

CMYK 23 / 30 / 0 / 16

HEX #A696D7

RGB 166 150 215

HSL 254.77, 0.45%, 0.72%

LAB 65.61, 19.44, -31.04

 

CMYK 22 / 28 / 0 / 8

HEX #B7A8EA

RGB 183 168 234

HSL 253.64, 0.61%, 0.79%

LAB 72.24, 18.89, -31.14

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 35 / 46 / 0 / 44

HEX #5D4E90

RGB 93 78 144

HSL 253.64, 0.3%, 0.44%

LAB 37.46, 22.28, -34.44

 

CMYK 39 / 52 / 0 / 51

HEX #4C3C7D

RGB 76 60 125

HSL 254.77, 0.35%, 0.36%

LAB 30.03, 23.4, -34.65

 

CMYK 44 / 60 / 0 / 58

HEX #3B2A6A

RGB 59 42 106

HSL 255.94, 0.43%, 0.29%

LAB 22.4, 24.72, -34.89

 

CMYK 52 / 72 / 0 / 66

HEX #2A1857

RGB 42 24 87

HSL 257.14, 0.57%, 0.22%

LAB 14.59, 26.2, -35.06

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 21 / 41 / 0 / 36

HEX #8060A3

RGB 128 96 163

HSL 268.66, 0.27%, 0.51%

LAB 46.44, 26.72, -31.43

 

CMYK 10 / 41 / 0 / 36

HEX #9260A3

RGB 146 96 163

HSL 284.78, 0.27%, 0.51%

LAB 48.41, 32.34, -28.21

 

CMYK 0 / 41 / 1 / 36

HEX #A360A2

RGB 163 96 162

HSL 300.9, 0.27%, 0.51%

LAB 50.41, 37.54, -24.37

 

CMYK 0 / 41 / 12 / 36

HEX #A36090

RGB 163 96 144

HSL 317.01, 0.27%, 0.51%

LAB 49.7, 34.26, -14.83

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 41 / 41 / 0 / 36

HEX #6060A3

RGB 96 96 163

HSL 240, 0.27%, 0.51%

LAB 43.5, 17.38, -36.26

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 47 / 59 / 0 / 28

HEX #624CB8

RGB 98 76 184

HSL 252.22, 0.43%, 0.51%

LAB 39.96, 36.44, -54.3

 

CMYK 58 / 73 / 0 / 20

HEX #5637CC

RGB 86 55 204

HSL 252.48, 0.59%, 0.51%

LAB 36.12, 52.02, -72.29

 

CMYK 67 / 84 / 0 / 12

HEX #4B23E0

RGB 75 35 224

HSL 252.7, 0.75%, 0.51%

LAB 34.15, 65.32, -87.12

 

CMYK 74 / 94 / 0 / 4

HEX #3F0FF4

RGB 63 15 244

HSL 252.58, 0.91%, 0.51%

LAB 33.84, 75.21, -99.05

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 15 / 19 / 0 / 44

HEX #7A748F

RGB 122 116 143

HSL 253.33, 0.11%, 0.51%

LAB 50.23, 8.05, -13.84

 

CMYK 2 / 0 / 10 / 47

HEX #85887B

RGB 133 136 123

HSL 73.85, 0.05%, 0.51%

LAB 56.11, -3.59, 6.59

 

CMYK 7 / 0 / 34 / 39

HEX #919C67

RGB 145 156 103

HSL 72.45, 0.21%, 0.51%

LAB 62.32, -12.95, 26.5

 

CMYK 11 / 0 / 54 / 31

HEX #9DB152

RGB 157 177 82

HSL 72.63, 0.38%, 0.51%

LAB 68.91, -21.27, 45.67

 

CMYK 41 / 28 / 0 / 36

HEX #6076A3

RGB 96 118 163

HSL 220.3, 0.27%, 0.51%

LAB 49.6, 3.9, -26.71

 

CMYK 41 / 39 / 0 / 36

HEX #6064A3

RGB 96 100 163

HSL 236.42, 0.27%, 0.51%

LAB 44.58, 14.9, -34.55

 

CMYK 33 / 41 / 0 / 36

HEX #6D60A3

RGB 109 96 163

HSL 251.64, 0.27%, 0.51%

LAB 44.61, 21.04, -34.44

 

CMYK 22 / 41 / 0 / 36

HEX #7F60A3

RGB 127 96 163

HSL 267.76, 0.27%, 0.51%

LAB 46.34, 26.42, -31.6

 

CMYK 11 / 41 / 0 / 36

HEX #9160A3

RGB 145 96 163

HSL 283.88, 0.27%, 0.51%

LAB 48.3, 32.02, -28.4

 

CMYK 34 / 43 / 0 / 56

HEX #4A4070

RGB 74 64 112

HSL 252.5, 0.27%, 0.35%

LAB 30.14, 16.36, -26.31

 

CMYK 33 / 43 / 0 / 46

HEX #5C4F8A

RGB 92 79 138

HSL 253.22, 0.27%, 0.43%

LAB 37.3, 19.66, -31.05

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 25 / 31 / 0 / 30

HEX #867AB2

RGB 134 122 178

HSL 252.86, 0.27%, 0.59%

LAB 54.24, 16.86, -27.98

 

CMYK 18 / 23 / 0 / 24

HEX #9E94C1

RGB 158 148 193

HSL 253.33, 0.27%, 0.67%

LAB 63.59, 12.97, -21.94

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 0 / 41 / 17 / 36

HEX #A36088

RGB 163 96 136

HSL 324.18, 0.27%, 0.51%

LAB 49.41, 32.9, -10.51

 

CMYK 33 / 0 / 41 / 36

HEX #6DA360

RGB 109 163 96

HSL 108.36, 0.27%, 0.51%

LAB 61.9, -31.07, 29.27

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 0 / 33 / 41 / 36

HEX #A36D60

RGB 163 109 96

HSL 11.64, 0.27%, 0.51%

LAB 51.35, 19.86, 16.02

 

CMYK 41 / 0 / 33 / 36

HEX #60A36D

RGB 96 163 109

HSL 131.64, 0.27%, 0.51%

LAB 61.47, -33.18, 21.56

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 0 / 41 / 17 / 36

HEX #A36088

RGB 163 96 136

HSL 324.18, 0.27%, 0.51%

LAB 49.41, 32.9, -10.51

 

CMYK 8 / 0 / 41 / 36

HEX #96A360

RGB 150 163 96

HSL 71.64, 0.27%, 0.51%

LAB 64.58, -15.49, 33.24

 

CMYK 41 / 0 / 25 / 36

HEX #60A37B

RGB 96 163 123

HSL 144.18, 0.27%, 0.51%

LAB 61.75, -30.5, 14.22

 

CMYK 33 / 41 / 0 / 36

HEX #6E60A3

RGB 110 96 163

HSL 252.54, 0.27%, 0.51%

LAB 44.7, 21.33, -34.3

 

CMYK 0 / 41 / 29 / 36

HEX #A36074

RGB 163 96 116

HSL 342.09, 0.27%, 0.51%

LAB 48.78, 29.82, 0.51

 

CMYK 8 / 0 / 41 / 36

HEX #96A360

RGB 150 163 96

HSL 71.64, 0.27%, 0.51%

LAB 64.58, -15.49, 33.24

 

CMYK 41 / 0 / 12 / 36

HEX #60A38F

RGB 96 163 143

HSL 162.09, 0.27%, 0.51%

LAB 62.22, -26.14, 3.72

 

Description

Color code: HEX #6E60A3 | qconv.com Color code: HEX #6E60A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 96 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 96 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 41 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 41% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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