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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E66C6 it is the complementary color #919939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E66C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E66C6 shade: #7366C1, #8478D4, #958AE7, #A69CFA and #B7AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E66C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E66C6 shade: #6E66C6, #5D54B3, #4C42A0, #3B308D and #2A1E7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E66C6 shade: #6E66C6, #8866C6, #A266C6, #BC66C6 and #C666B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E66C6 shade: #6E66C6 and #6666C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E66C6 shade matches the following richer shades: #6E66C6, #6055D7, #5244E8 and #4433F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E66C6 shade: #6E66C6, #7C77B5, #8A88A4, #989993 and #A6AA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E66C6 shade: #6691C6, #6677C6, #6E66C6, #8866C6 and #A166C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E66C6 shade: #433A9F, #5148BB, #6E66C6, #8A84D1 and #A7A2DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E66C6 shade: #6E66C6, #C666AB and #84C666

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E66C6 shade: #6E66C6, #C66E66 and #66C66E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E66C6 shade: #6E66C6, #C666AB, #BEC666 and #66C681

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E66C6 shade: #6E66C6, #C6668E, #BEC666 and #66C69E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

Complementary color

CMYK 5 / 0 / 63 / 40

HEX #919939

RGB 145 153 57

HSL 65, 0.46%, 0.41%

LAB 60.87, -16.15, 47.96

 

CMYK 40 / 47 / 0 / 24

HEX #7366C1

RGB 115 102 193

HSL 248.57, 0.42%, 0.58%

LAB 48.26, 27.43, -46.14

 

CMYK 38 / 43 / 0 / 17

HEX #8478D4

RGB 132 120 212

HSL 247.83, 0.52%, 0.65%

LAB 55.17, 26.4, -45.93

 

CMYK 35 / 40 / 0 / 9

HEX #958AE7

RGB 149 138 231

HSL 247.1, 0.66%, 0.72%

LAB 61.94, 25.49, -45.76

 

CMYK 34 / 38 / 0 / 2

HEX #A69CFA

RGB 166 156 250

HSL 246.38, 0.9%, 0.8%

LAB 68.6, 24.68, -45.63

 

CMYK 28 / 32 / 0 / 0

HEX #B7AEFF

RGB 183 174 255

HSL 246.67, 1%, 0.84%

LAB 74.55, 20.52, -38.94

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 48 / 53 / 0 / 30

HEX #5D54B3

RGB 93 84 179

HSL 245.68, 0.38%, 0.52%

LAB 41.09, 28.96, -49.56

 

CMYK 53 / 59 / 0 / 37

HEX #4C42A0

RGB 76 66 160

HSL 246.38, 0.42%, 0.44%

LAB 33.92, 30.49, -49.88

 

CMYK 58 / 66 / 0 / 45

HEX #3B308D

RGB 59 48 141

HSL 247.1, 0.49%, 0.37%

LAB 26.64, 32.26, -50.17

 

CMYK 66 / 75 / 0 / 52

HEX #2A1E7A

RGB 42 30 122

HSL 247.83, 0.61%, 0.3%

LAB 19.33, 34.2, -50.25

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 31 / 48 / 0 / 22

HEX #8866C6

RGB 136 102 198

HSL 261.25, 0.46%, 0.59%

LAB 50.47, 34.27, -45.39

 

CMYK 18 / 48 / 0 / 22

HEX #A266C6

RGB 162 102 198

HSL 277.5, 0.46%, 0.59%

LAB 53.23, 41.42, -40.83

 

CMYK 5 / 48 / 0 / 22

HEX #BC66C6

RGB 188 102 198

HSL 293.75, 0.46%, 0.59%

LAB 56.36, 48.81, -35.7

 

CMYK 0 / 48 / 8 / 22

HEX #C666B6

RGB 198 102 182

HSL 310, 0.46%, 0.59%

LAB 56.96, 48.88, -25.5

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 48 / 48 / 0 / 22

HEX #6666C6

RGB 102 102 198

HSL 240, 0.46%, 0.59%

LAB 47.5, 25.77, -50.29

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 55 / 60 / 0 / 16

HEX #6055D7

RGB 96 85 215

HSL 245.08, 0.62%, 0.59%

LAB 44.07, 40.12, -65.6

 

CMYK 65 / 71 / 0 / 9

HEX #5244E8

RGB 82 68 232

HSL 245.12, 0.78%, 0.59%

LAB 40.82, 53.02, -80.64

 

