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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6E3E8C it is the complementary color #91C173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6E3E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6E3E8C shade: #733E87, #84509A, #9562AD, #A674C0 and #B786D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6E3E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6E3E8C shade: #6E3E8C, #5D2C79, #4C1A66, #3B0853 and #2A0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6E3E8C shade: #6F3E8D, #843E8D, #8D3E81, #8D3E6C and #8D3E56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6E3E8C shade: #6F3E8D, #593E8D, #443E8D and #3E3E8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6E3E8C shade matches the following richer shades: #6F3E8D, #722D9E, #761DAE and #7A0CBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6E3E8C shade: #6F3E8D, #6B4E7D, #675F6C, #636F5C and #5F804B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6E3E8C shade: #433E8D, #583E8D, #6D3E8D, #833E8D and #8D3E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6E3E8C shade: #422554, #583171, #6F3E8D, #854AAA and #9963BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6E3E8C shade: #6E3E8C, #8D3E4E and #3E8D4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6E3E8C shade: #6E3E8C, #8D6D3E and #3E8D6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6E3E8C shade: #6E3E8C, #8D3E4E, #5E8D3E and #3E8D7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6E3E8C shade: #6E3E8C, #8D463E, #5E8D3E and #3E858D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 56 / 0 / 45

HEX #6E3E8C

RGB 110 62 140

HSL 276.92, 0.39%, 0.4%

LAB 35.31, 35.71, -35.3

 

Complementary color

CMYK 25 / 0 / 40 / 24

HEX #91C173

RGB 145 193 115

HSL 96.92, 0.39%, 0.6%

LAB 73.15, -29.9, 34.26

 

CMYK 15 / 54 / 0 / 47

HEX #733E87

RGB 115 62 135

HSL 283.56, 0.37%, 0.39%

LAB 35.67, 35.98, -31.61

 

CMYK 14 / 48 / 0 / 40

HEX #84509A

RGB 132 80 154

HSL 282.16, 0.32%, 0.46%

LAB 42.73, 35.15, -31.88

 

CMYK 14 / 43 / 0 / 32

HEX #9562AD

RGB 149 98 173

HSL 280.8, 0.31%, 0.53%

LAB 49.67, 34.31, -32.09

 

CMYK 14 / 40 / 0 / 25

HEX #A674C0

RGB 166 116 192

HSL 279.47, 0.38%, 0.6%

LAB 56.49, 33.51, -32.27

 

CMYK 13 / 36 / 0 / 17

HEX #B786D3

RGB 183 134 211

HSL 278.18, 0.47%, 0.68%

LAB 63.19, 32.75, -32.44

 

CMYK 21 / 56 / 0 / 45

HEX #6E3E8C

RGB 110 62 140

HSL 276.92, 0.39%, 0.4%

LAB 35.31, 35.71, -35.3

 

CMYK 23 / 64 / 0 / 53

HEX #5D2C79

RGB 93 44 121

HSL 278.18, 0.47%, 0.32%

LAB 28.14, 36.51, -35.04

 

CMYK 25 / 75 / 0 / 60

HEX #4C1A66

RGB 76 26 102

HSL 279.47, 0.59%, 0.25%

LAB 20.96, 36.95, -34.48

 

CMYK 29 / 90 / 0 / 67

HEX #3B0853

RGB 59 8 83

HSL 280.8, 0.82%, 0.18%

LAB 13.99, 36.31, -33.21

 

CMYK 34 / 100 / 0 / 75

HEX #2A0040

RGB 42 0 64

HSL 279.38, 1%, 0.13%

LAB 7.79, 32.68, -30.21

 

CMYK 21 / 56 / 0 / 45

HEX #6F3E8D

RGB 111 62 141

HSL 277.22, 0.39%, 0.4%

LAB 35.49, 36.22, -35.61

 

CMYK 6 / 56 / 0 / 45

HEX #843E8D

RGB 132 62 141

HSL 293.16, 0.39%, 0.4%

LAB 38.33, 42.16, -30.94

 