CMYK 73 / 80 / 0 / 2

HEX #4433F9

RGB 68 51 249

HSL 245.15, 0.94%, 0.59%

LAB 38.61, 65.26, -93.91

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 31 / 34 / 0 / 29

HEX #7C77B5

RGB 124 119 181

HSL 244.84, 0.3%, 0.59%

LAB 52.75, 16.38, -32.09

 

CMYK 16 / 17 / 0 / 36

HEX #8A88A4

RGB 138 136 164

HSL 244.29, 0.13%, 0.59%

LAB 57.74, 6.66, -14.54

 

CMYK 1 / 0 / 4 / 40

HEX #989993

RGB 152 153 147

HSL 70, 0.03%, 0.59%

LAB 62.98, -1.5, 3.01

 

CMYK 2 / 0 / 24 / 33

HEX #A6AA82

RGB 166 170 130

HSL 66, 0.19%, 0.59%

LAB 68.36, -8.25, 20.2

 

CMYK 48 / 27 / 0 / 22

HEX #6691C6

RGB 102 145 198

HSL 213.13, 0.46%, 0.59%

LAB 59.12, -0.04, -31.97

 

CMYK 48 / 40 / 0 / 22

HEX #6677C6

RGB 102 119 198

HSL 229.38, 0.46%, 0.59%

LAB 51.95, 15.38, -43.22

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 31 / 48 / 0 / 22

HEX #8866C6

RGB 136 102 198

HSL 261.25, 0.46%, 0.59%

LAB 50.47, 34.27, -45.39

 

CMYK 19 / 48 / 0 / 22

HEX #A166C6

RGB 161 102 198

HSL 276.88, 0.46%, 0.59%

LAB 53.12, 41.14, -41.02

 

CMYK 58 / 64 / 0 / 38

HEX #433A9F

RGB 67 58 159

HSL 245.35, 0.47%, 0.43%

LAB 31.17, 33.41, -53.79

 

CMYK 57 / 61 / 0 / 27

HEX #5148BB

RGB 81 72 187

HSL 244.7, 0.46%, 0.51%

LAB 37.79, 36.41, -59.64

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 34 / 37 / 0 / 18

HEX #8A84D1

RGB 138 132 209

HSL 244.68, 0.46%, 0.67%

LAB 58.52, 20.15, -38.92

 

CMYK 24 / 26 / 0 / 14

HEX #A7A2DC

RGB 167 162 220

HSL 245.17, 0.45%, 0.75%

LAB 68.91, 14.15, -28.71

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 0 / 48 / 14 / 22

HEX #C666AB

RGB 198 102 171

HSL 316.88, 0.46%, 0.59%

LAB 56.53, 47.06, -19.81

 

CMYK 33 / 0 / 48 / 22

HEX #84C666

RGB 132 198 102

HSL 101.25, 0.46%, 0.59%

LAB 73.71, -38.45, 41.35

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 0 / 44 / 48 / 22

HEX #C66E66

RGB 198 110 102

HSL 5, 0.46%, 0.59%

LAB 56.2, 33.92, 19.89

 

CMYK 48 / 0 / 44 / 22

HEX #66C66E

RGB 102 198 110

HSL 125, 0.46%, 0.59%

LAB 72.45, -46.65, 35.49

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 0 / 48 / 14 / 22

HEX #C666AB

RGB 198 102 171

HSL 316.88, 0.46%, 0.59%

LAB 56.53, 47.06, -19.81

 

CMYK 4 / 0 / 48 / 22

HEX #BEC666

RGB 190 198 102

HSL 65, 0.46%, 0.59%

LAB 77.46, -16.55, 46.78

 

CMYK 48 / 0 / 35 / 22

HEX #66C681

RGB 102 198 129

HSL 136.88, 0.46%, 0.59%

LAB 72.76, -43.53, 26.07

 

CMYK 44 / 48 / 0 / 22

HEX #6E66C6

RGB 110 102 198

HSL 245, 0.46%, 0.59%

LAB 48.13, 27.65, -49.26

 

CMYK 0 / 48 / 28 / 22

HEX #C6668E

RGB 198 102 142

HSL 335, 0.46%, 0.59%

LAB 55.54, 42.76, -4.41

 

CMYK 4 / 0 / 48 / 22

HEX #BEC666

RGB 190 198 102

HSL 65, 0.46%, 0.59%

LAB 77.46, -16.55, 46.78

 

CMYK 48 / 0 / 20 / 22

HEX #66C69E

RGB 102 198 158

HSL 155, 0.46%, 0.59%

LAB 73.34, -37.81, 11.41

 

Description

Color code: HEX #6E66C6 | qconv.com Color code: HEX #6E66C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 102 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 102 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 48 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 48% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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