CMYK 0 / 56 / 9 / 45

HEX #8D3E81

RGB 141 62 129

HSL 309.11, 0.39%, 0.4%

LAB 39.06, 42.56, -22.35

 

CMYK 0 / 56 / 23 / 45

HEX #8D3E6C

RGB 141 62 108

HSL 325.06, 0.39%, 0.4%

LAB 38.18, 39.12, -10.65

 

CMYK 0 / 56 / 39 / 45

HEX #8D3E56

RGB 141 62 86

HSL 341.77, 0.39%, 0.4%

LAB 37.44, 36.1, 2.11

 

CMYK 21 / 56 / 0 / 45

HEX #6F3E8D

RGB 111 62 141

HSL 277.22, 0.39%, 0.4%

LAB 35.49, 36.22, -35.61

 

CMYK 37 / 56 / 0 / 45

HEX #593E8D

RGB 89 62 141

HSL 260.51, 0.39%, 0.4%

LAB 32.9, 30.27, -39.9

 

CMYK 52 / 56 / 0 / 45

HEX #443E8D

RGB 68 62 141

HSL 244.56, 0.39%, 0.4%

LAB 30.87, 25.14, -43.27

 

CMYK 56 / 56 / 0 / 45

HEX #3E3E8D

RGB 62 62 141

HSL 240, 0.39%, 0.4%

LAB 30.38, 23.82, -44.09

 

CMYK 21 / 56 / 0 / 45

HEX #6F3E8D

RGB 111 62 141

HSL 277.22, 0.39%, 0.4%

LAB 35.49, 36.22, -35.61

 

CMYK 28 / 72 / 0 / 38

HEX #722D9E

RGB 114 45 158

HSL 276.64, 0.56%, 0.4%

LAB 33.82, 49.62, -48.63

 

CMYK 32 / 83 / 0 / 32

HEX #761DAE

RGB 118 29 174

HSL 276.83, 0.71%, 0.4%

LAB 33.53, 59.96, -58.7

 

CMYK 36 / 94 / 0 / 25

HEX #7A0CBF

RGB 122 12 191

HSL 276.87, 0.88%, 0.4%

LAB 34.32, 67.89, -67.48

 

CMYK 21 / 56 / 0 / 45

HEX #6F3E8D

RGB 111 62 141

HSL 277.22, 0.39%, 0.4%

LAB 35.49, 36.22, -35.61

 

CMYK 14 / 38 / 0 / 51

HEX #6B4E7D

RGB 107 78 125

HSL 277.02, 0.23%, 0.4%

LAB 37.94, 21.69, -21.97

 

CMYK 5 / 12 / 0 / 58

HEX #675F6C

RGB 103 95 108

HSL 276.92, 0.06%, 0.4%

LAB 41.45, 5.89, -6.21

 

CMYK 11 / 0 / 17 / 56

HEX #636F5C

RGB 99 111 92

HSL 97.89, 0.09%, 0.4%

LAB 45.35, -8.41, 9.07

 

CMYK 26 / 0 / 41 / 50

HEX #5F804B

RGB 95 128 75

HSL 97.36, 0.26%, 0.4%

LAB 49.95, -22.07, 25.06

 

CMYK 52 / 56 / 0 / 45

HEX #433E8D

RGB 67 62 141

HSL 243.8, 0.39%, 0.4%

LAB 30.79, 24.91, -43.41

 

CMYK 38 / 56 / 0 / 45

HEX #583E8D

RGB 88 62 141

HSL 259.75, 0.39%, 0.4%

LAB 32.79, 30.01, -40.08

 

CMYK 23 / 56 / 0 / 45

HEX #6D3E8D

RGB 109 62 141

HSL 275.7, 0.39%, 0.4%

LAB 35.24, 35.67, -36.03

 

CMYK 7 / 56 / 0 / 45

HEX #833E8D

RGB 131 62 141

HSL 292.41, 0.39%, 0.4%

LAB 38.19, 41.88, -31.17

 

CMYK 0 / 56 / 7 / 45

HEX #8D3E83

RGB 141 62 131

HSL 307.59, 0.39%, 0.4%

LAB 39.15, 42.91, -23.44

 

CMYK 21 / 56 / 0 / 67

HEX #422554

RGB 66 37 84

HSL 277.02, 0.39%, 0.24%

LAB 20.52, 23.57, -23.34

 

CMYK 22 / 57 / 0 / 56

HEX #583171

RGB 88 49 113

HSL 276.56, 0.4%, 0.32%

LAB 28.02, 30.34, -30.2

 

CMYK 21 / 56 / 0 / 45

HEX #6F3E8D

RGB 111 62 141

HSL 277.22, 0.39%, 0.4%

LAB 35.49, 36.22, -35.61

 

CMYK 22 / 56 / 0 / 33

HEX #854AAA

RGB 133 74 170

HSL 276.88, 0.39%, 0.48%

LAB 42.44, 42.38, -41.85

 

CMYK 18 / 47 / 0 / 27

HEX #9963BA

RGB 153 99 186

HSL 277.24, 0.39%, 0.56%

LAB 50.97, 37.83, -37.57

 

CMYK 21 / 56 / 0 / 45

HEX #6E3E8C

RGB 110 62 140

HSL 276.92, 0.39%, 0.4%

LAB 35.31, 35.71, -35.3

 

CMYK 0 / 56 / 45 / 45

HEX #8D3E4E

RGB 141 62 78

HSL 347.85, 0.39%, 0.4%

LAB 37.22, 35.17, 6.86

 

CMYK 56 / 0 / 45 / 45

HEX #3E8D4E

RGB 62 141 78

HSL 132.15, 0.39%, 0.4%

LAB 52.54, -38.55, 26.42

 

CMYK 21 / 56 / 0 / 45

HEX #6E3E8C

RGB 110 62 140

HSL 276.92, 0.39%, 0.4%

LAB 35.31, 35.71, -35.3

 

CMYK 0 / 23 / 56 / 45

HEX #8D6D3E

RGB 141 109 62

HSL 35.7, 0.39%, 0.4%

LAB 48.19, 6.78, 30.88

 

CMYK 56 / 0 / 23 / 45

HEX #3E8D6D

RGB 62 141 109

HSL 155.7, 0.39%, 0.4%

LAB 53.14, -32.28, 9.85

 

CMYK 21 / 56 / 0 / 45

HEX #6E3E8C

RGB 110 62 140

HSL 276.92, 0.39%, 0.4%

LAB 35.31, 35.71, -35.3

 

CMYK 0 / 56 / 45 / 45

HEX #8D3E4E

RGB 141 62 78

HSL 347.85, 0.39%, 0.4%

LAB 37.22, 35.17, 6.86

 

CMYK 33 / 0 / 56 / 45

HEX #5E8D3E

RGB 94 141 62

HSL 95.7, 0.39%, 0.4%

LAB 53.79, -30.55, 36.67

 

CMYK 56 / 0 / 11 / 45

HEX #3E8D7D

RGB 62 141 125

HSL 167.85, 0.39%, 0.4%

LAB 53.55, -28.31, 1.22

 

CMYK 21 / 56 / 0 / 45

HEX #6E3E8C

RGB 110 62 140

HSL 276.92, 0.39%, 0.4%

LAB 35.31, 35.71, -35.3

 

CMYK 0 / 50 / 56 / 45

HEX #8D463E

RGB 141 70 62

HSL 6.08, 0.39%, 0.4%

LAB 38.53, 29.27, 18.67

 

CMYK 33 / 0 / 56 / 45

HEX #5E8D3E

RGB 94 141 62

HSL 95.7, 0.39%, 0.4%

LAB 53.79, -30.55, 36.67

 

CMYK 56 / 6 / 0 / 45

HEX #3E858D

RGB 62 133 141

HSL 186.08, 0.39%, 0.4%

LAB 51.52, -19.75, -11.08

 

Description

Color code: HEX #6E3E8C | qconv.com Color code: HEX #6E3E8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 62 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 62 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 56 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 56% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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